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1	Schelling's Thoughts on Human Freedom: New Investigations Into An Old Problem Traman, Ethan Jerald 01 December 2012 (has links) In this paper I have shown the ways in which Schelling thinks through and posits a new conception of freedom. Freedom is reconsidered as the constitutive element of creation, rather than as a derivative property. His investigations into human freedom take into account both a pantheistic world-view and a reconsideration of the meaning of "identity". Specifically, I have shown that Schelling revitalizes these old doctrines in order to maintain their status as living. In this vein we are given over to a reconsideration of the Creation as it relates to freedom. In this paper I focus on Schelling's elaboration on the nature of human freedom and the meeting of necessity and freedom in the person. The "system" of freedom reaches a crucial point in the human being's capacity for good and evil, wherein freedom and necessity intertwine in the will of the individual. abgrund freedom investigations schelling
2	O problema do fundamento nos escritos de Heidegger: de 1927 a 1930 MARQUES, Victor Hugo de Oliveira 05 July 2012 (has links) Made available in DSpace on 2014-07-29T15:06:27Z (GMT). No. of bitstreams: 1 Dissertacao Fundamento Heidegger.pdf: 840915 bytes, checksum: e63295921f12650e9333ded7a5b86f67 (MD5) Previous issue date: 2012-07-05 / A questão filosófica do fundamento está, de alguma forma, vinculada com a possibilidade de sua negação, ou seja, a necessidade de elevar o fundamento à ordem da objetividade revela justamente que o absurdo, o acaso, a contingência, a finitude, o acidente entre outros põe em questão a própria exigência fundacionista. Neste sentido, há uma real necessidade de discutir quais são as condições de possibilidade da fundamentação. Para tanto, toma-se os escritos de Heidegger pós Ser e Tempo e antes da chamada viragem (1927-1930). Estes textos apresentam uma discussão com o Princípio de Razão Suficiente como foi formulado por Leibniz, na medida em que este princípio é conhecido pela tradição filosófica como o princípio fundamental dos raciocínios . Contudo, a questão norteadora desta pesquisa não está em simplesmente apreender a compreensão heideggeriana do princípio leibniziano e sua função fundamentadora, mas em discutir se, a partir da proposta heideggeriana de um fundamento sem fundamento (Abgrund), pode-se justificar um niilismo ou, ao contrário, o esforço filosófico de pensar o fundamento em sua radicalidade, sem, no entanto, conduzi-lo à fundamentação última. Princípio de Razão Suficiente Transcendência do Dasein Liberdade Fundamento Abgrund CNPQ::CIENCIAS HUMANAS::FILOSOFIA
3	Johannes F. Lehmann, Im Abgrund der Wut. Zur Kultur- und Literaturgeschichte des Zorns. Rombach, Freiburg/Br. 2012. 568 S., € 68,–. Bremerich, Stephanie 01 February 2023 (has links) No description available. info:eu-repo/classification/ddc/800 ddc:800
4	Laut, Ton, Stärke Schreiner, Florian 03 May 2010 (has links) Historisch wird die Arbeit von zwei Daten her begrenzt, von den ersten hör-physiologischen Experimenten seit 1850, und von den massenwirksamen akustischen Inszenierungen der 1930er Jahre in „real auditory perspective“. Die Arbeit beginnt in Kapitel I mit dem tragischen Fall des Regisseurs und langjährigen Psychiatrie-Patienten Antonin Artaud, der die Sprache zugunsten von Lauten, Gebärden und Schreien verlässt. Seine Experimente zum Theater geben zu einer ersten Korrektur von Bildlichkeit Anlass. In Kapitel II wird der Vorrang der Bildlichkeit grundsätzlich in Frage gestellt, die Differenz von Bild und Klang wissenschaftshistorisch auseinandergesetzt, und ein „acoustic turn“ zur Welt vorbereitet. Die Untersuchungen des Physiologen und Akustikers Hermann von Helmholtz sind hier maßgeblich, denn sie beeinflussen die Technische Akustik von ihren Anfängen her. Das Kapitel III schließlich untersucht im transatlantischen Vergleich die technischen Bedingungen nach 1900. Die Beschallungsanlage hat nun die Fähigkeit, alltäglich in den Dienst genommen zu werden, und auch politischen Manipulationen diensthaft zu sein. / Historically the work is framed by two dates, by the physiological experiments of hearing and the mise en scène of a massed and sonic attack in so called „real auditory perspective“ of the 1930s. The first chapter starts with the tragedic and long living psychiatric case Antonin Artaud, who moves away from clarity of sounds to phones, gestures and crying. Such experiments give cause for a fundamental rethinking of meaning in the sense of picture, and leads to the second chapter which argues in more detail for the lap of our sonic understanding of the world. This way speeds up to an „acoutic turn“ by a retour to the biological grounds of sonic perception. The physiological and acoustic inquiries of Hermann von Helmholtz fit here to the ground for him being starting point of what will later be called „technische Akustik“. The third chapter bridges Europe´s early Telefunken-years with the United States and their chief acousticians at the legendary Bell Laboratories, and seeks finally for light in scientific amnesia against progress and control, or what the germans call „Betriebsamkeit“ and „Gestell.“ (Heidegger) Metaphysik Induktion Theater Abgrund Angst Anlage Befindlichkeit Berührung Beschallung decibel Elektroschock Futurismo Gebärde Gefühlsathletik Glockengeläut Grausamkeit Grund-Stimmung hifi-lofi Hörschwelle Innervation Intonation Klang Kultur-Betrieb Lautheit Lärmpegel Messtechnik Nachbilder Organ Phon Physiologie Präsentabilia Psychophysik Resonanzraum Schrei Sinnestäuschung Sirene Sprach-Losigkeit Sprung Schwingungsweite Stille Subjektil Tonlage Übermächtigung Wüste. sound metrology Abyss fear being touch acoustic irradiation decibel electroshock futurismo gesture athletics of feeling crualty basic tuning hifi-lofi threshold of audability inductivity innervation intonation cultural business loudness noise level metaphysics after-image organ phon physiology praesentabilia psychophysics resonance scream delusion siren loss of speech jump amplitude silence subjectil theater pitch overpowering desert 780 Musik 48 Musik EC 3520 AP 12300 ddc:780

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