Global ETD Search

31	MIMESE E REALIDADE EM O ANO DA MORTE DE RICARDO REIS / MIMESIS AND REALITY IN O ANO DA MORTE DE RICARDO REIS Prevedello, Tatiana 17 November 2006 (has links) The object of study is the book O ano da morte de Ricardo Reis, written by José Saramago, in which he articulates the imprecise limits between historical discourse and literary criation, looking for a sense in the reality representation, that strenghtens in an inter-discoursing and inter-textual based upon the truth of history and the truth of fiction . Mimesis, consequently, constructs itself as a representational activity that does not reflect the real world, but (un)realizes it from fictional theme. When involving man s artistic manifestation, it designates the creative exercise, corresponding to a way to represent the world. It was intended to investigate and interpret mimesis in the book, studying the relationship between the fictional world and the Portugal social-historical reality, specifically Lisbon in 1936. It was possible noticing that the character Ricardo Reis in (dis)sacralized from his poetic aura that surrounded the Fernando Pessoa heteronimous, when directly confronted with hostility of a world terrified by authoritarian regimes that ruled before the Second World War. In the text plan, the process of pre-configuration, configuration and reconfiguration of space and time, indicates that the past reality is present in the narrative, involving the character Ricardo Reis experiencing the labyrinths suggested from the Lisbon city, taken from the book The god of the labyrinth, and from news reported in the press. On this perspective, the book O ano da morte de Ricardo Reis has an interlocutor attitude towards historical reality , not restricted to a simple representation of past events in Portugal. / O objeto deste estudo é o livro O ano da morte de Ricardo Reis, de autoria do escritor português José Saramago, cuja obra articula os imprecisos limites que há entre o discurso histórico e a criação literária, procurando um sentido para a representação da realidade, que se fortalece em um diálogo interdiscursivo e intertextual pautado sobre a verdade da história e a verdade da ficção . A mimese, consecutivamente, constrói-se como uma atividade representativa que não reflete o universo, mas o irrealiza a partir da tematização ficcional. Ao envolver as manifestações artísticas do homem, designa o exercício criador, correspondendo a uma maneira de representação do mundo. Procurou-se investigar e interpretar o funcionamento da mimese na obra em questão, observando as relações entre o universo fictício e a realidade histórica e social portuguesa, mais especificamente de Lisboa, no ano de 1936. Foi possível perceber que o personagem Ricardo Reis é dessacralizado da aura poética que pairava sobre o heterônimo pessoano, ao confrontar-se diretamente com as intempéries de um mundo hostilizado pelos regimes autoritários que antecederam a Segunda Guerra Mundial. No plano diegético, os processos de pré-configuração, configuração e refiguração espaçotemporal, indicam que a realidade do passado se presentifica na narrativa, envolvendo o personagem Ricardo Reis pelos labirintos sugeridos a partir da figura de Lisboa, do livro The god of the labyrinth e das notícias veiculadas pela imprensa. Nessa perspectiva, a ficção de O ano da morte de Ricardo Reis vislumbra-se numa atitude de interlocução com a realidade histórica , não se limitando a uma mera representação de fatos do passado português. Mimese Realidade Ficção literária Romance português José Saramago Mimesis Reality Literary fiction Portuguese novel José Saramago
32	Mýtus literárního / The myth of the literary Matysová, Daniela January 2016 (has links) This diploma thesis is concerned with possible connection between literary theory of Wolfgang Iser and analytic philosophy of language. First of all I introduce analytic linguistic turn in general but the main part of thesis is dedicated to two opposite conceptions of language and interpretaton within the latter period of analytical movement. I want to explore Michael Dummett's and Donald Davidson's dispute over the role of conventions and questions about their indispensability in linguistic communication.Whereas their own opinions converge in view of the fact that influence of society on human thought is radically irreducible, there is great difference between their beliefs in the necessity of conception of rules inherent in social linguistic practice. My aim is to vindicate Davidson's theory of interpretation against Dummett's objections and then continue to discussing Iser's own theory of reading. Particularly I try to demonstrate that Iser's concept of literariness is based on Dummett's philosophical assumptions. In closing the main interest will be to reconsider if Iser's explanation of difference between literature and ordinary speech or document stands up to Davidson's challenge of Iser's entire treatment of linguistic practice. And, namely, if Davidson' philosophy of language can provide an...
33	The Device As Described Does Not Yet Exist Carey F Compton (6640889) 15 May 2019 (has links) A short story collection containing nine stories and a 20,000-word novella. The stories are speculative fiction and they experiment with form. Creative Writing (incl. Playwriting) English Language Speculative fiction short story collection science fiction literary fiction creative writing transhumanism mind-uploading experimental form
34	Self-publishing elektronické literatury / Self-publishing Of Electronic Literature Porsche, Lukáš January 2019 (has links) This dissertation thesis deals with electronic self-publishing of literary fiction, i.e. its publishing by the authors themselves, without involving publishers. Support from big technology companies led to unprecedented growth of this type of publishing in the 2010s and electronic self-publishing has in some countries become one of the standard ways of publishing. In spite of its expansion, electronic self-publishing is affected by many problems. The most prominent one is comparatively lower quality of many independently published e- books, mainly caused by limited knowledge of the publishing process from the side of the authors, many of which are not proper acquainted with publishing practices. The activities that should an independent author perform during the publishing process are the same as those performed by a publisher. Due to complicated character of some of these activities, many independent authors outsource them to other parties, or do not perform them at all. In the Czech Republic, electronic self-publishing is relatively undeveloped. It is true that there has probably been hundreds or thousands e-books published independently and that the number of downloads of these books is in hundreds of thousands copies. On the other hand, majority of this literature is offered for free or for...
35	The Lucky Clover Heeb, Nick 17 April 2018 (has links) No description available. Literature Fine Arts American Literature Modern Literature Crime fiction Literary fiction South Dakota, Western Noir Race relations Rural fiction Western fiction Drug dealers Criminals Revenge Bisexual fiction Prostitution
36	A Doctor's Daughter Maggio, Christopher Joseph 07 July 2016 (has links) No description available. Literature iran iranian-american familial conflict fiction novella father-daughter relationships literary fiction immigrant experience trauma self-harm parkinsons lewy body dementia abandonment
37	Естетика новинарске путописне репортаже у међуратној српској књижевности / Estetika novinarske putopisne reportaže u međuratnoj srpskoj književnosti / The aesthetics of journalistic travelogue reportage among the two world wars in Serbian literature Duvnjak Radić Žaklina 28 September 2018 (has links) <p>Докторска дисертација Естетика новинарске путописне репортаже у међуратној српској књижевности интерпретативним и компаративним методама утврђује постојање естетских интенција у овом жанру, на примеру текстова које су писали водећи писци српске авангарде Милош Црњански, Растко Петровић, Станислав Винавер, као и Раде Драинац и неки други традиционални писци попут Драгише Васића, Станислава Кракова и Григорија Божовића. Наспрам документарно-фактографског (репортажног) нивоа значења путописних репортажа, открива се дубљи, фикционални и поетско-конотативни слој, који их повезује са књижевним системом. Анализом идејних, поетичких, структурално-формалистичких и језичко-стилских карактеристика репрезентативних текстова овог жанра утврђују се поступци естетизације који их уводе у књижевни систем – изражена субјективност, литерарност и интертекстуалност. Рад указује на значај овог поджанра путописа у авангардном процесу раслојавања жанрова, као и његов допринос ширењу књижевног поља у новом комуникационом и рецепционом пољу у експанзији – дневним новинама. Анализира се интертекстуални, интермедијални и интеркултурални дијалог ове врсте текстова. Резултати рада могу се применити у историографским, социолошким и компаративним истраживањима међуратне епохе у српској књижевности, као и у журналистичком истраживању жанра репортаже.</p> / <p>Doktorska disertacija Estetika novinarske putopisne reportaže u međuratnoj srpskoj književnosti interpretativnim i komparativnim metodama utvrđuje postojanje estetskih intencija u ovom žanru, na primeru tekstova koje su pisali vodeći pisci srpske avangarde Miloš Crnjanski, Rastko Petrović, Stanislav Vinaver, kao i Rade Drainac i neki drugi tradicionalni pisci poput Dragiše Vasića, Stanislava Krakova i Grigorija Božovića. Naspram dokumentarno-faktografskog (reportažnog) nivoa značenja putopisnih reportaža, otkriva se dublji, fikcionalni i poetsko-konotativni sloj, koji ih povezuje sa književnim sistemom. Analizom idejnih, poetičkih, strukturalno-formalističkih i jezičko-stilskih karakteristika reprezentativnih tekstova ovog žanra utvrđuju se postupci estetizacije koji ih uvode u književni sistem – izražena subjektivnost, literarnost i intertekstualnost. Rad ukazuje na značaj ovog podžanra putopisa u avangardnom procesu raslojavanja žanrova, kao i njegov doprinos širenju književnog polja u novom komunikacionom i recepcionom polju u ekspanziji – dnevnim novinama. Analizira se intertekstualni, intermedijalni i interkulturalni dijalog ove vrste tekstova. Rezultati rada mogu se primeniti u istoriografskim, sociološkim i komparativnim istraživanjima međuratne epohe u srpskoj književnosti, kao i u žurnalističkom istraživanju žanra reportaže.</p> / <p><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>SR-LATN-RS</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> 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Normal";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-priority:99;mso-style-parent:"";mso-padding-alt:0in 5.4pt 0in 5.4pt;mso-para-margin-top:0in;mso-para-margin-right:0in;mso-para-margin-bottom:10.0pt;mso-para-margin-left:0in;line-height:115%;mso-pagination:widow-orphan;font-size:11.0pt;font-family:"Calibri","sans-serif";mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;mso-ansi-language:SR-LATN-RS;}</style><![endif]--></p><p class="MsoNormal" style="margin-bottom:10.0pt;text-align:justify;text-indent:35.4pt"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">D</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">octoral dissertation <i style="mso-bidi-font-style:normal">The aesthetics of journalistic travelogue report</i></span><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">age</span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> </span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">among the two world wars</span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> </span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">in </span></i><i style="mso-bidi-font-style:normal"><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">Serbian literature</span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">,</span></i><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> by interpretative and comparative methods determines the existence of aesthetic intentions in th</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">is</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> genre, on the example of texts written by the leading writers of the Serbian avant</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">-</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">garde Milo&scaron; Crnjanski, Rastko Petrović, Stanislav Vinaver, as well as </span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">Rade Drainac</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> and some other traditional writers like</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS"> </span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">Dragi&scaron;a Vasić, Stanislav Krakow and Grigorije Božović. Contrary to the documentary-factual (reporting) level of meaning of travelogue report</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">ages</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">, a deeper, fictional and poetic-con</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">n</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">ot</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">ative</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> layer is revealed, which links them with the literary system. The analysis of conceptual, poetic, structural-formalistic and linguisti</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">cally</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">-stylistic characteristics of the representative texts of this genre determines the methods of aesthetization that introduce them into the literary system - expressed subjectivity, literary and intertextuality. The dissertation points to the significance of this sub-genre of the travelogue in the avant-garde process of stratifying the genres, as well as its contribution to the spreading of the literary field in the new communication and reception field in the expansion - the daily newspapers. Intertextual, intermedial and intercultural dialogue of this type of texts is analyzed. The results of the </span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">work</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> can be applied in historical, sociological and comparative research of the </span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">among the two world wars</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> epoch in Serbian literature, as well as in the journalistic research of the genre of the reportage.</span></p>
38	The Samsa Files Beach, Dalanie Nicole 24 June 2022 (has links) No description available. Fine Arts Gregor Samsa Franz Kafka literary fiction historical fiction Metamorphosis hybrid forms experimental epistolary anorexia eating disorders body dysmorphia illness psychological horror mystery existentialism metafiction art multiple narrators surrealism biographical fiction retelling
39	On Being: The Fictional Yamas and Niyamas Geisse, Elisabeth 19 December 2016 (has links) No description available. Theology Spirituality Religion Modern Literature Literature Language Arts Fine Arts Yoga yama niyama fiction short story literary fiction story collection existential spiritual god being existence life love patinjali yoga philosophy eightfold path
40	Cesta tam a zpět, zdařilý život, sociální práce / There and back again, successful life, social work SKALICKÁ, Terezie January 2015 (has links) This work describes a special kind of story about the journey there and back again or journey to gain experience. The nature of this narrative is given by the presence of several key points: the existence of primary and secondary world, wandering throughout secondary world, the transformation of a hero and a reader, homecoming. Presented definition of the story is the starting point from which are being searched connections with the professional disciplines of social work and ethics. In social work the diagram of these trips back and forth presents acquiring an expertise in various scientific fields. For plane of ethics it is particularly significant credibility of the moment from this journey back and forth when the story of the hero and the reader becomes a good (or bad) story positive or negative.

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