The purpose of this paper is to investigate the entwined roles of schooling, family support and investment, and community contact in Heritage Language Learning (HLL), Heritage Language Maintenance (HLM) and identity formation among two groups of North American Latvians. One is made up of 49 teenagers at Gaŗezers language camp in Kalamazoo, Michigan. The other comprises 25 parents, other adult Latvian speakers and camp staff members. I explore differences and similarities among them by age, gender and self-stated national identity and language proficiency. Primary data consist of some 70 questionnaires completed by youths and adults and six 30- to 90-minute interviews conducted and transcribed by me. Six more were conducted via e-mail. Based on aggregate analysis of multiple-choice and short-answer questions, supplemented by participants’ individual responses to longer-form survey questions and to my questions during interviews, findings demonstrate a connection between self-stated national identity (Latvian, Latvian-American or Latvian-Canadian, or American or Latvian) and self-assessment of Latvian language proficiency among the youths. Among the adults, men were more likely to identify simply as Latvian than were women, and adults of both genders who identified as Latvian averaged slightly lower in self-assessment of proficiency, even though most of them grew up speaking Latvian at home. Additionally, my research shows a community proud of its HLM accomplishments alongside those of displaced peoples from other nations—a community now at home in North America, although 60 years ago members were determined to return to Latvia. Keywords: L2, Latvian heritage language revitalization, third space, lingua franca, language immersion, heritage language maintenance.

This thesis examines writing conference interactions between multilingual students and first-year composition instructors in order to understand the co-construction of instructor authority and student agency in discussions of academic writing. Multilingual approaches to first-year writing assert that inviting students’ home languages or dialects into the classroom allows multilingual students to use languages other than English connect with the curriculum, develop rhetorical complexity as writers, and to be validated as language users; however, scholarship could benefit from examining social interactions. Because identities, ideologies, and stances are co-constructed between people and emerge in social interactions,a discourse analysis of interactions between first-year composition instructors and multilingual students could identify ways that multilingual students and instructors position themselves, and how this positioning affects the validation of multilingualism, and hybrid identities. Data consists of 18 audio recordings of writing conferences between instructors and multilingual students, five interviews with first-year writing instructors, and audio-recorded post-conference interviews, where instructors and students were separately asked open-ended questions about the content of the writing conference. Employing a Communities of Practice lens in a discourse analysis of the data revealed that that expert-novice identities were co-constructed in interaction, and the emergence of this power differential that inhibited the validation of multilingualism, and hybridity. Implications for mitigating instructor authority and promoting student agency in interactions with multilingual students are discussed.

This thesis examines Norma Cantú's Canícula and Jhumpa Lahiri's The Namesake from the framework of transnationalism characterized by migration, transculturation, and hybridity. With the application of postcolonial theories, related to identity and space, it identifies the space between different cultural and national borders, as liminal space in which the immigrant characters diverge and intersect, ultimately constituting a form of hybrid and transnational identities. While most immigrant writers still explore the themes of complexities of lifestyles, cultural dislocation, and the conflicts of assimilation, and portray their characters as torn between respecting their family traditions and an Americanized way of life, my reading of these two immigrant writers goes beyond this conventional wisdom about the alienated postcolonial subject. Through a comparative analysis of the major themes in Canícula and The Namesake that center on issues of cultural and national border crossing, this thesis contends that Cantú and Lahiri attempt to construct transnational identities for immigrants, while locating and stabilizing them in the United States. Given the nature of the mobility of people and their cultures across nations, both writers deterritorialize the definite national and cultural identities suggesting that individuals cannot confine themselves within the narrow concept of national and cultural boundaries in this globalized world. A comparison between the transnational identity of the 1950s in Canícula and that of the 1970s through the twenty-first century in The Namesake demonstrates that identities are becoming more transnational and global due to the development of technologies, transportation, and global connections between people. In this regard, this thesis attempts to offer a re-vision of the contemporary United States not as a static and insular territory but a participant in transnational relations.

Nunavut Inuit youths exhibit cultural resilience and leadership. However, researchers frequently neglect such assets and instead emphasize these youths’ challenges or perceived inadequacies. I conducted an intrinsic case study regarding Nunavut Inuit youths’ experiences with an experiential learning program, Northern Youth Abroad (NYA), in order to investigate participants’ growth in cross-cultural awareness, individual career goals, leadership, and global citizenship. Drawing on post-colonial theory, semi-structured interviews, archival research, and participant observation, I argue that NYA’s Nunavut Inuit participants reported significant personal growth in these four objectives. I also provide an in-depth analysis of how NYA’s Nunavut Inuit participants described and developed distinct and rich leadership styles that draw on Inuit and Euro-Canadian influences.

Beginning teachers committed to social justice and emancipatory education often experience isolation and discouragement and need communities for intellectual, social, and emotional support as they learn to teach, and sustain their commitments to transformative pedagogy. This qualitative inquiry followed recent graduates who demonstrated personal commitments to a more just world through their lives and their studies and who began their first year as teachers in a variety of settings. Framed within a theory of transformational learning, third space, and Adler’s concepts of social interest and encouragement, the participants and the participant researcher co-created a virtual community to reflect upon and problematize this complex stage of their careers. Guiding this inquiry were the following questions: (a) What are the individual experiences, tensions, and perceptions expressed by social justice educators during their first year of teaching? (b) How does an online community created to develop a support network influence the experiences of these beginning educators during their initial year in the field? Data collection for this individual and multiple case study included autobiographical information, postings, interviews, and extant data from the teachers’ preservice training and the beginning of their first year. Data were inductively and iteratively analyzed. Trustworthiness was established through attention to credibility, transferability, dependability, and confirmability (Lincoln & Guba, 1985). Exploration of the life histories of these women indicated that justice and equity have been their ontological way of being in the world, and that commitment extended through their preservice training and into their first year of teaching. These women approached curriculum in critical ways, problematized simplistic explanations of student apathy, deconstructed the one right answer myth, and worked to democratize education, liberating both their students and themselves. The co-constructed community provided multiple venues for reflection, discussion, collaboration, and support which were used by the participants to meet their unique goals and needs. Participants resolved to continue and expand the community beyond the data collection period so as to remain inspired and focused on issues of justice. Implications for teacher education programs, school districts, and beginning social justice educators themselves were discussed. Possible questions for future research were also explored.

Healing in the mental health system of the 21st century is difficult as the credibility of mental health users is constantly called into question, their experiences and perceptions of their "illness" undervalued or even completely ignored. This attitude towards mental health users must be changed in order to work towards truly alleviating mental illness and suffering. Careful analysis of the rhetoric of published personal narratives written by women describing their experiences with mental healthcare reveals the ways in which medical knowledge is created, owned, and disseminated only by the “authoritative expert,” defined as healthcare professionals who categorize, taxonomize, and pathologize in order to treat both physical and mental illness. I argue the authoritative expert marginalizes the "everyday expert," exemplified through the perceptions of women who, in their narratives, record realities that do not always match the diagnoses and prognoses assigned to them by their healthcare providers. My project's central question asks: In what ways do personal narratives of mental illness and suffering illuminate the ways in which language constructs reality? My research illuminates the ways in which narratives of mental illness and suffering are healing, and thus serves as an advocate for patient rights, both by empowering patients and by furthering discussion among medical professionals regarding problematizing "standard" treatment. My work advances the connection between politics and language as it takes a commonly undervalued form of language and lived experience--narrative--and researches the ways in which it has been and can continue to be used as a powerful political agent to empower mental health users by giving them a voice. Specifically, I demonstrate how patients' personal experiences should and can be valued as a way to illuminate their own understanding of their disease as well as to inform their treatment. This project lays the foundation for future research examining ways treatment for mental illness should be differentiated from treatment for physical illness. I am interested in ways to further combat the stigma of mental illness by looking at ways providers can honor and respect the opinions and values of mental health patients in non-pejorative ways.

This thesis is premised on the notion, drawn mainly from a postcolonial perspective (which is subsumed under the poststructuralist as well as the postmodern), that Conrad's early writing reflects his abiding concern with how people construct their identities vis-a-vis the other/Other in contact zones on the periphery of empire far from the reach of social, racial and national identities that sustain them at home. It sets out to explore the problematic of race, culture, gender and identity in a selection of the writer's early works set mainly, but not exclusively, in the East, using the theoretical perspective of postcoloniality as a point of entry, nuanced by the configurations of spatiality which are factored into discourses about the other/Other. Predicated mainly on the theoretical constructs about culture and identity espoused by Homi Bhabha, Edward Said and Stuart Hall, this study proposes the idea of an in between "third space" for the interrogation of identity in Conrad's work. This postcolonial space, the central contribution of this thesis, frees his writings from the stranglehold of the Manichean paradigm in terms of which alterity or otherness is perceived. Based on the hypothesis that identities are never fixed but constantly in a state of performance, this project underwrites postcoloniality as a viable theoretical mode of intervention in Conrad's early works. The writer's early oeuvre yields richly to the contingency of our times in the early twenty-first century as issues of race, gender and identity remain contested terrain. This study adopts the position that Conrad stood both inside and outside Victorian cultural and ethical space, developing an ambivalent mode of representation which recuperated and simultaneously subverted the entrenched prejudices of his age. Conceived proleptically, the characters of Conrad's early phase, traditionally dismissed as those of an apprentice writer, pose a constant challenge to how we view alterity in our everyday lives. / Thesis (Ph.D. (English))--North-West University, Potchefstroom Campus, 2004.

Ethnic media are powerful, and yet overlooked, spaces that immigrants and ethnic minorities establish to address issues that are not discussed in the dominant host society media. With the international migration of over five million people each year from majority to minority world nations, the emergence of ethnic media in countries around the world has increased significantly; however, relatively little is understood about the ways in which these spaces are used by immigrants and ethnic minorities. This thesis adds to a relatively new area of study in sociology, international development, and alternative media studies and investigates the ways in which Spanish-language ethnic media acts as a ‘Third Space’ where Hispanics disseminate, negotiate, (re)construct, and (re)articulate new notions of hybrid Hispanic-Canadian identity, an identity that operates against, and engages with, multiple-forms of difference and exclusion within Canada. A qualitative discourse analysis of 18 articles from Spanish-language ethnic media source El Correo Canadiense reveals the ways in which Hispanics in Canada negotiate hybridized identity by using ethnic media as a space to create a discourse that acts counter-hegemonically to Canadian mass-media. The findings also reveal the ways in which Hispanics are aiming to engage Canadians in the process of de- and re-constructing preconceived notions of what it means to “be Hispanic” in a transnational context. / Thesis (Master, Sociology) -- Queen's University, 2010-08-03 14:10:08.16

This thesis is premised on the notion, drawn mainly from a postcolonial perspective (which is subsumed under the poststructuralist as well as the postmodern), that Conrad's early writing reflects his abiding concern with how people construct their identities vis-a-vis the other/Other in contact zones on the periphery of empire far from the reach of social, racial and national identities that sustain them at home. It sets out to explore the problematic of race, culture, gender and identity in a selection of the writer's early works set mainly, but not exclusively, in the East, using the theoretical perspective of postcoloniality as a point of entry, nuanced by the configurations of spatiality which are factored into discourses about the other/Other. Predicated mainly on the theoretical constructs about culture and identity espoused by Homi Bhabha, Edward Said and Stuart Hall, this study proposes the idea of an in between "third space" for the interrogation of identity in Conrad's work. This postcolonial space, the central contribution of this thesis, frees his writings from the stranglehold of the Manichean paradigm in terms of which alterity or otherness is perceived. Based on the hypothesis that identities are never fixed but constantly in a state of performance, this project underwrites postcoloniality as a viable theoretical mode of intervention in Conrad's early works. The writer's early oeuvre yields richly to the contingency of our times in the early twenty-first century as issues of race, gender and identity remain contested terrain. This study adopts the position that Conrad stood both inside and outside Victorian cultural and ethical space, developing an ambivalent mode of representation which recuperated and simultaneously subverted the entrenched prejudices of his age. Conceived proleptically, the characters of Conrad's early phase, traditionally dismissed as those of an apprentice writer, pose a constant challenge to how we view alterity in our everyday lives. / Thesis (Ph.D. (English))--North-West University, Potchefstroom Campus, 2004.

Teachers face pressures to meet the needs of an ever-changing diverse population of learners while simultaneously attempting to assist students in meeting state standards. There is a body of research that supports emergent bilinguals' growth in reading and writing. However, those practices do not necessarily reflect classroom instruction nor the needs of the students. The purpose of this study was to examine adolescent emergent bilinguals' perceptions about their learning from research-based literacy practices implemented in a classroom designed as a third space. Data were collected using participatory research and photo-elicitation and were analyzed using inductive analysis. The emergent bilinguals provided their insights about class assignments. Findings revealed that research-based literacy practices support emergent bilinguals' perceptions of learning when they are made accessible to them in distinctive yet extensive ways. For students to uncover which literacy activities they value, teachers need to present them with various opportunities to explore their own learning and encourage them to take ownership of their learning. Educators must consider the unique and individual needs of emergent bilinguals when designing the classroom environment and the lessons based on the standards. Recommendations for practitioners, professional development coordinators, and researchers are presented.