The purpose of this dissertation is to inquire into the application of the Speech act theory in the field of theology. First, philosophical part introduces distinctive topics of language-philosophy found in Wittgenstein, Austin and Searle. The main focus of this summary lies on Searle`s categorization of speech acts. If we approach Searle`s categorization from the perspective of Wittgenstein`s philosophy, we could understand his categorization in functional and not ontological terms and therefore we find a certain liberty to modify Searle`s categorization with regard to analysed phenomenon. In the beginning of the theological part we analyse the limits of the application of the speech act theory in the case of the confession of faith. Consequently we construct categorization of the speech acts of faith discourse based on its communicative and transformative dimensions. Afterwards we focus on one of the main types of faith discourse, namely the petitionary prayer. During analysis of the petitionary prayer in the Old and New Testament we gradually introduce considerable insights of theologians who applied Austin`s and Searle`s concepts in their work. These are followed up by our own observations. Second section of the theological part of the dissertation is concerned with the application of speech act theory in exegesis of particular texts, namely those passages in Mark`s gospel which speak about Jesus as the Son of God. Speech act theory evidently could not serve to settle exegetical disagreements by always locating the precise illocutionary point of every speech act, however it proves itself as a good tool for conceptual orientation and its application brings valuable insights.

Traditionnellement perçu comme expression de la politique impériale de Marguerite d’Autriche, régente des Pays-Bas, dans le duché de Savoie dont elle était douairière en Bresse, le couvent Saint-Nicolas de Tolentin à Brou monumentalise en fait la dévotion de son défunt époux Philibert II. Le souverain avait hérité des derniers ducs de la branche aînée son inclination ignorée pour l’influente congrégation observante des Augustins de Lombardie qui participant de la création renaissante, fournit, transcrit dans un style local, le schéma claustral de Brou. L’idée maîtresse de Marguerite fut le prestige de la Renaissance, découverte au dôme Saint-Jean de Turin. A l’encontre des lectures erronées du XIXe siècle, la princesse ne s’inspira pas de Champmol. Pour son italianisme, elle confia les tombeaux et l’église au français Perréal. Seules des impossibilités pratiques l’amenèrent à recruter fin 1512 le bruxellois van Boghem. Son art et son réseau brabançons accompagnaient le tropisme ibérique de la cour de Bourgogne mais dès 1524-25, il insuffla à Brou les touches maniéristes que permettait la pénétration de la Renaissance aux Pays-Bas, plus tardive qu’en France. Le programme de l’église sotériologique emphatise la piété du duc et à un second rang, celle de la maison de Marguerite, mais aussi les devoirs du regnum, que Philibert et sa veuve exercèrent dans des pays distincts : ils culminent dans l’exercice de la justice dont le modèle est le Christ du Jugement dernier qui jadis, figurait sur le vitrail nord du transept de Brou. Marguerite signa l’œuvre : promouvant l’échange compassionnel, elle incitait autant à la conversion de chacun qu’à la prière d’intercession et à la mémoire, par-delà les siècles, de l’archiduchesse dont la naissance d’exception, impériale, avait engagé la vie et le monument d’exception. / Instead of expressing, as it is traditionally regarded, the imperial politics in Savoy of Margaret of Austria, regent of the Netherlands, the convent Saint Nicolas of Tolentino in Brou she erected in her dower of Bresse embodies the devotion of her late husband Philibert II, duke of Savoy. The sovereign had received from the last dukes of the eldest branch that unrecognized inclination towards the soaring observant congregation of the Austin Friars of Lombardia, which joined the Renaissance and provided the claustral scheme of Brou. Margaret’s main idée was the search of the Renaissance she had discovered through the Duomo San Giovanni of Torino. Against the incorrect readings of the XIXth century, she was not inspired by Champmol. She entrusted the graves and the church of Brou to the Italianizing French artist Perréal, and only practical impediments prompted her to sign on van Boghem at the end of 1512. His brabantine Gothic’s practice and circle accorded to the Spanish tropism of the burgundian court but around 1524-1525, the arrival of the Renaissance in the Netherlands allowed him to bring mannerist accents. The iconology of Brou reveals its soteriological aim. It magnifies the duke’s devotion and at a second rank, the one of Margaret’s house, but also the duties of the regnum that Philibert and his widow both practiced in different countries. Their acme is the ministry of Justice whose reference is the Christ of the Last Judgment, which once figured on the lost northern glass window of the transept. Margaret signed the work: ruled by a will of compassion and exchange, it induced anyone both to the conversion for one’s own salvation, to intercede for the princes, and to remind through ages the memory of the archduchess, whose exceptional imperial birth had involved her unique life and memorial.

This dissertation is basically a reading the book of Lamentation as a literary whole in a sense of a text-centred approach, which aims to interpret the Scripture as divine communicative action. The major philosophical resources that I employ in this study are the Speech-Act theory developed by J. Austin and J. Searle, and the concepts particularly exemplified in the work of K. Vanhoozer. I look at repetition and literary techniques in Lamentations as a clue to its structural unity. In the body of the dissertation, Instead of historical-critical approaches, I claim that the meaning exists not ‘behind the text,’ but ‘in the text itself as a whole.’ One of the most important literary approaches to understanding the book of Lamentations is to note the poetic voices, which interweave in the text. The poetic voices are my main focus of understanding the book of Lamentations. I explain the literary meaning reading the text and demonstrate that we must find the canonical level of the meaning which supervenes on the literary level. The meaning of a text at a literary level must be carefully studied and modified by the ‘fuller sense (or meaning)’ derived from the canonical context. The ‘fuller sense’ of Scripture associated with divine authorship emerges only at the level of the whole canon. Here for the canonical meaning of the text, I focus on Vanhoozer’s assertion, having proposed the suitability of speech act theory for the various tasks of biblical interpretation and theological hermeneutics. When we read the text, there is no utterance from God in Lamentations. It is the missing voice. The main theme of Lamentations is "Where is the true comfort?". The text presents no comfort. In the literary context, God keeps silent (non-speaking). Canonically, however, Christian readers as God’s people read the Bible, connecting it to Jesus Christ. Within the canonical context, we can indeed find an answer and God’s answering speech (that is, His act), because Jesus is their true comforter acting as God’s response. We can find this response in his teaching (e.g. Jesus’ Sermon on the Mount) and in his mission (e.g. presenting his body as the temple, being Immanuel, God-with-us). / Dissertation (MA(Theology))--University of Pretoria, 2009. / Old Testament Studies / unrestricted

This dissertation is a study of the effects of the abolition of slavery on the economic and political elite of six Texas counties between 1860 and 1890. It focuses on Austin, Brazoria, Colorado, Fort Bend, Matagorda, and Wharton Counties. These areas contain the overwhelming majority of Stephen F. Austin's "Old Three Hundred," the original American settlers of Texas. In addition to being the oldest settled region, these counties contained many of the wealthiest slaveholders within the state. This section of the state, along with the northeast along the Louisiana border, includes the highest concentration of Texas' antebellum plantations. This study asks two central questions. First, what were the effects of abolition on the fortunes of the planter class within these six counties? Did a new elite emerge as a result of the end of slavery, or, despite the liquidation of a substantial portion of their estates, did members of the former planter class sustain their economic dominance over the counties? Second, what were abolition's effects on the counties' prewar political elite, defined as the county judge? Who were in power before the war and who were in power after it? Did abolition contribute to a new kind of politician?

This thesis outlines the growth of curricula in the seven state teachers colleges in Texas from establishment to the 1939 - 1940 school year.

Der Begriff Performativität geht zurück auf die Sprechakttheorie und wurde von dem Sprachphilosophen John L. Austin 'ins Spiel' gebracht. Er verweist mit dem Terminus auf die handlungspraktische Dimension des Sprechens, d.h. dasjenige zu vollziehen oder zu produzieren, was im Sprechen benannt wird, und es nicht lediglich zu bezeichnen. Vor dem Hintergrund von Derridas Iterabilitätsbegriff hat insbesondere Judith Butler das Konzept in die Gendertheorie eingeführt. Das Sein oder So-Sein eines Geschlechtes ist demnach kein ontologischer Status, der aus einer vordiskursiven Wirklichkeit schöpft, sondern das Ergebnis (sich wiederholender) performativer Inszenierungen, die sich selbst erfolgreich als Sein darstellen.

Without regard to the merits of the philosophy and practices of these two schools of educational thought, it is the purpose of this study to observe the progress of each as indicated by an examination of certain college curricula, as shown below.

Heavy oil production depends on the understanding of mechanical and flow properties of unconsolidated or weakly consolidated sands under different loading paths and boundary conditions. Reconstituted bitumen-free Athabasca oil-sands samples were used to investigate the geomechanics of a steam injection process such as the Steam Assisted Gravity Drainage (SAGD). Four stress paths have been studied in this work: triaxial compression, radial extension, pore pressure increase and isotropic compression. Absolute permeability, end-point relative permeability to oil & water (kro and krw), initial water saturation and residual oil saturation were measured while the samples deformed. Triaxial compression is a stress path of increasing mean stress while radial extension and pore pressure increase lead to decreasing mean stress. Pore pressure increase experiments were carried out for three initial states: equal axial and confining stresses, axial stress greater than confining stress and confining stress greater than axial stress. Pore pressure was increased under four boundary conditions: 1) constant axial and confining stress; 2) constant axial stress and zero radial strain; 3) zero axial strain and constant confining stress; and 4) zero axial and radial strain. These experiments were designed to mimic geologic conditions where vertical stress was either S1 or S3, the lateral boundary conditions were either zero strain or constant stress, and the vertical boundary conditions were either zero strain or constant stress. Triaxial compression caused a decrease in permeability as the sample compacted, followed by appreciable permeability enhancement during sample dilation. Radial extension led to sample dilation, shear failure and permeability increase from the beginning. The krw and kro increased by 40% and 15% post-compaction respectively for the samples corresponding to lower depths during triaxial compression. For these samples, residual oil saturation decreased by as much as 40%. For radial extension, the permeability enhancement decreased with depth and ranged from 20% to 50% while the residual oil saturation decreased by up to 55%. For both stress paths, more shear-enhanced permeability was observed for samples tested at lower pressures, implying that permeability enhancement is higher for shallower sands. The pore pressure increase experiments showed an increase of only 0-10% in absolute permeability except when the effective stress became close to zero. This could possibly have occurred due to steady state flow not being reached during absolute permeability measurement. The krw curves generally increased as the pore pressure was increased from 0 psi. The increase ranged from 5% to 44% for the different boundary conditions and differential stresses. The kro curves also showed an increasing trend for most of the cases. The residual oil saturation decreased by 40-60% for samples corresponding to shallow depths while it increased by 0-10% for samples corresponding to greater depths. The reservoirs with high differential stress are more conducive to favorable changes in permeability and residual oil saturation. These results suggested that a decreasing mean stress path is more beneficial for production increase than an increasing mean stress path. The unconsolidated sands are over-consolidated because of previous ice loading which makes the sand matrix stiffer. In this work, it was found that over-consolidation, as expected, decreased the porosity and permeability (40-50%) and increased the Young’s and bulk moduli of the sand. The result is sand which failed at higher than expected stress during triaxial compression. Overall, results show that lab experiments support increased permeability due to steam injection operations in heavy oil, and more importantly, the observed reduction in residual oil saturation implies SAGD induced deformation should improve recovery factors. / text

This report analyzes the current greenhouse gas emissions inventory for The University of Texas at Austin (UT-Austin), reviews the carbon reduction strategies being implemented at UT-Austin and other peer institutions, and offers recommendations for strategies that could reduce greenhouse gas emissions at UT-Austin in the future. / text

Emil Behnke was a highly esteemed vocal pedagogue of the late nineteenth century. Perhaps rare for the time, the art and science of teaching vocal methods of speech and singing was a Behnke family business, one that Emil shared with his wife and daughter, who were both named Kate. Indeed, Emil's daughter, Kate Emil Behnke, was equally regarded and valued in the field of vocal pedagogy, carrying her father's teachings into the twentieth century. Meanwhile, the elder Kate Behnke, wife to Emil and mother to Kate Emil, was responsible for administering and building upon her husband's innovative methods of speech therapy, establishing her own reputation as a speech healer. The Behnke family published no less than fourteen books, cumulatively. Largely forgotten today, the purpose of this document is to provide a comprehensive overview of the biography and the pedagogical methods and works of the Behnke family, and to contextualize these methods within the framework of trusted vocal pedagogy, both historic and current.