Made available in DSpace on 2016-04-28T19:34:16Z (GMT). No. of bitstreams: 1 Maria de Lourdes Martins Muramatsu.pdf: 2124326 bytes, checksum: 3f65be3cde0d7f9ff292cbcde7fc636d (MD5) Previous issue date: 2007-10-17 / Secretaria da Educação do Estado de São Paulo / In this Dissertation, while bringing Language and History closer to the social reality with the objective to check the references to the afro-american man and the abolition of slavery during the 19th century, it turned in the identification of some of the characteristics of the Portuguese in use to that time. While taking the language like social practice, we question in which measure the linguistic choices express the political, historical and intellectual positions of those days. The movement for the abolition of the slavery mobilized some of our intellectuals and the press that, allying with them, materialized occurred facts into documents, making them more understandable to the society. The recognition of the importance of the historical-linguistic context and of the analysis of the document does so that the man can reconstitute his own past and the past of the language, doing so they understand better this past by the light of the modern theories. The choice of the Linguistic Historiography as a theoretical and methodological support, is justified in virtue of the interdisciplinary apparatus that it established, in essence between Linguistics and the History, in the process of interpreting documents, comprising a spacious vision of the language and of the man, treating them in their totality and not only by the sociological or anthropological point of view, but in a linguistic dimension, fact that allows us to understand the man and his interaction with the social group. The resource of the metalanguage and the application of the principles proposed by Konrad Koerner are privileged in our analysis. We value the documentary character of the Piparotes texts produced by Cruz e Sousa for O Moleque newspaper between 1885, and which were taken like sample, coming to think that such texts were significant in the society of the time and helped rebuilding reality linguistically / Nesta Dissertação, ao aproximar Língua e História da realidade social com o objetivo de examinar a língua portuguesa em uso no Brasil e as referencias ao homem negro e à abolição da escravatura durante o século XIX, obtivemos como resultado a identificação de características da época. Ao tomarmos a língua como prática social, questionamos em que medida as escolhas lingüísticas expressam as posições políticas, históricas e intelectuais de então. O movimento pela abolição da escravatura mobilizou alguns dos nossos intelectuais e a imprensa que, aliando-se a eles, materializou em documentos, fatos ocorridos, tornando-os mais compreensíveis à sociedade. O reconhecimento da importância do contexto e da análise histórico-lingüística do documento faz com que o homem possa reconstituir o passado dele mesmo e da língua, fazendo com que compreenda melhor à luz das teorias modernas esse passado. A escolha da Historiografia Lingüística como suporte teórico-metodológico se justifica em virtude do aparato interdisciplinar que ela estabelece, em essência com a Lingüística e a História, no processo de interpretação de documentos, abarcando uma visão ampla da língua e do homem, tratando-os em sua totalidade e não apenas do ponto de vista sociológico ou antropológico, mas em uma dimensão lingüística, fato que permite entender o homem e sua interação com o grupo social. O recurso da metalinguagem e a operacionalização dos princípios propostos por Konrad Koerner são privilegiados em nossa análise. Valorizamos o caráter documental dos textos Piparotes produzidos por Cruz e Sousa no jornal O Moleque em 1885, e que foram tomados como amostra, chegando a considerar que tais textos foram significativos na sociedade da época e auxiliaram a reconstruir lingüisticamente a realidade

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-25T11:55:21Z No. of bitstreams: 1 Márcia Campos Eurico.pdf: 1131630 bytes, checksum: dc73d93f3b2f7dbc6f76ce1fa15758cb (MD5) / Made available in DSpace on 2018-07-25T11:55:21Z (GMT). No. of bitstreams: 1 Márcia Campos Eurico.pdf: 1131630 bytes, checksum: dc73d93f3b2f7dbc6f76ce1fa15758cb (MD5) Previous issue date: 2018-05-29 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The research has sought to analyse how the institutional racism takes place in black children's and teenagers daily routines and how much thispractice keeps deep relation to the accredited forms of black bodies control during slavery period in Brazil. The methodological procedures involved bibliographic documental research from 3 axes: racial democracy, institutional racism and institutional sheltering, whose analytical reading allows it to establish the criticism to the infancy attention model, materialised into the service daily routine; and field research in the institutions with the realization of focus group directed to the professionals. By immersing into the complex institutional sheltering process, behind the appearance of a safe place - with a roof, warm bed and five daily meals - a fact that professionals present it as a synonym of sheltering, what in fact is revealed as a projected institution to frame these children and adolescents, condemn them to confinement and reinforce, besides the non-belonging concept, their families' degeneration. If the daily-life is a place for thoughtless practices and loaded with ideology, the institutional sheltering services also incorporate these practices and perform the institutional racism, without embarrassement, because they represent the State which has played their eminent role of "poor" infancy and adolescence guardian. It is concluded that the institutional sheltering service target public has history, social class and race/color, and the priority task is to emerge this history so that the essence of sheltering phenomenon may be known as one more maneuver of controlling capitalism over the worker's class / A pesquisa buscou analisar como se materializa o racismo institucional no cotidiano de crianças e adolescentes negros(as) e o quanto esta prática guarda profunda relação com as formas legitimadas de controle dos corpos negros no período da escravidão no Brasil. Os procedimentos metodológicos envolveram pesquisa documental bibliográfica, a partir de três eixos: democracia racial, racismo institucional e acolhimento institucional, cuja leitura analítica permite estabelecer a crítica ao modelo de atenção à infância, materializado no cotidiano dos serviços; e pesquisa de campo nas instituições, com a realização de grupos focais dirigidos aos profissionais. Ao mergulhar no complexo processo de acolhimento institucional, por detrás da aparência de um lugar seguro − com teto, cama quentinha e cinco refeições diárias − fato que os profissionais, via de regra, apresentam como sinônimo de acolhimento, o que se revela é uma instituição projetada para enquadrar essas crianças e adolescentes, condená-los ao confinamento e reforçar, além do não lugar, a degeneração de suas famílias. Se o cotidiano é lugar de reprodução de práticas irrefletidas e carregadas de ideologia, os serviços de acolhimento institucional também incorporam estas práticas e reproduzem o racismo institucional, sem constrangimentos, porque representam o Estado que se colocou no eminente papel de guardião da infância e adolescência “pobres”. Conclui-se que o público-alvo dos serviços de acolhimento institucional tem história, tem classe social e tem raça/cor, e a tarefa prioritária é fazer emergir essa história para que se possa conhecer a essência do fenômeno de acolhimento como mais uma manobra do capitalismo de controle sobre a classe trabalhadora

Fait interculturel et transmédiatique mondialisé, le basket-ball reste toutefois lié à une identité pré-supposée afro-américaine, malgré son américanité de naissance et d’essence. Qu’est-ce qui réside derrière cette acculturation à rebours par une minorité d’un sport de la majorité ? En quoi l’afro-américanité du basket-ball est-elle un construit politique, culturel et social ? Quel rôle les médias jouent-ils dans la représentation de ce lien établi entre culture afro-américaine et basket-ball ? Et dans quelle mesure ce lien se retrouve-t-il dans les autres éléments de la culture populaire afro-américaine ?Cette démarche fait appel à différentes disciplines, de l’histoire culturelle aux études médiatiques, en passant par la sémiologie. Elle s’appuie sur un corpus complexe comportant principalement une étude de terrain, des analyses des commentaires de matchs, des documentaires sportifs et des productions audiovisuelles (films, séries TV, musique). Elle vise à exposer le dispositif de storytelling de la NBA, ainsi que la mise en images, en paroles et en musique de l’afro-américanité du basket-ball.La recherche met en évidences diverses phases dans l’évolution du sport, du Politique au Corporate en passant par le Symbolique, avec une récente phase Progressiste de retour du politique. L’analyse des commentaires des Finales NBA révèle la représentation de l’athlète noir à travers le prisme des médias. Mêlée au storytelling, la question raciale donne lieu à une mythologie sportive américaine où se joue le rapport à l’autre par le biais de la performance sportive et raciale des athlètes. L’étude des productions de la culture populaire fait émerger l’importance visuelle du corps de l’athlète noir et la figure du Basketteur noir dans l’imaginaire collectif américain. Le processus d’acculturation et d’appropriation culturelle se révèle ainsi partiellement à l’initiative de la communauté afro-américaine mais les médias et la culture populaire qu’ils véhiculent jouent un rôle essentiel dans le cadrage de la figure du Basketteur noir dans le grand récit du vivre-ensemble américain. / As a global cultural phenomenon, basketball is portrayed as a “black” sport, in spite of its origins in Mainstream America. What lies behind this acculturation in reverse, whereby a minority appropriates a sport of the majority? In what sense is the Afro-Americanness of basketball a political, cultural and social construct? What role do the media play in the representation of this link established between Afro-American culture and basketball? And to what extent does this link find itself reflected in the other elements of the Afro-American popular culture? The research methodology calls on various disciplines, from cultural history to media studies, including semiology. It relies on a complex corpus that includes ethnographic observation, the analyses of the comments of NBA matches, documentaries as well as audiovisual productions (movies, TV series, music). It aims at revealing the storytelling constructed by the NBA, as well as the representing in words and music of the Afro-Americanness of the basketball.The research highlights several phases in the evolution of the sport, from Political to Symbolic to Corporate with a recent Progressive phase of return to politics. The analysis of the comments of the Finales NBA reveals the representation of the black athlete through the media prism. Mixed with this storytelling, the issue of race is elaborated within an American sports mythology where the relation to the Other is mediated by the athletic and racial performance of the players. The study of popular culture underlines the visual importance of the black body and the figure of the Black Baller. The process of acculturation and cultural appropriation is thus partially related to the initiative of the Afro-American community but the media and the popular culture they convey play an essential role in the framing of the black Basketball player within the narrative of American togetherness.

Baltimore fait partie des grandes métropoles américaines qui se sont lancées dans le cercle vertueux du développement durable. Traditionnellement acquise aux votes démocrates, constituée d’une majorité d’Afro-Américains appartenant aux classes sociales défavorisées, et portant les profonds stigmates de la crise industrielle et des récessions économiques successives, la ville offre un terreau favorable aux expériences de gestion urbaine intégrant la notion de durabilité. Bien plus, tant du point de vue des caractéristiques économiques et démographiques que de celui de l’héritage marqué de la ségrégation, c’est la dimension sociale du développement durable et la justice environnementale qui sont en jeu. Depuis 2000, la municipalité a initié deux grands projets intégrant le développement durable dans ses dimensions de « sustainability », « livability » et « smart growth », pouvant être regroupées sous l’appellation de « green politics ». L’essentiel de ses efforts porte sur la revitalisation de deux ghettos du centre-ville tombés en complète déshérence, East Baltimore et West Baltimore. Nous concentrerons notre réflexion sur deux exemples précis de « green politics » (la réhabilitation d’une partie du ghetto d’East Baltimore avec le Grand Piano ; la Red Line, ligne de train qui doit relier les deux ghettos et des zones de friches industrielles au quartier des affaires). À partir de ces exemples, nous étudierons les modes de gouvernance mis en place et le rôle joué par les différents acteurs qui y participent (« anchor institutions », grandes fondations, acteurs publics et associations de quartier). Nous nous interrogerons sur l’émergence de formes inédites de citoyenneté façonnées par ces nouveaux modes de participation à l’aménagement urbain durable. Il s’agira de comprendre si le développement durable est conçu au service des habitants du ghetto afin de lutter contre la pauvreté et les injustices sociales et environnementales, ou si, au contraire, la racialisation de ce concept favorise la gentrification, crée de nouvelles formes de ségrégation et aboutit à la fin programmée des ghettos. / Baltimore is part of the big American metropolises committed in a race for sustainable development. Traditionally a democratic stronghold, with a majority of city dwellers who are poor Afro-Americans, and harshly battered by the industrial crisis and the economic recession, Baltimore City is the perfect laboratory for urban planning projects experimenting sustainable development. Furthermore, with regard to its economic and demographic characteristics and the importance of segregation in the city, the social dimension of sustainable development and the issue of environmental justice are at stake. Since 2000, the Mayor and the City Council initiated two ambitious projects integrating the various aspects of sustainable development (« sustainability », « livability » and « smart growth »), which are all belonging to « green politics ». These efforts are focused on East Baltimore and West Baltimore, two huge ghettos surrounding the financial district in the downtown area. The core of our analysis concerns two projects of green politics (the rehabilitation of a part of the East Baltimore ghetto through the Grand Piano; the Red Line, a train connecting the ghettos, some industrial wastelands and the Central Business District). Through these examples, we will put under study the types of urban governance and urban regimes at work, and the role played by the different stakeholders (« anchor institutions », philanthropic foundations, public actors and neighborhood associations). New forms of citizenship may appear with unheard modes of participation to sustainable urban planning. Sustainable development may be an opportunity to improve the living conditions in the ghetto and fight against poverty and social and environmental injustices. The seamy side of the story may be a racialization of sustainable development nourishing gentrification, creating new forms of segregation and bringing about the death of the ghettos.

Les pratiques religieuses dans les pays de l’Atlantique Nord se transforment et on observe pour une partie de leur population le passage d’un « croire institutionnalisé » à une spiritualité influencée par diverses traditions, dont certaines ont fait leur apparition sur ce territoire au milieu du 20e siècle. Le présent mémoire vise à mettre en lumière une des facettes de la diversité religieuse contemporaine; suite aux questionnements qui ont surgi au long du travail, il aborde aussi certains enjeux sous-jacents à l’analyse d’un groupe religieux en anthropologie, notamment comment aborder le terrain et comment considérer un tel groupe. J’ai choisi pour ce faire de décrire un groupe religieux québécois qui est lié à un culte afro-brésilien – l’umbanda– et qui est membre d’un réseau transnational de temples. J’examinerai d’abord comment l’umbanda s’est développée au Brésil, car cela fournira des indications pertinentes sur, entre autres choses, l’éventuelle perméabilité de cette tradition, une fois le groupe implanté dans un pays de l’Atlantique Nord. J’examinerai ensuite le type de transnationalisation qui a présidé à la naissance du temple à Montréal, car cette analyse offre des indices permettant de déterminer comment un tel groupe s’insère dans le paysage religieux de divers pays. Enfin, en me penchant sur les pratiques religieuses des membres du groupe, je tenterai de dégager certaines particularités locales. / Religious practices in North Atlantic countries are evolving, and there are particular cases where one can observe a changeover from institutional beliefs towards forms of spirituality issuing from a variety of traditions, many of which appeared on the scene towards the middle of the 20th century. The present thesis aims to shed some light on one facet of contemporary religious diversity; following up on questions which arose in the course of this exploration, it also addresses issues underlying the anthropological analysis of religious groups, for instance how to approach fieldwork, and how to consider such a group. To this end I have chosen to describe a religious group in Quebec which is linked to an Afro-Brazilian cult named Umbanda, and which is part of a transnational network of Umbanda temples. I shall begin by setting out how Umbanda developed in Brazil, since this informs us as to, for instance, the likelihood of permeability of such a tradition once it is “planted” in Northern soil. I will then analyse the type of transnationalisation that was at work when the Montreal group was set up, since this provides relevant indicators allowing us to determine how the group settles into the religious landscape of different countries. Finally, by examining the religious practices of members of the group, I shall attempt to elucidate a number of distinctive local features.

Made available in DSpace on 2016-04-28T19:59:14Z (GMT). No. of bitstreams: 1 Waltecy Alves dos Santos.pdf: 1242912 bytes, checksum: 264968caf613c59a1bc3e5eb4a233a18 (MD5) Previous issue date: 2009-03-20 / This paper associates Literary Studies to Cultural Studies with the intention of comparing literatures that show itself as historically constituted subjects. In this sense, The female voice in literature of African ascendency: hybridism of myths and rites in the novels Niketche of Paulina Chiziane and The Color Purple of Alice Walker is a study that suggest literary-cultural reflections on the constructions of identities in these works. The research focuses on the construction of the subject through his speech and establishing the relationship with remarkable images in search of otherness namely, the mirror, unfolded in the letter, and the bed in addition to pointing out the problem of myths and rites as matrices to a new voice defined by cultural hybridism and fixed in orality. Finally, this research tries to describe the similarities and differences with respect to oppression and exclusion of marginal voices in case of the female voice of African ascendency examining them in what they have of challenging and transgressive in front of eurocentrical, patriarchal and theological assumptions, as they are presented in these works / A presente dissertação associa os Estudos Literários aos Estudos Culturais com o objetivo de aproximar literaturas que apresentam sujeitos historicamente constituídos. Sendo assim, A voz feminina na literatura de ascendência africana: Hibridismo de mitos e ritos nos romances Niketche de Paulina Chiziane e A cor púrpura de Alice Walker é um estudo que aponta reflexões literário-culturais a respeito da construção das identidades presentes nestas obras. A pesquisa centra-se na construção do sujeito por meio do seu discurso e na relação que estabelecem com imagens marcantes na busca da alteridade a saber o espelho, desdobrado na carta, e a cama além de apontar a problemática dos mitos e ritos como matrizes para uma nova voz marcada pelo hibridismo cultural e alicerçada na oralidade. Enfim, a pesquisa ambiciona esboçar as semelhanças e diferenças no que tange a opressão e exclusão de vozes marginais no caso a voz feminina e de ascendência africana analisando-as naquilo em que elas têm de desafiador e transgressor perante os pressupostos eurocêntricos, patriarcais e teológicos, apresentados nestas obras

Les pratiques religieuses dans les pays de l’Atlantique Nord se transforment et on observe pour une partie de leur population le passage d’un « croire institutionnalisé » à une spiritualité influencée par diverses traditions, dont certaines ont fait leur apparition sur ce territoire au milieu du 20e siècle. Le présent mémoire vise à mettre en lumière une des facettes de la diversité religieuse contemporaine; suite aux questionnements qui ont surgi au long du travail, il aborde aussi certains enjeux sous-jacents à l’analyse d’un groupe religieux en anthropologie, notamment comment aborder le terrain et comment considérer un tel groupe. J’ai choisi pour ce faire de décrire un groupe religieux québécois qui est lié à un culte afro-brésilien – l’umbanda– et qui est membre d’un réseau transnational de temples. J’examinerai d’abord comment l’umbanda s’est développée au Brésil, car cela fournira des indications pertinentes sur, entre autres choses, l’éventuelle perméabilité de cette tradition, une fois le groupe implanté dans un pays de l’Atlantique Nord. J’examinerai ensuite le type de transnationalisation qui a présidé à la naissance du temple à Montréal, car cette analyse offre des indices permettant de déterminer comment un tel groupe s’insère dans le paysage religieux de divers pays. Enfin, en me penchant sur les pratiques religieuses des membres du groupe, je tenterai de dégager certaines particularités locales. / Religious practices in North Atlantic countries are evolving, and there are particular cases where one can observe a changeover from institutional beliefs towards forms of spirituality issuing from a variety of traditions, many of which appeared on the scene towards the middle of the 20th century. The present thesis aims to shed some light on one facet of contemporary religious diversity; following up on questions which arose in the course of this exploration, it also addresses issues underlying the anthropological analysis of religious groups, for instance how to approach fieldwork, and how to consider such a group. To this end I have chosen to describe a religious group in Quebec which is linked to an Afro-Brazilian cult named Umbanda, and which is part of a transnational network of Umbanda temples. I shall begin by setting out how Umbanda developed in Brazil, since this informs us as to, for instance, the likelihood of permeability of such a tradition once it is “planted” in Northern soil. I will then analyse the type of transnationalisation that was at work when the Montreal group was set up, since this provides relevant indicators allowing us to determine how the group settles into the religious landscape of different countries. Finally, by examining the religious practices of members of the group, I shall attempt to elucidate a number of distinctive local features.

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