This study focuses on dark-skinned, Black women's representation in Black sitcoms. Through a mixed-methods use of a comparative textual analysis and focus group, the content and context of episodes from A Different World and Dear White People are explored to illustrate portrayals of dark-skinned, Black women and how these portrayals affect dark-skinned, Black women's self-esteem. Its findings contribute to colorism research by exploring colorism in Black sitcoms. Because this topic is largely unexplored, this study seeks to begin a conversation about dark skinned, Black women's representation in Black sitcoms. The main objective is to ultimately improve their depictions and roles in Black sitcoms and hold Black creatives responsible for the role they play in promoting colorism and its ultimate effect on Black women's self esteem.

This report explores the methodology themes and meanings embeded in the society that I am portraying in my comic 'THE DAY I MET THAT CAT'. This includes concept such as identity, colorism, races and cultures, human interaction with animals and the power of the visual.

Two significant public health concerns that threaten both the physical and mental health of African-American women are Intimate Partner Violence (IPV) and Human Immunodeficiency Virus (HIV). African-American women (AAW) in the south carry the greatest burden of HIV and disproportionately represent the region with an incidence of 71% for new HIV infections, and elevated rates of morbidity and mortality. In 2013, the murder rate among AAW was 2.5 times higher than it was among Caucasian women. Most of the published studies that explored the association between IPV and HIV had mixed populations, did not explore topics unique to AAs, or were qualitative studies. The aim of this study was to assess the associations between colorism, IPV, and high-risk sexual behaviors (HRSB)/HIV-risk among AAW and determine if colorism was a mediator in the IPV-HRSB relationship. The theory of power and gender and the social cognitive theory provided the theoretical framework of this study. The dissemination of this self-assessed quantitative, cross-sectional survey design was to a homogeneous sample of 143 women. The analysis of the variables used correlation statistics and linear regression. Findings revealed a significant relationship between IPV-HRSB (r = .882, p =.001), colorism-IPV (r2 = .371, p = .001) and colorism-HRSB (r = .377, p = .001); however, colorism did not mediate the IPV-HRSB relationship. This study has implications for positive social change in that practitioners may gain a better understanding of colorism's influence on IPV and HRSB, and may serve to modify existing programs. This knowledge may subsequently help to decrease adverse behaviors that are unique to AAW prone to IPV with an increased HIV-risk as a result of colorism.

Color (sub)Conscious explores the African American female's experience with colorism. Divided into three distinct sections. The first section is a literary analysis of such works as Toni Morrison's The Bluest Eye, Gloria Naylor's The Women of Brewster Place, Maya Angelou's I Know Why the Caged Bird Sings and Alice Walker's "If the Present Looks Like the Past, What Does the Future Look Like?" an essay from her collection In Search of Our Mothers' Gardens. The second section is a research project based on data gathered from 12 African American females willing to share their own experiences and insights on colorism. The final section is a creative non-fiction piece of the author's own personal pain growing up and living with the lasting effects of colorism.

This study analyzes various forms of visual and textual rhetoric found in popular black-owned print media from 1900-1970, including: beauty product advertisements, magazine cover photography and feature articles in order to contribute to a rhetorical history of color bias within the African-American community. The imagery included here validated and encouraged the transformation and lightening of African-American bodies through what I call embodied mimicry in order to achieve dominance within the racial group and a semblance of acceptance outside of it. Mimicry of white societal standards by African-Americans including: formatting of print media, circulation of beauty ads and physical embodiment of white physical features ultimately re-inscribed the tenets of racism into the black public sphere in the form of colorism. The intention of this research is to analyze the rhetorical history of colorism in order to better understand the current state of colorism in American society. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection

This dissertation project is a critical anthropological analysis of the impact of colorism on the educational attainment and academic trajectory of African-American school students in Washington, DC by examining teacher expectations. Through a historical and contemporary lens of public education in DC, I examine the ways in which a black-white racial binary has been used by those in decision-making positions -- namely teachers, counselors, school administrators, Parents and Teachers Association members and other adult decision-makers -- as an indicator of a student's academic ability and their future educational attainment. What prompts this question is the abundance of academic programs in DC that, through a variety of extensive selection criteria, chose high-achieving students for placement in the city's college-preparatory, academic programs, who have a larger tendency to fit a particular phenotype (unless they are exceptionalized through other socioeconomic indicators). Two questions that my research addresses are: how phenotype is weighed against their actual versus perceived academic ability; and how do we explain the relative over-investment (i.e., redundancy of enrichment programs and resources) at one school over a lack of resources and programs at many other schools. I selected Washington, DC as the site for my doctoral research for two primary reasons: (1) its historic association for being one of the most (skin) color-conscious cities in the United States (Russell et al. 1992; Golden 2006; Kerr 2006); and (2) its historic and unique position as a testing ground for reform efforts in the public school system. I volunteered at a DC-area public school for the 2011-2012 academic year and became active in the various parental/community associations (i.e. the Parent/Teacher Association (PTA) and the Local School Advisory Team (LSAT) as a means of gaining first-hand knowledge of -- and experience with -- the various ways in which adults (i.e. teachers, counselors, parents and other school-based staff) place value and justify the assignment of resources to particular students and upon what basis (such as phenotype or socioeconomic background). In gaining access to and awareness of the dynamics of parental engagement at my field site, I began to analyze the role of race in the ways that such involvement is contained or policed by school officials. This dissertation project also takes into account students' awareness of such intersectional processes and whether the students categorize themselves and/or their peers according to a hierarchical scale of valorization. / text

This dissertation addresses racism in contemporary Curaçao—a former Dutch colony in the Caribbean that remains a component of the Kingdom of The Netherlands. The dissertation theorizes racism as a partially hidden constituent of the island’s ideology of national identity, which throughout its history has emulated hybridity before being influenced, more recently, by multiculturalism. The research’s main objective is to uncover the ways race and racism have been entangled with Curaçao’s hegemonic ideology of national identity, a reality too often omitted and always under-theorized in Dutch and Dutch Caribbean scholarship. Using historical, ethnographic, statistic, and discourse analysis data, the dissertation reveals how profound the operations of race have been on Curaçaoan society, and on all Curaçaoans on the island and in the diaspora. It discusses the historical formation of ideologies of race and national identity in Curaçao, to contribute to the explanation of the current state of race relations on the island. It exposes the silencing impacts that the hegemonic ideology of national identity has had on individual Curaçaoans’ understanding of self through the reflexive presentation of an intergenerational family history. The dissertation ends with ethnographic analytic descriptions of five neighborhoods differently located in Curaçao’s racial/spatial order, which reveal the mechanizations of multiculturalism and the prevalence of racism.

El presente trabajo explora qué genera el colorismo en la publicidad mediante la representación de las mujeres de raza no blanca a partir de la necesidad de crear modelos de belleza difíciles de alcanzar. Este tema se aborda desde los conceptos básicos como de lo que es racismo y colorismo a fin de conocer cómo estas están relacionadas con el ámbito publicitario pues, de esta manera, se reforzaría la importancia de estudiar el colorismo en la publicidad, dado que permite identificar cómo es que a partir de esto las marcas representan a las mujeres. Para ello, se propone la aplicación de la metodología cualitativa y mediante la técnica de entrevistas, y el caso que complementará esta investigación es Fenty Beauty con su campaña de lanzamiento del 2017 mediante el cual se analizará cómo se manifiestan los estándares de belleza en el discurso publicitario y representaciones publicitarias / This work explores what colorism generates in advertising through the representation of non-white women based on the need to create difficult-to-reach models of beauty. This topic is approached from the basic concepts such as what is racism and colorism in order to know how these are related to the advertising field since, in this way, the importance of studying colorism in advertising would be reinforced, due to its allowance to identify how is it that brands represent women from this point of view. To do so, the application of qualitative methodology and the interview technique is proposed, and the case that will complement this research is Fenty Beauty and its 2017 releasing campaign through which will be analyzed how beauty standards are manifested in advertising discourse and advertising representations. / Trabajo de investigación

No description available.

The experiences of African American women managers in predominantly Black work environments and the implication of these experiences on their ability to lead remains unknown. The purpose of this qualitative multiple case study was to gain deeper understanding of the leadership experiences of African American women managers employed in predominantly Black work environments. This study was framed by three key concepts: intersectionality of gender and race, intraracial discrimination, and colorism. The trustworthiness of the study's data was supported by employing methodological triangulation of the study's multiple data sources: semistructured interviews with 10 African American women managers as participants, journaling/ reflective field notes, and archival data. Cross case analysis revealed 8 categories that enclose a total of twelve themes: (a) career trajectory of African American woman manager, (b) gender challenges in a predominantly Black enterprise, (c) race challenges in a predominantly Black enterprise, (d) leadership experiences with subordinates informed by gender and race, (e) further career goals as an African American woman manager, (f) colorism in childhood and adolescence, (g) colorism in daily adult experiences, and (h) intraracial discrimination from subordinates based on skin tone. This study is likely to promote social change by sensitizing predominantly Black work environments on issues of equal treatment between gender groups and ways in which an intraracial context influences African American women's management experiences.