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1	Hijas del horror: Rocío Silva Santisteban y Regina José Galindo: El testimonio como herramienta discursiva del arte de la memoria January 2019 (has links) archives@tulane.edu / My dissertation, entitled “Hijas del horror: Rocío Silva Santisteban y Regina José Galindo. El testimonio como herramienta discursiva del arte de la memoria,” focuses on the representation of sexual violence in the poetry of Rocío Silva Santisteban and the performances of Regina José Galindo. I analyze the discursive tools that these artists use to represent violence in a way that allows the public or reader to engage with women’s point of view. Silva Santisteban as well as Galindo were inspired by the thousands of oral testimonies that women survivors told to the truth commission in Peru and Guatemala. First chapter, “Crimes Against Women in the Armed Conflict in Guatemala and Peru,” is a review of the internal wars in Guatemala (1962-1996) and Peru (1980-2000), focusing especially on the crimes and consequences these wars had for women. Second chapter, “Theoretic Foundations of Sexual Violence Against Women: The Role of the Testimonies,” is a review of the different approaches that seek to explain the characteristic of sexual violence against women, why most of women doesn’t denounce it and which is the conception of women that is behind this violence expression. Third chapter, “Daughters of Horror or Experiencing Others’ Pain,” is a close reading of the most recent poetry book by Rocío Silva Santisteban, Las hijas del terror (2007), in which the author represents rape, forced displacement, and fear from the perspective of Peruvian women. I give special attention to the way testimonies inspired the book and are used as a poetic tool. Fourth chapter, “Regina José Galindo or the Body as Testifying to Pain,” is an analysis of two performance pieces –Mientras, ellos siguen libres (2007) and La verdad (2013)–, where Galindo represents the crimes suffered by women during the Guatemalan war. She places her body in the place of the female that suffered rape, torture, destruction, horror. I give special attention to the contradictions that the representation of violence can lead to, without intention, the perpetuation of violence, and the strategies that Galindo uses to avoid that misunderstanding. The fifth concluding chapter established a dialogue between these two artists. / 1 / Bethsabe Huaman Andia Representation of Violence Art of Memory South and Central American Art
2	EU RECEBERIA AS PIORES NOTÍCIAS DOS SEUS LINDOS LÁBIOS: LINGUAGEM E FORMA NARRATIVA / EU RECEBERIA AS PIORES NOTÍCIAS DOS SEUS LINDOS LÁBIOS: LANGUAGE AND NARRATIVE FORM Dalcin, Camila 27 February 2015 (has links) This work aims to understand the relationship between the book, Eu receberia as piores notícias dos seus lindos lábios , from the author Marçal Aquino, and the contemporary narrative, it also tries to understand what are the consequences of this time in its discursive construction. It starts from the perspective of academic criticism to situate the novel and the author in the territory of the contemporary. Later it maps the definitions used for the literature of violence representation linked to realistic currents, from the second half of the twentieth century coming until the self titled "Generation 90", in which Marçal Aquino figures. The critique points as a symptom of this generation the incorporating of mass communication languages as an aesthetic artifact of the author to communicate his worldview. A world indeed permeated by intermedia codes, explored in this work through the image of the narrator photographer and assimilation of film language. As well as the relevance of violence resymbolization to awaken affections for a theme so dear to the contemporary Brazilian literature. / O presente trabalho procura entender como se dá a relação da obra, Eu receberia as piores notícias dos seus lindos lábios, do escritor Marçal Aquino, com o fazer narrativo contemporâneo e como se dá a representação deste tempo na sua construção discursiva. Parte-se da perspectiva da crítica acadêmica para situar o romance e o autor no território do contemporâneo. Bem como mapear as definições usadas para a literatura de representação da violência vinculada às correntes realistas, a partir da segunda metade do século XX chegando à autointitulada Geração 90 , na qual figura Marçal Aquino. A crítica aponta como sintoma desta geração a incorporação de linguagens da comunicação de massa como um artefato estético do autor para comunicar sua visão de mundo. Um mundo, aliás, permeado por códigos intermidiáticos, explorados neste trabalho através da imagem do narrador fotógrafo e da assimilação da linguagem cinematográfica. Assim como a relevância da ressimbolização da violência para despertar afetividades em relação a um tema tão caro à literatura brasileira contemporânea. Narrativa brasileira Contemporaneidade Representação da violência Brazilian narrative Contemporaneity Representation of violence
3	Aesthetics: beauty and the sublime in the representation of violence: an analysis of contemporary film and novel in Spain and Latin America Reyes, Clara Irene 29 September 2004 (has links) No description available. Literature, Latin American COLOMBIA ESPANA MEXICO CONTEMPORARY FILM NOVEL REPRESENTATION OF VIOLENCE BEAUTY AND THE SUBLIME
4	Epic Television – Music and Sound in Ramayan and Mahabharat Lesniak, Britta 19 February 2018 (has links) No description available. 780 television music serial music India music and religion music representation of violence audiovisual narration popular culture Musikwissenschaft (PPN718314018)
5	Reprezentace sexuálního násilí ve veřejném prostoru první republiky / Representation of sexual violence in the public space of interwar Czechoslovakia Sychrová, Adéla January 2021 (has links) This thesis deals with the representations of sexual violence in public space of the interwar Czechoslovakia. Developing the conceptual framework of the Critical Discourse Analysis, it particularly concentrates on newspapes and periodic journals.. The thesis shows how complex and heterogeneous was the discourse of sexual violence, since itwas connected to many periodʼs imageries. Most of the interwar Czechoslovak newspaper were owned by political parties which caused different representation of sexual violence based on their political background. Special attention is also paid to representation of offenders and victims of sexual violence. Key words: sexual violence, representation, The First Czechoslovak Republic, czech periodic press
6	Barbárie virtual: simulacro e espetacularização da notícia em Israel no romance Partes Humanas, de Orly Castel-Bloom / Virtual barbarism: simulacrum and spectacle of the news media in Israel, in Orly Castel-Blooms romance Human Parts Feder, Clarissa 08 April 2013 (has links) Este projeto de pesquisa propõe-se a analisar a presença da mídia na obra Partes Humanas, da israelense Orly Castel-Bloom. A escritora traz à luz Israel com um cenário apocalíptico, em que cada ser humano só tem olhos para si e vive, em meio a uma atmosfera de caos, a luta por sua sobrevivência. O pânico diário e a insatisfação crônica são as marcas registradas dos diferentes seres humanos que, por extensão, moldam e são moldados pelo cenário fragmentado, nebuloso e trágico em que vivem no país. Nessa obra pós-sionista, os meios de comunicação assumem um papel primordial, pois não se restringem a ser um reflexo dessa sociedade, mas procuram influenciá-la com o que transmitem. Pobreza, violência, guerra e sofrimento estão presentes nas pautas dos meios de comunicação de forma quase cinematográfica. Assim, a mídia contribui para espetacularizar a vida humana. / This research project aims to examine the role of the media in the book Human Parts, of the Israeli Orly Castel-Bloom. The writer describes Israel in an apocalyptic scenary, in which each person thinks only of themselves. The people live in a chaotic atmosphere, fighting for their survival. The existential panic and the chronic dissatisfaction are present in different characters who, by extension, influence and are influenced by the fragmented, murky and tragic context, in which they live. In this post-Zionist book, the media has a primordial role, not only is it a mirror of the society, but it is also influenced by what is heard and seen in it. Poverty, violence, war, suffering: everything is present in their lives and in the media as if it were in a movie. In this way, the media contributes to sensationalize human life. Human parts Israeli literature Literatura israelense Orly Castel-Bloom Orly Castel-Bloom Partes humanas Pós-sionismo Post-zionism Representação da violência na mídia Representation of violence in the media
7	Barbárie virtual: simulacro e espetacularização da notícia em Israel no romance Partes Humanas, de Orly Castel-Bloom / Virtual barbarism: simulacrum and spectacle of the news media in Israel, in Orly Castel-Blooms romance Human Parts Clarissa Feder 08 April 2013 (has links) Este projeto de pesquisa propõe-se a analisar a presença da mídia na obra Partes Humanas, da israelense Orly Castel-Bloom. A escritora traz à luz Israel com um cenário apocalíptico, em que cada ser humano só tem olhos para si e vive, em meio a uma atmosfera de caos, a luta por sua sobrevivência. O pânico diário e a insatisfação crônica são as marcas registradas dos diferentes seres humanos que, por extensão, moldam e são moldados pelo cenário fragmentado, nebuloso e trágico em que vivem no país. Nessa obra pós-sionista, os meios de comunicação assumem um papel primordial, pois não se restringem a ser um reflexo dessa sociedade, mas procuram influenciá-la com o que transmitem. Pobreza, violência, guerra e sofrimento estão presentes nas pautas dos meios de comunicação de forma quase cinematográfica. Assim, a mídia contribui para espetacularizar a vida humana. / This research project aims to examine the role of the media in the book Human Parts, of the Israeli Orly Castel-Bloom. The writer describes Israel in an apocalyptic scenary, in which each person thinks only of themselves. The people live in a chaotic atmosphere, fighting for their survival. The existential panic and the chronic dissatisfaction are present in different characters who, by extension, influence and are influenced by the fragmented, murky and tragic context, in which they live. In this post-Zionist book, the media has a primordial role, not only is it a mirror of the society, but it is also influenced by what is heard and seen in it. Poverty, violence, war, suffering: everything is present in their lives and in the media as if it were in a movie. In this way, the media contributes to sensationalize human life. Literatura israelense Orly Castel-Bloom Partes humanas Pós-sionismo Representação da violência na mídia Human parts Israeli literature Orly Castel-Bloom Post-zionism Representation of violence in the media
8	Prezentace domácího násilí v médiích v období po smrti Simony Monyové / Presentation of domestic violence in media during the period after the death of Simona Monyová Doušová, Kateřina January 2013 (has links) Thesis is devoted to the media representation of domestic violence. Text is thematically divided into theoretical and practical parts. In the theoretical, the first chapter is devoted to the introduction to domestic violence issue, both in terms of socio-psychological and legal, and there is also mentioned the issue of media violence representation of violence and in particular the representation of violence against women. In the practical part of the thesis, the results of research are presented. The research method is quantitative content analysis. The analysis is focused on the period before and after the murder of writer Simona Monyová (the whole year 2011). Thesis analyzes whether and how the Simona Monyová case has affected the representation of domestic violence in selected media - Mlada fronta Dnes, Lidove noviny, Hospodarske noviny, Pravo, regional Dailies, television Nova, Czech TV and TV Prima. The aim is not only to observe and describe changes in the representation of domestic violence after the murder, but also describe how the media frames the issue of domestic violence - focus on media sources, news values, routines and how does it affect the represent the topic to public. Thesis is based on several international studies, with which our research results are compared. One of the main...
9	La représentation de la violence faite aux femmes dans 'Un dimanche à la piscine à Kigali' de Gil Courtemanche et 'Je m’appelle Bosnia' de Madeleine Gagnon Thach, Thida January 2014 (has links) La violence faite aux femmes est une réalité encore très présente, surtout dans les sociétés patriarcales, même après des décennies de lutte féministe. C’est aussi un thème privilégié en littérature. La présente thèse propose justement une analyse de ce thème à travers deux romans assez récents qui mettent tous deux de l’avant des aspects particuliers de la question : Un dimanche à la piscine à Kigali de Gil Courtemanche et Je m’appelle Bosnia de Madeleine Gagnon. Nous tenterons de cerner les différentes formes de violences à l’œuvre dans les deux narrations : la violence faite aux filles, celle faite aux femmes, et enfin la violence spécifique qu’engendrent les conflits armés avec le viol comme arme de guerre. Nous proposerons une analyse intersectionnelle de ces formes de violences afin de mesurer les représentations et les répercussions des notions de classe et de race eu égard aux toiles de fond différentes des deux romans : le génocide chez Courtemanche, le nettoyage ethnique chez Gagnon. Nous aborderons aussi les narrations sous l’angle de l’agentivité. Dans des sociétés fondamentalement patriarcales, quel pouvoir peuvent espérer avoir les personnages féminins sur leur destin personnel et collectif? Y a-t-il pour ces femmes fictives des stratégies possibles pour atteindre une liberté d’action, si mince soit-elle? La représentation de la violence La violence faite aux femmes La violence contre les femmes La violence vis-à-vis des femmes Les femmes et la guerre Violence conjugale et littérature Violence conjugale L'autorité masculine et les femmes Le viol comme arme de guerre Le génocide au Rwanda Les personnages féminins et la violence L'agentivité féminine Male gaze La femme comme objet sexuel L'inceste dans la littérature La prostitution Un dimanche à la piscine à Kigali Je m'appelle Bosnia A Sunday at the pool in Kigali My name is Bosnia Female agency Prostitution Incest in literature Féminisme Feminism Regard masculin Women and war Marital violence Male authority and women The genocide in Rwanda The woman as a sex object Violence against women Female protagonists and violence Approche intersectionnelle Intersectional approach Littérature québécoise Literature of Quebec Rape during war Le viol durant la guerre Rwanda Bosnie-Herzégovine Génocide Nettoyage ethnique Victimes de guerre Victims of war Figure d'autorité Authority figure Patriarcat Patriarchy Tutsi Hutu Les femmes dans la littérature Women in literature Violence against women and agency L'assujettissement des femmes The domination of women Gentille Bernard Valcourt Les femmes comme objet Women as object Le personnage de la prostituée The character of the prostitute Femme Violence masculine Personnages féminins Woman Male violence Female characters Système prostitutionnel System of prostitution Gil Courtemanche Madeleine Gagnon Intersectionnalité Intersectionality Bosnia Viol Rape Rape as a weapon of war

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