Svou diplomovou práci jsem zpracovala na dvě části. V první části jsem se zabývala základními pojmy jako motivace, ovlivňováním, adaptace, vedení, řízení lidských zdrojů, hodnocení. V druhé části diplové práce je popsána situace společnosti BRVZ s.r.o. Jako prostředek jsem zvolila zaměstnanecký dotazník.

In recent years, middleware for mobile social network has attracted the attention of academia, causing the design and development of various approaches by researchers. This type of middleware facilitates and makes more efficient the development process of mobile social networking applications. Furthermore, middleware solutions also abstract the communication process with others applications, allowing the acquisition, persistence and reuse of social context information and location of users, besides providing API so that developers can access this information quickly and build new social applications. With a view to supporting this new trend of research, this thesis proposes a middleware for mobile social networking, called My-Direct, which makes use of Wi-Fi Direct technology together with the Bluetooth, aiming to provide flexible communication between the nodes of the mobile social network. Along with My-Direct also was be created a mechanism for user privacy based on information available on mobile device, so that the execution of social activities occurs just between partners with some degree of affinity. / Nos últimos anos, o tema middleware para redes sociais móveis têm atraído a atenção do meio acadêmico, causando o projeto e desenvolvimento de diversas soluções por parte dos pesquisadores. Esse tipo de middleware facilita e torna mais eficiente o pro­cesso de desenvolvimento de aplicações de redes sociais para o ambiente móvel. Além disso, essas soluções de middleware também abstraem o processo de comunicação entre parceiros e permitem a aquisição, persistência e reuso de informações de contexto social e de localização do usuário, além de disponibilizarem API para que os desenvolvedores possam acessar essas informações rapidamente e construir novas aplicações sociais Tendo em vista colaborar para esta nova tendência de pesquisa, esta dissertação propõe uma arquitetura de middleware para redes sociais móveis chamada de My-Direct que faz uso da tecnologia Wi-Fi Direct em conjunto com o Bluetooth, visando proporci­onar comunicação flexível entre os nós da rede social móvel. Junto ao My-Direct, tam­bém foi criado um mecanismo de privacidade para o usuário baseado em informações disponíveis no dispositivo móvel, de forma que a execução de atividades sociais ocorra apenas entre parceiros com algum grau de afinidade.

The main topic of this thesis is the CUNC basic organization unit and Podblanické Ecocentre CUNC in Vlašim. The first part of the thesis presents the Czech Union for Nature Conservation (CUNC) followed by an overview of its Environmental Centres. The next section contains a summary of all the activities carried out by the CUNC basic organization unit and Podblanické Ecocentre CUNC in Vlašim from their establishment to the present and recapitulates the formation of these organisations themselves. The thesis also covers a characteristic of all the one-day as well as residential teaching programmes for secondary schools, technical schools and grammar schools carried out by the Ecocentre. The greatest emphasis is laid on four selected one-day teaching programmes, for which a research was conducted by using a questionnaire method. Its aim was to determine the influence on pupils and students of the educational programmes from secondary schools, technical schools and grammar schools.

Während die Verdolmetschung lautsprachlicher Theateraufführungen in die Gebärdensprache in vielen Ländern selbstverständlich und regelmäßig angeboten wird, handelt es sich in Deutschland dabei noch um Einzelerscheinungen. Eine Ausnahme stellt das Hans Otto Theater Potsdam dar, das seit 1996 regelmäßig gedolmetschte Aufführungen anbietet und dabei die Methode des Shadow Interpreting nutzt. Am Beispiel einer gedolmetschten Aufführung von „My Fair Lady“ am Hans Otto Theater werden in dieser Arbeit folgende Aspekte der gebärdensprachlichen Verdolmetschung von Theateraufführungen untersucht: Stückauswahl, Dolmetscheranzahl und Rollenverteilung, Auswahl und Einführung von Namensgebärden der Figuren, Positionierung der Dolmetscher, Rollendarstellung und Rollenwechsel, Übertragung der akustischen Ebene des Aufführungstextes (linguistische und paralinguistische Informationen, Musik, Geräusche), äußere Erscheinung der Dolmetscher, Beleuchtung der Dolmetscher und die Inkorporation der Dolmetscher in die Aufgabe.

Das schreibende Ich prägt formal wie thematisch die literarische Entwicklung der letzten Jahre. Seit der Jahrtausendwende hat die Produktion autobiographischer und autofiktionaler Literatur insbesondere auf dem skandinavischen Buchmarkt erheblich zugenommen. Obwohl (noch) kein kritischer Konsens besteht, was der Begriff Autofiktion genau bezeichnet, ist das Changieren zwischen Fakt und Fiktion im autobiographischen Schreiben zu einer der beliebtesten literarischen Strategien im zeitgenössischen Erzählen avanciert. Die literaturwissenschaftliche Forschung zur Autofiktion ist im Zuge dessen auf diesen Trend aufgesprungen und insbesondere nach der Veröffentlichung von Karl Ove Knausgårds Romanprojekt Min kamp (2009–2011) sind die literaturwissenschaftlichen Diskussionen zu Autofiktion und literarischer Selbstdarstellung in Skandinavien deutlich angestiegen. Die literaturwissenschaftlichen Beiträge kreisen im weiteren Sinne um die dichotomischen Beziehungen von Fakt vs. Fiktion, Roman vs. Autobiographie sowie um die Inszenierung der Autor*innen in der literarischen Öffentlichkeit. Dabei ist autofiktionales Schreiben als konkrete erzählerische Praxis betrachtet in den Hintergrund gerückt, weshalb in dieser Arbeit der Versuch gemacht wird, die Fragen nach den literarischen Verfahren innerhalb dieser Texte in den Vordergrund zu stellen. Mit Ausgangspunkt in Texten von August Strindberg, Maja Lundgren, Karl Ove Knausgaard und Björn Rasmussen wird in dieser Arbeit Spezifika einer autofiktionalen Erzählpraxis herausgearbeitet, in welcher die Autorin oder der Autor in erster Linie einen narrativen Autoritätsanspruch über ihren bzw. seinen autobiographischen Text erhebt und hierdurch in der Bestrebung, die autobiographische Wirklichkeit zu schreiben, die Grenze zwischen Wirklichkeit und Literatur und somit zwischen Leben und Text transzendiert / Since the turn of the Millennium there has been a remarkable increase in the production of autobiographical and autofictional literature in Scandinavia. While there is (still) no critical consensus to what the term autofiction precisely designates, the oscillation between fact and fiction in autobiographical writings has emerged as one of the most favoured literary strategies when it comes to negotiating, (re)-constructing, and staging identity and individuality. The academic discussions about autofiction and autofictional writing in Scandinavia are mostly concerned with the opposed relations of fact/fiction, true/false, and novel/autobiography or with the mediatised performativity of the author in the public sphere. In this respect, the specific narrative practices of autofictional writing have taken a back seat in the academic exploration of autofiction. In this thesis it is examined how autofictional writing in selected novels by August Strindberg, Maja Lundgren, Karl Ove Knausgaard and Björn Rasmussen is being set forth within the narration of the text, a thus far unexplored research field. The analysis of the position of the author in his or her text enables us to see that the interplay of fact and fiction in the autobiographical text is predominantly conveyed by narrative strategies. The narrative presence of the author in the text entails specific self-reflexive practices, which can be identified through an increased use of narrative transgressions of the extradiegetic and diegetic discourses that allow the actual author of the text to slip into his narration. The narrative roaming between the reality of the author and the narration that he is producing is used as a means of taking over the authority of the individual life story and to write autobiographical on own subjective and aesthetic terms.

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This dissertation is a report on a study about autobiography as genre, focusing on the voice of the white, Afrikaans-speaking woman. The point of departure for this study was a survey of the number of autobiographies written in Afrikaans by these women. With the focus on the limited number of such autobiographies three autobiographies were studied, namely, Met die Boere in die veld (Sarah Raal), My beskeie deel (M.E.R.) and 'n Wonderlike geweld (Elsa Joubert). Within the framework of the complexity systems theory the role of the observer (author/reader) was studied to determine the possibility of demonstrating that when reading/writing an autobiography, some epistemological changes may occur, manifesting as conceptual changes in the mind of the observer. It could be demonstrated that because of women's sensitivity to interpersonal relationships they are capable of acting as unique registers of the complexity of individual existence, while remaining aware of the constant influence, effect and needs of the other. / AFRIKAANS & THEORY OF LIT / MA (AFRIKAANS)

This thesis investigates the prevalence of religious themes in the work of several prominent contemporary women writers—Margaret Atwood, Michèle Roberts, Alice Walker and A.L. Kennedy. Relying on Luce Irigaray’s recent theorisations of the religious and its relationship to feminine subjectivity, this research considers the subversive potential of engaging with religious discourse through literature, and contributes to burgeoning criticism of feminist revisionary writing. The novels analysed in this thesis show, often in violent detail, that the way the religious dimension has been conceptualised and articulated enforces negative views of female sexuality, justifies violence against the body, alienates women from autonomous creative expression and paralyses the development of a subjectivity in the feminine. Rather than looking at women’s religious revision primarily as a means of asserting female authority, as previous studies have done, I argue that these writers, in addition to critiquing patriarchal religion, articulate ways of being and knowing that subvert the binary logic that dominates Western religious discourse. Chapter I contextualises this research in Luce Irigaray’s theories and outlines existing work on feminist revisionist literature. The remaining chapters offer close readings of key novels in light of these theories: Chapter II examines Atwood’s interrogation of oppositional logic in religious discourse through her novel The Handmaid’s Tale. Chapter III explores two novels by Roberts that expose the violence inherent in religious discourse and deconstruct the subjection of the (female) body to the (masculine) Word. Chapters IV and V analyse the fiction of Kennedy and Walker respectively, revealing how their novels confront the religious denigration of feminine sexuality and refigure the connection between eroticism and divinity. Evident in each of these fictional accounts is a forceful critique of religious discourse, as well as an attempt to more closely reconcile foundational religious oppositions between divinity and humanity, flesh and spirit, and body and Word.

This dissertation investigates the literary and cinematic use of the child’s perspective to present the Mexican Revolution and the Spanish Civil War and their aftermath in several Mexican, Spanish, and international (Mexican-Spanish collaborative) narratives of the 20th and early 21st Centuries written by adult authors and filmmakers, and targeted for adult audiences. The Mexican narratives are Cartucho and Las manos de mamá by Nellie Campobello, Balún Canán by Rosario Castellanos, and Bandidos, a film by Luis Estrada; selected Spanish works are El espíritu de la colmena by Víctor Erice, Cría cuervos by Carlos Saura, and El sur by Adelaida García Morales; and both international works are films by Guillermo del Toro, El espinazo del diablo and El laberinto del fauno. I attempt to determine the textual or cinematic function of the child as first person (homodiegetic) narrative viewer in these works, and I study the different ways in which this child’s point of view is constructed in order to depict the overwhelming tragedy of war. I note patterns and diversities in subject matter presented by the narrative voice, and observe the characteristics of the child narrative viewer’s world and priorities (as presented by the authors and filmmakers), paying careful attention to how each perceives and understands his or her country’s violent upheaval and its aftermath. The theoretical framework of this investigation draws mainly from trauma theory, Gothic studies, and the tradition of the fairy tale. I illustrate how within the war narrative in addition to the author’s/filmmaker’s desire to recreate the sentiment that a child would evoke in adult readers and viewers, the child narrative viewer is employed for three main reasons: to play upon or against preexisting notions of the child’s innocence; to represent (possibly subversively) the nation; and as therapeutic means of returning to a paradise lost or creating a paradise never experienced. / text

This dissertation is a report on a study about autobiography as genre, focusing on the voice of the white, Afrikaans-speaking woman. The point of departure for this study was a survey of the number of autobiographies written in Afrikaans by these women. With the focus on the limited number of such autobiographies three autobiographies were studied, namely, Met die Boere in die veld (Sarah Raal), My beskeie deel (M.E.R.) and 'n Wonderlike geweld (Elsa Joubert). Within the framework of the complexity systems theory the role of the observer (author/reader) was studied to determine the possibility of demonstrating that when reading/writing an autobiography, some epistemological changes may occur, manifesting as conceptual changes in the mind of the observer. It could be demonstrated that because of women's sensitivity to interpersonal relationships they are capable of acting as unique registers of the complexity of individual existence, while remaining aware of the constant influence, effect and needs of the other. / AFRIKAANS and THEORY OF LIT / MA (AFRIKAANS)