Relevant de l’intérêt renouvelé de l’histoire sociale pour la période des « années 1968 », ce travail cherche à comprendre à la fois les conditions de possibilité de la création d’une institution telle que le « Centre universitaire expérimental de Vincennes » et comment celle-ci a été initialement façonnée par les investissements pratiques et les projections de ses concepteurs, fondateurs et premiers acteurs. A la croisée de la sociologie des politiques publiques éducatives et de l´histoire sociale des champs intellectuels, la socio-histoire de cette expérience universitaire participe de la connaissance des effets de la crise symbolique sans précédent de Mai 68, et offre une voie d´entrée à l´histoire des idées qui prend en compte simultanément les acteurs mobilisés et mobilisables que sont les étudiants et les enseignants, et leurs négociations avec le pouvoir politique. A l’échelle macro-sociologique, cette recherche s’attache à éclairer les logiques qui président au développement morphologique et symbolique de l´Université depuis les années 50 et participe de la connaissance du fonctionnement de l’Etat et du pouvoir politique en conjoncture de crise. A l’échelle micro-sociologique, elle se veut attentive aux logiques d’action des acteurs sociaux et aspire à comprendre comment et pourquoi, suivant quels représentations, dispositions et intérêts, les acteurs (individuels et collectifs) investissent leurs rôles et « métiers » (de hauts fonctionnaires, responsables politiques, « intellectuels », enseignants-chercheurs, étudiant), sans sous-estimer les contraintes qui pèsent sur eux. Ce travail s’appuie sur des matériaux complémentaires (archives, entretiens, biographies, statistiques) qui permettent de mettre en perspective « données quantitatives » et « données qualitatives », et de renseigner les deux échelles d’analyse. / Building on social history renewed interest for the “long 1968” period, this work seeks to understand both the conditions of possibility of an institution such as the “Experimental University of Vincennes” (Centre universitaire expérimental de Vincennes) and the way it was initially shaped by the practical concerns and projections of its planners, creators and first actors. Between a sociology of education policies and a social history of intellectual fields, the history of this university experiment adds to our knowledge of the symbolic crisis of May 1968, and paves the way for a history of ideas which simultaneously takes into account the mobilized and mobilizable actors that are students and professors, and their negotiation with the political power.On a macrosociological scale, this research aims to shed light on the logics that led to the morphological and symbolic development of the University since the 1950s and adds to our knowledge of the functionning of the state and policial power in a context of crisis. On a microsociological scale, it focuses on the logics of action of social actors and seeks to understand how and why, according to which representations, dispositions and interests, actors (both individual and collective) assume their roles and “professions” (of high-civil servants, political leaders, “intellectuals”, professors, students), without underestimating the constraints that are imposed on them. This work is based on complementary materials (archives, interviews, biographies, and statistics) which put in perspective “quantitative data” and “qualitative data”, combining two scales of analysis.

Submitted by Marco Antonio Oliveira da Silva (maosilva@ipen.br) on 2016-12-22T16:27:41Z No. of bitstreams: 0 / Made available in DSpace on 2016-12-22T16:27:41Z (GMT). No. of bitstreams: 0 / Os métodos para o diagnóstico clínico de câncer de próstata incluem o toque retal e a dosagem do antígeno prostático específico (PSA). Entretanto, o nível de PSA encontra-se elevado em cerca de 20 a 30% dos casos relacionados a patologias benignas, o que resulta em falsos positivos e leva os pacientes a realização de biópsias desnecessárias. O antígeno de membrana prostático específico (PSMA), ao contrário, é sobre expresso no câncer de próstata e encontrado em baixos níveis em órgãos saudáveis. Em razão disso, estimulou-se o desenvolvimento de pequenas moléculas inibidoras do receptor de PSMA, que carreguem agentes de imagem ao tumor e que não sejam prejudicadas pela microvasculatura deste. Estudos recentes sugerem que o quelante HBED-CC contribui intrinsicamente para a ligação do peptídeo inibidor de PSMA baseado em ureia (Glu-ureia-Lys) ao grupo farmacofórico. Este trabalho descreve os estudos de otimização das condições de radiomarcação do PSMA-HBED-CC com 68Ga, utilizando sistema automatizado (módulo de síntese) e método não automatizado, buscando estabelecer uma condição adequada de preparação deste novo radiofármaco, com ênfase no rendimento da marcação e na pureza radioquímica do produto. Também objetivou avaliar a estabilidade do peptídeo radiomarcado em condições de transporte e estudar a distribuição biológica do radiofármaco em camundongos sadios. O estudo dos parâmetros de radiomarcação possibilitou definir um método não automatizado que resultou em alta pureza radioquímica (> 95%), sem a necessidade de purificação do radiomarcado. Já o método de marcação automatizado foi adaptado para utilizar módulo de síntese e software já disponíveis no IPEN, e também resultou em rendimento de síntese elevado (≥ 90%) e superior aos descritos em literatura, com a vantagem associada de maior controle do processo produtivo em atendimento aos requisitos de Boas Práticas de Fabricação. O estudo dos parâmetros de radiomarcação permitiu a obtenção do PSMA-HBED-CC-68Ga com atividade específica superior à utilizada em estudos clínicos publicados (≥ 140,0 GBq/μmol), com estabilidade suficientemente longa, que permitirá o transporte às clínicas para aplicação na obtenção de imagens diagnósticas. Os perfis de biodistribuição e farmacocinético do peptídeo radiomarcado foram compatíveis com os encontrados na literatura. Conclui-se que o PSMA-HBED-CC-68Ga, é uma importante ferramenta de diagnóstico do câncer de próstata por imagem PET, pode ser produzido tanto por método automatizado ou não automatizado, com alta pureza radioquímica, alto rendimento de síntese e estabilidade do radiofármaco. / Dissertação (Mestrado em Tecnologia Nuclear) / IPEN/D / Instituto de Pesquisas Energéticas e Nucleares - IPEN-CNEN/SP

Comment peut-on transformer un Je réel en œuvre ? À quoi peut-on reconnaître dans une œuvre l’identité de ce Je et de l’auteur ? Dans cette recherche, nous voudrions tenter d’explorer un espace autobiographique dans le domaine cinématographique, à partir de la présence d’un double filmique du cinéaste, d’un autre moi dont l’identité se construit et se prolonge de film en film.Dans le cinéma français, nous pouvons relever trois types de double filmique : l’« Orphée-poète » de Jean Cocteau, l’« Antoine Doinel » de François Truffaut, et cet « ancien militant de la génération 68 » de Romain Goupil. Au travers de ces figures de l’image de soi, les trois cinéastes, dont les univers filmiques se différencient radicalement les uns des autres, parviennent à se raconter eux-mêmes au-delà de toute référence biographique.Afin de mettre en lumière certaines caractéristiques de l’expression du Je, nous voudrions étudier les diverses facettes du regard porté sur soi : nous y verrons ce regard croisé avec un moi-autre, qui nous mènera jusqu’au regard impossible sur sa propre mort. Tous ces regards seront aussi étudiés au travers des diverses modalités de la façon dont nous entendons la voix du cinéaste. Le regard de l’auteur se dédouble sans cesse dans une inlassable dialectique entre le moi réel et un autre moi. De ce dédoublement du regard résulte d’ailleurs une forme de polyphonie. Si nous parvenons à reconnaître une œuvre comme autobiographique, c’est du fait de ce dédoublement du regard et de la voix, qui s’opère à l’intérieur de l’œuvre elle-même. / In which way does a cineaste transforme his or her reel self into works? How can we recognize this self-image in the films? This study concerns the autobiographical expression in the films of sevral french cineastes, such as Jean Cocteau, François Truffaut, and Romain Goupil, those who intended constantly to create their own cinematic double all over their works. We will see the distinctive character of self-expression films through the various aspects of cineastes’ introspective gaze : those toward his « another self », toward his own death, etc. These gazes might be also examined in relations with the various ways that we can hear the polyphonic voices of cineastes.

No abstract available. / Dissertation (LLM)--University of Pretoria, 2013. / gm2014 / Mercantile Law / unrestricted

In this report we describe the conversion of a simple Master-Worker parallel program from global blocking communications to non-blocking communications. The program is MPI-based and has been run on different computer architectures. By moving the communication to the background the processors can use the former waiting time for computation. However we find that the computing time increases by the time the communication time decreases in the used MPICH implementation on a cluster of workstations. Also using non-global communication instead of the global communication slows the algorithm down on computers with optimized global communication routines like the Cray T3D.

By combining literary criticism, philology, and contemporary psychoanalysis, this dissertation offers an innovative interpretation of Neronian court literature (Seneca, Lucan, and Petronius). I argue that the works of these three authors thematize and embody a problematic relation between the human subject and language. Language is not conceived or represented as an inert tool that can be easily appropriated by the speaking subject, but rather as a powerful entity that may, and often does, take control of the human subject, directing it from without. Besides analyzing how Seneca, Lucan, and Petronius portray the relation between the human subject and language in the internal plots and characters of their works, I also explore the relation between these three authors themselves and language. My conclusion is that this relation is defined by unresolved ambiguities and neurotic tensions, and I suggest that this might be a consequence of the traumatizing circumstances that the three examined authors endured at Nero’s court.

No description available.

No description available.

京都大学 / 新制・課程博士 / 博士(文学) / 甲第23626号 / 文博第883号 / 新制||文||712(附属図書館) / 京都大学大学院文学研究科現代文化学専攻 / (主査)教授 小野沢 透, 教授 塩出 浩之, 准教授 藤原 辰史, 永原 陽子 / 学位規則第4条第1項該当 / Doctor of Letters / Kyoto University / DGAM

This thesis is about the Assimilation Policy against the minority Kvens in the years 1840-1950. The purpose of this thesis is to investigate which role the Church of Sweden played in the assimililation and what made bishops and priests to take this role. The base is the theoretical concepts of nation and nationalism, identity and etnicity, minority and majority and authority. This study is mainly a collocation of previous research. In november 2023, the Swedish state finished a commissionwork about the Assimilation Policy against the Kvens and gave an account for the discrimination, excesses and assimilation from the state and the Church of Sweden against the Kvens. (SOU 2023:68) That work is the main source in this thesis. During the investigated period, the church was intertvined with the state which made it a part of the nationalistic endeavor to make every person in Sweden a good citizen and a good Evangelic-Lutheran Christian. The church contributed in coercive methods such as language compulsion to teach every person Swedish, Racial biology and Eugenics and to make the Kvens change place for worship. The only approved language in both the state and the church was Swedish and this enforced the Kvens to learn a new language and stop using their own minority language Meänkieli. It started with the children, but with time every Kven was affected by the Assimilation Policy. The Religious Revivial movement the Laestadianism became a safe haven for the Kvens because during their services Meänkieli was allowed. Thanks to the Laestadianism the Kvens could continue to meet Kvens in Finland and Norway in a transnational community. Both the Swedish state and the Church of Sweden felt treatened by this transnational community which they feared was a threat to the nation and the homogenization. The church became a part of the nationalistic struggle to make Sweden strong and independent. Both the state and the church believed in "one nation–one language–one church". A strong nation was homogenous with all citizens sharing in traditions, history, religion and language of the majority. The Kvens were faulty people according to race, language and worship.  The period with Assimilation Policy is a dark chapter in the history of both the Kvens and the Church of Sweden.