Made available in DSpace on 2016-12-08T16:52:06Z (GMT). No. of bitstreams: 1 PaulaRojasAmador2009.pdf: 1974150 bytes, checksum: 2895b01b886732e96569cce9c912a0a6 (MD5) Previous issue date: 2009-02-19 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research has as its object the analysis of theatrical interpretation in anti-naturalists performances. It also studies the existence of some principles in the mask theater; marionette theater, and nô theater, such as: economy of means, focus, score of gestures and actions, neutrality, immobility and the relation of the actor with his energetic center, also known as gravity center. The study centers its analysis in two contemporaneous spectacles played in Brazil: Agreste directed by Márcio Aurélio and played by Cia. Razões Inversas in the year of 2004 in São Paulo-SP; and O Pupilo quer ser tutor´, written by the Austrian playwright Peter Handke and played by the Cia. Teatro sim... Por que não?! in the year of 2007 in Florianópolis-SC, under the direction of Francisco Medeiros. The research includes the concept of theatricality and its relations with the mimesis as concrete elements to discuss the interpretative work which distances itself from the naturalistic way of playing / A presente pesquisa tem como objeto a análise da interpretação teatral em encenações antinaturalistas. Também estuda a existência de alguns dos princípios presentes no teatro de máscara, no teatro de marionetes e no teatro nô, tais como: a economia de meios, o foco, a partitura de gestos e ações, a neutralidade, a imobilidade e a relação do ator com seu centro energético, também conhecido como centro de gravidade. O estudo centra suas análises em dois espetáculos contemporâneos encenados no Brasil: Agreste dirigido por Márcio Aurélio e encenado pela Cia. Razões Inversas, no ano de 2004 em São Paulo-SP; e O Pupilo quer ser tutor, peça do dramaturgo austríaco Peter Handke encenado pela Cia. Teatro sim... Por que não?! no ano de 2007, em Florianópolis-SC, sob a direção de Francisco Medeiros. A pesquisa incorpora o conceito de teatralidade e suas relações com a mimese como elementos concretos para discutir o trabalho interpretativo que se distancia do modo naturalista de atuar

Esta tese visa a mostrar que a comédia As Nuvens de Aristófanes (423 a.C.) possui um valor heurístico para os alunos de graduação de Pedagogia, isto é, que a obra possibilita um trabalho de cotejo de textos para a formação de um quadro complexo da educação ateniense da época. Compõe-se de duas partes, a primeira dedicada ao estudo da peça e de suas possíveis relações com o ensino da filosofia em Atenas e a segunda dedicada ao relato do trabalho com alunos, desenvolvido durante duas experiências com o Curso Experimental. A metodologia utilizada baseia-se em três pilares, a pesquisa bibliográfica, a análise textual e a aplicação experimental em sala de aula. A avaliação final do trabalho mostra que As Nuvens possui um caráter altamente heurístico e que a sua aplicação em sala de aula apresenta resultados altamente satisfatórios. / The aim of this thesis is to show that the comedy Clouds (423 b. C.) by Aristophanes has a heuristic value to the graduation students in Education, i. e., that this play allows a text comparative work in order to form a complex scene of the Athenian education at Aristophanes time. It consists of two parts, the first one shows the play study and its possible relations with the philosophy teaching at Athens and the second one is the report of the work whit graduation students, during two Experimental Course. The methodology used is founded in three cornerstones, the bibliographical research, the textual analysis and the experimental application in class. The conclusive evaluation of this work shows that The Clouds has a highly heuristic character and the use in classrooms has highly satisfactory results.

O romance Eu sou um Gato, do escritor japonês Natsume Sôseki, publicado entre 1906 e 1907, é marcado basicamente pela critica ao regime em voga, período Meiji (18681912) no Japão e seus costumes sociais. Entretanto, sua construção baseia-se em técnicas pouco utilizadas na época, pois o autor mescla influências dos romances naturalistas ocidentais à tradição oral e teatral do período Edo (1600-1867), a fim de descrever o período em que o homem transitava entre o antigo e o moderno. O autor se baseia, assim como sugere o título, no ponto de vista de um gato pedante e possuidor de uma linguagem aforística, que analisa o ser humano frente aos problemas do seu cotidiano, revelando seu caráter, seus vícios e segredos. Sugerindo que ao olhar para o íntimo do homem, encontramos também as mudanças sociais: a introdução do capitalismo e dos hábitos ocidentais, ainda alienígenas ao povo oriental, era ao mesmo tempo, discutida e porque não criticadas. Verificamos essas nuances desde a estrutura da obra, que mescla influências do conto e da novela, dando origem a uma voz narrativa polifônica e dialógica: o gato. Ele é a voz que narra e porque não escreve também a história, apesar de não possuir nem mesmo nome. Sua voz se alterna conforme pede a situção e durante o decorrer da obra, sua figura de inicio é um simples gato, se transforma em um ser monstruoso, fundamentado nas grandes figuras mitológicas e literárias de outros felinos. Tanto o gato quanto as outras personagens da obra utilizam-se de uma linguagem irônica e satírica revelando uma crítica sutil à sociedade de Meiji. Entretanto, para que esta linguagem surta o efeito desejado há o emprego do cômico e da paródia como apoio para a censura dos hábitos sociais. O cômico favorece o rir de si mesmo e das falhas humanas e a paródia faz alusão a uma desconstrução da literatura, visto que as estruturas sociais estão desgastadas e há algo que ainda precisa ser dito. A obra em questão é, em suma, uma grande afirmação de que a sociedade não está conformada com o que há. / The novel I am a Cat, of the japanese writer Natsume Sôseki, published between 1906 and 1907, it\'s marked basically, with the criticism of the regime in vogue, Meiji period (18681912) in Japan and your social habits. Nevertheless, your construction have based in techniques rarely used in that period, the author mix influences of occidental naturalist novels to oral and theatric tradition on the Edo period (16001867), with the objective of to describe a period that the man passed between the old and the modern. The author has based like was suggested in the title in the point of view from a pedantic cat and owner of a aphoristic language, that analyze the humans in their daily problems, exposing their character, their vices and secrets. Suggesting that when we look to the intimate of man, we too find socials changes: the introduction of the Capitalism and the occidentals habits, yet alienated to the oriental people, was in the same time discontinued and why didnt criticize. We verified this nuances since of the structure of the work, that mix influences of narrative and of novels, giving origin to the polyphony narrative voice and dialogic: the cat. It is the voice that report and because dont write too the history, although dont to posses neither same name. His voice change it according the situation and during the happening of the work, his figure in the start is a simple cat, that transform it in a monstrous be, it is founded in the literary and mythology greats figures of the others felines. So the cat as the others characters of work use it of a satiric and ironic language exposing a sewed criticism to the Meiji society. However, to this language to result in the effect desired must have the application of comic and of parody as support to the censure of socials habits. The comic encourage the laugh of himself and the humans mistakes and the parody make reference to the deconstruction of literature, looking that the social structure are consumed and there are something that yet need to be said. The work in question is a great affirmation that the society dont is resigned with that there is.

Esta pesquisa, inserida na linha de pesquisa Historia, Filosofia e Ensino de Evolucao e Ecologia, trata sobre a Estetica, procurando verificar as possiveis contribuicoes desse referencial teorico para o estudo do meio em Biologia, nomeadamente para aulas de campo voltadas para o Ensino Superior em cursos de Ciencias Biologicas. A Estetica descrita por Charles Sanders Peirce (1839-1914), nao limita-se somente ao entendimento da Estetica como uma ciencia do belo. A Estetica peirceana possui um carater mais abrangente, que reside na essencia de qualquer objeto apreendido pela experiencia; o admiravel que desperta a atencao, seja o objeto considerado belo ou nao pelas convencoes. Nas ideias de Aldo Leopold (1887-1948), que tratam de uma Estetica voltada para a conservacao dos seres vivos, verifica-se um dialogo com a Teoria de Peirce por meio das cinco categorias da Estetica da Conservacao: os trofeus, o isolamento na natureza, ar livre e mudanca de panorama, percepcao e sentido da administracao cuidadosa. Considerando essas categorias, foi proposta uma sequencia didatica tendo a trilha realizada pelo naturalista Auguste de Saint-Hilaire (1779-1853) na Serra da Canastra (MG) como eixo norteador. A proposta com abordagem interdisciplinar favorece o desenvolvimento das aulas de campo a partir de elementos filosoficos e historicos, permitindo que os alunos revisitem os ambientes descritos por Saint-Hilaire de maneira mais motivadora e contextualizada / This proposal is inserted in the research line \"History, Theory and Teaching of Comparative Biology\" and will work with Aesthetics seeking to verify the possible contributions of this theoretical reference for the study of the environment in Biology, particularly in field classes focused on Higher Education in Biology Graduation. The Aesthetics, described by Charles Sanders Peirce (1839-1914), is not limited to a science of the beautiful. Aesthetics has a more comprehensive character and resides in the essence of any object apprehended in our experience that arouses our attention, be it considered beautiful or not by the conventions. It it something that we consider \"admirable\". We found in the ideas of Aldo Leopold (1887-1948), that deals with an Aesthetics focused on the conservation of living beings, a dialogue with Peirce\'s Theory. Leopold (1949) proposes five categories of Conservation Aesthetics: trophy, isolation, change of scene, perception and husbandry. Based on these categories it was proposed a Didactic Sequence having the trail made by the naturalist Auguste de Saint- Hilaire (1779-1853) in Serra da Canastra as a background. We chose to adopt an interdisciplinary approach, and while the students revisit the points visited by Saint- Hilaire, field classes are developed with the aim of investigating the environment as the naturalist himself did

O romance Eu sou um Gato, do escritor japonês Natsume Sôseki, publicado entre 1906 e 1907, é marcado basicamente pela critica ao regime em voga, período Meiji (18681912) no Japão e seus costumes sociais. Entretanto, sua construção baseia-se em técnicas pouco utilizadas na época, pois o autor mescla influências dos romances naturalistas ocidentais à tradição oral e teatral do período Edo (1600-1867), a fim de descrever o período em que o homem transitava entre o antigo e o moderno. O autor se baseia, assim como sugere o título, no ponto de vista de um gato pedante e possuidor de uma linguagem aforística, que analisa o ser humano frente aos problemas do seu cotidiano, revelando seu caráter, seus vícios e segredos. Sugerindo que ao olhar para o íntimo do homem, encontramos também as mudanças sociais: a introdução do capitalismo e dos hábitos ocidentais, ainda alienígenas ao povo oriental, era ao mesmo tempo, discutida e porque não criticadas. Verificamos essas nuances desde a estrutura da obra, que mescla influências do conto e da novela, dando origem a uma voz narrativa polifônica e dialógica: o gato. Ele é a voz que narra e porque não escreve também a história, apesar de não possuir nem mesmo nome. Sua voz se alterna conforme pede a situção e durante o decorrer da obra, sua figura de inicio é um simples gato, se transforma em um ser monstruoso, fundamentado nas grandes figuras mitológicas e literárias de outros felinos. Tanto o gato quanto as outras personagens da obra utilizam-se de uma linguagem irônica e satírica revelando uma crítica sutil à sociedade de Meiji. Entretanto, para que esta linguagem surta o efeito desejado há o emprego do cômico e da paródia como apoio para a censura dos hábitos sociais. O cômico favorece o rir de si mesmo e das falhas humanas e a paródia faz alusão a uma desconstrução da literatura, visto que as estruturas sociais estão desgastadas e há algo que ainda precisa ser dito. A obra em questão é, em suma, uma grande afirmação de que a sociedade não está conformada com o que há. / The novel I am a Cat, of the japanese writer Natsume Sôseki, published between 1906 and 1907, it\'s marked basically, with the criticism of the regime in vogue, Meiji period (18681912) in Japan and your social habits. Nevertheless, your construction have based in techniques rarely used in that period, the author mix influences of occidental naturalist novels to oral and theatric tradition on the Edo period (16001867), with the objective of to describe a period that the man passed between the old and the modern. The author has based like was suggested in the title in the point of view from a pedantic cat and owner of a aphoristic language, that analyze the humans in their daily problems, exposing their character, their vices and secrets. Suggesting that when we look to the intimate of man, we too find socials changes: the introduction of the Capitalism and the occidentals habits, yet alienated to the oriental people, was in the same time discontinued and why didnt criticize. We verified this nuances since of the structure of the work, that mix influences of narrative and of novels, giving origin to the polyphony narrative voice and dialogic: the cat. It is the voice that report and because dont write too the history, although dont to posses neither same name. His voice change it according the situation and during the happening of the work, his figure in the start is a simple cat, that transform it in a monstrous be, it is founded in the literary and mythology greats figures of the others felines. So the cat as the others characters of work use it of a satiric and ironic language exposing a sewed criticism to the Meiji society. However, to this language to result in the effect desired must have the application of comic and of parody as support to the censure of socials habits. The comic encourage the laugh of himself and the humans mistakes and the parody make reference to the deconstruction of literature, looking that the social structure are consumed and there are something that yet need to be said. The work in question is a great affirmation that the society dont is resigned with that there is.

Esta pesquisa, inserida na linha de pesquisa Historia, Filosofia e Ensino de Evolucao e Ecologia, trata sobre a Estetica, procurando verificar as possiveis contribuicoes desse referencial teorico para o estudo do meio em Biologia, nomeadamente para aulas de campo voltadas para o Ensino Superior em cursos de Ciencias Biologicas. A Estetica descrita por Charles Sanders Peirce (1839-1914), nao limita-se somente ao entendimento da Estetica como uma ciencia do belo. A Estetica peirceana possui um carater mais abrangente, que reside na essencia de qualquer objeto apreendido pela experiencia; o admiravel que desperta a atencao, seja o objeto considerado belo ou nao pelas convencoes. Nas ideias de Aldo Leopold (1887-1948), que tratam de uma Estetica voltada para a conservacao dos seres vivos, verifica-se um dialogo com a Teoria de Peirce por meio das cinco categorias da Estetica da Conservacao: os trofeus, o isolamento na natureza, ar livre e mudanca de panorama, percepcao e sentido da administracao cuidadosa. Considerando essas categorias, foi proposta uma sequencia didatica tendo a trilha realizada pelo naturalista Auguste de Saint-Hilaire (1779-1853) na Serra da Canastra (MG) como eixo norteador. A proposta com abordagem interdisciplinar favorece o desenvolvimento das aulas de campo a partir de elementos filosoficos e historicos, permitindo que os alunos revisitem os ambientes descritos por Saint-Hilaire de maneira mais motivadora e contextualizada / This proposal is inserted in the research line \"History, Theory and Teaching of Comparative Biology\" and will work with Aesthetics seeking to verify the possible contributions of this theoretical reference for the study of the environment in Biology, particularly in field classes focused on Higher Education in Biology Graduation. The Aesthetics, described by Charles Sanders Peirce (1839-1914), is not limited to a science of the beautiful. Aesthetics has a more comprehensive character and resides in the essence of any object apprehended in our experience that arouses our attention, be it considered beautiful or not by the conventions. It it something that we consider \"admirable\". We found in the ideas of Aldo Leopold (1887-1948), that deals with an Aesthetics focused on the conservation of living beings, a dialogue with Peirce\'s Theory. Leopold (1949) proposes five categories of Conservation Aesthetics: trophy, isolation, change of scene, perception and husbandry. Based on these categories it was proposed a Didactic Sequence having the trail made by the naturalist Auguste de Saint- Hilaire (1779-1853) in Serra da Canastra as a background. We chose to adopt an interdisciplinary approach, and while the students revisit the points visited by Saint- Hilaire, field classes are developed with the aim of investigating the environment as the naturalist himself did

The aim of this study was to determine the possible successes and pitfalls in implementing a process to accelerate learning and raise learner performance through a multiple intelligence approach. A study of the theory of Multiple Intelligences was conducted which also implied a thorough study of the physiology of the brain, how it learns and how it should be utilised in the classroom. A case study was conducted amongst the learners and teachers of a specific school to determine their ability, willingness to change and their performance in the application of Multiple Intelligences in the classroom. The challenges associated with the implementation of the MI approach were established through different methods. It was found that teachers have much more difficulty in adapting to a new teaching approach than the learners. Time constraints, constant monitoring and support, teacher training, teachers' attitude to change, big classes, a lack of resources and teacher resistance added to the reality which policy makers have to consider in implementing a new approach. / EDUCATIONAL STUDIES / MED (DIDACTICS)

Cette étude examine la lecture des textes de théâtre comme des textes de fiction, visant à faire sortir ce genre de lecture du cadre de l’analyse textuelle au sein duquel on a tendance à l’enfermer. L’examen s’effectue à la lumière de l’interrogation sur le suicide dans le drame français du XIXe siècle : son objectif est de cerner l’effet que le suicide d’un personnage exerce sur le lecteur. Pour ce faire, nous nous servons du concept de lecteur virtuel, destinataire implicite et atemporel des effets du texte selon Vincent Jouve ; ce lecteur immerge au sein du monde possible de fiction soutenu par le dispositif qui se fonde sur la tripartition Réel - Symbolique - Imaginaire de Lacan.La réflexion est structurée en cinq parties : l’introduction théorique est suivie des analyses qui portent, respectivement, sur le mélodrame, le drame romantique, le drame naturaliste et le drame symboliste. En nous penchant sur l’effet du suicide fictionnel sur le lecteur, qui est systématiquement relié au questionnement de la catharsis, nous traitons également de l’évolution des formes et genres théâtraux évoqués dans l’optique de la lecture « virtuelle ». Ainsi, lire le drame français du XIXe siècle, c’est voyager de la certitude optimiste du mélodrame à l’indétermination tragique du drame symboliste, du suicide effectif aux morts probablement volontaires, de la catharsis « larmoyante » à l’anticatharsis... / This study examines the reading of drama texts as the reading of fictional texts, aiming to broaden the current approach according to which the reading of drama texts is mainly limited to text analysis. This question is examined in the light of the issue of suicide in 19th-century French drama. The principal aim of this study is therefore to understand the impact of the character’s suicide on the reader via the detailed analysis of the ins and outs of the suicidal act. The study applies Vincent Jouve’s concept of the virtual reader, who is defined as an implicit and atemporal recipient of the text effects. This reader emerges in a fictional world that is supported by an operative device (dispositif) based on the Lacanian triptych of the Real, the Symbolic and the Imaginary.The dissertation consists of five chapters. The theoretical discussion is followed by four chapters that deal, respectively, with melodrama, romantic drama, naturalist drama, and symbolist drama. In addition to the effect of the fictional suicide on the reader (which is systematically connected to the catharsis), the evolution of theatrical genres and forms is explored from the perspective of “virtual” reading. Thereby, the reading of 19th-century French drama could be viewed as a journey from the optimistic certainty of melodrama to the tragic indeterminacy of symbolist drama, from actual to probable suicides, from “sorrowful” catharsis to anticatharsis.

The aim of this study was to determine the possible successes and pitfalls in implementing a process to accelerate learning and raise learner performance through a multiple intelligence approach. A study of the theory of Multiple Intelligences was conducted which also implied a thorough study of the physiology of the brain, how it learns and how it should be utilised in the classroom. A case study was conducted amongst the learners and teachers of a specific school to determine their ability, willingness to change and their performance in the application of Multiple Intelligences in the classroom. The challenges associated with the implementation of the MI approach were established through different methods. It was found that teachers have much more difficulty in adapting to a new teaching approach than the learners. Time constraints, constant monitoring and support, teacher training, teachers' attitude to change, big classes, a lack of resources and teacher resistance added to the reality which policy makers have to consider in implementing a new approach. / EDUCATIONAL STUDIES / MED (DIDACTICS)

Cette étude traite des savoirs et pratiques naturalistes relatifs à la flore aromatique et médicinale de la Corse et de leur mise en patrimoine. La pharmacopée traditionnelle et les croyances qui y sont associées sont étudiées dans un but de conservation et de valorisation puis mises en regard avec les pratiques actuelles d’utilisation de la flore (production d’huiles essentielles et de produits dérivés) afin d’étudier le processus de patrimonialisation des savoirs. Ce travail vise à contribuer à la conservation et à la valorisation d’un patrimoine associant le biologique et le culturel ainsi qu’à une meilleure compréhension de la relation de la société corse au végétal au cours du temps. Il s’inscrit également de manière plus générale, dans une perspective d’étude de l’espace insulaire comme lieu de compréhension de la conservation de la diversité culturelle et biologique. / This study deals with naturalist knowledge and practical experience about aromatic and medicinal flora from Corsica and their entering the heritage. Traditional pharmacopeia and the beliefs which are connected to it, are studied with the intention of conservation and promotion. Then they are compared with the present use of flora/the plants (production of essential oils and by-products) in order to examine the heritage recognition of that knowledge. That work is aimed at contributing to the conservation and promotion of a legacy combining both the organic and cultural aspects as well as a better understanding of the interest of the Corsican society in the knowledge of plants in the course of time. More generally it also follows a prospect to study how Corsica is outstanding to understand the conservation of cultural and organic diversity.