Bakgrund: Att ha ett substansbrukssyndrom samtidigt som en annan psykiatrisk sjukdom benämns dubbeldiagnos. Att ha en dubbeldiagnos är förknippat med sämre prognos och svårare återhämtning. Hur dubbeldiagnospatienter har uppfattat sin återhämtning och om kulturella aktiviteter kan ha påverkat återhämtningen har inte berörts mycket i tidigare forskning. Därför ansågs det viktigt att genomföra denna studie. Syfte: Att belysa patienters med dubbeldiagnos upplevelser av att delta i kulturella aktiviteter och dess påverkan på återhämtningen. Metod: En kvalitativ intervjustudie genomfördes med 12 dubbeldiagnospatienter som alla hade deltagit i kulturella aktiviteter. En innehållsanalys genomfördes med stöd av Burnard (1991) och Berg (2004). Resultat: Analysen resulterade i temat ”Bättre psykiskt hälsa genom gemenskapens kraft”. Temat var övergripande för samtliga fem kategorier ”Att våga ta steget”, ”att få känna samhörighet och gemenskap”, ”positiva känslor i ett tryggt sammanhang”, ”att våga vara sig själv” och ”försöka bryta sina gränser”. Resultatet visar att den psykiska hälsan förbättrades i samband med deltagandet i de kulturella aktiviteterna. Genom att gemensamt lämna mottagningen minskade isoleringen och stigmat. Även ett ökat självförtroende och ökade positiva känslor var en effekt av deltagandet. Slutsats: Kulturella aktiviteter kan ha påverkat dubbeldiagnospatienters återhämtning positivt, men det som hade störst påverkan var känslan av att få tillhöra en gemenskap. / Background: Having a substance use disorder at the same time as another psychiatric illness is called dual diagnosis. Having a dual diagnosis is associated with poorer prognosis and recovery. How patients with dual diagnosis have experienced their recovery and whether cultural activities may have affected the recovery has not been mentioned much in previous research. Therefore, it was considered important to conduct this study. Objective: To illustrate dualdiagnosis patients experiences of participating in cultural activities and their impact on the recovery. Method: A qualitative interview study was conducted with 12 patients with dual diagnoses who had all participated in the cultural activities. A content analysis was carried out with the support of Burnard (1991) and Berg (2004). Results: The analysis resulted in the theme "Improved mental health through the power of the community". The theme was general for all five categories. “To dare to take a step”, “feel togetherness and solidarity”, “positive emotions in a safe context”, “to dare to be yourself” and “try to break boundaries”. The results show that mental health improved when participating in cultural activities. Leaving the reception together reduced the isolation and stigma. Increased self-confidence and increased positive feelings were also an effect of participating. Conclusion: Cultural activities may have positive effects on the recovery of patients with dual diagnoses, but the greatest impact was the feeling of belonging to a community.

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El proyecto que se desarrolla a continuación tiene como propósito demostrar la viabilidad de efectuar un tipo de negocio innovador y digital. Bajo este contexto se ha llevado a cabo la creación de una aplicación móvil con el nombre de Apoyarte Perú, la cual surge como una opción frente a la pandemia por Covid-19 para que artistas peruanos puedan visibilizar  diferentes expresiones de arte y les permita producir ingresos extras. La principal funcionalidad de la aplicación es brindar una alternativa para adquirir boletos a eventos de artistas peruanos y a su vez, cuenta con las características de una red social creando oportunidades de descubrimiento de artistas nuevos y contribuyendo con la difusión de su contenido. Para ello, se ejecutaron investigaciones, entrevistas y experimentos varios que sirvieran de sustento para la validación de diferentes partes del proyecto, de estas se pudo identificar que si bien existe una tendencia creciente de consumo al arte peruano, muchos artistas no reciben el respaldo necesario, principalmente porque no cuentan con un espacio exclusivo para su rubro y que además se adecúe a sus expectativas y necesidades. La recopilación de información proveniente de potenciales usuarios, expertos y artistas nacionales, reforzó las ideas iniciales para la ejecución del aplicativo y colaboró con ideas de crecimiento y expansión del mismo, para lo cual se elaboró un plan estratégico, de marketing, de operaciones. / The purpose of the following project is to demonstrate the feasibility of carrying out an innovative and digital business. In this context, the creation of a mobile application called Apoyarte Perú has been carried out, which emerges as an option in the face of the Covid-19 pandemic so that Peruvian artists can make visible different expressions of art and allow them to produce extra income. The main functionality of the application is to provide an alternative to purchase tickets to events of Peruvian artists and in turn, has the characteristics of a social network creating opportunities to discover new artists and contributing to the dissemination of their content. To this end, research, interviews and various experiments were carried out to support the validation of different parts of the project, from which it was possible to identify that although there is a growing trend of consumption of Peruvian art, many artists do not receive the necessary support, mainly because they do not have an exclusive space for their field and that also suits their expectations and needs. The collection of information from potential users, experts and national artists, reinforced the initial ideas for the implementation of the application and collaborated with ideas for its growth and expansion, for which a strategic, marketing and operations plan was developed. / Trabajo de investigación

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Объектом анализа диссертационной работы является аудиовизуальные ресурсы современного музейного пространства в системе социально-культурной деятельности. Автор доказывает, что виртуализация музейного пространства и возрастание роли аудиовизуальной коммуникации связаны с процессами технологического и социокультурного развития общества в информационную эпоху. Научная новизна исследования заключается в анализе новых методологических аспектов аудиовизуальной культуры и коммуникации, их роли в виртуализации современного музея как института сохранения культурной памяти. Практическим проектом диссертационной работы является разработка методических рекомендаций по внедрению аудиовизуальных технологий в структуру музея екатеринбургского театрального института. / The object of the analysis of the dissertation is the audiovisual resources of the modern museum space in the system of socio-cultural activity. The author proves that the virtualization of the museum space and the increasing role of audiovisual communication are associated with the processes of technological and sociocultural development of society in the information age. The scientific novelty of the study lies in the analysis of new methodological aspects of audiovisual culture and communication, their role in the virtualization of the modern museum as an institution for the preservation of cultural memory. The practical project of the dissertation is the development of guidelines for the implementation of audiovisual technologies in the structure of the Museum of the Yekaterinburg Theater Institute.

This study examines the nature and patterns of Soviet cultural activities in Egypt and Syria, the motivations behind those activities, and the contribution of the Soviet cultural effort toward the attainment of overall Soviet Middle East policies. Chapter I provides background information on Soviet-Arab relations, and in Chapter II Soviet objectives in the Middle East are examined. Chapter III identifies the important components of the Soviet cultural instrument in Egypt and Syria. Chapter IV assesses the contribution made by the cultural tool toward the attainment of Soviet objectives in Egypt and Syria. Finally, Chapter V demonstrates that the Soviet cultural enterprise exerted little impact on overall Soviet policy in the Middle East.

The purpose of this qualitative master thesis is to investigate the cultural activity experiencesof employees and their meaning for well-being and work satisfaction. The method used inthis study was thematic analysis. The data collection was conducted through eightsemi-structured interviews with employees in a municipal department that participated incultural activities organized by their employer as a part of their ordinary work tasks. In theresult three main themes emerged with appurtenant sub-themes: The experience of increasedsocial interaction in the workplace (Promoting fellowship and cohesion in the workplace,New and deepened relationships with colleagues, and Conversations and discussions withcolleagues), The experience of a changed view of the workplace (Feeling appreciated by theemployer, The experience that cultural activities benefit the workplace, and The experience ofhow the cultural activities have been arranged), and The experience that cultural activitieslead to benefits for the individual (Something out of the ordinary and Enriching for theindividual). The main themes, together with their sub-themes, describe how the culturalactivities have been perceived to have affected social relations, increased well-being in theworkplace and enriched the individuals. The results are largely in line with previous researchand can be linked to established theories. All together, from what has emerged in the resultsand previous research the conclusion can be drawn that cultural activities could be used inwork-life to promote the individuals well-being and job satisfaction. / Syftet med föreliggande kvalitativa studie är att undersöka anställdas upplevelser avkulturaktiviteter som arrangerats av arbetsgivaren och deras eventuella betydelse förvälbefinnande och arbetstillfredsställelse. Metoden som användes i studien var tematiskanalys. Datainsamlingen skedde genom åtta semistrukturerade intervjuer med anställda vid enkommunförvaltning som haft deltagande i kulturaktiviteter organiserade av arbetsgivarensom en del av sina arbetsuppgifter. I resultatet utkristalliserades tre huvudteman medtillhörande underteman: Upplevelsen av en ökad social interaktion på arbetsplatsen(Främjande av gemenskap och sammanhållning på arbetsplatsen, Nya och fördjupaderelationer med kollegor, och Samtal och diskussion med kollegor), Upplevelsen av enförändrad syn på arbetsplatsen (Att känna sig uppskattad av arbetsgivaren, Upplevelsen avatt kulturaktiviteterna gynnar arbetsplatsen, och Upplevelsen av hur kulturaktiviteterna harorganiserats), och Upplevelsen av att kulturaktiviteterna leder till fördelar för individen(Någonting utöver det vanliga för individen, och Berikande för individen). Huvudtemanabeskriver tillsammans med sina underteman hur kulturaktiviteterna upplevs ha påverkatsociala relationer, ökat trivseln på arbetsplatsen samt varit utvecklande för medarbetarna somindivider. Resultatet går till stor del i linje med tidigare forskning och kan kopplas tilletablerade psykologiska teorier. Sammantaget dras slutsatsen utifrån vad som framkommit iresultatet och tidigare forskning att kulturaktiviteter skulle kunna användas inom arbetslivetför att främja individens välbefinnande och trivsel på arbetet.

Магистерская диссертация посвящена мало изученной проблеме – эволюции психологического триллера как продукта аудиовизуального творчества. Работа состоит из Введения, трех глав, Заключения, Списка использованных источников и Приложения. Достоинством диссертации в теоретическом аспекте является анализ аудиовизуального творчества как структуры социально-культурной деятельности и аудиовизуальной основы кинообраза как специфики его психологического воздействия. В работе проведено научное исследование феномена психологического триллера в кино и его трансформация в эпоху постмодерна и в условиях современной массовой культуры XXI века. В современной науке эта тема практически не изучена, что заслуживает особого внимания. Интерес представляет и практическая составляющая магистерской диссертации, связанная с разработкой хронологического сайта «Психологический триллер в кино», включающего выбор платформы для размещения сайта, разработку общего дизайн-решения сайта, создания основной части сайта и «словаря» сайта. / The master's thesis is devoted to a little-studied problem – the evolution of a psychological thriller as a product of audiovisual creativity. The work consists of an Introduction, three chapters, a Conclusion, a List of References and an Appendix. The merit of the dissertation in the theoretical aspect is the analysis of audiovisual creativity as a structure of social and cultural activity and the audiovisual basis of the film image as the specificity of its psychological impact. The work carried out a scientific study of the phenomenon of psychological thriller in cinema and its transformation in the postmodern era and in the conditions of modern mass culture of the XXI century. In modern science, this topic is practically not studied, which deserves special attention. Of interest is the practical component of the master's thesis related to the development of a chronological site "Psychological Thriller in Cinema", including the choice of a platform for hosting the site, the development of a general design solution for the site, the creation of the main part of the site and the "dictionary" of the site.