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1	What About Martin? : a thorough analysis of the 90's sitcom Saffold, Tisia Xiare Vere 02 August 2012 (has links) Representations of Blacks have had its limitations on television. The Black sitcom has proven to be a fruitful place of analysis as it relates to the presence of Black bodies and the portrayal of Black culture. The lack of accurate depictions and the portrayal of a diverse Black culture has been a challenge for many years. The Cosby Show (1984-92) however, has been hailed for representations of Blacks as upper class, educated, and portraying a two-parent house hold. With this, an overwhelming amount of scholarly research on Black sitcoms surrounds The Cosby Show. Other shows that have a fair amount of scholarship include Amos and Andy (1951-53-) and The Fresh Prince of Bel-Air (1990-96). As I am constantly reminded through song lyrics and social networks that my peers are still reflecting about the sitcom Martin, I am also intrigued by its lack of exploration by scholars in the field. As Martin does not portray status and wealth, or educated professionals it is my assumption that this lack of research is reflection of the presumed low significance of the show. There appears to be an obvious divergence between academic and Hollywood's coverage of the show and viewers engagement with the show. 15 years after the show has aired new episodes, many of my peers indulge as if it never left. This paper seeks to further explore the sitcom and its critiques. Through a survey I poll viewers to explore how viewer's opinions can inform future discussions about the show. My exploration of the show through song lyrics, social network posts and survey results will reveal valuable components and complicate discourse of the shows reception, ultimately contributing to the scholarship on Black sitcoms. / text Black representation Black sitcoms Fan culture
2	Vozes negras, letras brancas: representação do negro e performance em Castro Alves e Marcelino Freire LEITE, Gersica Cassia Ferreira 29 February 2016 (has links) Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-07-29T13:44:03Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissert_GérsicaLeite-BC.pdf: 1309608 bytes, checksum: 196a5a5250b2153056694f0b719a6ac3 (MD5) / Made available in DSpace on 2016-07-29T13:44:03Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissert_GérsicaLeite-BC.pdf: 1309608 bytes, checksum: 196a5a5250b2153056694f0b719a6ac3 (MD5) Previous issue date: 2016-02-29 / FACEPE / O presente trabalho tem como objetivo verificar pontos de interseção entre Os escravos (1863- 1870) e Contos Negreiros (2005), de Castro Alves e Marcelino Freire, respectivamente, não apenas no que tange o tema - ambos problematizam a escravização à qual são submetidas as minorias políticas no Brasil, especialmente os negros - mas também quanto às suas formas estéticas, sobretudo no que diz respeito à oralidade, visto que os dois autores escrevem textos para serem lidos em voz alta para o público. Eles realizam, portanto, o que Zumthor (1997) denominou “poética da oralidade” ou “performance”, em que pelo menos a transmissão e a recepção do texto literário passam pela voz e pelo ouvido. Analisamos, ainda, como o contexto de cada autor se transforma em elemento interno de suas obras, e como elas contribuem para dar visibilidade à situação de marginalidade e exclusão social da população negra no país. Para tanto, o trabalho se divide em três capítulos, para cujas discussões foram trazidos os estudos de Antonio Candido (1988; 2011; 2000), Antoine Compagnon (1999), Regina Dalcastagné (2008); Leyla Perrone-Moisés (2006), João Alexandre Barbosa (1990) e Heloísa Toller Gomes (1988), no tangente à representação literária, e nos estudos de Zumthor (1993;1997; 2007) sobre oralidade e performance. / The aim of this work is to examine areas of approximation between Os escravos (1863- 1870) and Contos Negreiros (2005), by Castro Alves e Marcelino Freire, respectively. Not only are we interested in the theme that connects the authors – both problematize the slavery to which minorities are submitted in Brazil, especially afro-Brazilians – but also regarding the literary aspects, principally when it comes to orality, once both authors write their texts to recite them to an audience. They make use of what Zumthor (1997) has called “poetics of orality” or “performance”, in which the transmission and reception of the literary text relies on the voice and the ear. Furthermore, we analyze how the context of each author influences the object of their works, as well as a possible contribution of these texts to draw attention to the social exclusion of the black population in Brazil. Thus, this dissertation is divided into three chapters, whose rationale intends to dialogue with the studies of Antonio Candido (1988; 2011; 2000), Antoine Compagnon (1999), Regina Dalcastagné (2008); Leila Perrone-Moisés (2006), João Alexandre Barbosa (1990) and Heloísa Toller Gomes (1988), concerning literary representation, and Zumthor (1993;1997; 2007), who writes about orality and performance. Representação do negro Marginalização Performance Oralidade Black representation Marginalization Performance. Orality
3	Vozes negras, letras brancas: representação do negro e performance em Castro Alves e Marcelino Freire LEITE, Gersica Cassia Ferreira 29 February 2016 (has links) Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-08-03T12:41:21Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissert_GérsicaLeite-BC.pdf: 1309608 bytes, checksum: 196a5a5250b2153056694f0b719a6ac3 (MD5) / Made available in DSpace on 2016-08-03T12:41:21Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissert_GérsicaLeite-BC.pdf: 1309608 bytes, checksum: 196a5a5250b2153056694f0b719a6ac3 (MD5) Previous issue date: 2016-02-29 / FACEPE / O presente trabalho tem como objetivo verificar pontos de interseção entre Os escravos (1863- 1870) e Contos Negreiros (2005), de Castro Alves e Marcelino Freire, respectivamente, não apenas no que tange o tema - ambos problematizam a escravização à qual são submetidas as minorias políticas no Brasil, especialmente os negros - mas também quanto às suas formas estéticas, sobretudo no que diz respeito à oralidade, visto que os dois autores escrevem textos para serem lidos em voz alta para o público. Eles realizam, portanto, o que Zumthor (1997) denominou “poética da oralidade” ou “performance”, em que pelo menos a transmissão e a recepção do texto literário passam pela voz e pelo ouvido. Analisamos, ainda, como o contexto de cada autor se transforma em elemento interno de suas obras, e como elas contribuem para dar visibilidade à situação de marginalidade e exclusão social da população negra no país. Para tanto, o trabalho se divide em três capítulos, para cujas discussões foram trazidos os estudos de Antonio Candido (1988; 2011; 2000), Antoine Compagnon (1999), Regina Dalcastagné (2008); Leyla Perrone-Moisés (2006), João Alexandre Barbosa (1990) e Heloísa Toller Gomes (1988), no tangente à representação literária, e nos estudos de Zumthor (1993;1997; 2007) sobre oralidade e performance. / The aim of this work is to examine areas of approximation between Os escravos (1863- 1870) and Contos Negreiros (2005), by Castro Alves e Marcelino Freire, respectively. Not only are we interested in the theme that connects the authors – both problematize the slavery to which minorities are submitted in Brazil, especially afro-Brazilians – but also regarding the literary aspects, principally when it comes to orality, once both authors write their texts to recite them to an audience. They make use of what Zumthor (1997) has called “poetics of orality” or “performance”, in which the transmission and reception of the literary text relies on the voice and the ear. Furthermore, we analyze how the context of each author influences the object of their works, as well as a possible contribution of these texts to draw attention to the social exclusion of the black population in Brazil. Thus, this dissertation is divided into three chapters, whose rationale intends to dialogue with the studies of Antonio Candido (1988; 2011; 2000), Antoine Compagnon (1999), Regina Dalcastagné (2008); Leila Perrone-Moisés (2006), João Alexandre Barbosa (1990) and Heloísa Toller Gomes (1988), concerning literary representation, and Zumthor (1993;1997; 2007), who writes about orality and performance. Representação do negro Marginalização Performance. Oralidade Black representation Marginalization Performance. Orality
4	Vozes negras, letras brancas: representação do negro e performance em Castro Alves e Marcelino Freire LEITE, Gersica Cassia Ferreira 29 February 2016 (has links) Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-08-03T13:26:03Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissert_GérsicaLeite-BC.pdf: 1309608 bytes, checksum: 196a5a5250b2153056694f0b719a6ac3 (MD5) / Made available in DSpace on 2016-08-03T13:26:03Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissert_GérsicaLeite-BC.pdf: 1309608 bytes, checksum: 196a5a5250b2153056694f0b719a6ac3 (MD5) Previous issue date: 2016-02-29 / FACEPE / O presente trabalho tem como objetivo verificar pontos de interseção entre Os escravos (1863- 1870) e Contos Negreiros (2005), de Castro Alves e Marcelino Freire, respectivamente, não apenas no que tange o tema - ambos problematizam a escravização à qual são submetidas as minorias políticas no Brasil, especialmente os negros - mas também quanto às suas formas estéticas, sobretudo no que diz respeito à oralidade, visto que os dois autores escrevem textos para serem lidos em voz alta para o público. Eles realizam, portanto, o que Zumthor (1997) denominou “poética da oralidade” ou “performance”, em que pelo menos a transmissão e a recepção do texto literário passam pela voz e pelo ouvido. Analisamos, ainda, como o contexto de cada autor se transforma em elemento interno de suas obras, e como elas contribuem para dar visibilidade à situação de marginalidade e exclusão social da população negra no país. Para tanto, o trabalho se divide em três capítulos, para cujas discussões foram trazidos os estudos de Antonio Candido (1988; 2011; 2000), Antoine Compagnon (1999), Regina Dalcastagné (2008); Leyla Perrone-Moisés (2006), João Alexandre Barbosa (1990) e Heloísa Toller Gomes (1988), no tangente à representação literária, e nos estudos de Zumthor (1993;1997; 2007) sobre oralidade e performance. / The aim of this work is to examine areas of approximation between Os escravos (1863- 1870) and Contos Negreiros (2005), by Castro Alves e Marcelino Freire, respectively. Not only are we interested in the theme that connects the authors – both problematize the slavery to which minorities are submitted in Brazil, especially afro-Brazilians – but also regarding the literary aspects, principally when it comes to orality, once both authors write their texts to recite them to an audience. They make use of what Zumthor (1997) has called “poetics of orality” or “performance”, in which the transmission and reception of the literary text relies on the voice and the ear. Furthermore, we analyze how the context of each author influences the object of their works, as well as a possible contribution of these texts to draw attention to the social exclusion of the black population in Brazil. Thus, this dissertation is divided into three chapters, whose rationale intends to dialogue with the studies of Antonio Candido (1988; 2011; 2000), Antoine Compagnon (1999), Regina Dalcastagné (2008); Leila Perrone-Moisés (2006), João Alexandre Barbosa (1990) and Heloísa Toller Gomes (1988), concerning literary representation, and Zumthor (1993;1997; 2007), who writes about orality and performance. Representação do negro Marginalização Performance Oralidade Black representation Marginalization Performance Orality
5	Discriminação racial publicitária: apontamentos dos julgados do Conselho Nacional de Autorregulamentação Publicitária (CONAR) Paulo, Mônica Bispo 29 October 2012 (has links) Submitted by Mônica Bispo de Paulo (mobipa@yahoo.com.br) on 2013-01-15T01:19:44Z No. of bitstreams: 1 Dissertacao.monica.bispo.versao.final.pdf: 2689597 bytes, checksum: cb41afc0f7385b81d415396f83c72afb (MD5) / Approved for entry into archive by Eliene Soares da Silva (eliene.silva@fgv.br) on 2013-01-15T13:59:28Z (GMT) No. of bitstreams: 1 Dissertacao.monica.bispo.versao.final.pdf: 2689597 bytes, checksum: cb41afc0f7385b81d415396f83c72afb (MD5) / Made available in DSpace on 2013-01-15T14:24:00Z (GMT). No. of bitstreams: 1 Dissertacao.monica.bispo.versao.final.pdf: 2689597 bytes, checksum: cb41afc0f7385b81d415396f83c72afb (MD5) Previous issue date: 2012-10-29 / This empirical and qualitative research sought to examine the processes of ethical CONAR in which were discussed the practice of racial discrimination in advertisements. This study aimed to understand how CONAR identified the occurrence of it. For its rulings, the self-regulation court provides a mixed legal system, ie, the judgment of infringement was based on advertising ethics code Brazilian Advertising Self-Regulation - CBARP in the Federal Constitution and other national laws. Thus we present a brief survey of legislative norms that guided federal racial discrimination in the media: Article 20 of Law Cao (Law No. 7.716/1989) and Articles 44 and 45 of the Racial Equality Statute (Law 12.288/2010). Subsequently, we selected the cases judged by CONAR who was asked about the practice of racial discrimination from 1980 to 2011, having been selected 24 ethical processes. We have identified the characteristics of those cases considered by the ads CONAR, under considered by the ads CONAR, under which arguments and under what circumstances this selfregulation agency had filed the procedure or imputed accountability measures. Moreover, the survey noted cases that have addressed the issue of mandatory representation of black racial people in commercials as a foreknowledge of the Racial Equality Statute. As a perspective, we used the categories of Antonio Sérgio Alfredo Guimarães and theory of media Muniz Sodré. CONAR found racial discrimination in 5 cases, and 19 were filed where the agency did not recognized any ethical breach. From these decisions there were 4 cases that had any appeal, but only in in one among them thare was a change of decision by CONAR: the change of restraining penalty for filing. Yet the 3 cases that had been maintained resource decisions: 1 filing, 1 penalty alteration and 1 restraining penalty. / Essa pesquisa empírica e qualitativa buscou examinar os processos éticos do CONAR nos quais foram discutidos a prática de discriminação racial em anúncios publicitários. Objetivou-se compreender como o CONAR identificou a ocorrência disso. Para fundamentar suas decisões, esse órgão autorregulamentador prevê um sistema jurídico misto, ou seja, o julgamento da infração ética publicitária foi baseado no Código Brasileiro de Autorregulamentação Publicitária – CBARP, na Constituição Federal e nas demais leis nacionais. Assim trazemos uma breve pesquisa dos processos legislativos das normas federais que nortearam a discriminação racial nos meios de comunicação social: o art. 20 da Lei CAÓ (Lei n° 7.716/1989) e os arts. 44 e 45 do Estatuto da Igualdade Racial (Lei n° 12.288/2010). Posteriormente, selecionamos os casos julgados pelo CONAR que foram questionados sobre a prática de discriminação racial de 1980 a 2011, tendo sido selecionados 24 processos éticos. Desses casos identificamos as características dos anúncios considerados pelo CONAR, sob quais argumentos e em que circunstâncias o órgão autorregulamentador arquivou um procedimento ou imputou medidas de responsabilização. Por outro lado, a pesquisa observou casos que trataram a questão da obrigatoriedade de representatividade dos negros nos anúncios publicitários, conforme previsão do Estatuto da Igualdade Racial. Como perspectiva, utilizamos as categorias de Antônio Sérgio Alfredo Guimarães e a teoria midiática de Muniz Sodré. Em 5 casos o CONAR verificou a discriminação racial e, em 19 o órgão arquivou por não visualizar essa infração ética. Dessas decisões houve 4 casos que tiveram recurso, mas somente em um ocorreu a mudança da decisão pelo CONAR: conversão da pena de sustação para o arquivamento. Já os 3 casos que tiveram recurso foram mantidas as decisões: 1 de arquivamento, 1 a pena de alteração e 1 a pena de sustação. Discriminação racial Ausência de representatividade negra Publicidade CONAR Racial discrimination Lack of black representation Advertising Direito Discriminação racial - Brasil Publicidade - Regulamentação Anúncios - Regulamentação
6	RARE IN MENSWEAR: THE LACK OF BLACK COVER STARS FEATURED IN ESQUIRE FROM 2010-2020 Randall, Julian Alexander 17 June 2021 (has links) No description available. African American Studies African Americans American History American Studies Black History Black Studies Communication Ethnic Studies Gender Studies Gender Journalism Mass Communications Marketing Mass Media Organizational Behavior Textile Research
7	Black Food Trucks Matter: A Qualitative Study Examining The (Mis)Representation, Underestimation, and Contribution of Black Entrepreneurs In The Food Truck Industry Ariel D Smith (14223191) 11 August 2023 (has links) <p>Food trucks have become increasingly popular over the last decade following the Great Recession of 2008. Scholars have begun to study the food truck phenomenon, its future projected trajectory, and even positioning it within social justice discourse along cultural lines; however, scholarship has yet to address the participation of Black entrepreneurs in the food truck industry.</p> <p><br></p> <p>The objective of this dissertation is to expand the perception of Black food entrepreneurs within the food truck industry by interrogating how Black food truck owners are misrepresented, under analyzed, and underestimated. Using a series of interdisciplinary qualitative methods including introspective analysis, thematic coding analysis, and case studies, I approach this objective by addressing three questions. First, I analyze movies and television to understand where Black-owned food trucks are represented in popular culture and how they are depicted. In doing so, we come to understand that Black business representation, specifically Black food truck representation consistently falls victim to negative stereotypes. These stereotypes can influence the extent to which Black food truck owners are taken seriously and seen as legitimate business leaders in their community. Second, I interview 16 Black food truck entrepreneurs to understand why the mobile food industry appealed to them and how it has become a platform for them to explore other opportunities. Finally, I review eight cities that have launched Black food truck festivals and parks within the last 6 years to gain an understanding of the collective power wielded by Black food truck owners and its impact Black communities. Moreover, this dissertation challenges the myth that collectivism does not exist among Black entrepreneurs and the Black community broadly.</p> Business systems in context Food and hospitality services Business and labour history Entrepreneurship Cinema studies Screen media Digital heritage Heritage and cultural conservation Heritage collections and interpretations Social and cultural anthropology Urban community development Sociology of inequalities Urban sociology and community studies Media studies Consumption and everyday life Cultural and creative industries Cultural studies of nation and region Culture, representation and identity Screen and media culture Food Truck food trucks Black owned Black owned food truck mobile food street food street food vending street food entrepreneurship Black food Black food truck studies food truck studies African American Studies African American foodways Black foodways Black food entrepreneurship Black movies Black television The Food Truck Scholar The Food Truck Scholar Podcast Black business Black businesses Barbershop 3 The Last OG The Chi Think Like a Man food truck festivals food truck park foodtruck Roi Choi The Great Food Truck Race Chef Chef movie Black representation Black men Black women Black men representation Black women representation critical race theory case study introspective analysis Black entrepreneurs African American entrepreneurs food truck industry mobile food vending Black food truck owner Black food truck entrepreneur food truck owner food truck operator food trucker Black food trucker African American food truck owner African American food trucker food truck podcast food truck show storytelling African American storytelling Black studies africana studies entrepreneurial storytelling food studies Black food studies African American food studies enterprise food truck enterprise Black food trucks matter Black businesses matter Buy Black Black dollars Black economics Black dollar soul food southern studies Black diaspora \

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