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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Kulturarv, autencitet & demokrati : En undersökning om hur Slussens roll som kulturarv förhandlas via Stockholms stad, Skanska Sverige AB och relaterad opinion i en demokratisk diskussion om maktförhållanden

Isberg, Michel January 2020 (has links)
What impact does the conversation between citizen, market and governance have on inherent meaning in cultural heritage? How does it manifest and unfold concerning values it presents in the given context of Slussen´s preservation and reconstruction? As cultural beings, what significance does these values have on democracy? The aim of this studie is to measure how the concept of cultural heritage is negotiated and established by the city of Stockholm, Skanska Sweden and relating practitioners towards the significance of democracy. This with the approach of archival studies from e-archive Stockholm and an analysis of records from Skanska Sweden in combination with an ethnological perspective. This conversation exposes that the representational democracy which city of Stockholm represents endangers its senior citizens with exclusion. The values that late modern society evokes is in discrepancy with which values Stockholm´s senior citizens stands up for, relating back to the aftermath from World war II. The results points out that Stockholms collective memory aims to wipe out values which the ladder stands for, acting within Slussens cultural heritageprocess.
2

Bo i kulturarv : En receptionsteoretisk studie av den gamla trähusarkitekturen i Elsborg / Live in Cultural Heritage : A reception theoretical study of the old wooden architecture in Elsborg

Kåks, Ellen January 2022 (has links)
This essay aims to investigate how the cultural heritage process and gentrification, that the Elsborg district in the city of Falun has gone through, is expressed in modern residents' reception of the architecture in the area, as well as to relate this to preceding ways of looking at the environment. In the study I examine two time periods; 1975 when Falun was appointed as pilot project for the European Architectural Heritage Year, and 2021 - the year in which this essay is written. The study is partly an analysis of texts produced in 1975 and partly an interview study with six current inhabitants of the Elsborg area. The analysis is based upon Wolfgang Kemp’s reception theory, which primarily argues for the focus being on the viewer instead of on the creator of the work or the work itself. The results of the study show that many of the thoughts that were formulated about the architecture in Elsborg during the European Architectural Heritage Year are repeated in the interviewees' experiences and uses of the environment today. Additionally, the observations of the respondents in the interview study highlight that the interviewees appreciate the old, traditional wooden architecture for its visual, historical and social values. Moreover, the participants view themselves as involved in preserving Elsborg and its cultural heritage.   Keywords: Art history, architecture, Elsborg, Falun, reception theory, Wolfgang Kemp, cultural heritage, gentrification, wooden house
3

Att vårda kyrkliga textilier – räcker församlingarnas textila kompetens för att vårda ett unikt kulturarv?

Bergman, Niki January 2024 (has links)
The care of church textiles in Sweden has been regulated by church order for almost 500 years and later by Swedish law. There is a common perception of their value as carriers of culture and history. This paper aims to study the textile competence of the people responsible for inventories and textiles in the parishes, what they see as the biggest challenges in caring for the textiles, and how the employees value these textiles as objects of cultural heritage. A questionnaire sent to the people responsible for inventories in four different dioceses shows that many of the people responsible for the textile objects have little or no specific textile competence. Few of the people caring for the textile objects today have practical textile education, while junior employees have to rely on lectures organized by the church or the local museum. These courses have been organized infrequently and there is a pressing need to raise the textile competence of new employees. Many parishes have old textiles such as chasubles and antependiums from the 18th century and even older ones that are used rarely, some once a year at most. Most of these textile objects can be considered museum objects, that the churches merely keep in store. The framework and recommendations issued by the authorities the Swedish National Heritage Board (Riksantikvarieämbetet) and the county administration (länsstyrelserna) lack practical advice and the surveillance on how these recommendations are followed in the parishes is practically non-existent. The care for these old, fragile objects is challenging as many churches are kept cold due to rising energy prices. The parishes answering the questionnaire are, however, reluctant to leave the textile objects for storage at a local museum, as there is a sense of them belonging to the church. By current Swedish law, the textile objects are also supposed to stay in the church where they historically belong. In a near future, the challenge of cost, space and knowledge will create a pressure to find other solutions for the care of the cultural heritage of the Swedish church textiles.
4

Att rekonstruera en kulturarvsprocess : En fallstudie utifrån Havrekvarnen i Nacka / To reconstruct a heritage process : A case study based on Havrekvarnen in Nacka

Busk, Hampus January 2022 (has links)
The aim of this study is to explore heritage processes within contemporary urban planning in Sweden, which is done through a single-case study. The point of departure for the study is the management of Havrekvarnen, an early modernist industrial building within an urban development area of Nacka, Sweden. Through parallel decisions by the County Administrative Board and the local Municipality in 2016, the building was firstly, listed with the strongest legal, cultural, and historical protection available, and secondly, the municipal urban regulations were changed so that the landowner was given permission to pursuit a reconstruction of the building, replicating its original appearance. As such the case constitutes a hitherto unique example of a listed future reconstruction in Sweden. The study examines how the process took place, focusing on actors and critical junctures involved in the execution and how the description of the building's heritage-values changed. The study uses a composite theoretical framework of authorized heritage discourse and actor network theory. To this an explaining-outcome process tracing is applied as method. Through a sequential process of collecting empirical data, in the form of archival records and interviews, the process was mapped through the conceptualization of a causal mechanism. The method had not previously been used in the field of art history and was chosen as such with a tentative approach. The study gives an extensive presentation of the legal and practical framework surrounding heritage processes within urban planning in Sweden, as well as puts the study within a local historical context. The results of the study show that within the observed case, a trade-off situation between authenticity and aesthetic historical values arose, caused by the poor technical condition of the building: the aesthetic values were deemed to take precedence in the assessment. The study also shows how antiquarian consultants have had a decisive influence on the process of legislative enabling of the reconstruction of Havrekvarnen. The research design’s use of process tracing to map heritage processes is thus deemed useful for future enquiries within the field of art history and heritage studies.

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