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1	Dubbeltydig form : Djurliknande avbildningar i metall under järnåldern Netz, Micael January 2008 (has links) This study concerns a selection of prehistoric metal objects of animalistic design, published at the internet site of the Swedish Statens Historiska Museum. It seeks to give an impression of the design elements used, and to find likely models for the motifs among live animals. The method used is a qualitative hermenuetic comparative study of objects, where the distinct significant design elements are being identified and interpretated. Several significant design elements are identified, and some are interpretated as representing certain animals. The amalgamation of differentiating design elements in some objects however, leads to interpretations of compound animal motifs, where some motifs are considered ambiguous and some are rendered uninterpretated. The study also points to the question of relations between period motifs, mythology and religious cult. Kulturarv och kulturproduktion
2	Dubbeltydig form : Djurliknande avbildningar i metall under järnåldern Netz, Micael January 2008 (has links) <p>This study concerns a selection of prehistoric metal objects of animalistic design, published at the internet site of the Swedish Statens Historiska Museum. It seeks to give an impression of the design elements used, and to find likely models for the motifs among live animals. The method used is a qualitative hermenuetic comparative study of objects, where the distinct significant design elements are being identified and interpretated. Several significant design elements are identified, and some are interpretated as representing certain animals. The amalgamation of differentiating design elements in some objects however, leads to interpretations of compound animal motifs, where some motifs are considered ambiguous and some are rendered uninterpretated. The study also points to the question of relations between period motifs, mythology and religious cult.</p> Kulturarv och kulturproduktion
3	Empirens belysning : Ljuskronorna på Rosersbergs slott 1818–1860 Forssberg, Isabella January 2022 (has links) Institutionen för kultur och estetik, Konstvetenskap 106 91 Stockholms universitet 08-16 20 00 vx Handledare: Magdalena Holdar Titel och undertitel: Empirens belysning: Ljuskronorna på Rosersbergs slott 1818–1860 Författare: Isabella Forssberg Kontaktuppgifter till författaren: tel: 070-4537559 e-mail: bella_forssberg@hotmail.com Uppsatsnivå: kandidatuppsats Ventileringstermin: HT2021 ABSTRACT: Den här uppsatsen behandlar performativiteten hos ljuskronorna på Rosersbergs slott 1818–1860 då slottet var regelbundet bebott av Karl XIV Johan och Desirée. Författaren har kartlagt vilka ljuskronor som byttes ut när Karl XIV Johan och senare Desirée tog över slottet från Karl XIII och Charlotta. Detta har gjorts utifrån bouppteckningar, inventarieförteckningar och en rekvisition. Författaren har även besökt Rosersbergs slott för att kontrollera vilka ljuskronor som hänger kvar från den tid då Karl XIV Johan och Desirée bebodde slottet. Syftet har varit att analysera hur ljuskronornas utformning och ljusbringande egenskaper kunde påverka intrycket av rummen när de var bebodda, samt kartlägga och analysera vad valet av ljuskrona kan säga om rummens roll och funktion under Karl XIV Johans och Desirées tid. Det teoretiska ramverket utgörs av Mårten Snickares beskrivning av performativitet. Föremål och byggnader kan genom sin utformning och funktion påverka hur människor förhåller sig till dem. De har en agens genom att de får människor att agera på ett visst sätt i relation till dem. Performativ analys har även varit den metod som använts för att analysera hur ljuskronornas funktion och utseende påverkar hur rummet kunde användas och uppfattas under Karl XIV Johans och Desirées tid. Undersökningen har resulterat i en fördjupad förståelse för hur slottet kunde uppfattas beroende på hur de olika rummen var belysta. Mer representativa rum hade mer belysning, vilket visar att ljus var en statussymbol under 1800-talets första hälft. Studien visar att Karl XIV Johan och Desirée bytte ut de flesta äldre kristallkronor och övriga ljuskronor mot nya, större kristallkronor och framför allt amplar i brännförgylld brons när de tog över slottet. Detta tyder på att ljuskronornas utformning ansågs viktigt. Nya ljuskronor bidrog med att modernisera slottets utseende. Slutsatsen är att ljuskronornas utseende och funktionalitet hade stor påverkan på hur rummen de hängde i kunde användas, men även att rummens tilltänkta funktion påverkade valet av ljuskrona. Nyckelord: Rosersbergs slott, empir, ljuskronor, kristallkronor, bronsamplar, brännförgyllt brons, Karl XIV Johan, performativitet. Rosersbergs slott empir ljuskronor kristallkronor bronsamplar brännförgyllt brons Karl XIV Johan performativitet Art History Konstvetenskap
4	Bronzework of mainland Greece from c. 2600 B.C. to c. 1450 B.C Tripathi, D. N. January 1900 (has links) Thesis (Ph. D.)--University of Southampton. / Includes bibliographical references (p. 383-416).
5	Bronzework of mainland Greece from c. 2600 B.C. to c. 1450 B.C. Tripathi, D. N. January 1900 (has links) Thesis (Ph. D.)--University of Southampton. / Includes bibliographical references (p. 383-416).
6	Studie av en medeltida husgrund : en analys av bronsfynd från husgrund 6, Västergarn, Gotland / An analysis of bronze from a medieval building-foundation Olsson, Tobias January 2012 (has links) This essay is an analysis of the objects made of bronze found in an excavation Västergarn parish, Gotland, in 2010, conducted by the University of Gotland. The studied material presented in this essay comes from contexts inside, as well as nearby the foundation of a medieval building which purpose is still not certain. The first purpose of this study is to present the bronze-objects found inside and nearby the foundation of house 6, and to see if there are any datable objects. There is also a discussion whether there has been any bronze-crafting in the area. The second purpose is to make a contextual analysis to see if there are any differences between the material found outside and inside of the building, and what conclusions can be made regarding the function and use of the building. A spatial analysis has also been made to distinguish any patterns of the distribution of material inside and around the house.The result of this essay is partly a presentation of the material, but also that there has occurred some bronze-crafting in the form of cutting metal sheets inside or near the foundation treated in this essay. There is no evidence for casting bronze near the house foundation.The frequency of finds from outside the foundation compared to the frequency of finds within the foundation is nearly quadruple, which is to be expected since there probably has been a wooden floor inside the house to prevent all but the tiniest objects from falling through. Objects that landed on the floor were cleaned out, just to land near the entrance of the building. The finds from within the building much resembles the finds from outside the building, and the distribution-patterns of the trench indicates that the entrance to the building probably was located near the north-west corner or near the south-east corner.Hopefully, this study contributes another piece to the great puzzle that is Västergarn. Gotland Västergarn bronze brass copper-alloys non-ferrous metals Viking age medieval time medieval building-foundation. Gotland Västergarn brons mässing kopparlegeringar icke-järnmetaller vikingatid medeltid medeltida husgrund.
7	Den svenska vallanläggningens ursprung: Låt brons och keramik leda vår väg / The Origin of the Swedish Rampart Enclosures: Let Bronze and Ceramics guide our way. Olsson Eriksson, Linus January 2018 (has links) The function and symbolism of the Swedish bronze age rampart enclosures has been debated since the late 1800´s. Arguments highlighting their function as fortifications and/ or as ritual centres has been passed back and forth in what today seems to be a subject in a standstill. Very little has been done in comparing the Swedish enclosures with their European equivalents when it comes to the understanding of function. In the early 1990´s their origin in the Lausitz culture of the Late Bronze Age was put forth by several archaeologists, but one needs to keep in mind that this was a time where the Lausitz culture was an increasingly popular subject for Swedish archaeologists to study. In time the similarities between the materials came to be questioned from both an architectural and a chronological standpoint. This paper has therefore been focused on re-examining the Swedish rampart enclosures relation to the European hill forts and fortified settlements. By examining its relations to the import of bronze and ceramics between the southern and eastern coastal areas of the Baltic Sea area and Scandinavia around 1300-1000 BC, my main goal was to provide an updated and valid theory for the origins of the earliest Swedish rampart enclosures from the same time. Based on the analysis presented in this paper I have, to some extent, been able to distance the earliest Swedish rampart enclosures from the previous Lausitz origin theory. The conclusion is instead that an origin is to be sought in the earlier Únětice culture and it´s rampart fortified settlements from between 1800-1500 BC. Rampart enclosure hill fort Baltic Sea Sweden bronze Bronze Age ceramics Lausitz Únětice enclosures trade bronsålder brons vallanläggning fornborg Sverige keramik Östersjön Archaeology Arkeologi
8	Från Ugarit till Uppland : En studie om kontakter mellan Skandinavien och Medelhavsvärlden under den skandinaviska bronsåldern / From Ugarit to Uppland : A study about contacts between Scandinavia and the Mediterranean world during the Scandinavian Bronze Age Mehdi, Ibrahim January 2019 (has links) This thesis studies the contacts between Scandinavia and the Mediterranean area during the Scandinavian Bronze Age. These contacts have been the topic of controversy for a long time as one side of the debate believes in direct contacts between Scandinavia and the Mediterranean area, and the other side believes that contacts between the two areas could only have been by down the line trading contacts. This thesis then aims to see what evidence there is that the contacts would have been direct or otherwise. This is done by studying the archaeological evidence as well as the pictographic depictions on rock art in Scandinavia and painted pottery from the Mediterranean area, as well as ships and ship technology to understand if Scandinavian ships would have been able to travel to the Mediterranean in the first place. Further, this thesis also studies the urn burials introduced to Scandinavia during the Bronze Age from northern Italy to see the spreading of ideas, as well as isotope analysis of bronze from Sweden and Denmark together with strontium analysis of Bronze Age individuals to form a complete picture about these contacts and how they took place. Bronze Age Ship house urns strontium Bronze Carp’s tongue sword Naue II communication interaction contacts trade Bronsålder skepp husurnor strontium brons grepptungesvärd Naue II kommunikation interaktion kontakter handel Archaeology Arkeologi
9	spår Hiredal, Sandra January 2020 (has links) In a place that has been abandoned I have collected the human-made traces. Preserving the perishability of places and people. Saving the small memory. To hold close and pass on to the next. Placing them in a jewelry context where we may care for them more tenderly. To approach the people through adornment and wearing. I don't want to physically mark anyone, but I still want to come close. A piercing of the clothes: brooches. You who left it. I who collected. Next one to wear. Where all of us become involved and equally important. With the traces taken from the place, I add my own imprint in the craftsmanship of the jewelry. Each brooch fragile and where the next one, the wearer, will become part of our traces and history. Each brooch with a part of us and in transformation. Traces can be left, and memories preserved. They can be passed on through the visible, the tangible, the sound and the anecdotes. They can be experienced or relived when we feel, listen and see. Therefore, I needed to pass on the traces in several ways. Through the brooches and through film. For more people to take part of. Where the next one can see, hear and feel a place; its traces, stories and the imagination created in the experience. brooches jewelry traces abandoned places material metal silver bronze archeology nostalgia abandoned places pass on collection history people anecdotes preserving corona reuse recycle broscher smycken spår övergivet platser material metall silver brons samtidsarkeologi förgänglighet nostalgi övergivna platser föra vidare samlande historia människor anekdoter bevarande corona återbruk Arts Konst

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