The aim of this thesis is to interpret and discuss the weapon-graves of Viking Age Birka. The weapon-grave phenomenon is deemed differential in relation to the rest of the grave-material of the site, and thus the questions that motivate the thesis is: who was buried with weapons and why? Further questions arise regarding the social aspects of individuals who were buriedalong with weapons. The theoretical approach will be to evaluate any differences in 'social class', 'social age' and 'gender' between the weapon-grave contexts. By conducting qualitativeand quantified analysis of the grave-goods, this thesis adresses both overall and detailed patterns in correlation and constellations between weapons, other grave-goods and terms of burial.

Syfte: Syftet med uppsatsen var att undersöka och jämföra förväntningar och faktiska upplevelser på Birka, dels från arrangörernas sida och dels från besökarnas sida. Genom att ta reda på vilken upplevelse Riksantikvarieämbetet och Strömma Turism och Sjöfart vill ge sina besökare så kunde vi sedan mäta förväntningar och upplevelser bland besökarna och således jämföra dessa. Metod: Vi genomförde denna undersökning genom att hålla två kvalitativa intervjuer med dels Lena Johansson på Riksantikvarieämbetet och dels Andreas Forsgren på Strömma Turism och Sjöfart. Vidare så delade vi ut en enkätundersökning vid två olika tillfällen till besökare på Birka. Slutsats: Både Riksantikvarieämbetet och Strömma Turism och Sjöfarts mål är att ge sina besökare en genuin och lärorik upplevelse i vikingatida miljö. Resultatet visar att besökarnas förväntningar överrensstämmer med deras mål, medan den faktiska upplevelsen varierade. För många av besökarna överträffade upplevelsen förväntningarna, men för de allra flesta motsvarade upplevelsen bara deras förväntningar. Endast två personer upplevde att besöket inte motsvarade förväntningarna. Nyckelord: Birka, Strömma Turism och Sjöfart, Riksantikvarieämbetet, förväntningar, upplevelser, besökare, kundnöjdhet. / Purpose: The purpose of this paper was to investigate and compare the expectations and actual experiences at Birka, partly from the organizers and from the visitor´s side. By finding out what kind of experience the Swedish National Heritage Board and Strömma Turism och Sjöfart want to give their visitors, we could then measure the expectations and experiences with the visitors and thus compare them. Methodology: We conducted this study by holding two interviews, one with Lena Johansson of the Swedish National Heritage Board and one with Andreas Forsgren at Strömma Turism och Sjöfart. Furthermore we distributed a survey on two separate occasions for visitors to Birka. Conclusions: Both the Swedish National Heritage Board and Strömma Turism och Sjöfart aims to give its visitors a genuine and educational experience in a Viking Age setting. The result showed that visitor´s expectations are in accordance with the organizations objectives, while the actual experience varied. For many of the visitors the experience surpassed their expectations, but for most of the visitor´s the experience corresponded to their expectations. Only two people felt that the visit did not meet their expectations.

This paper deals with knives excavated in the Birka Garrison between 1997 and 2004, in a selection of 100 knives out of approximately 400. The aim is to measure and analyze the material to find out if certain elements in design points to a specific craft. Two groups of knifeblades can be seen, one with a convex bevel and one with a flat bevel of the blade. Considering osteological evidence, historical sources, and the main suitabillity of the knives, it is concluded that some of the flat beveled knives may have been used for crafting leather and fur, whereas the convex beveled knives are of an allround type.

This is an experimental study of a few glass objects from the Birka Excavations 1987-1989. A number of beads and waste from bead production have been studied. A group of these objects have also been examined with a scanning electron microscope (SEM) equipped with energy-dispersive detectors (EDS) to comparatively analyze the materials composition. Experiments to recreate the technique in which they were made have been attempted with various results. The techniques found in the beads include the use of murrini, stringer, dotting, and blown-drawn. However the waste material available to this study only suggests that in Birka, beads where made with the winding technique and ornamented with stringer and possibly dotting. The glass used was heated in clay crucibles and some rods where premade.

This paper contains an analysis of the bronzed keys with bird motifs that were discovered during archaeological investigations between the years 1991 and 1997 at Kyrksundet, in the archipelago of southwestern Finland. Bronzed keys with bird motifs have never been found in Finland before, but similar keys have been found both in Birka and on Gotland, Sweden. The aim with this paper is firstly to analyse and compare the keys from Kyrksundet, Birka and Gotland, and their find contexts. Secondly, together with the results from the analysis, the following questions will be discussed; What is the meaning behind the bird motif, why can these keys be found at Kyrksundet, and who were the people that had these keys in their possession during the Viking Age. The symbolic aspect of the keys is a strong theme in this discussion, because the underlaying theory in this paper is that the keys most likely had both a worldly and a cosmological meaning. Earlier archaeological investigations mainly have associated these keys with the Nordic peoples and their eastern connections during the Viking Age. Reason behind this association is that the birds on the motif have been interpreted as falcons and the falcon has a relatively strong connection to the Rurik dynasty that ruled in Novgorod and Kiev. Whether the bird is a falcon or not, is however a question that will be discussed in this paper. The analysis performed in this paper, shows that the bird motif on the keys shares more similarities with a raven motif that was used on the British Isles than with the falcon motif that was used in Novgorod and Kiev. This paper will therefore include a suggestion for another perspective, where the keys might be connected to the Nordic peoples and their western connections.

Akademisk avhandling--Arkeologi--Stockholm, 1980. / Résumé en anglais. Bibliogr. p. 307-324. Index.

The focus of this study is to detect any similarities – or lack thereof – between the alloys of different types of oval brooches from the later Iron Age in Scandinavia. The study is furthermore concerned with how the alloys and the typologies can be mutually complimentary to one another in regards to dating or determining the age of specific oval brooches. For this purpose X-ray fluorescence (pXRF) was used on five different items deriving from Birka, Vendel and one of unknown context. The results indicate continuity with earlier studies regarding copper alloys with contents of zinc, and that this study’s brass brooches may have been produced in this alloy for its gold-like appearance. A higher level of lead can be found in the younger brooches, therefore indicating that tortoise brooches of a later date may contain more lead than their earlier counterparts. Furthermore, the study shows that brass may be mistaken for gold, and it raises questions about the use of metal originating from native copper sources. This study is a part of the Birka Black Earth Harbour project. / The Birka Black Earth Harbour project

Birka is Sweden’s first urban settlement during the Viking period and its growth is mainly because of the settlement’s extensive trade. The area has many graves and the female graves in Birka are a good source for interpretation of the Viking woman and the variety of roles and work she had. Archaeologists are assessing graves and interpreters them from the material remains found, such as jewelry, weapons, and gifts. Researchers often have a predetermined interpretation on certain items that are considered feminine or masculine and the gender is determined from this. After the gender is decided it is commonly that the individuals are categorized into groups, and women tend be grouped together into one, regardless that the archaeological data and material shows that they have different attributes, and should be categorized as such. Men on the other hand have a variety of activities and jobs from which they can be determined by, whilst women’s work tends to be highlighted as chores, rather than work, as their doings usually are in the private sphere. To put women together as one simply because they are women is not only problematic regarding what the material shows, but it is also preventing the development in research of women. There will be a gap in the narrative due to the lack of female activities which occurred but are either ignored or reduced. During the last few decades, there has been an increase in research regarding women in all fields of research and a development of several theories on how to interpret various factors. One of them is intersectional theory, which will be used in this paper. A selection of female Viking graves from Birka are used with this theory to develop a greater picture of what women were doing, rather than just being women, and what needs to be considered to do so.

No description available.

Archaeology and art history are two disciplines that have a lot in common, especially in the pre-historic field where both disciplines rely on the same material – artifacts. Interdisciplinary methods have become increasingly more common the last few years and are very beneficial as it allows for more insight and variables into the study of the human pasts. This thesis aims to develop two methods from art history into methods fitting for archaeological material to investigate what type of information this can produce. The methods used are material analysis and spatial analysis. Spatial analysis studies human movement within an urban space, but this work considerer the placement of the individual within the grave instead as well as the grave goods. The method investigates how the placement of the grave goods relates and interacts with each other and the individual. The analysis can give clues and insight on who the buried individual was, their identity, and social role as well as giving indicators about the contemporary society the person lived in. When a spatial analysis is made it is favorable to carry out a material analysis as well. This is done to understand what type of materials the grave contains and what the material can tell. This will give depth and possibilities to understand the objects in the grave, their use, and the relationships they had to the individual. The material analysis in this paper is conducted with the help of an analysis scheme which is a tool that helps collect the same type of information from all the studied objects. The material that will be used are two ship burials from Valsgärde, 12 and 15, also known as the twin-graves as they are the only contemporary ship burials out of the grave field’s total of 15 ship burials. During the Viking age, it was common practice amongst the elite families to bury their dead in ship burials that included lavish gifts. Valsgärde in Uppland, Sweden, is an example of such a grave field with a long history. Graves from the Viking age, however, show the change that was present in the region, and traces of trade to the east can be found. Graves 12 and 15 are from the mid-10th century and some of the grave goods show influences from the east, both clothes, and items. The graves are the only of their kind at Valsgärde and even though they show the foreign impact they still follow the established grave traditions that Valsgärde have carried since the 6th century. The result from ship burials 12 and 15 are compared to Birka’s graves Bj 581 and Bj 944 who is similar in content, time and richness. The hope for this paper is to show how useful interdisciplinary methods can be, in this case, spatial analysis and material analysis with analysis scheme, to bring new aspects to graves and grave goods.