Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-04-09T18:04:42Z No. of bitstreams: 1 michelepereirarodrigues.pdf: 1652088 bytes, checksum: c88887f1df1b719fd48ef5d44cf5d76f (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-04-10T14:54:32Z (GMT) No. of bitstreams: 1 michelepereirarodrigues.pdf: 1652088 bytes, checksum: c88887f1df1b719fd48ef5d44cf5d76f (MD5) / Made available in DSpace on 2018-04-10T14:54:32Z (GMT). No. of bitstreams: 1 michelepereirarodrigues.pdf: 1652088 bytes, checksum: c88887f1df1b719fd48ef5d44cf5d76f (MD5) Previous issue date: 2018-02-27 / A crônica, gênero que transita entre os campos da literatura e do jornalismo, pode ser reconhecida pelo seu potencial argumentativo e por sua capacidade de seduzir e envolver o leitor para atingir as intencionalidades do autor ou do veículo para o qual ele escreve. Um dos reflexos de sua versatilidade textual é capacidade desse gênero discursivo em captar vestígios sociais que escapam ao noticiário. Assim, a crônica é considerada um rico indicador cultural e social de um tempo e de um espaço, seja quando se observa o contexto de sua produção ou quando se analisam as questões manifestas no texto. O objetivo geral desta pesquisa é investigar as características do cronismo de Luiz Ruffato no jornal El País. O universo analisado é composto por 200 crônicas publicadas no período entre 26/11/2013 e 30/09/2017. Esses textos foram catalogados em quatro grupos temáticos para posterior análise das que tratam de política, por se tratar da categoria que abarca o maior volume de textos no período citado. Com base na metodologia de análise crítica da narrativa, de Luiz Gonzaga Motta (2013), foram analisadas qualitativamente 30 crônicas desse universo, com o objetivo de evidenciar as estratégias narrativas de Ruffato em seu projeto político de crítica e engajamento. Pudemos detectar a inclinação do autor para a produção de textos opinativos, estratégia que contribui para sua consolidação como intelectual. / The chronicle, textual genre which transits through the fields of literature and journalism, can be recognized for its argumentative potential and for its ability to seduce and engage the reader in order to reach the author’s intentions or the communication channels that he writes to. One of the reflexes of its textual versatility is the capacity of this discursive genre to capture social vestiges that escape the news. Therefore, the chronicle is considered a rich cultural and social indicator of time and space, either when the context of its production is observed or when the issues manifested in the text are analyzed. The general objective of this research is to investigate the characteristics of Luiz Ruffato’s chronicle in the newspaper El País. The analyzed universe consists of 200 chronicles published in the period between 11/26/2013 and 9/30/2017. These texts were cataloged in four thematic groups for later analysis of those dealing with politics, once it is the category that encompasses the largest volume of texts in the mentioned period. Based on the methodology of critical analysis of the narrative, by Luiz Gonzaga Motta (2013), 30 chronicles of this universe were qualitatively analyzed, aiming to highlight Ruffato’s narrative strategies, in his political project of criticism and engagement. It could be detected the author’s choice for the production of opinion texts, a strategy that contributes to its consolidation as an intellectual.

Essa pesquisa busca verificar, comparativamente, a imagem do Brasil colocada em circulação pelo noticiário do jornal espanhol El País, nos anos de 1995 e 2005. Esses períodos foram tomados, respectivamente, como marco do início da intensificação dos aportes financeiros espanhóis no Brasil e como a época em que a presença econômica da Espanha se solidificou, tornando o país ibérico o primeiro europeu em aportes financeiros no Brasil e o segundo maior investidor, no cômputo geral. A aplicação da metodologia de análise de conteúdo em uma amostra de notícias considerada satisfatória por Martin W. Bauer para esse tipo de pesquisa e a observação das principais idéias apresentadas nesses textos jornalísticos permitiram compreender, entre outros, os aspectos brasileiros mais enfocados pelo jornal espanhol. Por meio desse estudo pôde-se constatar aumento no interesse da Espanha pelo país, com a triplicação do número de notícias sobre o Brasil, e a diversificação da cobertura jornalística. Embora o Brasil tenha recebido uma cobertura mais ampla, em 2005, e as notícias econômicas tenham ganhado maior ênfase, o discurso sobre o país foi permeado por estereótipos relacionados a misticismo, exotismo e sexualidade. O aspecto negativo brasileiro mais recorrente no noticiário foi a desigualdade econômico-social. / Through this research we try to verify, comparatively, the image of Brazil put into circulation by the Spanish newspaper El País in the years of 1995 and 2005. These dates were considered, respectively, as a landmark for the beginning of the intensification of Spanish financial aports in Brazil and as the time when the economic presence of Spain was solidified, ranking this iberian country in the first position in Europe concerning financial aports in Brazil, and as the second biggest investor, in the general account. The application of the content analysis approach in a news sample, considered by Martin W. Bauer as satisfactory for this kind of research, as well as the observation of the main ideas presented in these news texts, allowed us to understand, among other things, the brazilian issues most frequently focussed by the Spanish newspaper. Throughout the study we were able to find the increasing interest of Spain towards the country, with the triplication of the number of news about Brazil, and the diversification of news coverage. Although there was a wider coverage on Brazil in 2005, and the economic news were greatly emphasized, the discourse about the country was permeated by stereotypes which related to mysticism, exoticism and sexuality. The most recurrent negative aspect on the news was the social economic inequality.

Essa pesquisa busca verificar, comparativamente, a imagem do Brasil colocada em circulação pelo noticiário do jornal espanhol El País, nos anos de 1995 e 2005. Esses períodos foram tomados, respectivamente, como marco do início da intensificação dos aportes financeiros espanhóis no Brasil e como a época em que a presença econômica da Espanha se solidificou, tornando o país ibérico o primeiro europeu em aportes financeiros no Brasil e o segundo maior investidor, no cômputo geral. A aplicação da metodologia de análise de conteúdo em uma amostra de notícias considerada satisfatória por Martin W. Bauer para esse tipo de pesquisa e a observação das principais idéias apresentadas nesses textos jornalísticos permitiram compreender, entre outros, os aspectos brasileiros mais enfocados pelo jornal espanhol. Por meio desse estudo pôde-se constatar aumento no interesse da Espanha pelo país, com a triplicação do número de notícias sobre o Brasil, e a diversificação da cobertura jornalística. Embora o Brasil tenha recebido uma cobertura mais ampla, em 2005, e as notícias econômicas tenham ganhado maior ênfase, o discurso sobre o país foi permeado por estereótipos relacionados a misticismo, exotismo e sexualidade. O aspecto negativo brasileiro mais recorrente no noticiário foi a desigualdade econômico-social. / Through this research we try to verify, comparatively, the image of Brazil put into circulation by the Spanish newspaper El País in the years of 1995 and 2005. These dates were considered, respectively, as a landmark for the beginning of the intensification of Spanish financial aports in Brazil and as the time when the economic presence of Spain was solidified, ranking this iberian country in the first position in Europe concerning financial aports in Brazil, and as the second biggest investor, in the general account. The application of the content analysis approach in a news sample, considered by Martin W. Bauer as satisfactory for this kind of research, as well as the observation of the main ideas presented in these news texts, allowed us to understand, among other things, the brazilian issues most frequently focussed by the Spanish newspaper. Throughout the study we were able to find the increasing interest of Spain towards the country, with the triplication of the number of news about Brazil, and the diversification of news coverage. Although there was a wider coverage on Brazil in 2005, and the economic news were greatly emphasized, the discourse about the country was permeated by stereotypes which related to mysticism, exoticism and sexuality. The most recurrent negative aspect on the news was the social economic inequality.

Cette étude aborde l’évolution de l’entreprise de presse en Espagne pendant la Transition démocratique et sous le pouvoir socialiste de Felipe González. Renouveau démocratique et continuité en lien avec la tradition culturelle libérale du début du XXe siècle marquent les changements qui s’opèrent au sein du journalisme espagnol. Le milieu des années 1980 voit l’émergence du marché très convoité de la presse économique. El País, fondé sur un projet régénérationniste, parangon de la presse écrite dite de qualité, diversifie ses publications et crée El País Negocios, supplément économique hebdomadaire. Ce périodique de l’organe d’influence qu’est devenu El País s’adresse en priorité aux nouvelles élites socio-économiques, un public d’entrepreneurs et de cadres en quête de modernité économique. Politiques économiques, relations salariales, représentations managériales illustrent les modifications vécues dans le monde de l’entreprise au sein d’une Espagne qui intègre pleinement l’environnement européen et adopte les modèles néolibéraux. L’analyse du discours politique et économique éclaire l’évolution idéologique du périodique, reflet d’une démarche consensuelle et d’une société civile en construction. / This study focuses upon the press industry and its evolution in Spain during the Democratic Transition and under the Socialist power of Felipe González. Democratic renewal and continuity with early 20th Century culturally liberal tradition illustrate the changes which marked Spanish journalism. Markets emerging in the mid-1980s were highly coveted by the economic press. Founded upon a regenerationist project and making a claim to quality, El País diversified its publications to create the weekly economic supplement El País Negocios. A periodical of this media organ of influence, El País Negocios targets in particular socio-economic elites, a public of young executives and entrepreneurs in quest of economic modernity. Economic policies, employment relations just as managerial representations portray the transformations underway in Spain’s business world, one which fully integrates the framework of Europe and appropriates neo-liberal models. Our analysis of political and economic discourse sheds light upon the periodical’s ideology, an approach which enhances consensus and reflects the difficult construction of civil society.

No description available.

[ES] Esta tesis se centra en las posibilidades expresivas del GIF y la influencia del arte óptico, que a través de una serie de prácticas artísticas, revelan una selección de efectos ilusorios capaces de afectar la percepción visual. Esta tesis estudia el uso de efectos ópticos que alteran la visión de GIF para enfatizar su poder expresivo lejos de su abstracción habitual utilizando la combinación de la expresión narrativa de la ilustración, modificando el uso actual del formato digital característico utilizado para este propósito. Las leyes de percepción y los efectos ilusorios a partir de los cuales enfocamos el estudio perceptivo, tienen como objetivo crear un nuevo entorno comunicativo poderoso en movimiento gracias al uso de herramientas digitales esenciales, que crean un nuevo ámbito de expresión en la era de las tecnologías. La hipótesis que surge en este estudio es si el uso característico del formato GIF y su unión con el arte óptico, puede mejorar el mensaje expresivo visual y narrativo de la ilustración actual al eliminar el marco social constitutivo del GIF. / [EN] This thesis is an investigation about the expressive possibilities of GIF and the influence of optical art , which through a series of artistic practices, they reveal a selection of illusory effects capable of affecting visual perception. This thesis studies the use of optical effects altering the vision of GIF to emphasize its expressive power far from its usual abstraction using the combination of the narrative expression of the illustration, modifying current use of the characteristic digital format used for this purpose. The laws of perception and illusory effects from which we focus perceptual study, aim to create a new powerful communicative environment in motion thanks to the use of essential digital tools, which create a new scope of expression in the era of technologies. The hypothesis that arises in this study is whether the characteristic use of the GIF format and its union with optical art, can enhance the visual and narrative expressive message of the current illustration by eliminating the constitutive social framework of GIF. / [CA] Aquesta tesi és una investigació sobre les possibilitats expressives de l'GIF i la influència de l'art òptic, que a través d'una sèrie de pràctiques artístiques, revelen una selecció d'efectes il·lusoris capaços d'afectar la percepció visual. Aquesta tesi estudia l'ús d'efectes òptics que alteren la visió de GIF per emfatitzar el seu poder expressiu lluny de la seva abstracció habitual utilitzant la combinació de l'expressió narrativa de la il·lustració, modificant l'ús actual de l'format digital característic utilitzat per aquest propòsit. Les lleis de percepció i els efectes il·lusoris a partir dels quals enfoquem l'estudi perceptiu, tenen com a objectiu crear un nou entorn comunicatiu poderós en moviment gràcies a l'ús d'eines digitals essencials, que creen un nou àmbit d'expressió en l'era de les tecnologies . La hipòtesi que sorgeix en aquest estudi és si l'ús característic de el format GIF i la seva unió amb l'art òptic, pot millorar el missatge expressiu visual i narratiu de la il·lustració actual a l'eliminar el marc social constitutiu de l'GIF. / Vergara Sánchez, E. (2020). Arte cinético-óptico a través del GIF ilustrado [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/149476

The thesis titled La República Checa: media image is focused on the quantitative analysis of media representations of the Czech Republic and its actors in Spanish newspapers El País and La Vanguardia in the period of 2011 and 2012. The main goal of this work is to determine how the media image of the Czech Republic is presented in this newspapers and how was constructed. Through the quantitative analysis based on the theoretical background determines the media space provided to the news about the Czech Republic by the Spanish newspapers, the topics in which was the media image of the Czech Republic displayed, and the measure of news values and news sources related to the Czech Republic. The basic assumption is a presence of the media routines which influence the media image. Powered by TCPDF (www.tcpdf.org)

Submitted by Irvana Coutinho (irvana@ufpa.br) on 2017-04-26T14:38:29Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_RevolucionCubanaCaricatura.pdf: 7597690 bytes, checksum: 1e75e7a9decab2a055321dbc298cc0b9 (MD5) / Approved for entry into archive by Irvana Coutinho (irvana@ufpa.br) on 2017-04-26T14:40:20Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_RevolucionCubanaCaricatura.pdf: 7597690 bytes, checksum: 1e75e7a9decab2a055321dbc298cc0b9 (MD5) / Made available in DSpace on 2017-04-26T14:40:20Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_RevolucionCubanaCaricatura.pdf: 7597690 bytes, checksum: 1e75e7a9decab2a055321dbc298cc0b9 (MD5) Previous issue date: 2016-03-07 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Esta investigación, analiza cómo fue representa la Revolución Cubana en la caricatura política de los periódicos colombianos El País y El Tiempo entre 1958 y 1962. Para cumplir con este propósito, el siguiente trabajo se divide en dos capítulos. El primero estudia la caricatura política y los intelectuales de la opinión pública como una fuente para la historia. Abordando de manera general, algunos planteamientos teóricos y metodológicos de Erwin Panofsky. De igual forma, se identifica a un grupo de caricaturistas que representaron, cuestionaron y satirizaron con mayor frecuencia los acontecimientos políticos relacionados con la Revolución Cubana. Además se describir los orígenes, posturas políticas e influencias de poder de los periódicos El País y El Tiempo en Colombia. En el segundo, identificamos las diferentes formas de representación que los diarios El País y El Tiempo realizaron sobre la Revolución Cubana entre 1958 y 1962 en la caricatura política, señalando las temáticas más recurrentes en estos periódicos. Para ello, estudiaremos la manera de como la opinión pública fue cambiando en la medida en que se consolida el proyecto revolucionario liderado por Fidel Castro y su Movimiento 26 de julio, desde su lucha armada en la Sierra Maestra, hasta la salida de Cuba de la Organización de los Estados Americano (OEA). / Esta dissertação busca analisar a representação da Revolução Cubana na caricatura politica impressa nos periódicos El País e El Tiempo entre os anos de 1958 a 1962. Para tanto, o estudo encontra-se dividido em dois capítulos. O primeiro estuda a caricatura política e os intelectuais da opinião pública, considerando-os como fontes para a analise dos processos históricos, a partir dos fundamentos teóricos- metodológicas de Erwin Panofsky. Do mesmo modo, se identifica um grupo de caricaturistas que representaram, questionaram e satirizaram os acontecimentos políticos relacionados à Revolução Cubana. Ademais, se descrevem as origens, posturas politicas e influencias do poder dos jornais El País e El Tiempo na Colômbia No segundo capítulo, identificam-se as diferentes representações assumidas pelos ditos periódicos sobre o processo da Revolução Cubana, entre os anos de 1958 e 1962, a partir das caricaturas políticas neles impressas, assinalando, sobretudo, as temáticas mais recorrentes. Para tanto, busca-se compreender o modo como a opinião publica reconfigurou seus olhares sobre os fatos, na medida em que o projeto revolucionário liderado por Fidel Castro e seu Movimento de 26 de julho consolidou suas bases, desde sua luta armada na Serra Maestra, até a saída de Cuba da Organização dos Estados Americanos (OEA).

abstract: The revolution that took place in Nicaragua during the 70's led the country into misery; this war was a consequence of the Somoza dictatorship that had been in power for forty-five years. The Nicaraguan people were hoping to recover their peace and freedom by rising in arms against the dictatorship. Augusto Cesar Sandino is known to be the most significant patriotic figure for the Sandinista revolutionaries. His legacy inspired the foundation of the revolutionary party Frente Sandinista de Liberación Nacional (FSLN). The FSLN was able to overthrow the Anastasio Somoza regime and declared their victory on July 19, 1979. The memories of the Sandinista Revolution are portrayed in the autobiographies of two Nicaraguan writers: Gioconda Belli and Sergio Ramirez. El país bajo mi piel (2001) y Adiós muchachos. Una memoria de la revolución sandinista (1999) are the texts analyzed in this study as part of those remembrances that revive the most significant events of the revolution from very unique perspectives. In order to develop this analysis we have consider the theoretical work of Phillip Lejeune. We have based our research in his definition of autobiography, his concept of autobiographical pact and the idea of contract between author and reader. Also, we have incorporated Evelyne Ender´s research on memory as the principal element in the literary construction of reminiscences. Ender explains the role of the rememberer, who is responsible of constructing their memories based on a subjective, cognitive, emotional and esthetic performance. At the same time, we have included the concept of biographical space explained by Leonor Arfuch, which is perceived as multi-faced space where different tendencies coexist. The purpose of this study is to explore the autobiographies of these Nicaraguan writers as an esthetical process where remembrances of the Sandinista Revolution come to live in a prose reflective narrative. Analyzing Belli and Ramirez's memoirs, we perceived their private and public stories of life that depict the most significant events of their lives and nation. The Sandinista Revolution is part of the Nicaraguan history and it cannot be forgotten that's the purpose behind this autobiographies to document these transcendental happenings. / Dissertation/Thesis / M.A. Spanish 2012

La tesi estudia els conflictes entre Convergència Democràtica de Catalunya i Unió Democràtica de Catalunya. Des de la teoria del conflicte i utilitzant la metodologia de l'anàlisi de contingut, s'hi analitzen els articles de quatre diaris publicats a Barcelona (La Vanguardia, El Periódico, El País i Avui) durant tres moments d'especial confrontació entre CDC i UDC (1996-97, 2001 i 2006). La investigació se centra sobre les característiques del conflicte publicat i el paper dels diaris en relació amb el conflicte mateix i els seus dos actors principals. Les conclusions indiquen que es tracta d'un conflicte estructural, per quotes de poder a CiU, la tensió del qual és proporcional a la progressió en la preparació i execució de la successió de Jordi Pujol. La premsa hi intervé decisivament en el seu desenvolupament, com a tercer involucrat, però no com a part principal. La Vanguardia segueix l'interès d'UDC, enfoca el conflicte des d'UDC i és pro UDC. El Periódico se situa a l'oposició política, enfoca el conflicte des de CDC i s'hi posiciona contra UDC. El País adopta una oposició ideològica, des de fora i contra CDC. L'Avui hi interpreta l'interès de CiU, des de dins i a favor de CDC. / La tesis estudia los conflictos entre Convergència Democràtica de Catalunya y Unió Democràtica de Catalunya. Desde la teoría del conflicto y utilizando la metología del análisis de contenido, se analizan los artículos de cuatro diarios publicados en Barcelona (La Vanguardia, El Periódico, El País i Avui) durante tres momentos de especial confrontación entre CDC y UDC (1996-97, 2001 i 2006). La investigación se centra en las características del conflicto publicado y el papel de los diarios en relación con el conflicto mismo y sus dos actores principales. Las conclusiones indican que se trata de un conflicto estructural, por cuotas de poder en CiU, cuya tensión es proporcional a la progresión en la preparación y ejecución de la sucesión de Jordi Pujol. La prensa interviene decisivamente en su desarrollo, como tercero involucrado, pero no parte principal. La Vanguardia sigue el interés de UDC, enfoca el conflicte desde UDC y es pro UDC. El Periódico se sitúa en la oposición política, enfoca el conflicto desde CDC y se posiciona contra UDC. El País adopta una oposición ideológica, desde fuera y contra CDC. L'Avui interpreta el interés de CiU, desde dentro y a favor de CDC. / The thesis studies the conflicts between CDC and UDC as portrayed by some Barcelona newspapers. From the startpoint of the conflict theory and using the methodology of content analysis, articles published by four dailies (La Vanguardia, El Periódico, El País i Avui) during three moments of particular tension between CDC and UDC (1996-97, 2001 i 2006) are analysed. The research is focused on the characteristics of the conflict, as it was published, and on the role that the newspapers had relating to the development of the conflict itself and to its two protagonists. The conclusions from the study indicate that it is a structural conflict, motivated by a power struggle within CiU. The tension increases as the succession to Jordi Pujol's leadership approaches and it is implemented. The press, as a third party, albeit with a secundary role, has a decisive intervention in the conflict development. La Vanguardia follows the interests of UDC, looks at the conflict from UDC's viewpoint and it is pro-UDC. El Periódico adopts a political opposition, viewing the conflict from the stadtpoint of CDC and against UDC. El País adopts an ideological opposition looking at the conflict from the outside and against CDC. Avui follows the interests of CiU, acting from within and favouring CDC.