Orientador: Nina Virginia de Araujo Leite / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-12T15:58:29Z (GMT). No. of bitstreams: 1 Leite_ClaudiaAparecidadeOliveira_D.pdf: 1255162 bytes, checksum: 51312fad47da614f80adcf78bf6149e9 (MD5) Previous issue date: 2008 / Resumo: O nome próprio possui, na língua, um lugar de difícil manejo e elaboração teórica. Essa dificuldade de análise se torna potencializada quando se trata de nome próprio de pessoa, pois o nome próprio, no caso do humano, inclui um corpo. Essa tese, que já destaca em seu título o laço que liga nome e corpo, pretende discutir as vicissitudes cabíveis nesse enlaçamento. Para tal, partimos dos movimentos constitutivos que participam da emergência do sujeito e que estão implicados no ato de nomear (n'homear) salientando a dimensão do Nome-do-Pai nesse ato. Tais apontamentos foram construídos considerando a leitura que Freud fez do caso Schreber e as elaborações de Lacan sobre James Joyce, letra e escrita. / Abstract: Not informed. / Doutorado / Linguistica / Doutor em Linguística

Lacan introduit le concept de lettre dans son enseignement pour définir la direction de lacure analytique. Dans cette perspective, la définition de la lettre s’avère essentielle pour lapsychanalyse. Néanmoins, la définition de la lettre change au fur et à mesure que Lacanavance dans son enseignement. Ce changement de perspective implique une nouvelleconception de la clinique. De cette manière, ce travail propose d’étudier les différentsusages cliniques de la lettre dans l’enseignement de Jacques Lacan. Dans un premier temps,il s’agit d’un usage représentatif de la lettre. Cela implique la production des effets de sens.À ce moment-là, la lettre et le signifiant ne sont pas distingués. Cet usage de la lettre permetde définir la psychanalyse comme une pratique du bien-dire. Dans un second temps, ils’agit d’un usage de jouissance de la lettre. Cela implique la production d’une jouissancehors sens. Cette fois-ci, Lacan réussit à distinguer la lettre et le signifiant. Cet usage de lalettre permet de définir la psychanalyse comme une pratique du savoir-lire. Bien-dire etsavoir-lire désignent ainsi deux modalités d’usage de la lettre. C’est pourquoi cetterecherche a pour objectif de démontrer que la psychanalyse est une pratique de la lettre. / Lacan introduced the concept of the letter in his teaching in order to define the direction ofthe analytic cure. In this perspective, the definition of the letter is essential forpsychoanalysis. Nonetheless, the definition of the letter changed throughout the course ofhis teaching and this change of perspective implies a new conception of the clinic. As such,in this work we propose to study the different clinical uses of the letter in Jacques Lacan'steaching. Initially, it involved a representative usage of the letter, one which implies theproduction of meaning effects. At this moment, the letter and the signifier areindistinguishable. This use of the letter permits one to define psychoanalysis as a practiceof saying-well. Secondly, it involves the letters use of jouissance, which implies theproduction of senseless jouissance. This time, Lacan successfully distinguishes betweenletter and signifier. This use of the letter permits one to define psychoanalysis as a practiceof knowing-how-to-read. As such, saying-well and knowing-how-to-read designate twomodalities for the usage of the letter. The objective of this investigation is thus that ofdemonstrating that psychoanalysis is a practice of the letter.

Lors de la préparation de L’Évangile selon Matthieu (1964), Pier Paolo Pasolini indique dans une lettre au théologien Lucio Caruso qu’il ne souhaite pas adapter le texte biblique mais le « traduire fidèlement en images ». Adapter une œuvre littéraire pour le grand écran consiste généralement à en extraire un « contenu » à partir duquel un scénario sera développé. Or, c’est à l’œuvre matthéenne que le cinéaste souhaite nous ramener, non à l’histoire du Christ. Il va ainsi s’attacher à traduire la poésie du texte au moyen du cinéma. Le concept de traduction auquel Pasolini fait appel ne désigne-t-il pas un mode de relation aux œuvres dont pourraient relever d’autres films réalisés à partir de sources écrites ? C’est ce que cette thèse entend vérifier en rapprochant l’expérience de L’Évangile du travail entrepris par Danièle Huillet et Jean-Marie Straub à partir de plusieurs textes et de la relation entretenue par le cinéma de Béla Tarr aux écrits de László Krasznahorkai. À travers ces démarches apparaît la possibilité d’une altération formelle du film par le texte. Elles nous font passer du régime de la translation, qui sous-tend la majorité des théories de l’adaptation, à ceux de la reprise et de la métamorphose. Que ce concept de traduction puisse éclairer certains aspects de la pratique cinématographique, c’est ce que je chercherai simultanément à démontrer. La vision d’un film tient d’une énonciation continue où s’éprouve la langue. Aussi, envisager le cinéma comme un espace traductif, c’est y voir un lieu possible de redistribution des positions et de reconfiguration des énoncés. Cette poétique du traduire est une politique, qui engage une conception de la création artistique. / During the preparation of The Gospel According to Matthew (1964), Pier Pasolini stated in a letter to theologian Lucio Caruso that he did not want to adapt the biblical text, but wished to “translate [it] faithfully into images”. To adapt a literary work onto the big screen usually consists in extracting out of it a “content” from which a script can then be developed. But Pasolini’s intent was to take us back to the text of the gospel, not to the story of Christ – hence his endeavour to translate the text’s poetry by means of cinema. The concept of translation invoked by Pasolini denotes a certain mode of relationship to a given work. Could this mode pertain to other films derived from written sources? This is what will be investigated in this thesis, by bringing together the experience of The Gospel According to Matthew and two other approaches: on the one hand, the works by Danièle Huillet and Jean-Marie Straub based on various texts; on the other hand, the relationship between Béla Tarr’s cinema and László Krasznahorkai’s writings. Through these processes emerges the idea of a possible alteration of the film’s form by the text. From the rule of translation, which underlies most of the theories of adaptation, we move to the rule of reprise and metamorphosis. I will also try to demonstrate that this concept of traduction can shed light on some aspects of the practice of filmmaking. The viewing of a film is a continuous enunciation where the language is being experienced. Therefore, to consider cinema as a translative space is to perceive it as a place where positions can be dealt anew and utterances reshaped. This translative poetics is actually a politics, and one which affects our conception of artistic creation.

This study examines the crisis of identity the United States was experiencing in the nineteenth-century through two of the major literary works of Nathaniel Hawthorne, The Scarlet Letter and The Marble Faun. Hawthorne, who lived through this crucial and important developmental period, was concerned as to what this identity would be, how the United States would shape and define itself, and what its future would be if this identity was malformed. In addition, this study will look at counter-monuments as argued by James E. Young in his essay “The Counter-Monument: Memory against Itself in Germany Today” to expand on these issues of identity. If according to Young, the ideal goal of the counter-monument is “not to remain fixed but to change,” one can conclude that Hawthorne understood that national identity must be fluid; otherwise, the nation would crumble under the pressure and force of change.

This thesis describes the contract of purchase and kinds of terms of payment with regard to the moment of the settlement of the purchase price. The main subject of the thesis is especially the documentary system of payments. The thesis characterizes the documentary letter of credit and the documentary collection as two of the most considerable payment and custodial banking instruments in an international trade. It deals with advantages and disadvantages of their using, their main principles, relations between participants in documentary transactions and with a description of the whole process of operations with these documentary instruments. Further there are captured individual kinds of documentary letter of credits and documentary collections in the thesis. The thesis also deals with a comparison of the documentary letter of credit and the documentary collection from standpoints of advantages and disadvantages, which these instruments may bring to both parties of the contract of purchase. To complete general questions the thesis also deals with documents, that are used by documentary payments. In conclusion, the thesis outlines the current development in the field of the documentary system of payments.

L’objectif de ce travail de thèse était d’étudier l’implication des systèmes visuels magnocellulaire et parvocellulaire dans le traitement de langage écrit, spécialement dans l’identification des mots. Quatre études expérimentales ont été réalisées afin de documenter le rôle respectif de ces deux systèmes pour différentes composantes de la structure du mot écrit, la lettre (Etude 1), la longueur du mot (Etude 2) et l’enveloppe du mot (Etude 3), ainsi que le voisinage orthographique (Etude 4). La dissociation des deux sous-systèmes visuels se fondait sur leurs caractéristiques fonctionnelles spécifiques : sensibilité aux fréquences spatiales basses et au contraste de luminance pour le système magnocellulaire ; sensibilité aux fréquences spatiales moyennes et élevées et au contraste chromatique pour le système parvocellulaire. Les participants étaient des adultes jeunes normolecteurs et des enfants de 10-11 ans, lecteurs novices, afin d’envisager l’implication de chaque système visuel à deux étapes de leur développement : maturité chez l’adulte jeune ; en cours de maturation chez l’enfant. Les résultats ont confirmé le rôle prépondérant des traitements parvocellulaires, ce qui corroborait le privilège accordé au traitement des lettres et traits des lettres dans la reconnaissance visuelle des mots. Le traitement de la longueur du mot s’est en revanche révélé être une dimension sélectivement magnocellulaire. L’ensemble des résultats est discuté dans le cadre de l’approche coarse-to-fine. / The main objective was to study the implication of the magnocellular and the parvocellular visual systems in written language processing, specifically in word identification. Four studies were carried out to document the respective roles of these two systems, for different components of the written word structure, the letter (Study 1), the word length (Study 2), the word shape (Study 3) and the orthographic neighborhood (Study 4). The dissociation of the two visual systems was based on their specific functional characteristics: sensitivity to low spatial frequencies and luminance contrast for the magnocellular system; and sensitivity to medium and high spatial frequencies and chromatic contrast for the parvocellular system. The participants were young adult normal readers and 10-11 years-old children, novice readers, in order to consider the involvement of each visual system at two stages of their development: mature in young adults while still maturing in the children. The results confirmed the prominent role of parvocellular processing, which was consistent with the privilege accorded to the processing of letters and letters features in visual word recognition. On the other hand, word length processing has been shown to be a selectively magnocellular dimension. All results are discussed in the framework of the coarse-to-fine approach.

In der Festschrift für Jürgen Hering (2002) veröffentlichte Antonius Jammers, Generaldirektor der Staatsbibliothek zu Berlin von 1995 bis 2002, die Erinnerungen seines Vaters an die Dresdner und Leipziger Zeit der Bibliotheksausbildung 1925 bis 1927. Der 71jährige hatte sie unter dem Titel „Der werdende Bibliothekar“ auf 15 Seiten niedergeschrieben und seinem Sohn überreicht, als dieser 1968 seine erste Bibliotheksstelle in Bonn antrat...

NOVOTNÁ, Monika. Graphic sign in context of school and town. Prague, 2014.Thesis. Charles University in Prague, Faculty of Education, Department of Fine Arts. Supervisor Mgr. Helena Kafková, 90 pages. In the theoretical part I focus on a sign, the graphical sing. I sort out its forms. I present the sing as a nonverbal system of communication and a way of labelling objects. I search for the connections and contradictions of the existence of legal [traffic signs, orientation signs, signboards] and illegal graphic signs [graffiti and street art] in the public space. In the didactic part I suggest and realize the art projects where some technics of graffiti and street art are used. The artistic themes: SING - LETTER - PICTOGRAM - PUBLIC SPACE are processed at my art lessons at both primary and secondary schools. We discuss the meaning of these words in the public space. The part of the thesis is a research study among the pupils of a primary and secondary school which tries to point at either different or the same art perceptions by the pupils and their mental constructions of these. There I try to connect the street art and graffiti with the topics of private property, vandalism and personal attitudes versus the state and society. I offer to the children the question of personal freedom of an...

The Archivio Storico Ricordi holds the historical records of one of the most important music publisher of all times. For almost two hundred years, beyond their main business as music publishers, the Ricordis were also impresarios, agents, and cultural organisers, and played a central and unique mediating role within Italian musical life. This role is very well documented by some 30,000 autograph letters addressed to Casa Ricordi by composers, writers, librettists, singers, and conductors, and an impressive and neatly ordered collection of around 600,000 sent letters. The whole collection will be published online bit by bit. The goal of the project is to connect the letters not only with the relevant records of the Ricordi archive (ledgers, contracts, stage designs, scores, pictures...), but also with other music archives over the web. / Das Archivio Storico Ricordi sammelt historische Materialien eines der bedeutendsten Musikverlagshäuser aller Zeiten. Über fast 200 Jahre prägten die Ricordis nicht nur durch ihre Verlagstätigkeit, sondern ebenso als Impresarios, Agenten, Kulturförderer und -manager das italienische Musikleben. Rund 30 000 an die Ricordis gerichtete autografe Schreiben von Komponisten, Schriftstellern, Librettisten, Sängern und Dirigenten sowie 600 000 von den Ricordis verfasste Briefe dokumentieren die herausragende Rolle der Verlegerfamilie. Die gesamte Sammlung wird nach und nach online zur Verfügung gestellt. Dabei werden die Schriftstücke nicht nur mit anderen Objekten des Ricordi-Archivs wie Verlagsbüchern, Verträgen, Bühnenentwürfen, Noten, Bildern, sondern ebenso mit Materialien anderer Musikerarchive im Web verlinkt.

Denna studie undersökte kvinnors upplevelser när de fick ett HPV-positivt screeningresultat brevledes. Den svenska screeningen för förebyggande av livmoderhalscancer meddelar resultatet i ett kort, standardiserat brev. Efter att ha inkluderat humant papillomvirus (HPV) i analysen år 2014 verkade kvinnor bli mer oroliga för resultatet som kunde meddela en sexuellt överförd infektion (STI).En intervjustudie genomfördes med åtta kvinnor och empiriska data analyserades med receptionsteori. Resultaten visade vilka känslor kvinnor kämpade med, om de upplevde en negativ inverkan på deras sexualitet och om de var nöjda med ett brev som kommunikationssätt.Okunnighet om HPV och rädsla för cancer var centrala resultat. Kvinnor beskrev till och med en förändring i attityd till andra sexuella praktiker än vaginalt samlag. Resultatbrevet ansågs vara för kort och inte så informativt som nödvändigt. Detta fick samtliga kvinnor att söka efter mer information främst på internet för att hitta svar på deras frågor.Sammanfattningsvis finns det ett behov av grundlig och strukturerad information relaterad till HPV och påverkan på livmoderhalsen. Personal inom hälso- och sjukvårdssystemet bör vara lyhörda för kvinnors oro över deras screeningresultat. / This study explores women´s experiences when receiving their HPV-positive pap smear result as a letter. The Swedish screening programme for the prevention of cervical cancer notifies of the result in a short, standardised letter. After including human papilloma virus (HPV) in the analysis in 2014 women appeared to become more worried about the result showing a sexually transmitted infection (STI). An interview study was performed with eight women and the empirical data was analysed with reception theory. The study-results show which feelings women struggled with, whether they experienced a negative impact on their sexuality, and whether they were content with a letter as communication method for their results. Ignorance of HPV and fear of cancer were central findings. Women even described a change in attitude towards sexual practices other than vaginal intercourse. The result letter was considered to be too short and not as informative as needed. This caused all the women to look for more information foremost on the internet in order to find answers to their questions.In conclusion there is a need for thorough and structured information related to HPV and impact on the cervix. Healthcare system personnel should have a sensitive ear for women´s concerns about their pap smear results.