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Formáty lži / Formats of LyingČepelka, Michal Unknown Date (has links)
I perceive the thesis as a result of long-term considerations of forms of lies and manipulation and their importance in today's society. Based on the research of these forms and the environments in which they occur, I try to detect the effect of the lie on both individuals and society. And with the use of multiple media that capture this exploration process.
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The Samsa FilesBeach, Dalanie Nicole 24 June 2022 (has links)
No description available.
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Part I -- The Forgotten Child of Zeal; Part II -- Scriabin's Mysterium Dream: An Analysis of Alexander Nemtin's Realization of Prefatory Action: Part I - UniverseKeller, Andrew James 21 May 2019 (has links)
No description available.
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Seventy Years of Swearing upon Eric the Skull: Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha ChristieLott, Monica L. 19 April 2013 (has links)
No description available.
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Screenlife films: graphical user interfaces as mise en scène, impacts on cinematic conventions, storytelling and mystery fiction techniquesMadoc-Jones, Gareth 12 1900 (has links)
Ce mémoire est une description et une analyse de la mise en scène dans trois films screenlife –
Unfriended (Leo Gabriadze, 2014), Unfriended: Dark Web (Stephen Susco, 2018) et Searching
(Aneesh Chaganty, 2018) – qui est principalement défini par les interfaces utilisateur graphiques
(IUG) affichées dans les représentations des enregistrements d'écran d'ordinateur par lesquels
ces films sont définis. Le but de cette étude était de découvrir – en utilisant la recherche sur les
IUG par Lev Manovich et Anne Friedberg – comment la nature modulaire des médias numériques
– vidéo, photo et texte – positionnés à l'intérieur de chaque IUG permet de transposer certaines
conventions cinématographiques, techniques de narration et de roman policier sur les IUG. La
recherche révèle qu'en raison des IUG (associées au système d'exploitation et à des applications),
certaines traditions narratives ont été présentées de manière multiple, simultanée et superposée
dans la mise en scène, par opposition à la manière singulière et séquentielle que les films ont
généralement représenté le temps et l'espace en montrant un plan à la fois.
Le premier chapitre raconte l'histoire du film screenlife et comment il a connu plusieurs itérations
en raison de ce qui avait pu être affiché dans les IUG à différentes périodes entre 2002 et 2018,
notamment les types d'appels vidéo, de sites Web et de médias sociaux. Le deuxième chapitre
propose une mise en scène screenlife qui divise l'espace de l'écran en trois niveaux pour articuler
comment les traditions cinématographiques et narratives ont été transposées dans Unfriended,
Unfriended: Dark Web et Searching. Le troisième chapitre est une continuation de ce processus,
mais avec un accent sur les techniques de roman policier, les indices et les fausses pistes, présents
dans chacun de ces trois films screenlife. La description et l'analyse confirment que ces traditions
de mystification sont également transposées dans les IUG de manière multiple, simultanée et
superposée à partir de la manière singulière et séquentielle dont elles ont été présentées dans
les romans policiers et les films policiers traditionnellement tournés. / This master’s thesis is a description and analysis of the mise en scène in three screenlife films –
Unfriended (Leo Gabriadze, 2014), Unfriended: Dark Web (Stephen Susco, 2018) and Searching
(Aneesh Chaganty, 2018) – that is primarily defined by the graphical user interfaces (GUIs)
displayed within the representations of computer screen recordings these films (and this format)
are defined by. The purpose of this study was to find out – using the research into GUIs by Lev
Manovich and Anne Friedberg as a framework to interpret the space within a computer screen –
how the modular nature of individual digital media – video, photo and text – positioned within
each GUI permit certain cinematic conventions, storytelling and mystery fiction techniques to be
transposed onto a computer screen’s interfaces (GUIs). The research reveals that due to the GUIs
(associated with the computer’s operating system and its various applications) certain narrative
traditions have been presented in a multiple, simultaneous and overlapping way within the mise
en scène as opposed to the singular and sequential manner that films have typically represented
time and space by showing one shot, one spatio-temporality, within the frame at a time.
The first chapter recounts the history of the screenlife film and how it has had several iterations
because of what had been possible to display within GUIs at various periods between 2002 and
2018, notably the types of video calls, websites and social media. The second chapter proposes a
screenlife mise en scène that divides the screen space into three levels to articulate how cinematic
and narrative traditions have been transposed into Unfriended, Unfriended: Dark Web and
Searching. The third chapter is a continuation of this process, but with a focus on mystery fiction
techniques, clues and red herrings, present in each of these three screenlife films. The description
and analysis confirms that these mystification traditions are also transposed into the GUIs in a
multiple, simultaneous and overlapping way from the singular and sequential manner that they
have been presented in detective novels and traditionally shot mystery genre films.
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Writing the love of boys: representations of male-male desire in the literature of Murayama Kaita and Edogawa RanpoAngles, Jeffrey Matthew 16 March 2004 (has links)
No description available.
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[pt] A SACRAMENTALIDADE DA PALAVRA DE DEUS: UMA APROXIMAÇÃO ENTRE A MISTAGOGIA DE AMBRÓSIO DE MILÃO E A CONSTITUIÇÃO SACROSANCTUM CONCILIUM / [en] THE SACRAMENTALITY OF WORD OF GOD: AN APPROXIMATION BETWEEN AMBROSE OF MILAN S MYSTAGOGY AND THE CONSTITUTION SACROSANCTUM CONCILIUMANDRE LUIZ BENEDITO 16 March 2020 (has links)
[pt] A revalorização da Sagrada Escritura na celebração litúrgica foi uma das
grandes conquistas no tocante à reforma dos ritos promovida pelo Concílio
Vaticano II. A partir desse evento, tanto o Magistério como a reflexão teológica
amadureceram essa temática, inclusive rumando para uma perspectiva da Palavra
de Deus sob a ótica da sua sacramentalidade nas ações litúrgicas. A presente tese,
então, inicia-se com esta abordagem suscitada pelas intuições da Constituição
Sacrosanctum Concilium. Em vista de aprofundar o tema da sacramentalidade da
Palavra, o estudo em questão recorre à teologia patrística, mais precisamente, a de
Ambrósio de Milão, com enfoque nas suas duas renomadas obras mistagógicas:
De Sacramentis e De Mysteriis. Nelas, há o recurso à tipologia bíblica, cuja
finalidade é conduzir os neófitos à experiência do mysterium. O método tipológico
de Ambrósio procura demonstrar aos recém-batizados que a palavra eficaz de
Deus, manifestada na história salvífica, continua realizando sua missão de resgatar
a humanidade. À luz das instruções pós-batismais de Ambrósio, a pesquisa
buscou encontrar elementos teológico-pastorais em relação à sacramentalidade da
Palavra de Deus nas celebrações litúrgicas. A pregação mistagógica de Ambrósio,
com efeito, se revela profundamente atual e se apresenta hoje como fonte de
inspiração para que as nossas comunidades – ainda em processo de recepção das
propostas do Concílio – façam a experiência litúrgico-assembleal das Escrituras.
A contribuição ambrosiana, nesse sentido, tem a potência de fazer com que os
cristãos descubram a eficácia salvífica da Palavra proclamada nas celebrações da
Igreja e se tornem capazes de responder a essa mesma Palavra no culto e na vida. / [en] The revaluation of Holy Scripture in the liturgical celebration was one of the
great achievements regarding the reform of the rites promoted by the Second
Vatican Council. From this event, both the Magisterium and theological reflection
have matured this theme, including moving towards a perspective of the Word of
God from the viewpoint of his sacramentality in liturgical actions. The present
thesis then begins with this approach raised by the intuitions of the Constitution
Sacrosanctum Concilium. In order to deepen the theme of the sacramentality of
the Word, the study in question uses patristic theology, more precisely, that of
Ambrose of Milan, focusing on its two renowned mystagogical works: De
Sacramentis and De Mysteriis. In them, there is the use of biblical typology,
whose purpose is to lead the neophytes to the mysterium experience. Ambrose s
typological method seeks to demonstrate to newly baptized that God s effective
word manifested in saving history continues to fulfill its mission of redeeming
humanity. In light of Ambrose s post-baptismal instructions, the research sought to
find theological-pastoral elements in relation to the sacramentality of the Word of
God in liturgical celebrations. Ambrose s mystagogical preaching, in fact, is
profoundly current and is today a source of inspiration for our communities – still
in the process of receiving the Council s proposals – to make the liturgicalassembly experience of Scripture. The ambrosian contribution, in this sense, has
the power to make christians discover the salvific efficacy of the Word
proclaimed in the celebrations of the Church and to be able to respond to that
same Word in worship and life.
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The emergence and development of the Shona detective story as a fictional genre in Zimbabwean literatureChigidi, Willie L. 11 1900 (has links)
This study b·aces the development of the Shona clctective story as a genre different from rhe mainstream
Shona novel. The Shona detective story emerges from the non-detective traditional folktale and
develops into rhree types, namely, the rudimentary form. the pure 'whoduniC, and the detectivethriller.
An attempt is made to show that when the Shona detective story first appeared it was quite elementary
and showed signs of me influence of Shona traditional folklore. But later on authors developed the
detective narrative into pure 'whodunits' and detective-mrillers which showed influence of Western
ftlms and English detective stories.
The study ends with the argument that although at its highest level of development the Shona detective
story manifests characteristics that make it a unique genre different from other Shona novels its
treatment of female characters is not very different from their treatment in the mainstream Shona
novel. / African Languages / M.A. (African Languages)
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Postavení rodilého mluvčího a jiné kvalifikační předpoklady na trhu překladatelských služeb: Marketingové strategie a strategie nastavování cen překladatelských agentur / Native-speaker status and other qualifications in the translation services market: Marketing and price-setting strategies of translation agenciesŠebesta, Daniel January 2012 (has links)
This study combines linguistic and economic points of view to deliver insights into two national translation services markets. Translation services form a relatively large market and provide quite a high number of jobs globally. In this industry, which is largely unregulated by government bodies, translation agencies have the potential to act as quality warrantors by applying elaborate quality-assurance procedures and requiring their freelance translators to possess certain qualifications. A controversial yet widely mentioned qualification is being a native speaker of a specific language. Drawing on a critique of the conventional "native speaker" concept and on insights from economics, Language Management Theory, and critical discourse analysis, this study investigates how the native-speaker status, along with other translator qualifications, is used as an argument for higher quality and a higher price in marketing and price-setting strategies of translation agencies in the Czech Republic and Germany when it comes to a technical translation into a non-local language. The research makes use of the market-research technique called "mystery shopping" and is designed as a combination of experimental and observational qualitative research methods. The four distinct stages, which correspond with...
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The multiplicity of the detective thriller as literary genre.January 2003 (has links)
Kwok Sze-Ki. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2003. / Includes bibliographical references (leaves 131-138). / Abstracts in English and Chinese. / Abstract --- p.i / 摘要 --- p.iii / Acknowledgements --- p.v / Introduction The Genre of Detective Thriller --- p.1 / Chapter Chapter One --- The Figure in the Carpet: Agatha Christie's The Murder of Roger Ackroyd --- p.33 / Chapter Chapter Two --- """Thrillers are like life´ؤmore like life than you are"": Graham Greene's The Ministry of Fear" --- p.68 / Chapter Chapter Three --- "Cultural and Metaphysical Mysteries: Paul Bowles's ""The Eye"" and Jorge Luis Borges's ""The Garden of Forking Paths""" --- p.99 / Concluding Remarks --- p.127 / Bibliography --- p.131
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