This dissertation strives to analyze the role of the cultural route as an approach and evaluates its validity to foster regional cultural sustainability. The author has investigated the relationship between cultural route, cultural sustainability, and regional development through studying Swedish explorer Sven Hedin’s expedition heritage along the Silk Road. A qualitative approach was taken to study how practitioners in particular tourism subdivisions attempt to implanting Sven Hedin’s legacy into different practices in Northwest China. With the help of the Actor-Network Theory as a material-semiotic method, a significant finding is that evolutionary networks centered on Sven Hedin, as an internal drive to promote the development of cultural routes, are taking shape. Cultural route as an approach to foster regional development cannot be achieved independently by individuals and SMEs; an institutional dimension needs to be considered for integrated management. This approach offers a new participation model in regional construction to their recipients and provides a sustainable strength for inhabitants to understand their cultural identity and embrace their future.

Blomquist, Aviva (2021). Understanding Community Sense of Place and Social Sustainability Through Instagram: The establishment of Rågsved nature reserve and the demolition Snösätra Graffiti Wall of Fame. Human Geography, advanced level, master’s thesis for Master exam in Human Geography, 30 ECTS credits  Supervisor: Danielle Drozdzewski Language: English Key words: Digital geography, sense of place, social media, public space socio-spatial planning, participation, social sustainability, cultural sustainability.  This thesis investigates digital sense of place and social and cultural sustainability issues in the establishment of Rågsved nature reserve and the subsequent demolishment of (parts of) Snösätra Graffiti Wall of Fame. Drawing on theories of the more or less digital world, the non-representational, the more-than human, and the idea of geolocative social media as participatory public space (in the making), the thesis aim was to investigate how covert netnography/digital ethnography and discourse analysis can help us understand sense of place, and to identify sustainability issues through geotagged user generated data on Instagram. The empirical findings reveal conflicting community sense of place, assembled through complex entanglements between algorithms, physical structures/landscape, language, and sensory embodiments, which were simultaneously digital and non-digital. There were indications that the flows of posts geotagged on Instagram functioned as ‘claimed’ participatory public space, where stakeholder communities discussed place outside of dominant political imaginations. In addition, the posts indicated social and cultural sustainability issues. The main conclusion is that this type of discourse analysis of social media has the potential for functioning as a ‘passive’ participation strategy, and for creating deliberative discussions with stakeholder communities based on an understanding of place as they experience it.

In this research, I report and analyze the experiences of people working with small-scale enterprises in the Colombian textile artisanal sector for understanding how artisanal products are delivered to national and international markets. The data was collected by interviewing design managers and managers currently working with several of these small-scale enterprises. This paper was done considering four important features: firstly, the enormous potential that the Colombian textile industry once held back in the 1960’s; secondly, Colombia’s rich and multiple artisanal creations as expression of culture and idiosyncrasy that show the country’s ample geography and culture; thirdly, the characteristics of the Colombian economy and industry which is mainly composed of micro and small enterprises; and lastly , the lack of research on small-scale value networks. In this research the idea of linear value chains is superseded by the notion of value networks, in which relationships, activities and actors are interconnected to co-create value. In this setting, culture, people and sustainability are the key factors to reach differentiation. By learning from these experiences and analyzing practices in small-scale enterprises I can suggest that, new approaches that benefit and reinforce the characteristics of the small and medium scale enterprises must be built as an opportunity for improving the lives of people in developing countries. Additionally, relationships and the order of the production and marketing flows within the value networks depend on the manager approach. / Program: Textilt management med inriktning styrning av textila värdekedjor

Cities are defined as the ecological phenomenon of the 21st century since urban form is becoming dominant geographical context for human settlement on Earth. Due to that one of the major tasks of contemporary urban planning policy is adaptation of urban areas to the changing realms. In connection to the adaptation strategies, concept of resilience is gaining much more attention in the current planning discourse as an approach which perceives problem of climate change as the opportunity for better development. New aspect that concept of resilience brings to the planning is a view that social and ecological dimensions are interlinked. According to that, main aim of the thesis is to find an answer for the research question “What is the connection between culture and nature and its role in sustainable adaptation of urban areas to the climate change?” and through the research and analysis develop a theoretical foundation for the strategy of adaptation to the climate change which offers an opportunity for more effective urban growth based on three main pillars of sustainability: Environmental responsibility, Economic viability and Social justice as well as currently distinguished new dimension i.e. Cultural vitality.

This thesis uses the case study of the Fallas festival in the city of Valencia (Spain), to assess the value of intangible cultural heritage. Within this framework the thesis explores a number of different issues: for example how social agents frame different qualities and benefits of cultural heritage in order to describe the value and claims for funding the arts. It finds that value assessment for claiming funds presents many challenges such as: identifying the values of the heritage in question; describing them; and ranking them according to their contribution to the public welfare. It examines the methodological techniques for assessing heritage values and goes on to discuss a number of tools that are, or could be, used for assessment. The thesis also explores how public bodies legitimise cultural funding. It examines the role of non-government arts organisations in supporting the arts. It proposes the analysis of donor decisions through a multi-attribute technique where donors state their importance to donor situations under specific conditions or attributes. Finally, it describes how the stakeholder approach can be applied for searching new ways of funding festivals. It also considers how intangible cultural heritage goods can be assessed within the process of cost-benefit evaluation. It also analyses how public bodies, as the principal supporters of culture, deal with the problem of valuing intangibles on social investments. The study uses the Fallas festival to test the research hypothesis. It uses a number of economic and statistical techniques to evaluate the Fallas Festival, these include Contingent Valuation, Choice Experiment and Descriptive and Multiatribute Statistics. The statistical techniques reveal that historical benefits are intrinsically valuable in the Fallas festival. The historical value that the members of the neighbourhood associations place on the Fallas festival justify that local social agents should support this festival. / Sánchez Royo, B. (2011). AN APPROACH TOWARDS HOLISTIC ASSESSMENT OF SOCIO-ECONOMIC IMPACTS [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/12269 / Palancia

This exploratory study is a first attempt to translate the Indian cultural context from a socio-cultural, and legal perspective by identifying the values attributed to Indian textile craftsmanship by Indian textile and fashion stakeholders, and how their perspective is influenced by the global recognition and perception of Indian textile crafts and connotation of “Made in India”. At the same time the study investigates the meaning of “sustainability” in the Indian cultural context, in relation to textile craftsmanship, and how this relates to the Western concept of “sustainability”. Through field research in conjunction with a series of in-depth unstructured interviews, this study reveals that Cultural Sustainability is the dominating narrative in the Indian cultural context due to the prevalence of culturally embedded sustainability practices and the role of textile craftsmanship in sustaining livelihood, being a unique exercise of positioning Indian textile craftsmanship within a framework of cultural heritage as a valuable source of knowledge for sustainable practices in the fashion and textile industry. Unique about this study are the India-centric approach combined with the ethnicity of the subjects interviewed - who are, without exception, Indian nationals, whose work, voice and reputation are shaping India's contemporary textile craft -sustainability narrative (being referred to as the “Indian textiles and fashion elite”) and the framing of traditional craftsmanship from a legal perspective, introducing the notion of legal protection of traditional textile knowledge and traditional cultural expressions.

The study seeks to explore the assigned role of culture in the discourse of sustainable development. It combines a conceptual-historical analysis of the concept of cultural sustainability and sustainable development with an analysis of ideas with cultural policy models as a theoretical tool as ideal types. It addresses cultural sustainability as an essentially contested concept, maps a context of leading contributions to the meaning and conceptual history of cultural sustainability and sustainable development and applicates Fornäs four cultural concepts to address different meanings of cultural sustainability. The concept is then explored in its absence in A New European Agenda for Culture by the European Commission. The study also explores how the agenda is implemented in projects throughout the Swedish participation in the Creative Europe program and how it effects the meaning of cultural sustainability. The role of culture in A New European Agenda for Culture seems to be an instrumental view of the capacity culture possesses in bringing people together and to bring creativity into businesses, which also is represented in Creative Europe. The instrumental view of culture and the esthetic cultural concept that permeate cultural policy, may influence the ability for cultural sustainability to be accepted as the fourth pillar of sustainability.

This research explores the cultural sustainability in the urban development project called Embassy of Sharing in Malmö Hyllie; a future building complex with keywords of sustainability and sharing economy. The research’s focus was on the Department of Culture which has invested in the space to open a new public library, expand its centre for freedom of speech and create meeting spaces for youth. This research investigates the project group’s work towards planning their future operation and how their ideas relate to cultural sustainable development.  The result demonstrates that the Department of Culture does not generally work towards cultural sustainability but allows culture to be subsumed by social sustainability, using culture as a method to fulfil social work. Most informants emphasised citizen dialogue and participation, which are notions of social sustainability that come from internal work with social sustainable development. This result of direction was not surprising based on culture’s role in cultural policies and mainstream political research. However, the Department of Culture’s intended activities in their space at the Embassy of Sharing does not exclude the potential to achieve cultural sustainability. Concepts of place-shifting and participatory planning can be used to highlight how the Department of Culture’s methods can be re-evaluated towards being more inclusive, such as including citizens in earlier phases in the planning process, as well as re-grounding Hyllie from being only commercialised to a place with cultural access. The concept of spaces of possibility invites an entirely new creative framework for how the Department of Culture can establish its work more related to the cultural discourse, rather than doing social work.  Since the project is only in its planning phase there are no finished results to investigate. Instead, this study investigates the formation of cultural values in its movements. Thinking in terms of cultural sustainable development in the planning process of a project may strengthen the chances of achieving something valuable from the start. Further research will have to explore the use of the Department of Culture’s future operation and what role culture will play in the finalised building complex of the Embassy of Sharing.

This thesis shares the results of oral history interviews with members of the heterogeneous Doukhobor community in Canada. The stories and memories of fifteen different voices highlight the influence of intersecting demographic variables (age, gender, ideological affiliation, and geographic location) on the experience of Doukhobor life in Canada during times of sensationalized conflict. The interviews are framed and analyzed through broader questions of history and cultural sustainability. What considerations influence the representation of difficult Doukhobor pasts in Canada? In the contemporary context of unification and reconciliation, how does one speak of conflict? This thesis shows that discussions of the past surface considerable contradiction in the collective memory of the Doukhobor community; the results outline various individual and community strategies that are used to manage the past in favour of the present. Ultimately, this thesis locates memory as a social and cultural anchor that must support a history for the future.

This thesis shares the results of oral history interviews with members of the heterogeneous Doukhobor community in Canada. The stories and memories of fifteen different voices highlight the influence of intersecting demographic variables (age, gender, ideological affiliation, and geographic location) on the experience of Doukhobor life in Canada during times of sensationalized conflict. The interviews are framed and analyzed through broader questions of history and cultural sustainability. What considerations influence the representation of difficult Doukhobor pasts in Canada? In the contemporary context of unification and reconciliation, how does one speak of conflict? This thesis shows that discussions of the past surface considerable contradiction in the collective memory of the Doukhobor community; the results outline various individual and community strategies that are used to manage the past in favour of the present. Ultimately, this thesis locates memory as a social and cultural anchor that must support a history for the future.