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311	SYNERGY: GAME DESIGN + QUR'AN MEMORIZATION Moulana, Sultana Jesmine 01 January 2017 (has links) The rise of digital technology has transformed nearly every part of our daily lives, including the way we learn and memorize. Such transformations raise interesting questions for one of the most long-standing and demanding memorization tasks in the world: the memorization of the Islamic holy book, The Qur’an. For Muslims, The Qur’an is a timeless, sacred text, cradling within its covers many profound images, stories, and parables. Despite rigorous research in the fields of game design and memorization techniques, very little work has been done in combining these two areas of research to create a game-based memorization experience of The Quran. This thesis synthesizes game design elements with existing memorization techniques to foster a more engaging, enriching, and inspiring Qur’an memorization experience. Memorization Game-based learning Game Design the Qur’an Qur’an Memorization Digital Natives Digital Immigrants Art Education Curriculum and Instruction Educational Methods Fine Arts Game Design Instructional Media Design Interactive Arts Interdisciplinary Arts and Media Islamic Studies Other Arts and Humanities Other Education
312	Antithetical Commentaries on X, Y and the Disruption of Being Rocha, Eva 01 January 2016 (has links) Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage a ‘transgression’ that leads to the possibility of a transformative awareness of being. Subsequently, I present a series of ‘antithetical’ commentaries that neither explain nor expand the installation, rather, they create a non-binary duality that, through an entirely non-linear anti-narrative, work to erode the overlay of personal, civic and collective grids present in the memory space/time referenced in the video, TAG. Finally, in “Grid: Towards a Transgressive Humanism.” I propose a path by which installation art might serve to create transgressive opportunities for viewers, rather than the transcendence sought through religious rituals, which often reinforce stigmas, fears and authoritarian social dynamics, or worse, the reductive loop, of many contemporary approaches to art which proclaim their detachment in wordy displays, essentially leading to a form of aesthetic nihilism. This Transgressive Humanism is not presented as a dogma, but rather a revitalization of the work as a vessel of possibilities, an agent of creative growth for the artist and the viewer. transgressive humanism cultural techniques grid post contemporary art Contemporary Art Cultural History Esthetics Ethics and Political Philosophy Feminist, Gender, and Sexuality Studies Feminist Philosophy Fine Arts Latin American History Modern Art and Architecture Modern Literature Museum Studies Philosophy of Language Philosophy of Mind Photography Social and Behavioral Sciences Theory and Criticism
313	A Miraculous Deliverance: An Adaptation Through Historical Criticism and Feminist Theory Taghavie-Moghadam, Mariah 01 January 2019 (has links) This thesis attempts to reconstruct the narrative of Anne Greene, a young female servant in 1650 England that was wrongfully found guilty of infanticide and made into a spectacle by her peers as an example of what happens when one breaks societies gender norms and is met by the influence of the gender politics of the period. Her female body was objectified and placed on display by a ritual performance of the hangman’s noose and the criminal corpse to further the process of by maintaining fear among members of the population, especially rebellious women. Thus, making Anne Greene a subversive figure, victimized by a patriarchal society, a trope that remains relevant today. By way of literary adaptation, explorations of bodily practice, and engagements with the historical archive this thesis allows Anne Greene’s disembodied figure to unfold as a narrative and visual tool in history. This study and the accompanying original play text allow Anne Greene to become an essential figure to feminist studies and continuing struggles for equality in the era of the “Me too” social narrative. Theatre Dramaturgy Playwriting Anne Greene Feminist Theory Ritual Performance Biblical Studies European History Fine Arts History of Gender Other Theatre and Performance Studies Playwriting Theory and Criticism Women's History Women's Studies
314	Perspective vol. 18 no. 4 (Aug 1984) / Perspective (Institute for Christian Studies) Mobach, Martin, Pierik, Dick, DeJager-Seerveld, Tim, De Bruyn, Theodore, Zylstra, Bernard 26 March 2013 (has links) No description available. Humanities Institute for Christian Studies--History Holy Spirit Christian classicists--Congresses Classicists Christian teachers Religious thought
315	El pensament religiós de Joan Maragall Moreta, Ignasi 15 December 2008 (has links) El pensament religiós de Joan Maragall no havia estat objecte fins ara de cap estudi ampli i sistemàtic. Aquesta tesi pretén oferir una sistematització d'aquest pensament en el marc d'una biografia intel·lectual que permeti visualitzar-ne l'evolució i el desenvolupament. Expositivament, s'ha perioditzat la biografia intel·lectual en quatre etapes: 1) la religió romàntica de la bellesa (1860-1890); 2) de l'exaltació positivista dels forts a la cristianització de l'excelsior (1890-1901); 3) un neoespiritualisme modernista (1901-1906), i 4) l'últim Maragall (1906-1911). És en l'últim període quan Maragall dota el seu pensament d'una terminologia específica i li dóna una forma travada i coherent. Des d'una posició clarament antiascètica no, però, antimística , Maragall detecta l'existència en el temps de moments de suspensió de la temporalitat els «moments d'eternitat» la vivència dels quals permet superar la distinció entre vida terrenal i ultraterrenal. / Until now Joan Maragall's religious thought has not been the object of an extensive and methodical study. This thesis aims to offer a systematization of his religious thought within the framework of an intellectual biography which allows for the visualization of its evolution and development. For the purpose of this analysis, the intellectual biography has been divided in four stages: 1) the romantic period of the religion of beauty (1860-1890); 2) the positivist period, from the exaltation of the strong to the Christianization of the excelsior (1890-1901); 3) the modernist neo-spiritualist period (1901-1906), and 4) the last period (1906-1911). Maragall develops a specific terminology for his thought and gives it a coherent and unified form in the last stage. From a clearly anti-ascetic position though not anti-mystic , Maragall detects the existence of moments when temporality is suspended «moments of eternity» , the experience of which allows for the overcoming of the distinction between earthly and otherworldly. libraries poetics Neo-spiritualism Modernism Positivism Romanticism Philosophy of Time Mysticism Catalonian Philology Philosophy Theology Science of Religion poesia Joan Maragall Religious Thought biblioteques poetica Neoespiritualisme Modernisme Romanticisme Positivisme filologia catalana mistica filosofia del temps teologia filosofia ciencies de la religio pensament religios Joan Maragall poetry 2 82
316	The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies Pacheco, Katie 27 June 2013 (has links) The popularization of academic spaces that combine Buddhist philosophy with the literature of the Romantic period – a discipline I refer to as Buddhist Romantic Studies – have exposed the lack of scholarly attention Samuel Taylor Coleridge and The Rime of the Ancient Mariner have received within such studies. Validating Coleridge’s right to exist within Buddhist Romantic spheres, my thesis argues that Coleridge was cognizant of Buddhism through historical and textual encounters. To create a space for The Rime within Buddhist Romantic Studies, my thesis provides an interpretation of the poem that centers on the concept of prajna, or wisdom, as a vital tool for cultivating the mind. Focusing on prajna, I argue that the Mariner’s didactic story traces his cognitive voyage from ignorance to enlightenment. By examining The Rime within the framework of Buddhism, readers will also be able to grasp the importance of cultivating the mind and transcending ignorance. Romanticism Romantic poets Buddhism Samuel Taylor Coleridge The Rime of the Ancient Mariner dualism Ecocriticism Zen meditation transcendence albatross animal rights environmental rights green anthropocentrism prajna wisdom enlightenment ignorance ethics ahimsa Buddha Buddhist Arts and Humanities Chinese Studies Christianity Comparative Methodologies and Theories English Language and Literature Ethics and Political Philosophy Ethics in Religion Literature in English, British Isles Other Arts and Humanities Other English Language and Literature Other Languages, Societies, and Cultures Other Religion Philosophy Philosophy of Mind Practical Theology Religion
317	Talk This Way: A Look at the Historical Conversation Between Hip-Hop and Christianity Swanson, Joshua 01 August 2020 (has links) Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation between Hip-Hop and Christianity that has been ongoing for decades. This thesis will show why that conversation is essential for the church and necessary for Hip-Hop artists to express themselves fully. This paper will show rap and Hip-Hop culture to be a complex institution with its own theology, history, and prophets – that uses its own voice to express how urban youth view not only their lives but also how God and the church are present in their lives. hip-hop christianity history theology Christiain rap african american African American Studies American Art and Architecture American Popular Culture American Studies Biblical Studies Christian Denominations and Sects Christianity Cultural History Ethnic Studies Ethnomusicology History of Christianity History of Religion Modern Art and Architecture New Religious Movements Other American Studies Other Arts and Humanities Other Music Practical Theology Public History Religious Education Social History Sociology of Culture Sociology of Religion United States History Urban Studies and Planning

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