nÃo hà / Este trabalho tem como objetivo investigar e analisar a questÃo da identidade e cultura de matriz africana por meio da obra do autor afro-caribenho e PrÃmio Nobel de Literatura em 1992, Derek Walcott, cuja obra ainda nÃo encontra no Brasil um estudo e divulgaÃÃo adequados. Com essa proposta, estamos cooperando com a lei no. 10.639/03 para a afirmaÃÃo do processo de consciÃncia negra por meio da busca de um processo identitÃrio que permeia os escritos do autor, analisando o entre-lugar do discurso do poeta e suas possÃveis influÃncias na produÃÃo de identidade e cultura no Brasil. Parte-se do pressuposto da pertinÃncia de se fazer uma reflexÃo sobre identidade e cultura como atos polÃticos, ao divulgar e expor a riqueza cultural afro ou afrodescendente sob uma nova Ãtica, recuperando o escravizado como sujeito de uma histÃria social, mostrando a infÃmia do escravismo e reforÃando as aÃÃes afirmativas no contexto brasileiro. O conhecimento e o estudo dessa literatura identitÃria pode contribuir tanto para a formaÃÃo de educadores como abrir caminhos para as Ãreas de filosofia da educaÃÃo brasileira pelo aprofundamento na cultura de base africana na diÃspora, servindo de aporte Ãs diversidades culturais. / The main purpose of this work is to analyze the thematic identity and culture of African basis through the work OMEROS written by the afro Caribbean writer and Literature Nobel Prize winner (1992), Derek Walcott. His work allows the focus to issues like the discussion of concepts such as identity and culture as political acts and artifacts of a good education, the affirmation of the process of black consciousness and the recovery of the enslaved one as the subject of a social history through post-colonial literature. The knowledge and study of this literature can contribute a great deal to the intellectual formation of educators as well as it may open paths to areas of philosophy of Brazilian education through the deepening in the culture of African basis during the Diaspora serving as a contribution to cultural diversity.

Orientador: Mauricius Martins Farina / Dissertação (mestrado) - Universidade Estadual de Campoinas, Instituto de Artes / Made available in DSpace on 2018-08-21T10:34:18Z (GMT). No. of bitstreams: 1 Andreghetto_LuizCarlos_M.pdf: 3812044 bytes, checksum: 109b69588e940f7f0045bc741eb69e2d (MD5) Previous issue date: 2012 / Resumo: O texto a seguir propõe uma aproximação maior entre as teorias Neobarrocas, proferidas por Omar Calabrese e Severo Sarduy, com a imagem audiovisual e suas especificidades. Os elementos e as figuras Neobarrocas servem de estrutura para analisarmos a poética do cineasta inglês Derek Jarman, mais especificamente cenas do filme Caravaggio, de 1986. Jarman trafega em suas obras pelo universo Neobarroco, sendo uma constante dentro de sua filmografia o apreço pelas artes plásticas, pelo experimentalismo, pela polêmica e pela construção poética amparada nesses elementos barrocos: o excesso, o caos, a multiplicidade, a dramaticidade, a sexualidade, a intertextualidade, etc. Ao juntar esses dois sistemas de cognição, o cinema e a história da arte, o Neobarroco adentra-se pela pós-modernidade como uma das formas que mais caracteriza esse momento histórico. Sua confluência com as especificidades proporcionadas pela imagem audiovisual (o enquadramento, a fotografia, o som, a iluminação, etc), multiplica seu entendimento e sua ressonância / Abstract: The following text proposes a forthcoming between the Neo-baroque theories, given by Omar Calabrese and Severo Sarduy, with the audio-visual image and its specificities. The Neo-baroque elements and figures serve as a framework for analyzing the poetic of a British filmmaker Derek Jarman, specifically scenes from the film Caravaggio, 1986. Jarman travels his works through the universe of Neo-baroque, being a constant in his filmography appreciation of the arts, for experimentation, controversy and the poetic construction supported by these baroque elements: the excess, chaos, multiplicity, drama, sexuality , intertextuality, etc.. By combining these two systems of cognition, cinema and art history, the Neo-baroque enters by the post-modernity as one of the ways that best describes this historical moment. Its confluence with the specifics provided by the audiovisual image (framing, photography, sound, lighting, etc.), multiply their understanding and their resonance / Mestrado / Artes Visuais / Mestre em Artes

What can be assumed to be a general understanding of personal identity, is that it is constituted by a fixed and unchanging core of every self-conscious being that remains the same over time. This view could be traced to the notion that a perfect copy of you would not be you since you constitute the original and not the copy. But maybe it's not that simple, maybe a copy of you can also be you, while existing as your "original"?In this essay I will explore a functionalist argument as well as a self-constructed thought experiment that challenges the traditional view of personal identity as a fixed and unchanging core, inextricably linked to a single body. This exploration will lead to the idea of "metasurvival". Metasurvival is understood as the possibility that a person can survive through another person. The idea of metasurvival thus challenges the dichotomy between life and death. / Vad som kan antas vara en allmän uppfattning om personlig identitet, är att den utgörs av en fast och oföränderlig kärna i varje självmedveten varelse som förblir densamma över tid. Denna uppfattning skulle kunna härledas till föreställningen att en perfekt kopia av dig inte skulle vara dig, eftersom du utgör originalet och inte kopian. Men kanske är det inte så enkelt, kanske kan en kopia av dig också vara dig, samtidigt som du existerar som ditt ”original”?I denna uppsats kommer jag att utforska ett funktionalistiskt argument, samt ett eget konstruerat tankeexperiment som ifrågasätter den traditionella synen på personlig identitet som en fast och oföränderlig kärna, oupplösligt knuten till en enskild kropp. Denna utforskning kommer att leda fram till idéen om ”metaöverlevnad”. Med metaöverlevnad förstås möjligheten att en person kan överleva genom en annan person. Idéen om metaöverlevnad utmanar därmed dikotomin mellan liv och död.

No description available.

Comment peut-on concilier le respect des droits à la liberté des membres des générations futures et présentes ? Agir en faveur des premiers ne doit pas se faire aux dépens des seconds. Selon nous, la garantie pour tous de pouvoir développer et concevoir une conception spécifique de la vie bonne suppose de privilégier l'objectif d'une justice sociale globale dans le temps présent pour ainsi transmettre à la postérité un monde plus juste. Nous indiquons en premier lieu en quoi les générations qui se succèdent sur Terre ont des devoirs envers celles qui les suivront dans le temps, mais également pourquoi nos actes ne reflètent pas la reconnaissance de tels devoirs. Nous nous interrogeons ensuite sur le contenu du monde à transmettre en conformité avec ces devoirs. Il incombe aux générations de préserver autant que possible l'environnement naturel et d'édifier un environnement politique et social suffisant. Cela requiert la constitution d'une épargne intergénérationnelle au cours d'une phase limitée, suivie d'une phase de croisière dans laquelle l'accumulation doit être stoppée. Mais les efforts pour cette épargne et les ressources générées par celle-ci sont à répartir équitablement au sein et entre les générations : ce point est l'objet de notre troisième partie. Nous montrons que les efforts demandés à chacun au sein de la phase d'accumulation devraient dépendre de l'environnement dont disposent les individus, tandis que les ressources produites sont à redistribuer en priorité aux contemporains les plus démunis. Une telle préférence sociale pour le présent ne va pas à l'encontre des droits des individus futurs : elle permet au contraire de limiter la perpétuation, de génération en génération, des inégalités intragénérationnelles et de favoriser le respect de leurs droits par les individus qui vivent dans le temps présent. / How can we reconcile the respect to liberty rights of members of future and current generations? Act in favour of the former should not be at the expense of the latter. According to us, the guaranty for all to be able to develop and conceive a specific conception of the good life involves favouring the objective of global social justice in the present time, and so transmitting to posterity a fairer world. We show first how the succeeding generations on Earth have duties to those who follow in time, but also why our acts do not reflect the recognition of such duties. Then we wonder about the content of the World to transmit in compliance with these duties. Generations bear the responsibility to preserve as much as possible the natural environment and to edify a sufficient political and social environment. This requires the constitution of an intergenerational savings during a limited phase, followed by a steady-state phase in which the accumulation must be stopped. But efforts to the savings and resources generated by it have to be distributed fairly within and between generations: this is the subject of our third part. We show that efforts required to everyone during the accumulation phase should depend on the environment available to individuals, while produced resources have to be redistributed primarily to the most disadvantaged contemporaries. Such a social time preference does not run counter the rights of future individuals: it allows instead to limit the perpetuation of intra-generational inequalities from generation to generation and to promote the respect of their rights by individuals living at the present time.

Les Vies de Caravage publiées par Giovanni Baglione, Gian Pietro Bellori, Guilio Mancini et Francesco Susinno ont une influence considérable dans la réception du corpus de l’artiste. Souvent considérées en tant que sources primaires, ces œuvres littéraires opèrent toutefois une médiation dans le discours de la discipline en émettant des jugements critiques et stylistiques sur les œuvres et par la mise en scène de faits historiques par la fiction. Ce mémoire situe le mythe du Caravage dans le contexte de la production littéraire italienne et de son héritage antique et contemporain. Les illustrations de ces ouvrages sont également étudiées en regard de la tradition de portraiture. Les stéréotypes définissant le peintre sont perçus dans leurs mutations et confrontés à la perception de la violence et de l’érotisme par l’historiographie moderne, de même que leur récupération par la culture populaire notamment dans le film Caravaggio de Derek Jarman (1986). / The Lives of Caravaggio, published by Giovanni Baglione, Gian Pietro Bellori, Guilio Mancini and Francesco Suninno, had considerable influence on the reception of the artist’s oeuvre. Often considered to be primary sources, these literary works express stylistic criticism and stage historical facts through fiction. This master’s thesis situates Caravaggio’s myth in the context of Italian literary production and its ancient and contemporary heritage. The stereotypes that define the painter are perceived in their changes and confronted with the perception of their violence and eroticism by modern historiography and popular culture, particularly in Derek Jarman’s movie Caravaggio (1986). / Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal

Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal / Les Vies de Caravage publiées par Giovanni Baglione, Gian Pietro Bellori, Guilio Mancini et Francesco Susinno ont une influence considérable dans la réception du corpus de l’artiste. Souvent considérées en tant que sources primaires, ces œuvres littéraires opèrent toutefois une médiation dans le discours de la discipline en émettant des jugements critiques et stylistiques sur les œuvres et par la mise en scène de faits historiques par la fiction. Ce mémoire situe le mythe du Caravage dans le contexte de la production littéraire italienne et de son héritage antique et contemporain. Les illustrations de ces ouvrages sont également étudiées en regard de la tradition de portraiture. Les stéréotypes définissant le peintre sont perçus dans leurs mutations et confrontés à la perception de la violence et de l’érotisme par l’historiographie moderne, de même que leur récupération par la culture populaire notamment dans le film Caravaggio de Derek Jarman (1986). / The Lives of Caravaggio, published by Giovanni Baglione, Gian Pietro Bellori, Guilio Mancini and Francesco Suninno, had considerable influence on the reception of the artist’s oeuvre. Often considered to be primary sources, these literary works express stylistic criticism and stage historical facts through fiction. This master’s thesis situates Caravaggio’s myth in the context of Italian literary production and its ancient and contemporary heritage. The stereotypes that define the painter are perceived in their changes and confronted with the perception of their violence and eroticism by modern historiography and popular culture, particularly in Derek Jarman’s movie Caravaggio (1986).

This thesis analyzes three of the plays inspired by the Haitian Revolution and written by black playwrights. The first chapter covers William Edgar Easton’s Dessalines, a Dramatic Tale: A Single Chapter from Haiti’s History. It discusses Easton’s decision to depict Dessalines as a man of faith, a believer, a Christian. The second chapter employs Langston Hughes’ play, Troubled Island, to argue Dessalines’ modernity. The third play, by Saint Lucian playwright Derek Walcott, is The Haitian Earth. The thesis concludes with a brief discussion of his play and its contribution to black consciousness. I propose that the revolution plays a major role in World History, and argue that the Haitian Revolution served as a looking glass to many African Americans in search of a black identity. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2014. / FAU Electronic Theses and Dissertations Collection

This thesis examines US protectionism in the 1980s from Canadian and American perspectives, and its role in Canada’s pursuit of the historic 1988 Canada-US Free Trade Agreement. It analyzes the perceived “threat” of protectionism and evaluates the agreement’s provisions against Canada’s goal of securing access to the US market. It contends that US protectionism was crucial in the Mulroney government’s decision to negotiate a bilateral agreement and was a contentious issue for the agreement’s critics. US sources, unexamined in existing historiography, confirm the increased threat of American protectionism, but emphasize a distinction between the threat and implementation of protectionist trade law. Although the agreement did not shield Canada from US trade remedies, Canada gained important presence in the trade dispute process. These conclusions are drawn from Canadian and American media and government documents, 1980s academic and think-tank commentary, legal documents, the memoirs and diaries of major players, and select archival sources.

This thesis examines US protectionism in the 1980s from Canadian and American perspectives, and its role in Canada’s pursuit of the historic 1988 Canada-US Free Trade Agreement. It analyzes the perceived “threat” of protectionism and evaluates the agreement’s provisions against Canada’s goal of securing access to the US market. It contends that US protectionism was crucial in the Mulroney government’s decision to negotiate a bilateral agreement and was a contentious issue for the agreement’s critics. US sources, unexamined in existing historiography, confirm the increased threat of American protectionism, but emphasize a distinction between the threat and implementation of protectionist trade law. Although the agreement did not shield Canada from US trade remedies, Canada gained important presence in the trade dispute process. These conclusions are drawn from Canadian and American media and government documents, 1980s academic and think-tank commentary, legal documents, the memoirs and diaries of major players, and select archival sources.