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論王逸《楚辭章句》的形成. / Study of the formation of Wang Yi's Chuci Zhangju / CUHK electronic theses & dissertations collection / Lun Wang Yi "Chu ci zhang ju" de xing cheng.January 2010 (has links)
Chuci Zhangju was compiled by Wang Yi (ca.90--ca.158) in the Eastern Han Dynasty(25--220) as an agglomeration of Chuci studies since Qin and Han Dynasties. Chuci Zhangju gathered QuYuan (ca.343--ca.277BC) and other authors' work since the Warring States period and its annotation style---Zhangjuti has been receiving high praise. / On the modern Chuci research, Chuci Zhangju is generally viewed as a mere ancillary annotation, while compared to canonical Chuci. As a result, there is no specialized work focus on Chuci Zhangju. Only scattered academic works are found, and their core concerns are doctrine of canonical texts and literary commentaries, while explanations of words and textual criticism were included sometimes. As a lack of comprehensive analysis of Chuci Zhanju is observed, my following research is carried out in four parts, including textual, annotation, the order of arrangement and interpretation analysis. / This thesis is divided into seven chapters. Chapter One is the introduction, a brief review of Wang Yi's life story and compositions, probing into the motives of Wang Yi's Chuci Zhangju. Chapter Two covers the formation process from the text Chuci to Chuci Zhangju, centering on the inherited relation between two texts. Chapter Three discusses the order of arrangement of Chuci Zhangju, suggesting that the order is related to Chuci Shiwen so as to analyze the structural system of canonical texts and its commentaries. Chapter Four centers on Wang Yi's commentaries, and further clarifies how Wang Yi has responded to predecessors' debate on QuYuan during Han Dynasty period, in order to construct and reinforce the authority for his interpretation. Chapter Five focuses on the rhymed annotation, pointing out the correlation between it and its features, forms, times, and predecessors. Chapter Six analyses the disputes over the issue Yi-yun and Huo-yue, suggesting that the existing text has been amended by people of former times, and has little relation with Wang Yi indeed. Chapter Seven is the conclusion, summarizing the key points and the major findings of the thesis. / 陳鴻圖. / Adviser: Yiu Kwan Wong. / Source: Dissertation Abstracts International, Volume: 73-03, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (p. 150-167). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Chen Hongtu.
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兩漢主要女文學作家研究 / Study of the major women writers of the Han Dynasty (206 B.C. - 220 A.D.)黃嫣梨 January 1986 (has links)
University of Macau / Faculty of Social Sciences and Humanities / Department of Chinese
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Vision for mission : Korean and South African churches together facing the challenges of globalisationKim, Dae-Yoong 10 1900 (has links)
As the century and millennium draw to a close, radical changes affect all areas of human life. Such changes challenge the church to respond to new developments in the secular world. One such development (a long time in the making) is that the everyday life of every human being on the planet is being affected more and more
profoundly by a kind of generic capitalism that prefers to remain faceless and anonymous but which prosecutes it interests with a brutality and ruthlessness that take no account of human beings who are themselves neither powerful nor influential - but who may reside on land replete with the kind of natural resources which
constitute the essential raw materials necessary for capitalist expansion. It is not only human life that suffers in this rapidly changing world: forms of planetary life suffer. In the context of what we have said about global market dynamics, we are compelled to ask ourselves searching questions about the relationship between God
and humans, humans and other human beings, and hnmans and other forms of planetary life. This will partly be an historical investigation into what Korean churches and South Africau churches might share with each other
on the basis of experiences of suffering caused by past structures and systems. By understanding the past, historians hope to be able to understand the present and to make predictions and preparations for the future of suffering people. Solidarity is one of the most effective weapons in the struggle against the oppression of the poor. Suffering creates an absolute necessity for solidarity. By examining what the Korean church and
the South Africa church did and said in their struggle against military dictatorship and racial discrimination, we shall find the basis for solidarity as a political, social and spiritual weapon. / Christian Spirituality, Church History and Missiology / D. Th. (Missiology)
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西漢呂后研究 = A study on the empress dowager Lu in Former Han dynasty / Study on the empress dowager Lu in Former Han dynasty周灔燊 January 2017 (has links)
University of Macau / Faculty of Arts and Humanities / Department of Chinese
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Århundradets Kärleksnarcissism : Plats, skrivandet och konsumtionen av den andre i Århundradets kärlekssaga och Århundradets kärlekskrig / The Century of Narcissistic Love : Space, writing and the consumption of the other in Århundradets kärlekssaga and Århundradets kärlekskrigGuldbacke Lund, Linnéa January 2020 (has links)
Den här uppsatsen undersöker hur kärleksrelationen skrivs fram i två poetiska verk; Märta Tikkanens Århundradets kärlekssaga och Ebba Witt-Brattströms Århundradets kärlekskrig. Syftet med uppsatsen är att se till hur plats, blick och skrivandet samverkar i framskrivandet av kärleksrelationen. Jag utforskar hur det narcissistiska, inåtvända subjektet fungerar och hur skrivandet av den egna erfarenheten upprätthåller ett kapitalistiskt och narcissistiskt kärlekssystem där människor gör våld på sig själv och andra. Jag använder mig av Byung-Chul Han och hans verk Eros Agoni för att se hur och vad den andres platslöshet har för betydelse i kärleksrelationen. Jag går i dialog med Han kring hur det inåtvända subjektet fungerar i ett kapitalistiskt system och vad skrivandet av plats gör. Analysen utgår från hur den skrivande blicken gör mannen till den andre genom att skriva fram dennes abstrakta och fysiska plats. I platsbestämmandet finns en maktaspekt där en konsumerande blick utvinner den andre genom att göra, skriva denne. Parallellt med analysen problematiserar jag även mig själv och mitt egna skrivande och de rädslor som finns hos ett instörtat, narcissistiskt, skrivande subjekt. Jag visar på hur skribenten gör våld på text och analys, och hur platsbestämmandet är en illusion av en frigörelse i det kapitalistiska systemet. Jag visar hur det misslyckade skrivandet blir en väg ut ur ett kapitalistiskt samhälle där subjektet strävar efter perfektion. / This essay examines how the love relationship is made in Märta Tikkanens Århundradets kärlekssaga and Ebba Witt-Brattströms Århundradets kärlekskrig. The aim for this study is to analyze how place, and the consumption of “the other” interact in the writing of a love relationship. I explore how a narcissistic, collapsed subject functions and how it is made in the poems. I discuss how and if experience-based writing maintains a capitalistic and narcissistic lovesystem where the subject commits violence on itself and others by determining an abstract and physical place. The book Eros Agoni by Byung-Chul Han discusses the atopic otherness in the love relationship and how the liberalistic and consuming subject exploit the other and itself. I analyze this theory of the other and how the love relationships function in the poems. I also discuss how the others lack of space and how the consuming gaze is made in the writing. In the fixing of place there is an aspect of power where a consuming gaze exploits the other by doing, and writing it. In parallel with the analysis, I also problematize myself and my own writing and the fears that exist in a collapsed, narcissistic, writing subject. I show how the writer violates text and analysis, and how the determination of place is an illusion of liberation in the capitalist system. I show how failed writing can become a way out of a capitalist society where the subject strives for perfection.
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春秋・戦国・秦漢時代の都市の構造と住民の性格江村, 治樹 03 1900 (has links)
科学研究費補助金 研究種目:一般研究(C) 課題番号:62510192 研究代表者:江村 治樹 研究期間:1987-1989年度
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Tystnaden: Makten, rösten och talet : En analys av tystnaden som kontrollinstrument i Vegetarianen och brun flicka drömmer / Silence: Power, voice and speech : An analysis of silence as an instrument for control in The Vegetarian and brown girl dreamingGuldbacke Lund, Linnéa January 2018 (has links)
Silence, voice and power are the main themes in this essay. The purpose is to analyze how the silence is used as an instrument for control, and how it can be used strategically to take power, but also as a resistance against the power. The novel The Vegetarian by Han Kang and the autobiography novel on verse, brown girl dreaming by Jacqueline Woodson are the core of this essay. This essay focuses on how the characters break the silence, and how they use the silence strategically to find their voice in a society that systematically works to keep women, children and men silent. The silence works in specific ways in all kinds of situations, to explore the complexity of the power dimensions a comparative analysis allows the themes to emerge and enlighten each other’s diversity. With help from Rebecca Solnit in Alla frågors moder, Audre Lorde in Your silence will not protect you and Michel Foucault’s Diskursens ordning, among other voices, the essay aims to search for how the silence can work as a strategy and what it means to speak. The essay shows how the oppressing silence is broken in brown girl dreaming, and how the voice becomes the power, but also how the silence was used in the African-American Civil Rights Movement as an act of resistance. The essays also analyze the female main character in The Vegetarian, who makes a journey from an oppressed woman where the patriarchal men violate her silence and forcing her to speak, to an existence where silence, life and growth thrives. The silence has its own language and sometimes, it’s louder than words.
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