The purpose of this essay is to analyze accessibility too Sámi archives in Sweden today. A new proposal to change the archival legislation in Sweden was published 2019 but have not yet become effective. The proposal highlights that the archives’ purpose is access and that the Sámi archives are an important part of the cultural heritage. Recently, in 2023, a new search portal – Nuohtti - for digital Sámi archival materials was launched. The search portal links Sámi materials not just from Sápmi but all of Europe. The portal is managed jointly by the state archives in Norway, Finland, and Sweden. Both Norway and Finland have a state Sámi archive but in Sweden no one has that responsibility, Sámi archives are scattered at different institutions both governmental and privet ones. Grounded in postmodern archival theory and based on the theoretical perspectives: Power, knowledge, representation, and provenance this essay examines the concept of access too Sami archives and the possibilities and challenges that may arise. The study was conducted whit a qualitative research method using content analysis and semi-structured interviews. The source material consists of governmental reports, information material from the archives, debate articles, interviews, and the search portal Nuohtti.I interviewed three archivists at two archives. One interview with an archivist from the state archive Riksarkivet and one interview with two archivists from the Sami archive at Ájtte museum in Jokkmokk. The results show that a challenges with making Sámi archives accessible includes the lack of a state Sámi archive that gathers both archives and Sámi knowledge. It also shows that how Sámi archives are accessible is important both online and physical. The context to the records and ethical consideration is important to consider when making Sámi archives accessible. The new search portal Nuotti takes much of the difficulties into account and makes access easier to a wider audience.

Introduction. This thesis aims to investigate user participation in two selected music websites, The Metal Archives (also known as Metal-Archives or MA) and Discogs, as well as gather knowledge about how their databases and web interfaces are designed. Music genres are often associated with a culture or subculture. We wanted to investigate how the subcultures of metal music fans and record collecting has made an impact in these online archives, since the users who contribute to the archives are the ones who drive the archives forward. Method. To answer our research questions we described the designs of the websites themselves, as well as conducted surveys and one interview. Our survey material comes from user responses to two separate Google Forms surveys. The interview is a qualitative semi-structured interview conducted via e-mail with a policy expert from The Metal Archives. In addition to this, we supplemented it with a summary of an earlier interview with Discogs founder Kevin Lewandowsky. Qualitative method was used for analysis of both surveys and the interviews. Results. Both websites function as participatory archives since the user contributions are voluntary. Many who contribute do so out of a “Love for the culture”. While both user communities share a love for music, Discogs also focuses on its users selling physical records. Respondents from the surveys show an altruistic motivation for participating. To them, sharing contributions with others in the community feels important. Conclusion. Regarding website design, we found that both sites employ point systems as a motivating factor to ensure further user contributions. When it comes to user participation, both sites have active communities and can be seen as examples of crowdfunding. In the case of Metal-Archives the users showed a certain affect, passionately contributing data for its own sake. While both websites function as “Community Archives”, the culture differs. Metal-Archives is more elitist in nature and subcultural while Discogs aims to catalogue music from any genre. Furthermore, the search systems differ in that Metal-Archives is centred around finding bands while Discogs uses complex hyperlinking derived from the culture of vinyl record collecting. The thesis concludes that these two study objects show an example of community and the contributions of passionate fans online, as well as how the amount of information about music can benefit future research in music.  This is a two years master’s thesis in Archival Science.

Indicates numerous railroad lines from Florida to New York and west to the Mississippi, including line from Spartanburg to Elkhorn City in red. M.B. Brown Printing and Binding Company, N.Y. No scale provided. / https://dc.etsu.edu/rare-maps/1157/thumbnail.jpg

Administrative programs that govern the day-to-day-management of agencies are founded in law and the federal records management program is no exception. This dissertation explores whether the existing legal framework accommodates the changes occurring in the federal records management program as a result of electronic records and whether the solutions proposed by the University of British Columbia and University of Pittsburgh are viable for the federal records officer. These two universities pioneered the research being done on electronic recordkeeping. The record requirement established under the Federal Records Act is very difficult for agencies to maintain when it comes to electronic records. At the same time, agencies are being pressured to do more work electronically. Most federal records officers are not equipped to meet the dual challenge of maintaining accessibility while also ensuring the records remain authentic. The two approaches for dealing with electronic records, UBC's Diplomatics as implemented with the Department of Defense standard and Pittsburgh's literary warrants, are too complex and difficult. Even if the records managers implemented either of these approaches, they require too much effort on behalf of the record creator for the implementations to be successful. The National Archives can provide advice and guidance to agencies on electronic recordkeeping requirements. However, the success of the records management program depends on the federal agencies because it is a decentralized administrative process. The ability of federal agencies to cope with electronic records is problematic. Therefore, the viability of the federal records management program is problematic. / Ph. D.

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The so-called culture wars of recent years have created an ethos of caution in our cultural institutions. Museums often avoid exhibits and programming that might prove controversial for fear of public backlash. This paper examines how public historians and archivists might work together to devise strategies for positive public engagement in controversial history projects. Archives have the power to ensure the public's trust in their cultural institutions, while primary source material can be utilized to promote constructive conversation among audiences. Public conflict will be directed into more productive channels if museums create a safe space for dialogue. / History

Into the Into of Earth Itself is a poetry collection that investigates the relationship between ecological violation and the violation of women, as well as toxicity and toxic masculinity. In doing so, it draws from the histories of two Pennsylvania towns: Palmerton and Centralia. The former is a Superfund site ravaged by zinc pollution and currently under threat of hydraulic fracturing and pipeline expansion. The latter is a nearby ghost town that was condemned and evacuated due to an underground mine fire, which will continue for another 200 years. The manuscript uses visual forms and digital text mining techniques to craft poetry about these extractive relationships to land and women. The speaker asks herself: As a woman, how have I also been mined and fracked by these same societal technologies? / Master of Fine Arts / Into the Into of Earth Itself is a poetry collection.

Yes / Paper given at a rare books seminar in Sweden, reflecting on the stories behind the Special Collections at the University of Bradford and the challenges rare books librarians face in making such collections more accessible.

Yes / This article explores the connections between Bradford-born author J.B. Priestley and the University of Bradford, using evidence from archives held in Special Collections at the University. The discussion includes the award of an honorary doctorate to Priestley in 1970 and the opening of the J.B. Priestley Library in 1975.

This study aims to gain an understanding on how researchers leave their mark on archaeological records and to discuss what this have meant for the production of archaeological knowledge. This was done by studying archival records from two archaeological excavations of boat graves in Valsgärde, which was held in 1936 and 1950. Starting with the relation between creator/researcher and records made the idea was to contribute with a study of the relationship between records and creator. The theories being used for analyzing this was intersectionality combined with Donna Haraways situated knowledges, where created interacting categories in the material was analyzed in relation to each researcher. Both researchers material where further discussed whis this in mind. The main method used was qualitative content analysis, wich were also combined with a quantitative method of the number of records created with the same content. Through these methods interacting categoriers was found in the archaeological documentation. The created interacting categories in one material consisted of documentation of archaeological remains in situ, documentation of single finds and documentation of archaeological stratigraphy. Further three interacting categories of documentation after excavation, of weapons and single finds was found in the same material. In comparision, the other records consisted of interacting categories of documentation of archaeological remains in situ, documentation of the contex of the findings and documentation of archaeological stratigraphy. This showed how the reseachers in the studied records have left their marks on the archaeological documentation of each boat grave. The researches had desicive impact on the produced knowledge that was based on their findings, since the records that were created were created were influenced by each researcher. This is a two years master’s thesis in Archive, Library and Museum studies.