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271	Samtidskonstmuseet och virtuella utställningar i den digitala konstproduktionens tidsålder : ett informationsarkitektoniskt perspektiv på hur museer kan ställa ut digital och digitaliserad konst / Contemporary art museums and online exhibitions in the age of digital art production : an information architecture perspective on how art museums can exhibit digital and digitized art Brinkborg, Iris January 2021 (has links) Most contemporary artists work digitally in one way or another, despite the fact that established art museums do not offer a platform to display digital art, which means that it is difficult for visitors to find it and that media art will have a lower status compared to physical art. For a long time the art museum business has had a complex relationship with the digitization of physical works, virtual museums and intangible art works. These are discussions that had to be ignored when the pandemic started and the art museums were forced to digitize activities that had previously been completely analogous. This report with associated artifacts strives to map digital exhibition trends and create a digital exhibition format that takes into account artistic intention and the art museum's activities, and puts the user experience in focus. The report concludes that it is difficult to generalize when it comes to art, but that digital exhibitions have great potential because you do not have to deal with gravity, wires and other physical aspects when installing digital works in a physical space. Another conclusion is that art museums must begin to look at the developer as part of the core business for the digitization initiatives to work in the long term. Perhaps the pandemic will ultimately mean that art museums to a greater extent dare to break new ground, test new exhibition formats and become more positive about the possibilities of digital exhibition formats. Human computer interaction (HCI) Interaction design User experience (UX) Accessibility User centered design Double Diamond Pervasive Information Architecture Virtual Museum Museology Human computer interaction (HCI) Interaktionsdesign Användarupplevelse (UX) Tillgänglighet Användarcentrerad design Double Diamond Pervasive Information Architecture Virtuellt museum Museologi Cultural Studies Kulturstudier Interaction Technologies Interaktionsteknik
272	Detroit’s Belle Isle Aquarium: An Idiosyncrasy of Identity, Style, Modernity, and Spectacle Birkle, Eric Michael 04 June 2019 (has links) No description available. American Studies Aesthetics Architecture Art History Fine Arts Interior Design Landscape Architecture Land Use Planning Museum Studies Aquatic Sciences aquarium civic Belle Isle Detroit park landscape interior design Albert Kahn architecture world fair Frederick Law Olmstead Renaissance picturesque Mannerism City Beautiful Academic Eclecticism museology 19th century France Italy
273	”Känn dig själf” : Genus, historiekonstruktion och kulturhistoriska museirepresentationer / "Know Thyself" : Gender Historical Construction and Representations in a Museum of Cultural History Grahn, Wera January 2006 (has links) I den här avhandlingen undersöks hur privilegierade representationer av femininitet och maskulinitet tar sig uttryck och konstrueras i samtida museipraktiker med fokus på Nordiska museet i Stockholm. Studien visar hur dessa musealt imaginära representationer samverkar med intersektionella aspekter som klass, etnicitet, nationalitet och sexualitet. Avhandlingen diskuterar också epistemologiska och ontologiska frågor om hur historiska narrativ skapas och hur museala artefakter kan förstås. Huvudargumentet är att de dominerande representationerna skapas med hjälp av en reducerad matris av stereotypa skript för kön, klass, etnicitet, nationalitet såväl som sexualitet, vilket kan ses som uttryck för en fallogocentrisk betydelseekonomi. Denna undersökning av samtida skript på Nordiska museet har använt teoretiska tankegångar och analytiska redskap från de överlappande kunskapsfälten sexual difference, queer- och sexualitetsforskning, genus/könsmaktforskning, kvinnohistorisk forskning, maskulinitetsforskning, postkolonial feministisk forskning, samt feminist studies of science and technology. Ett pluralistisk feministisk nomadologisk metateoretiskt ramverk har skapats för att analysera och försöka förstå det empiriska materialet utifrån de nämnda teorierna. Världen och däribland museernas verksamhet är så komplex och mångfasetterad att många olika genusteoretiska ingångar krävs för att kunna läsa och förstå olika gestaltningar. I avhandlingen ritas en översiktskarta över de fallogocentriska museala skripten upp bredvid vilken en partiellt situerad terrängkarta placeras som kastar ljus över det musealt imaginära. / This study investigates how privileged representations of femininity and masculinity are created in contemporary work at The Swedish National Museum of Cultural History, Nordiska museet, in Stockholm. The thesis shows how these representations closely intersect with the museal imaginaries of class, ethnicity, nationality and sexuality. The study gives rise to ontological questions of how historical narratives are produced and how museal artifacts are apprehended. The main argument is that the dominating representations are created through a reduced matrix of stereotyped scripts for gender, class, ethnicity, nationality and sexuality that can be understood as reflections of a phallogocentric order. This exploration of contemporary scripts at Nordiska museet is performed with analytic tools from the overlapping fields of sexual difference, queer and sexuality studies, gender studies, women’s studies, masculinity studies, post colonial feminist studies and feminist studies of science and technology. A pluralistic feministinformed nomadological metatheoretical frame is used as an umbrella to embrace these theoretical approaches. The complexity of the social world and of a museum demand different theories to be applied to different situations. A general map of the phallogocentric museal scripts is drawn, besides which a partial and locally accounted one is juxtaposed that gives shape to the museal imaginary. Museology museum the museal imaginary cultural heritage exhibition artifact historical construction intersectionality gender class ethnicity nationality sexuality sexual difference gender studies women’s studies masculinity studies post colonial feminist studies nomadology Museologi det musealt imaginära museer kulturarv kulturarvets demokratiska funktion utställning föremål historiekonstruktion intersektionalitet kön klass etnicitet sexualitet sexual difference genus könsmakt kvinnohistoria maskulinitet postkolonial feminism nomadologi Gender studies Genus
274	Musées et musées-mémoriaux urbains consacrés à la Shoah : mémoires douloureuses et ancrages géographiques. Les cas de Berlin, Budapest, Jérusalem, Los Angeles, Montréal, New York, Paris, Washington. Chevalier, Dominique 20 November 2012 (has links) (PDF) À travers l'exemple des principaux musées et musées-mémoriaux urbains mondiaux, nous nous intéresserons aux divers enjeux urbanistiques, touristiques, géopolitiques et pédagogiques liés à la politique mémorielle de la Shoah. Chacun d'eux s'inscrit en effet dans des dynamiques qui combinent des enjeux tout à la fois politiques, territoriaux et identitaires. Ils contribuent ainsi à insérer les métropoles au sein desquelles ils sont érigés dans le réseau mondialisé de la mémoire de la Shoah. Musées mémoriaux Shoah espaces métropolitains métropolisation tourisme patrimoine géopolitique de la mémoire mondialisation

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