李潔嫦. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1998. / 參考文獻: leaves 99-106. / Li Jiechang. / 撮要 --- p.iii / Chapter 第一章 --- 地水南音源流槪說 / Chapter 一´Ø --- 引言 --- p.一 / Chapter 二´Ø --- 南音的起源和發展 --- p.二 / Chapter 三´Ø --- 有關南音的原始資料及研究 --- p.四 / Chapter 第二章 --- 地水南音在香港的發展(二十至九十年代） / Chapter 一´Ø --- 南音在香港早期的槪況 --- p.八 / Chapter 二´Ø --- 地水南音的衰落與戲台、粤曲南音的蓬勃(四十至六十年代） --- p.十九 / Chapter 三´Ø --- 七十年代 --- p.二五 / Chapter 四´Ø --- 八十年代至今 --- p.二八 / Chapter 第三章 --- 地水南音的音樂風格 / Chapter 一´Ø --- 引言 --- p.四三 / Chapter 二´Ø --- 唱詞結構 --- p.四四 / Chapter 三´Ø --- 板面及過序的處理 --- p.四八 / Chapter 四´Ø --- 《霸王別姬》音樂結構分析 --- p.五四 / Chapter 五. --- 《客途秋恨》：語言聲調與旋律的關係 --- p.六八 / Chapter 第四章 --- 近代唱者個案：杜煥及唐健垣 / Chapter 一´Ø --- 杜煥的生平及唱腔風格 --- p.七八 / Chapter 二´Ø --- 唐健垣的生平及唱腔風格 --- p.八三 / Chapter 三´Ø --- 結論 --- p.九十 / Chapter 第五章 --- 結論 --- p.九四 / 參考書目 --- p.九九 / 附錄一《霸王別姬》唱腔旋律記譜 --- p.一零七 / 附錄二 《霸王別姬》的唱腔分析 --- p.一一七 / 附錄三《客途秋恨》的唱腔分析 --- p.一三一 / 表目 / 表2-1 六十至八十年代南音演出及硏討會資料 --- p.三五 / 表2-2 香港灌錄及發行的南音唱片目錄 --- p.三七 / 表2-3 八十至九十年代南音演出和講座資料 --- p.三九 / 表3-1 --- p.五五 / 表3-2 --- p.五七 / 表3-3 --- p.六五 / 表3-4 --- p.六九 / 表3-5 --- p.七二 / 表4-1杜煥生平年表 --- p.八二 / 表4-2唐健垣生平年表 --- p.八八

by Chu Wing Ki. / Thesis submitted in: July 1997. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. / Filmography: leaves 216-219. / Includes bibliographical references (leaves 204-215). / Chapter Chapter 1. --- Introduction: Contemporary Nostalgia Films Understood in the Colonial Context of Hong Kong / Chapter I. --- opular Culture as an Arena ofublicarticipation --- p.2 / Chapter II. --- opular Culture and Colonialism --- p.14 / The Ambivalence of Colonialism --- p.14 / """Status-quo Imaginary"" as the Manifestation of Colonial Ambivalence" --- p.17 / Chapter i. --- Hong Kong in the late 60s --- p.21 / Chapter ii. --- Hong Kong in the 70s --- p.24 / Chapter iii. --- Hong Kong in the 80s and 90s --- p.30 / Popular Culture Understood in the Colonial Context of Hong Kong --- p.35 / Chapter III --- The Contemporary Mode of Nostalgia as Mediation of Colonialrocess --- p.38 / Nostalgia Films Understood inost-Colonial Context -- The Ambivalence of History --- p.38 / Chapter i. --- Nostalgia Films not Targetted towards the Rediscovery of History --- p.40 / "The Appropriation of History as a ""Laughable"" Other" --- p.43 / "The Substitution of History by ""Style""" --- p.47 / Chapter ii. --- Nostalgia Films' Evocation of a Free-Floating Signifier of Hong Kong Historical Identity --- p.50 / Nostalgia Films as a Context-Specific Articulation --- p.56 / Nostalgia Films as a Form of Disavowal --- p.59 / Outline of the Coming Chapters --- p.61 / Chapter Chapter2. --- Nostalgia and History --- p.66 / Chapter I. --- Rouge --- p.66 / The Construction of Nostalgic Effects --- p.67 / "“Sense of Loss"" as Identity Formation" --- p.72 / "Theast as a ""Split Object"" of Identification" --- p.75 / Pessimism as a Collective Empowerment --- p.84 / Chapter II. --- Center Stage --- p.88 / Interrogation of History --- p.89 / Pessimism as Empowerment -- Reification of History --- p.93 / The Ambivalence of History --- p.100 / Chapter III. --- Days of Being Wild --- p.103 / Interrogation of History:History and Subject Formation --- p.103 / """Internal Colonization"" and Fatalism" --- p.113 / "The Image of “Innocence""" --- p.116 / Conclusion --- p.121 / Chapter Chapter 3. --- Nostalgia and Urban Space --- p.124 / Chapter I. --- Nostalgia as a Critique of Urban Space --- p.124 / Chapter II --- Chungking Express --- p.131 / "Old Chinese Apartment as Site of “Re-enchantment""" --- p.133 / "The “Urban Spectacle"" -- Old Chinese Apartment as Reified Spatial Construct" --- p.140 / Chapter i. --- "The Traversed Space of ""Contemporariness"" and ""Pastness""" --- p.140 / Chapter ii. --- "The ""Openness"" of Old Chinese Apartment" --- p.147 / Old Chinese Apartment -- An Expression of Nostalgia? --- p.155 / Chapter III. --- "He ´ةs a Woman and She ´ةs a Man, C'est La Vie Mon Cheri，He and She" --- p.158 / "The “ Urban Spectacle""" --- p.158 / Chapter i. --- ositive Human Qualities --- p.158 / Chapter ii. --- A Historical Sense oflace --- p.163 / Chapter iii. --- Interior Design -- The Assertion of Urban Spirit of Change --- p.165 / Chapter iv. --- "Socially and Culturally ""Marginal"" Characters" --- p.167 / Urban Status-quo Imaginary and Cultural Identificationin Hong Kong --- p.170 / Old Chinese Apartment as Reified Spatial Construct --- p.174 / Chapter i. --- Thearadox of Attraction and Anxiety A Discourse ofrogress --- p.174 / Chapter ii. --- The Inscription of the Imperative of Advancement intohysical Surrounding --- p.179 / Chapter iii. --- "The “Urban Spectacle"" of Social Differences ""Cloaked"" Gestures of ´ب´بSubversion""" --- p.181 / Conclusion --- p.191 / Chapter Chapter 4. --- Conclusion: Nostalgia -- The Ambivalence of History --- p.194 / Chapter I. --- Optimism andessimism as Identity Formation --- p.194 / Chapter II --- The Commercialization of Nostalgia --- p.197 / Bibliography --- p.208 / Filmography --- p.220 / Appendix I-IX

Chan, Pui Lun. / "December 2010." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 133-147). / Abstracts in English and Chinese. / Abstract of thesis entitled: --- p.i / Abstract (Chinese) --- p.iii / Acknowledgements --- p.iv / Table of Contents --- p.v / List of Figures and Tables --- p.viii / Romanization and Translation --- p.ix / Chapter Chapter One - --- Introduction --- p.1 / Chapter 1.1 --- "Motivations, Arguements and Methodology" --- p.2 / Chapter 1.2 --- Ethnomusicological Studies on Chinese Operas --- p.3 / Chapter 1.3 --- Studying Peking opera in Hong Kong --- p.5 / Biographies of Mainland Peking Opera Performers --- p.5 / Newspapers Reports and Columns --- p.6 / Interview Transcripts of Peking Opera Artists in Hong Kong --- p.7 / Government Documents and Archival Data --- p.8 / Fieldwork --- p.8 / Challenges and Limitations --- p.9 / Chapter 1.4 --- Thesis Outline --- p.10 / Chapter Chapter Two - --- The History of Peking Opera in Hong Kong --- p.14 / Chapter 2.1 --- The Dual Forces of Cultural Policies --- p.15 / Tour Performances as Diplomacy --- p.15 / The First Encounter: Mei Lan-fang's Tour in 1922 --- p.17 / Cultural Competition between the Two Chinese Regimes --- p.21 / Cultural Policy of the Colonial Government before 1980 --- p.24 / Chapter 2.2 --- Early Peking Opera Activities in Hong Kong --- p.26 / Peking Opera in Recordings and Radio Broadcasting --- p.26 / Peking Opera Films in the 1940s and 50s --- p.33 / Integrating Peking Opera with Local Martial Arts Films in the 1960s and 70s --- p.35 / Local Peking Opera Academies --- p.38 / Amateur Peking Opera Groups --- p.42 / Hybridization Between Peking Opera and Cantonese Opera --- p.43 / Chapter 2.3 --- An Entertainment for Mainland Emigrants --- p.48 / Chapter 2.4 --- Summary --- p.51 / Chapter Chapter Three - --- Contemporary Peking Opera Activities --- p.54 / Chapter 3.1 --- The Continuing Political Influence --- p.55 / The Shifting Dynamics of Political Influences in the Pre-HKSAR Period (From 1980 to 1997) --- p.55 / Increasing Support in the HKSAR Period (1997- present) --- p.58 / Chapter 3.2 --- Readapting Western Literature into Peking opera --- p.62 / Chapter 3.3 --- Other Contemporary Activities --- p.65 / General Observations --- p.65 / Musical Background of Participants and Audiences --- p.69 / Audiences'and Participants' Responses --- p.70 / Presentations Styles --- p.71 / Chapter 3.4 --- Summary --- p.78 / Chapter Chapter Four - --- Globalization Impacts on Peking opera in Hong Kong --- p.80 / Chapter 4.1 --- Peking Opera Activities and Globalization in Hong Kong --- p.83 / "Realizing the ""Imaginations""" --- p.83 / The Hybrid Form of Globalization r. --- p.88 / Chapter 4.2 --- A Traditional Interpretation of Globalization --- p.93 / "The ""Dilemma of Identity""" --- p.93 / The Dominance/Resistance Dichotomy in Ethnomusicological Studies --- p.94 / The Co-existence of Dichotomy --- p.96 / Chapter 4.3 --- Summary --- p.99 / Chapter Chapter Five - --- Conclusion --- p.101 / Chapter 5.1 --- Historical Activities --- p.101 / Chapter 5.2 --- Contemporary Activities --- p.104 / Chapter 5.3 --- Political Influences --- p.106 / Chapter 5.4 --- Globalization Impacts --- p.108 / Chapter Appendix I: --- Peking opera events presented by major cultural supporting sectors from 1976 to 2009 --- p.110 / Chapter Appendix II: --- Arts Development Council Grants to Local Peking Opera Troupes from the Financial Year of 1994/95 to 2007/08 --- p.120 / Chapter Appendix III: --- Other Peking Opera Activities Conducted by Local Peking Opera Troupes from 1976 to 2009 --- p.122 / Glossary --- p.126 / Bibliography --- p.133

Chan, Mun Tak Ada. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 65-69). / In English with some Chinese characters; abstract also in Chinese. / Abstract --- p.i / Abstract (Chinese) --- p.iii / Acknowledgements --- p.iv / Table of Contents --- p.V / List of Figures and Tables --- p.vii / Chapter Chapter One --- Introduction --- p.1 / Geographical Location and Political Status of Hong Kong --- p.3 / Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8 / Chapter Chapter Two --- Propaganda on Television: Music Video in Hong Kong Mass Media --- p.10 / Defining Post-colonialism --- p.10 / A Brief History of Hong Kong --- p.12 / National Affiliation of the Hong Kong Citizens in the Pre- and Post-Handover Era --- p.14 / Chapter Chapter Three --- The Changing Audiovisual Presentation of the PRC National Anthem Video Clips in Post-colonial Hong Kong --- p.23 / Chinese Musical Nationalism in Post-colonial Hong Kong --- p.23 / “Vocabulary´ح and Its Post-colonial Interpretation --- p.24 / “Structure´ح and Its Post-colonial Interpretation --- p.25 / Conceptualization of the Nation by Displaying the PRC flag and the Hong Kong SAR flag --- p.26 / Conceptualizing the Ideas of Ethnicity --- p.30 / Image of People´ةs Liberation Army in Constructing the Concept of the Nation --- p.32 / Interrelationship between the Musical Interpretation and the People featured --- p.34 / Vocabulary in Constructing the Concepts of the Chinese Nation --- p.41 / Conclusion --- p.44 / Chapter Chapter Four --- Conclusion --- p.48 / Post-Colonial Influences Upon the Cultural Identity of Hong Kong Citizens --- p.48 / Reinforcing Political Affiliation to the PRC using the National Anthem after the 1997 Handover --- p.49 / Our Home Our Country featuring the PRC National Anthem as a Political Tool --- p.50 / The Historical Significance of Our Home Our Country --- p.52 / Appendix I Basic Information of the National Anthem Video Clip Our Home Our Country --- p.54 / Appendix II Musical Aspects of the National Anthem Video Clips Our Home Our Country --- p.55 / Appendix III Prologues (and Epilogues) of Our Home Our Country --- p.56 / Bibliography --- p.65

Peng Lin. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. / Includes bibliographical references (leaves 140-147). / Abstracts in English and Chinese. / Abstract --- p.i / Acknowledgements --- p.iv / Table of Contents --- p.v / List of Figures --- p.vii / List of Tables --- p.vii / Chapter Chapter 1: --- Introduction: --- p.1 / Theoretical Context of the Problem --- p.1 / The Case of Guangzhou --- p.4 / "Composition of “TV Generation"" in Guangzhou" --- p.6 / Chapter 1. --- Native Guangzhou youth: --- p.6 / Chapter 2. --- "Non-native Guangzhou youth (children of early immigrants, those who were born in or moved with their parents to Guangzhou before teenage):" --- p.7 / Cultural Proximity Between Guangzhou and Hong Kong --- p.8 / Organization of Chapters --- p.10 / Chapter Chapter 2: --- Literature Review --- p.12 / Trans-border Television and Its Social Impact --- p.12 / Chapter 1. --- Media's Modernizing Influence --- p.13 / Chapter 2. --- Media's Impact on Cultural Identities --- p.14 / Chapter 3. --- Media Impact in Asian Cases --- p.17 / Audience in Trans-border TV Consumption --- p.20 / Chapter 1. --- Modes of Decoding & Audience Resistance --- p.20 / Chapter 2. --- Cultural Proximity and Reception of Local/Transnational Programs --- p.22 / Young Audience in Trans-Border TV Consumption --- p.27 / Chapter 1. --- Identification and TV Viewing --- p.28 / Chapter 2. --- Cultural Proximity and Television Viewing --- p.29 / Trans-border Media Consumption in Cross-generational Context --- p.32 / Chapter 1. --- Mass Media and Collective Memory --- p.34 / Chapter 2. --- Cultural Practices and Generation --- p.37 / Summary --- p.38 / Chapter Chapter 3: --- Research Design --- p.42 / Research Questions --- p.42 / Rationale for Using a Qualitative Approach --- p.42 / Research Methods --- p.43 / Chapter 1. --- In-depth Interview: --- p.43 / Chapter 2. --- Generational Comparative Studies --- p.45 / Sampling Procedures --- p.46 / Data Analysis --- p.48 / Chapter Chapter 4: --- Cultural Proximity in Young Audiences' Consumption of Hong Kong Drama --- p.50 / Guangzhou Young Audiences' Television Consumption --- p.52 / Watching Hong Kong dramas --- p.56 / Chapter 1. --- Dramas of excellent quality --- p.57 / Chapter 2. --- Viewing Preferences and Cultural Proximity --- p.58 / Chapter 3. --- Getting used to the “Hong Kong style´ح: --- p.62 / Pleasures and Media Uses --- p.64 / Chapter 1. --- Topics in Communication --- p.64 / Chapter 2. --- Linguistic Source --- p.65 / Chapter 3. --- Knowledge about Society --- p.66 / Chapter 4. --- Idol Worship --- p.68 / Chapter 5. --- Reference for Modern Lifestyle --- p.69 / Conclusion --- p.72 / Chapter Chapter 5: --- Cultural Proximity in Young Audiences' Perception of Hong Kong from Hong Kong Drama --- p.74 / Cultural impact of trans-border media --- p.74 / The Image of Hong Kong: A Visualized Modern City --- p.76 / Audiences' Cultural Identification: Guangzhou versus Hong Kong --- p.79 / Chapter 1. --- A “Not So Different´ح Strategy --- p.82 / Chapter 2. --- Cultural Affiliation as a Basic Tenet --- p.84 / Chapter 3. --- Aligned with the Nation --- p.87 / Chapter 4. --- Identification with Modern Lifestyle --- p.90 / Chapter 5. --- Going to the More Modernized --- p.94 / Conclusion: the Factor of Cultural Proximity in Media Perception --- p.99 / Chapter Chapter 6: --- Guangzhou Young Audiences in a Cross-Generational Context --- p.103 / Generational patterns in media consumption --- p.104 / Chapter 1. --- Watching TV in Daily Life --- p.106 / Chapter 2. --- Viewing Preferences： Hong Kong Drama versus Mainland Drama --- p.108 / Perception of Hong Kong from dramas --- p.117 / Perception of Hong Kong in relation to China --- p.120 / Conclusion --- p.122 / Chapter Chapter 7: --- Conclusions and Discussions --- p.125 / Summary --- p.125 / Implications and Limitations --- p.129 / Appendixes --- p.133 / Appendix I: INTERVIEW PROTOCAL (Translated from Chinese) --- p.133 / Appendix II: PROFILE OF RESEARCH RESPONDENTS --- p.136 / Appendix III: VIEWING PROFILES OF RESEARCH RESPONDENTS --- p.138 / Bibliography --- p.140

周仕深. / "2007年5月". / 論文(哲學碩士)--香港中文大學, 2007. / 參考文獻(leaves [189]-202). / "2007 nian 5 yue". / Abstracts in Chinese and English. / Zhou Shishen. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007. / Can kao wen xian (leaves [189]-202). / 前言´ؤ´ؤ有關粤劇音樂調式的硏究 --- p.i / Chapter 一´Ø --- 引言 --- p.i / Chapter 二´Ø --- 過往硏究 --- p.i / Chapter 三´Ø --- 章節結構 --- p.vi / Chapter 四´Ø --- 硏究方法 --- p.vii / Chapter 五´Ø --- 小結 --- p.viii / Chapter 第一章 --- 音階和調式槪論 --- p.1 / Chapter ´ؤ´Ø --- 引言 --- p.1 / Chapter 二´Ø --- 西方古典音樂的調式 --- p.3 / Chapter 三´Ø --- 中國傳統音樂的音階和調式 --- p.5 / Chapter 四´Ø --- 東南亞國家傳統音樂調式簡介 --- p.15 / Chapter 五´Ø --- 潮州及客家音樂調式簡介 --- p.18 / Chapter 六´Ø --- 小結 --- p.20 / Chapter 第二章 --- 粤劇音樂的音階 --- p.22 / Chapter 一´Ø --- 粤劇歷史簡介 --- p.22 / Chapter 二´Ø --- 粤劇音樂的音階 --- p.24 / Chapter 三´Ø --- 粤樂傳統七律 --- p.27 / Chapter 四´Ø --- 小結 --- p.41 / Chapter 第三章 --- 粤劇曲牌中的「線」和調式 --- p.44 / Chapter 一´Ø --- 曲牌的「線」與調式的關係 --- p.44 / Chapter 二´Ø --- 曲牌調式分類 --- p.46 / Chapter 三´Ø --- 曲牌中有關「線」的處理 --- p.59 / Chapter 四´Ø --- 曲牌的調式處理 --- p.61 / Chapter 五´Ø --- 小結 --- p.65 / Chapter 第四章 --- 板腔音樂唱腔的調式基礎 --- p.67 / Chapter 一´Ø --- 唱腔旋律與粤音的關係 --- p.67 / Chapter 二´Ø --- 板腔唱腔的調式交替原則 --- p.80 / Chapter 三´Ø --- 粤劇粤曲唱腔設計´ؤ´ؤ「度腔」 --- p.85 / Chapter 四´Ø --- 反線中板唱腔的調式變化 --- p.86 / Chapter 五´Ø --- 小結 --- p.92 / Chapter 第五章 --- 乙反線 --- p.94 / Chapter 一´Ø --- 乙反線簡介 --- p.94 / Chapter 二´Ø --- 乙反線行腔及其調式結構 --- p.98 / Chapter 三´Ø --- 從乙反二黃慢板行腔看粤劇唱腔設計 --- p.101 / Chapter 四´Ø --- 唱詞聲調對乙反線「乙」音的影響 --- p.112 / Chapter 五´Ø --- 小結 --- p.115 / Chapter 第六章 --- 士工線 --- p.116 / Chapter 一´Ø --- 板腔中的士工線 --- p.116 / Chapter 二´Ø --- 王粤生的士工線小曲創作 --- p.117 / Chapter 三´Ø --- 士工線、乙反線與反線「合一乙」音程之比較 --- p.120 / Chapter 四´Ø --- 小結 --- p.123 / Chapter 第七章 --- 南音和木魚唱腔調式分析 --- p.124 / Chapter 一´Ø --- 南音和木魚歷史簡介 --- p.124 / Chapter 二´Ø --- 南音和木魚唱詞結構 --- p.125 / Chapter 三´Ø --- 木魚唱腔分析 --- p.127 / Chapter 四´Ø --- 南音唱腔分析 --- p.142 / Chapter 五´Ø --- 小結 --- p.150 / Chapter 第八章 --- 結論 --- p.153 / Chapter 附錄一 --- 把式圖 --- p.159 / Chapter 附錄二 --- 記譜 --- p.161 / Chapter 附錄三 --- 測音步驟 --- p.184 / Chapter 一´Ø --- 音高測定槪念 --- p.184 / Chapter 二´Ø --- 硏究方法及步驟 --- p.185 / 參考資料 --- p.189

盧君賜. / "2005年6月". / 論文(哲學碩士)--香港中文大學, 2005. / 參考文獻(leaves 157-166). / "2005 nian 6 yue". / Abstracts in Chinese and English. / Lu Junci. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (leaves 157-166). / 論文提要 / 緒論 --- p.1 / Chapter 第一章 --- 宣化遼墓簡略 --- p.7 / Chapter 第一節 --- 宣化背景 --- p.7 / Chapter 第二節 --- 宣化遼墓群狀況 --- p.10 / Chapter (1) --- M1 (張世卿墓） / Chapter (2) --- M2 (張恭誘墓） / Chapter (3) --- M3 (張世本墓） / Chapter (4) --- M4 (韓師訓墓） / Chapter (5) --- M5(張世古墓） / Chapter (6) --- M6(張姓墓） / Chapter (7) --- M7 (張文藻墓） / Chapter (8) --- M8 / Chapter (9) --- M9(張姓墓） / Chapter (10) --- M10 (張匡正墓） / Chapter (11) --- M12和11區M1、2 / Chapter 第三節 --- 宣化遼墓群的分類 --- p.19 / Chapter 第二章 --- 宣化備茶圖 --- p.28 / Chapter 第一節 --- “備茶圖´ح之定義 --- p.28 / Chapter 第二節 --- 宣化各墓備茶圖 --- p.31 / Chapter (1) --- M10 (張匡正墓） / Chapter (2) --- M7 (張文藻墓） / Chapter (3) --- M3 (張世本墓） / Chapter (4) --- M6 (張姓墓） / Chapter (5) --- M9(張姓墓） / Chapter (6) --- Ml (張世卿墓） / Chapter (7) --- M5 (張世古墓） / Chapter (8) --- M2(張恭誘墓） / Chapter (9) --- M4 (韓師訓墓） / Chapter 第三章 --- 宣化遼墓群備茶圖比較 --- p.43 / Chapter 第一節 --- 宣化備茶圖之間的關係 --- p.43 / Chapter (1) --- 與備茶圖相對的備酒圖 / Chapter (2) --- 宣化備茶圖的比較和組合 / Chapter 第二節 --- 遼墓的備茶圖 --- p.51 / Chapter 第三節 --- 與遼朝以外的備茶圖比較 --- p.63 / Chapter (1) --- 與宋代備茶圖比較 / Chapter (2) --- 與金元備茶圖比較 / Chapter 第四章 --- 經宣化備茶圖認識宋遼的備茶步驟 --- p.84 / Chapter 第一節 --- 唐宋的飲茶風¯‘ة --- p.84 / Chapter 第二節 --- 唐宋的煮飲方法 --- p.90 / Chapter 第三節 --- 遼朝的飲茶風¯‘ة --- p.92 / Chapter (1) --- 遼朝茶葉輸入 / Chapter (2) --- 遼朝對茶的使用 / Chapter 第四節 --- 備茶步驟 --- p.97 / Chapter (1) --- 碾茶 / Chapter (2) --- 煮湯 / Chapter (3) --- 沖點 / 結語 --- p.141 / 附錄 / 附錄：遼代主要壁畫墓葬及壁畫題材 --- p.145 / 參考書目 --- p.157 / 圖版 / 圖版目錄 --- p.167 / 第一章圖版 --- p.177 / 第三章圖版 --- p.218 / 第四章圖版 --- p.254

鄭燕虹. / "2005年9月". / 論文(哲學碩士)--香港中文大學, 2005. / 參考文獻(leaves 97-108). / "2005 nian 9 yue". / Abstracts in Chinese and English. / Zheng Yanhong. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (leaves 97-108). / Chapter 第一章 --- 導論 --- p.1 / Chapter 第一節 --- 研究背景及研究目的 --- p.1 / Chapter 第二節 --- 研究動機 --- p.2 / Chapter 第三節 --- 研究焦點與研究限制 --- p.3 / Chapter 第四節 --- 研究角度 --- p.4 / Chapter 第五節 --- 文獻回顧 --- p.6 / Chapter 第六節 --- 研究方法 --- p.8 / Chapter 第七節 --- 内容簡述 --- p.10 / Chapter 第二章 --- 新疆漢族人的身份危機 --- p.11 / Chapter 第一節 --- 新疆的史地和民族現況概述 --- p.12 / Chapter 第二節 --- 民族意識在新疆 --- p.16 / Chapter 第三節 --- 導致新疆漢族身份危機的社會、文化和歷史因素 --- p.17 / Chapter 小結 --- 新疆漢人的身份危機 --- p.21 / Chapter 第三章 --- 王洛賓現象在新疆 --- p.23 / Chapter 第一節 --- 王洛賓生平概述 --- p.23 / Chapter 第二節 --- 有關歌曲的改編或再創作過程 --- p.28 / Chapter 第三節 --- 王洛賓現象在新疆 --- p.34 / Chapter 第四節 --- 新疆維吾爾族人對王洛賓及有關作品的看法 --- p.39 / Chapter 第五節 --- 新疆的漢族人對王洛賓的看法 --- p.42 / Chapter 小結 --- 王洛賓作為新疆漢人身份認同的重要媒介 --- p.44 / Chapter 第四章 --- 音樂與身份認同：新疆漢族人與新疆民歌的想像 --- p.55 / Chapter 第一節 --- 資料的選擇´ؤ´ؤ王洛賓改編歌曲的音像產品 --- p.55 / Chapter 第二節 --- 以音樂建構形象：新疆漢族人對音樂想像的意識 --- p.55 / Chapter 第三節 --- 音像產品的風格與新疆形象的想像 --- p.59 / Chapter 小結 --- 音樂作為一個超越時空的想像空間 --- p.65 / Chapter 第五章 --- 結論 --- p.72 / 附錄 --- p.76 / 參考資料及相關文獻 --- p.97 / 鳴謝 --- p.109

Leung Yuen-fun Rachel. / Thesis submitted in: May 2004. / One leaflet mounted. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references. / Abstracts in English and Chinese. / Chapter Chapter One: --- Historical Background / The discovery of the kiln sites --- p.1 / The naming of Changsha ware --- p.3 / The beginning of production --- p.5 / Chapter Chapter Two: --- Development of Changsha ware / Duration of operation --- p.10 / Stages of development --- p.11 / Reasons for decline --- p.15 / Chapter Chapter Three: --- Glaze and Kiln Characteristics of Changsha ware / Body --- p.18 / Shaping method --- p.19 / Glazes --- p.19 / Kiln --- p.21 / Chapter Chapter Four: --- Classification of Changsha ware in the Art Museum collection / Introduction --- p.24 / Daily household wares --- p.25 / Cultural and scholar's articles --- p.44 / Toys --- p.47 / Potter's tool --- p.51 / Chapter Chapter Five: --- Decoration of Changsha ware in the Art Museum collection / Introduction --- p.53 / Decorative technique --- p.54 / Decorative motif --- p.59 / Chapter Chapter Six: --- Changsha ware as reflections of daily life / Custom and religion --- p.78 / Games --- p.94 / Childhood education --- p.98 / Cross cultural Communication --- p.100 / Chapter Chapter Seven: --- Conclusion --- p.102

郭文德. / "2011年8月". / "2011 nian 8 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 289-300). / Abstract in Chinese and English. / Guo Wende. / 摘要 --- p.i / 目錄 --- p.iii / 圖表目錄 --- p.v / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 硏究背景 --- p.1 / Chapter 第二節 --- 硏究材料 --- p.2 / Chapter 第三節 --- 硏究方法 --- p.5 / Chapter 第四節 --- 重要槪念解釋 --- p.9 / Chapter 第五節 --- 前人硏究綜述 --- p.15 / Chapter 第二章 --- 傳世文獻所見孫吳屯田槪況 --- p.12 / Chapter 第一節 --- 興辦過程 --- p.22 / Chapter 第二節 --- 分佈地區 --- p.27 / Chapter 第三節 --- 敗壞原因 --- p.35 / Chapter 第四節 --- 出土材料對傳世文獻的補證作用 --- p.40 / Chapter 第三章 --- 「嘉禾吏民田家莂」非屯田辨~論莂券記載土地性質 --- p.44 / Chapter 第一節 --- 關於「嘉禾吏民田家莂」記載土地爲屯田的論說 --- p.44 / Chapter 第二節 --- 公、私田與「租」、「稅」之分 --- p.55 / Chapter 第三節 --- 產權經濟學的檢驗 --- p.70 / Chapter 第四章 --- 「限米」與孫吳屯田 --- p.79 / Chapter 第一節 --- 「限米」意義諸說 --- p.79 / Chapter 第二節 --- 竹簡「限米」帳簿記錄槪況 --- p.88 / Chapter 第三節 --- 「限米」與孫吳屯田的關係 --- p.102 / Chapter 第五章 --- 孫吳屯田基層農官及勞動辨述 --- p.112 / Chapter 第一節 --- 基層農官 --- p.112 / Chapter 第二節 --- 常規勞動者 --- p.121 / Chapter 第三節 --- 補讁勞動者 --- p.131 / Chapter 第四節 --- 其他勞動者 --- p.137 / Chapter 第六章 --- 結論 --- p.153 / Chapter 附表： --- 走馬樓三國吳簡竹簡「限米」帳簿記錄分類統計 --- p.155 / 引用書目 --- p.289