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俄語中，有一群動詞是表示不同的運動方式(有時是藉著交通工具)，這就是運動動詞。由於語言和文化上的差異，對於所有的外國學生，包含台灣學生在內，學習運動動詞(帶前綴的運動動詞)時，確實造成不小的困擾。此外，在俄語中的運動動詞有定向和不定向的區分，俄國人能夠很清楚地分辨它們，但相較於沒有這種概念的台灣學生來說，在選擇定向或是不定向的運動動詞時，往往會使用錯誤。更值得一提的是 — 帶前綴的運動動詞不僅在俄語教學中是一項很大的挑戰，而且它們在構詞、詞彙、語法和語義等方面也有許多不同的特性。這些原因都是造成台灣學生在學習俄語運動動詞時所會面臨到的問題。本論文從語言歷史的角度出發，探討俄語中運動動詞的意義在歷史演進中的改變；其次，以構詞、詞彙、語法和語意這一方面的理論，來分析運動動詞所具有的特徵(例如:派生詞和非派生詞；及物動詞和非及物動詞；詞彙的直義和轉義；詞彙的隱喻意義和借喻意義；語義場等)；同時，以功能修辭學的觀點來解析運動動詞在功能語體中扮演的角色。

本論文觀察台灣地區國語閩南口音，也就是俗稱的「台灣國語」中展現的單元音化以及擦音卸解現象，建立「台灣國語語料庫」作為本論文分析的基礎，並且從優選理論的觀點探討這些台灣國語音韻現象。 根據「台灣國語語料庫」的數據顯示，韻核後介音 /j/ 以及 /w/ 容易被語者刪除，韻核前介音 /j/ 以及 /w/ 則傾向被語者保留。輕擦音 /f/ 在台灣國語中常被卸解為 /hw/。 本文的分析認為，國語閩南口音是一種方言的變異，反映了閩南語以及國語的部份制約排序。當語者表現出明顯的閩南語口音時，反映出閩南語的部份制約排序；而語者的閩南語口音較不明顯時，則反映了國語的部份制約排序。 / This thesis investigates monophthongization and fricative reconfiguration in the Taiwanese Accent of Mandarin (TM), and establishes the TM corpus as the base of phonological analysis. The Optimality Theory approach is adopted to account for the phonological phenomenon of TM. As indicated by the TM corpus, the postnuclear glides /j/ and /w/ tend to be deleted in TM; the prenuclear glides /j/ and /w/ tend to be preserved in TM; and the fricative /f/ tend to reconfigurate as /hw/ in TM. Our analysis considers that TM is a dialectal variation which reflects the subgrammars of Taiwanese and Mandarin. When the speaker shows a clear Taiwanese accent, the partially ordered ranking of Taiwanese is reflected; and when the speaker shows no obvious Taiwanese accent, the partially ordered ranking of Mandarin is reflected.

在臺灣，教授高中英語聽講課的老師常要苦思尋索如何選用教材與方法以引起學生的學習動機。研究者發現一些老師偶爾會在課堂中運用戲劇技巧，例如角色扮演以誘發學生的學習興趣。是以引發研究者的研究動機：嘗試應用一套有系統、有效又完整的「戲劇教學法」順利推進課程。 是以，研究者採用國立政治大學英國語文學系教師研究團隊在政大實小所進行的英語戲劇教學模式，在英語聽講課進行一學期的實驗教學行動研究。亟盼透過本研究成果提供不熟悉戲劇教學或擔心戲劇教學費時的英語教師們，一種非傳統式的英語聽講課。 本研究採質性研究，研究對象為32名高中一年級學生，研究者依上述教學研究模式設計15週的教學活動，研究資料採集研究者的上課觀察、錄影、學生回饋單、三份問卷、學生公演錄影及後測，加以分析整理出研究結果。 研究結果發現97%的學生喜歡此種戲劇實驗教學，特別是經過戲劇教學中劇本創作和不斷的演練、.及公演，學生的學習動機、語言能力、創造力及其它技能如布景服裝設計也因而增進。而此種課程可融合「語言教學」、「多元智慧」及「合作學習」等教學方法，提升學生的學習動機及語言能力，並可激發學生在戲劇表演及英語表達應用上的創造力。值得推廣。 / In Taiwan, English listening and speaking classes often trouble many English teachers with having to choose proper teaching materials or class activities to motivate students. The researcher observed some current teachers occasionally used some dramatic techniques, such as role play to elevate students’ interest. This motivated the present researcher to employ a more comprehensive and systematic drama teaching strategy in this course. Therefore, the researcher applied the model that was conducted in National Chengchi University Experimental Elementary School by a team of researchers at the English Department of the National Chengchi University to do this experimental drama teaching. The present research aims to provide the English teachers who are not good at drama teaching or view drama teaching as time consuming with a favorable, non-traditional method in the listening and speaking course. The participants included in this research were 32 students of the 10th grade. The researcher designed a 15-week course activities based on the NCCU model. A qualitative research method was utilized in this research. Data from the researcher’s observation, videotaping, students’ reflection, three questionnaires, students’ work, the formal performance videotaping and a post test were collected and analyzed to assess the effects of this action research. The findings indicated 97% of students liked this experimental drama teaching. Especially, through script creation, rehearsals and the formal performance, students’ learning motivation, four skills of language learning, creativity and other skills such as property and costume designs, were elevated. This course can integrate language learning, multiple intelligence theory, and cooperative learning theories to motivate and strengthen students’ proficiency and creativity in using English as a second language. Drama teaching in listening and speaking course is worthy of recommendation. .