Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-02-23T19:45:11Z No. of bitstreams: 1 barbaragarridodepaivaschlaucher.pdf: 1296239 bytes, checksum: bb3eeef9f2ed6b2822af43309e806b9d (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-03-03T13:23:53Z (GMT) No. of bitstreams: 1 barbaragarridodepaivaschlaucher.pdf: 1296239 bytes, checksum: bb3eeef9f2ed6b2822af43309e806b9d (MD5) / Made available in DSpace on 2016-03-03T13:23:53Z (GMT). No. of bitstreams: 1 barbaragarridodepaivaschlaucher.pdf: 1296239 bytes, checksum: bb3eeef9f2ed6b2822af43309e806b9d (MD5) Previous issue date: 2014-02-21 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O atual cenário de convergência dos meios favorece a participação e o diálogo, fazendo com que o público se relacione de modo diferente com o conteúdo veiculado por empresas jornalísticas. Nesse sentido, a presente pesquisa propõe um estudo de recepção entre jovens trabalhadores e jovens estudantes de jornalismo da Universidade Federal de Juiz de Fora (UFJF) e do Centro de Ensino Superior de Juiz de Fora (CES/JF). Em linhas gerais, pretendemos apontar como esses sujeitos consomem/ experimentam a informação telejornalística na era da convergência midiática, partindo do pressuposto de que essa geração de telespectadores/usuários não mais se submete ao fluxo televisual da mesma maneira que seus antecedentes. Além disso, buscamos identificar as críticas em relação ao conteúdo jornalístico veiculado na TV aberta brasileira e verificar quais formatos e narrativas audiovisuais do gênero despertam o interesse dos futuros jornalistas/consumidores. / The current scenario of media convergence promotes participation and dialogue, leading the audience to establish different relations with the content transmitted by news organizations. In this context, this dissertation proposes a reception study among young workers and young journalism students of Universidade Federal de Juiz de Fora (UFJF) and Centro de Ensino Superior de Juiz de Fora (CES/JF). Broadly speaking, we aim to point out how these subjects consume audiovisual information (especially those originally broadcasted by newscasts) in the age of media convergence, assuming that this generation of viewers/users no longer submits to the television flow the same way as their antecedents. In addition, we seek to identify their criticism about journalistic content transmitted in Brazilian free-to-air television channels and see which formats and audiovisual journalistic narratives arouse the interest of future journalists/ consumers.

This Master's thesis examines the sharing of articles of printed newspapers - Hospodářské noviny and Mladá fronta DNES - on their respective websites. Firstly, research of scientific papers presents how foreign newpapers deal with digitalization and which models of sharing and paid content they apply. Using quantitative analysis this thesis examines, which of the two newspapers shares more free articles on-line (Mladá Fronta DNES on the server iDNES.cz and Hospodářské noviny on iHNed.cz and Aktuálně.cz). The quantitative analysis compares the content of the National news section in January 2015 and January 2016, so it also observes the development of the respective article-sharing policies over time. The hypothesis is that Hospodářské noviny share more free articles than Mladá fronta DNES. The reason is that Hospodářské noviny have a single editorial office for their printed and online articles. More details regarding the policies of paid content are provided through semi-structured interviews with representatives of the respective publishing houses. This Master's thesis also presents the advantages and disadvantages of single and separate editorial offices (newsrooms for printed and online articles), describes the processes of article- sharing, illustrates business models that the publishing...

This article investigates how social media affects German public television. Due to recent dynamics in the field of social TV, notions of social TV as basically “tweeting while watching TV,” or as an “additional function” of television, need to be revised. As an addition to existing ideas of “Social TV 1.0” and “Social TV 2.0” and other characterizations, I refer here to “Social TV 3.0.” Current social TV features need to be characterized in the light of a “network of content” that combines the “media logic of television” and the “logic of social media” by means of their dynamic, flexible, and horizontal integration into the “matrix-media strategy” of TV executives impelled by a social media policy. By taking the content network funk (“a consortium of public broadcasters” [ARD] and “Second German Television” [ZDF]) as a prime example of social TV 3.0 in Germany, I analyze the merging of television and social media.

Cette recherche explore le journalisme indépendant dans le contexte contemporain de convergences socio-techno-médiatiques. Je questionne ici l’existence d’un lien entre les pratiques de pige et de convergence en journalisme et son apport dans le développement de l’univers journalistique. Il s’agit d’une étude exploratoire et empirique, consacrée aux expériences des journalistes indépendants et développée autour des concepts de tactique, résistance, liberté et gouvernance. J’ai constitué ainsi un cadre théorique à partir de l’articulation théorique de Michel Foucault relative au pouvoir. Je défends l’idée selon laquelle la pige et la convergence en journalisme sont chacun des mouvements libres qui coexistent et qui, ensemble, constituent une force motrice pour le dispositif de pouvoir que le journalisme représente dans un système démocratique avancé. La liberté de mouvement des journalistes indépendants leur permet de mener plus loin le journalisme dans le contexte actuel de convergences et d’augmenter l’horizon d’applicabilité de ce domaine de la communication de masse. / This research explores the independent journalism in the contemporary context of socio-technological and media convergences. Here I question the existence of a connection between freelance and convergence practices in journalism, and its contribution to the development of the journalistic world. This is an exploratory and empirical study, focused on freelancers’ experiences and developed around the concepts of tactics, resistance, freedom and governance. I have thus formulated a theoretical framework, supported by Michel Foucault’s accounts related to power. I argue that freelancing and convergence are free movements, co-existing and forming a driving force for the institution of power represented by journalism in advanced democracies. In this current context of convergences, this freedom allows freelancers to challenge the limits of journalism, hence increasing the scope of applications within this greater realm of mass communication.

Com o sistema binário e a convergência digital das mídias, dispositivos de comunicação como celulares, computadores e até mesmo aparelhos receptores de televisão deixam de desempenhar apenas a função principal para a qual foram desenvolvidos e passam a se constituir, devido à interoperabilidade de sistemas e à internet, em meios para os quais confluem serviços e linguagens. Se olharmos especialmente para a televisão, notaremos imediatamente que a forma de vê-la ganha novos moldes. O aparelho separa-se do conteúdo. O sinal da TV deixa seu corpo físico e passa a navegar pelo horizonte binário. Ela fica, assim, emancipada do seu corpo material - o aparelho televisor -, e pode ser acompanhada em outras plataformas e dispositivos, aumentando, desse modo, a sua difusão e as possibilidades de canal de retorno para emissores e receptores. Esta pesquisa acompanha o cenário de implantação da TV digital no Brasil e no mundo e reflete acerca das influências e transformações trazidas ao cotidiano da sociedade e aos espaços públicos pelo sistema digital e pela internet. A tese foi estruturada em cinco capítulos, que perpassam diferentes aspectos relacionados à televisão: a sua história e cronologia, os princípios tecnológicos que regem o seu funcionamento, as linguagens que a caracterizam, a sua colocação no cenário convergente e a sua influência no cotidiano das pessoas. No trabalho, trago o resultado de um estudo de caso realizado no ano de 2014, durante um Estágio de Pesquisa no Exterior na Universidade Sapienza de Roma e uma visita técnica às universidades de Brighton e Portsmouth. Essa etapa da pesquisa permitiu-me conhecer in loco o panorama atual desses países, dois anos após a conclusão do switch off, analisar a relação dos italianos e ingleses com a mídia televisiva e com as outras mídias de comunicação digital e a relação/abertura das suas emissoras televisivas para com as novas modalidades de transmissão de conteúdos nas plataformas digitais. Para isso, além buscar fontes bibliográficas, entrevistei pesquisadores e profissionais da área de radiodifusão e telecomunicações que participaram diretamente do processo de transição analógico-digital da TV. Na tese, também faço o relato de uma pesquisa de campo realizada na zona leste de São Paulo, desenvolvida em conjunto com educadores e educandos do Intermídia Cidadã, um coletivo pertencente ao Núcleo de Comunicação Comunitária da Fundação Tide Setubal. A experiência, realizada com base na Produção Partilhada do Conhecimento, serviu para divulgar a chegada da televisão digital e do apagão analógico, refletir sobre os conteúdos da TV aberta brasileira e observar as possibilidades trazidas pela TV digital para o exercício da comunicação comunitária. A pesquisa, de cunho qualitativo e quantitativo, empregou os métodos de procedimento experimental e comparativo e levantou dados através de questionário, entrevistas em áudio e vídeo, oficinas, debates e consultas bibliográficas. Dentre os autores citados, posso destacar: Mikhail Bakhtin, Lúcia Santaella, Sérgio Bairon, Arlindo Machado, Jesús Martín-Barbero, Gérman Rey, Nicholas Negroponte, Arlindo Machado, Eugênio Bucci, Manuel Castells, Clay Shriky, Henry Jenkins, Alberto Marinelli, Néstor García Canclini, Almir Almas, Jay David Bolter, Richard Grusin, Walter Benjamin, Rafael Ruiz e Márcia Tiburi. / With the emergence of the binary system and the convergence of digital media, communication devices such as cellular phones, computers and even television receivers have now taken on more than just the main functions for which each was developed. They are now part of, due to the interoperability between systems and the Internet, systems of which services and languages are now integrated to as well. If one was to focus entirely on television, it can be observed that television watching has now received new forms. The device itself is separate from the content. The TV signal moves away from its physical form and begins to navigate on the binary field. Thus, it is emancipated of its material form - the television device - and can now be seen on other platforms and devices, hence raising the signal\'s distribution and the possibilities of return channels to transmitters and receivers. This research has closely followed the digital television implementation scenario in Brazil and in the world, and observes the influences and transformations in introduced to society\'s daily routine and to the public arena by the digital system and the Internet. The thesis is structured in five parts that run through the different aspects related to television: its timeline and history, the technological principles that command its operation, the languages that distinguish it, its placement in the converging scenario, and is influence in society\'s daily routine. This project presents the result of a case study performed in 2014, during my Research Internship at the University of Sapienza, in Rome. It also includes data gathered during technical visits to the universities in Brighton and Portsmouth. This stage of the research allowed me to observe the current panorama of these countries in loco, two years after the switch off. It also gave me the opportunity to analyze the relationship of the Italians and the English with television media, as well as with other digital communications media and the relationship/opening of the television transmitters of each country to new transmission modalities of content on digital platforms. In order to perform this leg of the research, in addition to searching in bibliographical sources, I interviewed researchers and professionals of the radio broadcasting and telecommunications fields, who had directly participated in the analogue-digital TV transition process. In this thesis, I also present a report of a field study done in the East Side of São Paulo city. This study was developed with the help of educators and pupils of Intermídia Cidadã, a collaboration that belongs to the Community Communication Nucleus of the Tide Setubal Foundation. The experience, based on the Shared Production of Information, was helpful to showcase the arrival of digital television and the analogue blackout. It was also useful to consider the content of public TV in Brazil and to analyze the possibilities now available through digital TV for community communication. This research, of qualitative and quantitative intent, applied comparative and experimental methods and collected data through surveys, audio and video interviews, workshops, debates and bibliographic research. Among the authors mentioned, I would like to make special reference to the following: Mikhail Bakhtin, Lúcia Santaella, Sérgio Bairon, Arlindo Machado, Jesús Martín-Barbero, Gérman Rey, Nicholas Negroponte, Arlindo Machado, Eugênio Bucci, Manuel Castells, Clay Shriky, Henry Jenkins, Alberto Marinelli, Néstor García Canclini, Almir Almas, Jay David Bolter, Richard Grusin, Walter Benjamin, Rafael Ruiz and Márcia Tiburi.

Made available in DSpace on 2016-04-26T18:18:02Z (GMT). No. of bitstreams: 1 Reginaldo Goncalves do Amaral.pdf: 808664 bytes, checksum: 50cdf893c301910bc7a62515d4c5342b (MD5) Previous issue date: 2009-05-26 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation explores, from the media convergence, the interactive digital media, and its several manifestations (great social coverage, possibility of access, and democratization of information). The topic, which emerges from digital technologies, deals with the present essence of discussions. The research involves a reflection about the possibilities that the media convergence can provide to the interactivity, also about the present situation, as well as the development trends of the interactive levels, degrees, and models, in a medium term. It was taken into account the advent of the digital television, and the discussions about the interactivity in the electronic and digital media. Some questions were focused concerning to interactivity: if it can change a communication media from one-all to all-all ; if it can change a great potential media like the TV into a multimedia as it is in fact the Internet; or if it can generate a democratization of information as the political speech proposes. It became clear that the main difficulty to establishes a comparative analysis among the interactive media resides in the lack of DTV throughout the country. The approach was based on theoretical bibliography of contemporary authors (academic or not), like: Lev Manovich, Ken Freed, Pierre Lévy, Arlindo Machado, and Lúcia Santaella, as well as followed studies carried out in Brazil. The work had as purpose to contribute for the understanding of interactivity in the present social context, and of the perspectives formed within the media convergence / Esta dissertação explora a interatividade e suas diversas manifestações (maior abrangência social, possibilidade de acesso e democratização da informação) a partir da convergência midiática. Trata-se de um tema presente no cerne das discussões que emergem das tecnologias digitais. A pesquisa envolveu uma reflexão sobre as possibilidades que a convergência proporcionará para a interatividade e sobre o atual estado e as tendências de desenvolvimento, a médio prazo, dos níveis, graus e modelos interativos. Levou-se em conta a chegada da televisão digital e as discussões sobre a interatividade nos meios eletrônicos e digitais. Algumas questões acerca da interatividade foram enfocadas: se ela poderá mudar um veículo de comunicação da ordem um-todos para todos-todos , se poderá alterar um meio de grande potencial, como é a TV, para um multimídia de fato, como é a internet, ou se poderá gerar a democratização informacional, como propõe o discurso político. Ficou claro que a maior dificuldade para estabelecer uma análise comparativa entre os meios interativos reside na ausência da TVD por todo o país. A abordagem foi de base teórico-bibliográfica, com o apoio de livros, artigos e ensaios, acadêmicos ou não, de autores contemporâneos, como Lev Manovich, Ken Freed, Pierre Lévy, Arlindo Machado e Lúcia Santaella, além do acompanhamento de estudos realizados no Brasil. O trabalho buscou contribuir para a compreensão da interatividade no atual contexto social e das perspectivas formadas no bojo da convergência midiática

La tesi intende indagare le relazioni tra lo spazio urbano ed il cinema contemporaneo, attraverso l'analisi dello spazio dell'immagine filmica. Come si orienta lo spettatore urbano di fronte ad immagini invase da dispositivi di visione che ne alterano lo statuto? Il concetto di rispazializzazione diventa una strategia di sopravvivenza del cinema nell'attuale paesaggio mediale. / The thesis aims to explore which kind of relationships connect urban space and contemporary cinema, by analyzing the space of the film image. How does urban spectator react in front of images invaded by many technological devices, which change the condition of that film space? The concept of respatialization seems to be a strategy, for cinema, to survive in the actual media landscape.

Cette recherche explore le journalisme indépendant dans le contexte contemporain de convergences socio-techno-médiatiques. Je questionne ici l’existence d’un lien entre les pratiques de pige et de convergence en journalisme et son apport dans le développement de l’univers journalistique. Il s’agit d’une étude exploratoire et empirique, consacrée aux expériences des journalistes indépendants et développée autour des concepts de tactique, résistance, liberté et gouvernance. J’ai constitué ainsi un cadre théorique à partir de l’articulation théorique de Michel Foucault relative au pouvoir. Je défends l’idée selon laquelle la pige et la convergence en journalisme sont chacun des mouvements libres qui coexistent et qui, ensemble, constituent une force motrice pour le dispositif de pouvoir que le journalisme représente dans un système démocratique avancé. La liberté de mouvement des journalistes indépendants leur permet de mener plus loin le journalisme dans le contexte actuel de convergences et d’augmenter l’horizon d’applicabilité de ce domaine de la communication de masse. / This research explores the independent journalism in the contemporary context of socio-technological and media convergences. Here I question the existence of a connection between freelance and convergence practices in journalism, and its contribution to the development of the journalistic world. This is an exploratory and empirical study, focused on freelancers’ experiences and developed around the concepts of tactics, resistance, freedom and governance. I have thus formulated a theoretical framework, supported by Michel Foucault’s accounts related to power. I argue that freelancing and convergence are free movements, co-existing and forming a driving force for the institution of power represented by journalism in advanced democracies. In this current context of convergences, this freedom allows freelancers to challenge the limits of journalism, hence increasing the scope of applications within this greater realm of mass communication.

Debates concerning the veracity, ethics and politics of the documentary form circle endlessly around the function of those who participate in it, and the meaning attributed to their participation. Great significance is attached to the way that documentary filmmakers do or do not participate in the world they seek to represent, just as great significance is attached to those subjects whose participation extends beyond playing the part of eyewitness or expert, such that they become part of the very filmmaking process itself. This Ph.D. explores the interface between documentary practice and participatory culture by looking at how their practices, discursive fields and histories intersect, but also by looking at how participating in one might mean participating in the other. In short, the research is an examination of participatory culture through the lens of documentary practice and documentary criticism. In the process, however, this examination of participatory culture will in turn shed light on documentary thinking, especially the meaning and function of ‘the participant’ in contemporary documentary practice. A number of ways of conceiving of participation in documentary practice are discussed in this research, but one of the ideas that gives purpose to that investigation is the notion that the participant in contemporary documentary practice is someone who belongs to a participatory culture in particular. Not only does this mean that those subjects who play a part in a documentary are already informed by their engagement with a range of everyday media practices before the documentary apparatus arrives, the audience for such films are similarly informed and engaged. This audience have their own expectations about how they should be addressed by media producers in general, a fact that feeds back into their expectations about participatory approaches to documentary practice too. It is the ambition of this research to get closer to understanding the relationship between participants in the audience, in documentary and ancillary media texts, as well as behind the camera, and to think about how these relationships constitute a context for the production and reception of documentary films, but also how this context might provide a model for thinking about participatory culture itself. One way that documentary practice and participatory culture converge in this research is in the kind of participatory documentary that I call the ‘Camera Movie’, a narrow mode of documentary filmmaking that appeals directly to contemporary audiences’ desires for innovation and participation, something that is achieved in this case by giving documentary subjects control of the camera. If there is a certain inevitability about this research having to contend with the notion of the ‘participatory documentary’, the ‘participatory camera’ also emerges strongly in this context, especially as a conduit between producer and consumer. Making up the creative component of this research are two documentaries about the reality television event Band In A Bubble, and participatory media practices more broadly. The single-screen film, Hubbub , gives form to the collective intelligence and polyphonous voice of contemporary audiences who must be addressed and solicited in increasingly innovative ways. One More Like That is a split-screen, DVD-Video with alternate audio channels selected by a user who thereby chooses who listens and who speaks in the ongoing conversation between media producers and media consumers. It should be clear from the description above that my own practice does not extend to highly interactive, multi-authored or web-enabled practices, nor the distributed practices one might associate with social media and online collaboration. Mine is fundamentally a single authored, documentary video practice that seeks to analyse and represent participatory culture on screen, and for this reason the Ph.D. refrains from a sustained discussion of the kinds of collaborative practices listed above. This is not to say that such practices don’t also represent an important intersection of documentary practice and participatory culture, they simply represent a different point of intersection. Being practice-led, this research takes its procedural cues from the nature of the practice itself, and sketches parameters that are most enabling of the idea that the practice sets the terms of its own investigation.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The transformations undergone by radio journalism in the current context of media convergence support this dissertation, which aims at investigating the interactive strategies adopted by informative radio through digital social networks. So, were chosen as research objects CBN and Gaúcha radio stations, both offering programs primarily to radio journalism and strong presence in the online environment, the first with national reach and the second with regional, restricted to the state of Rio Grande do Sul. The study is developed from the application of a mixed research methodology, based on a literature review that goes through the concepts of convergence, radio communication, interactivity and digital social networks. To the theoretical course was added a Comparative Case Study, which was based on evidences gathered through the consultation documents, direct observation of websites and profiles on social networking sites, in-depth interviews and even the content analysis, method applied to sound and digital content from both stations. The intersection of theoretical discussions and empirical research data obtained allowed reflection on the appropriateness of issuing the convergence process, indicating different levels of adaptation. The report also pointed for a wide appreciation of digital environments by analyzed radio stations, especially social networking sites. These spaces, however, are mainly used to extent broadcast content. The interactivity with listeners, understood from the notion of reciprocity, was revealed in the background, demonstrating that although inserted in the digital ecosystem, the radio does not have full mastery of new interactive tools enabled by information and communication technologies. / As transformações pelas quais passa o radiojornalismo no atual contexto da convergência midiática fundamentam esta dissertação, que tem como objetivo principal investigar as estratégias interativas adotadas por rádios informativas por meio das redes sociais digitais. Para tanto, foram escolhidas como objetos de pesquisa as emissoras de rádio CBN e Gaúcha, ambas com programação voltada fundamentalmente ao radiojornalismo e forte inserção no ambiente on-line, sendo a primeira com alcance nacional e a segunda com âmbito regional, restrita ao Estado do Rio Grande do Sul. O estudo é desenvolvido a partir da aplicação de uma metodologia de pesquisa mista, partindo de uma revisão bibliográfica que perpassa pelos conceitos de convergência, comunicação radiofônica, interatividade e redes sociais digitais. Ao percurso teórico foi acrescentado o estudo comparativo de casos, que se baseou em evidências coletadas através da consulta a documentos, observação direta de sites e perfis em sites de redes sociais, entrevistas em profundidade e ainda da análise de conteúdo, método aplicado ao conteúdo sonoro e digital de ambas as emissoras. O cruzamento das discussões teóricas e dos dados obtidos na pesquisa empírica permitiu a reflexão quanto à adequação das emissoras ao processo de convergência, indicando diferentes níveis de adaptação. A pesquisa apontou também para uma ampla valorização dos ambientes digitais pelas rádios analisadas, em especial os sites de redes sociais. Estes espaços, contudo, são empregados principalmente para a difusão de conteúdos. A interatividade com os ouvintes, compreendida a partir da noção de reciprocidade, revelou-se em segundo plano, demonstrando que apesar de inseridos no ecossistema digital, as rádios ainda não têm total domínio das novas ferramentas interativas viabilizadas pelas tecnologias de informação e comunicação.