Please read the abstract in the section 00front of this document / Thesis (DPhil)--University of Pretoria, 2009. / Old Testament Studies / unrestricted

Afrikaans Dit is meer as dertig jaar gelede dat Childs (1964) sy belangrike artikel lnterprefation in Faith gepubliseer het. Dit het die begin ingelei van 'n nuwe fase in die Ou-Testamentiese navorsing. Talle verdere publikasies van Childs het die lig gesien. Sy publikasies het baie reaksie uitgelok. Die kanoniese benadering van Childs sou tot 'n debat lei wat steeds nie uitgewoed is nie. Hlerdie studie poog om 'n evaluering van die benadering van B. S. Childs te maak. As 'n hipotese word gestel dat die kanoniese benadering van Childs hom nog steeds in die hoofstroom van die historiese kritiek bevind. Childs maak nog steeds van die resultate van die histories-kritiese metode gebruik. Dit word gedoen teenoor aannames dat Childs a-histories werk en sy eie siening dat die kanoniese benadering 'n paradigmaskuif verteenwoordig. Die hipotese word uitgewerk aan die hand van die volgende werkswyse: Na inleidende opmerkings volg 'n bespreking van die plek wat Childs inneem in die navorsing oor die kanon. Dit word gevolg deur 'n gedeelte wat aandag gee aan outobiografiese gegewens oor Childs, sy belangrikste publikasies en die ontwikkeling van sy kanoniese benadering. 'n Uiteensetting van Childs se benadering gegee aan die hand van kernkonsepte volg hierna. Om Childs as 'n kind van sy tyd te sien word daar gekyk na die invloed wat sy mentors op hom gehad het asook ooreenkomste wat hy met ander teoloë en nie-teoloë het. Ten einde Childs in perspektief te sien word reaksie op sy benadering vervolgens aan die orde gestel. Reaksie op die benadering van Childs word geëvalueer in die daaropvolgende deel. Indien Childs nie 'n paradigmaskuif verteenwoordig nie, wat is dan sy relevansie vir die toekomstige debat? Die laaste hoofstuk is 'n konklusie wat die bydrae van Childs evalueer en die moontlike implikasies van die kanoniese benadering vir die toekoms bespreek. Die studie bevestig die feit dat die kanoniese benadering hom nog steeds binne dieselfde kader as die historiese kritiek bevind. Childs is in die implementering van sy benadering afhanklik van die resultate van die histories-kritiese metode. Om hierdie rede kan Childs nie geëtiketteer word dat hy a-histories werk nie. Die aanspraak wat gemaak word dat hy 'n paradigmaskuif bewerksteliig het, gaan ook nie op nie. Dit neem egter niks weg van die feit dat B. S. Childs 'n monumentale bydrae tot die Ou-Testamentiese wetenskap gemaak het nie. English It is more than thirty years ago since Childs (1964) published his important article Interpretation in Faith. This article introduced the start of a new phase in OldTestamentical research. A number of other publications by Childs have since seen the light. His publications have elicited wide reaction. The canonical approach of Childs would lead to a debate that has still not abated. This study attempts to evaluate B.S. Childs' approach. It is hypothesised that the canonical approach by Childs still finds itself in the mainstream of historical criticism. Childs still uses the results of the historical critical method. This is done in contrast to the suppositions that Childs operates a-historically and to his own view that the canonical approach represents a paradigm move. The above hypothesis was developed using the following methodology: Introductory comments followed by a discussion of Childs' place in canonical research. Subsequently, autobiographical data on Childs, his most important publications and the development of his canonical approach are presented. It is followed by a discussion of his approach in view of fundamental concepts. To view Childs as a child of his time, regard must be had to the influence of his mentors on him and the similarities he shared with theologians and non-theologians. To place Childs' approach into perspective, reaction to the approach is discussed and evaluated. If Childs does not represent a paradigm move, what then is his relevance for future debate? The final chapter is a conclusion of the study where Childs' contribution is evaluated and possible implications of the canonical approach for the future are discussed. The study confirms the fact that the canonical approach still finds itself in the same cadre as the historical criticism. Childs depends on the result of the historical critical method for the implementation of his approach. He can therefore not be labelled as a-historical. Furthermore, claims that he accomplished a paradigm move can not be sustained. However, the fact that Childs made a monumental contribution to Old Testamentical scholarship can never be negated. / Thesis (DD)--University of Pretoria, 2008. / Old Testament Studies / unrestricted

Thesis (M.A. (African Languages)) --University of Limpopo, 2015. / This research ‘Nxopaxopo wa switlhokovetselo hi ku kongomisa eka tsalwa ra Swilo swa humelela’ hi KJ Ngobeni na SJ Malungana highlights what happens in schools nowadays in the era of democracy. There is lack of discipline in schools. Educators are not respected by learners. Circuit managers no longer pay visits to schools for inspection. Black people fought to dismantle separate development, racial segregation and in particular to overthrow the white minority regime commonly known as Apartheid. This research also gives the historical background of protest poetry, its characteristics and its causes. Lastly, we analyse twenty selected poems from Swilo swa humelela by K.J Ngobeni and S.J Malungana. This research consists of five chapters. Chapter one outlines the background to the research, its aim and definition of important terms used in the study. These are terms about poetry such as protest poetry, enjambment and rhetorical questions. This chapter will also present the literature review. Chapter two examines the research methodology used in the study. Explication of two types of research methods, namely qualitative and quantitative research methods are discussed. Chapter three deals with protest poetry in details, its characteristics, origin, causes and its functions. Chapter four gives a critical analysis of twenty selected poems from the book Swilo swa humelela by K.J Ngobeni na S.J Malungana. Chapter five looks at the general conclusion, which indicates the research findings and recommendations of the study.

Posthumanistischer Feminismus ist ein transdisziplinäres Wissenschaftsgebiet, das dem kritischen Posthumanismus zugeordnet werden kann. In diesem rückt die Frage nach der vergeschlechtlichten Dimension des Humanismus-Diskurses in den Fokus, der u. a. auf der androzentrischen Gleichsetzung von Mensch und Mann sowie der rassistischen Gleichsetzung von Mensch und Weiß-Sein beruht. Für eine feministisch-posthumanistische Forschungsprogrammatik gelten folgende Perspektiven als zentral: Der feministische Posthumanismus gesteht allen Lebewesen, Artefakten, Hybridwesen und weiteren belebten und unbelebten Konfigurationen Handlungsfähigkeit (agency) und Aktivität zu und kritisiert die Differenzierung zwischen Natur und Kultur und daran anknüpfende Grenzziehungen zwischen männlich/weiblich sowie Weiß-Sein/Schwarz-Sein. Zudem wird die Frage nach Körperfigurationen und -grenzen sowie nach deren sozialem Konstruktionscharakter und ihrer Kontextabhängigkeit aufgeworfen.

This study utilises a variety of research methods in order to investigate aspects often overlooked within Scottish film criticism, and indeed film studies more generally, namely: pre-production, production experiences, marketing and distribution, and reception. To date, Scottish film criticism has exhibited a preoccupation with questions of nation, national identity and national cinema, and overwhelmingly scholars have privileged almost exclusive analysis of the film text. Spurred by Jonathan Murray’s (2007, 2011, 2012) questioning of the continued relevance of the national framework, this thesis goes beyond the frame of the film text in order to consider new ways in which a national framework might be of relevance when analysing Scotland’s cinematic output. Concurrently, the chosen case study is also used as a means of critiquing existing literature on collective identity and national cinema. As the title of this thesis suggests, analysis centres on the Dogma-inspired Advance Party initiative and its resulting films, Red Road (Arnold, 2006) and Donkeys (McKinnon, 2010). Devised by Glasgow-based Sigma Films and Denmark’s Zentropa, the cross border collaborative dimension of the Advance Party framework initially appears to challenge the appropriateness of the national framework. As this thesis demonstrates however, such a simplistic conclusion is reductive and overlooks the complexities of the film industry. Throughout this thesis, questions as to the intended and eventual function of the Advance Party framework arise, and these are revisited by means of the thesis Conclusion.

S'estudia l'obra filològica d' Antoni de Bastero i Lledó (1675-1737), des d'una perspectiva de conjunt, per tal de concretar I'activitat d'aquest estudiós en els camps de la lingüística, la filologia o la crítica literària, i fer-ne una valoració adequada als coneixements actuals sobre I'exercici d'aquestes disciplines durant la primera meitat del segle XVIII. La tesi inclou un estudi biogràfic, absolutament necessari per establir moltes de les circumstancies vitals del canonge Bastero, que ens resultaven obscures i que són decisives per explicar el propi interès per la filologia, les relacions amb determinats cercles acadèmics, la datació aproximada dels diversos projectes iniciats, la interpretació correcta de la seva activitat. S'inclou, així mateix, un catàleg exhaustiu de tots els manuscrits conservats d'Antoni de Bastero i que tenen alguna relació amb el seu treball filològic. En total es tenen en compte 69 volums manuscrits, actualment escampats per diversos arxius i biblioteques de Barcelona i Girona, alguns dels quals eren fins ara desconeguts. D'aquests 69 volums, 48 contenen pròpiament obres de Bastero o altres materials publicables, i la resta són materials de treball. En conseqüència, l' obra filològica del canonge es pot concretar en: la producció d'una gramàtica italiana i d'una gramàtica francesa, en català, que va deixar inacabades; la realització de La Crusca provenzale, un magne diccionari etimològic i d'autoritats que recull una gran quantitat d'hipotètics provençalismes italians -només es va publicar el primer volum d'aquesta obra a Roma, l'any 1724, però n'he localitzat pràcticament tot el contingut; l'elaboració d'una extensa antologia de poesies trobadoresques, copiades amb gran rigor d'alguns còdexs de la Biblioteca Vaticana; el plantejament d'una Història de llengua catalana, que havia de ser una gran compilació dels mèrits i les excel·lències d'aquesta llengua -que l'autor identifica amb la provençal- i la seva literatura, i que es va poder desenvolupar nomes de forma parcial. Precisament, la part central de la tesi l'ocupa l'estudi particular i l'edició crítica de les parts redactades d'aquesta obra, que suposa la concreció de la particular percepció lingüística i literària que Bastero havia anat perfilant al llarg dels seus anys d'estudi. Es tracta d'una edició molt complexa, perquè l'obra ens ha arribat només en un esborrany, que presenta múltiples correccions i esmenes i evidencia diferents estadis redaccionals; els manuscrits inclouen, així mateix, nombrosos papers amb anotacions o fragments que, o no pertanyen al cos de l'obra, o bé s'han hagut de resituar en el lloc que els correspon. EI resultat és, tanmateix, un text prou coherent que comprèn quasi la totalitat del Llibre primer -sobre l'origen, el naixement i els diversos noms de la llengua, i sobre el nom de Catalunya- i un capítol del Llibre tercer -sobre la primitiva extensió del català per tot Espanya. EI més rellevant d'aquesta obra és el fet que s'hi basteix una original teoria sobre la formació de les diverses llengües romàniques que té el català com a eix central -proposa la identificació del català provençal amb la lingua romana dels documents alt medievals, en una operació que s'avança quasi cent anys a François Raynouard, que propugnava això mateix, referint-se nomes al provençal, amb un àmplia aprovació de la comunitat científica del seu temps. Destaquen també un excepcional rigor històric i documental, i una notable sensibilitat vers l'oralitat lingüística, que és objecte d'algunes anotacions ben interessants. Tanquen la tesi un seguit d'annexos documentals on es transcriuen diversos documents relacionats amb els aspectes tractats anteriorment. / The philological works of Antoni de Bastero i Lledó (1675-1737) are studied from the perspective of the whole, in order to specify this scholar's studies in the fields of linguistics, philology and literary criticism, and to make an evaluation based on the knowledge of the day in regards to the exercise of these disciplines during the first half of 17th century. The thesis includes a biographical study, absolutely necessary in order to establish the many vital circumstances surrounding Bastero, which were unclear yet decisive in the explanation of his own interest in philology, in his relationships with specific academic circles, in the approximate dating of his varied initial projects and in the correct interpretation of his activities. Included, also, is an exhaustive catalogue of all of Antoni de Bastero's conserved manuscripts which bear any relevance to his philological work. In total there are sixty-nine series of manuscripts scattered in different archives and libraries in Barcelona and Girona, some of which were unknown until now. Of these sixty-nine volumes, forty-eight contain works attributed to Bastero or other publishable material. The rest are working drafts. Consequently, the Canon's philological works can be specified as: the production of both an Italian and French grammar, in Catalan, which were left unfinished; the completion of La Crusca provenzale, a grand etymological and authoritative dictionary which brings together a large number of hypothetical Italian Provençalisms -only the first volume of this work was published in Rome in I724 although we have located almost the entire contents; the elaboration of an extended anthology of troubadour poetry, copied with great rigor from codices found in the Vatican library; the consideration of a Historia de la llengua catana, which was to be a great compilation of the merits and excellencies of this language -which the author identifies with Provençal- and its literature, and which was only partially completed. It is precisely the specific study and critical edition of these completed parts, which presumes the concretization of the particular linguistic and literary perceptions that Bastero was outlining throughout the many years of his studies, witch occupy the central theme of this thesis. The edition in question is quite complex, keeping in mind that this particular work was available only in its draft form, complete with multiple corrections, rectifications and evidence of differing sages of writing; the manuscripts include, in this manner, numerous annotated or fragmented papers which, either do not belong to the body of the text, or have been restored to their corresponding places in the text. The result is, nevertheless, a quite coherent text which comprises almost the entire First Book -regarding the origin, the birth and various names of the language, and regarding the name Catatonia- and a chapter of Book Three -regarding the early diffusion of Catalan throughout Spain. The most noteworthy aspect of this work is that it offers an original theory of the formation of the various Romance languages with Catalan as the centre axis - proposing the identification of Catalan-Provençal with the Iingua romana of late medieval documents, in an operation that precedes, by almost a hundred years, Francoise Raynouard, who proposes the same idea, but with reference only to Provençal, and was highly supported by the scientific community of his day. His exceptional documentational and historical rigor and a notable sensitivity to linguistic orality are also noteworthy and make for some very interesting annotations. The thesis ends with a series of annexed documentation with the transcriptions of various documents related to previously discussed aspects.

La traduction pragmatique n’est pas le domaine réservé des traducteurs travaillant dans les secteurs économiques en dehors de l’édition. De nombreux traducteurs d’édition sont aussi des traducteurs pragmatiques. Dans ce domaine, leur spécialisation ne se confond pas avec le domaine dans lequel ils travaillent. Leur métier est méconnu et il n’existe aucune formation pour préparer les aspirants traducteurs à cette spécialisation. Cette recherche s’efforce de combler cette lacune. Elle commence par décrire les ouvrages pragmatiques afin de montrer que dans ce secteur, la réflexion traductive porte sur le texte dans sa mise en page. L’unité de traduction s’hybride, puisqu’elle est composée de rubriques textuelles aux fonctions communicatives précises et d’éléments visuels. Il s’ensuit que la réflexion traductive demande une approche multisémiotique qui s’appuie sur une connaissance approfondie du livre pris comme un espace signifiant dont le texte n’est qu’une composante parmi d’autres. La connaissance du livre est au cœur de la spécialisation des traducteurs pragmatiques actifs dans l’édition. Le milieu de l’édition attend des auteurs et traducteurs un travail de rédacteurs. Les tapuscrits fournis sont relus et corrigés, voire partiellement réécrits pour les améliorer, par les correcteurs. Il n’y a plus un auteur mais une fonction auteur qui réunit les différents intervenants de la chaîne du livre. L’apprentissage du métier doit donc comporter une part de socialisation seconde, intégrée aux exercices de traduction proposés, pour préparer les aspirants traducteurs à s’insérer dans cette équipe. Tout en se perfectionnant en traduction, les jeunes traducteurs doivent se muer en collaborateurs fiables capables de prendre part au processus de fabrication du livre en agissant en tant que médiateur culturel. Leur action s’exprime principalement par l‘écriture de la traduction mais aussi par leurs commentaires sur la fabrication du livre. / Pragmatic translation is thought as the area of specialized translators working for clients outside of the publishing industry, which is deemed to contract literary translators. This is true to some extend. However a large sector of the publishing industry is not concerned with literature but with pragmatic books dealing with all sorts of topics. Many pragmatic translators working for the publishing industry are in fact specialized in translating pragmatic books, not texts. They have to understand the way pragmatic books, made of visual and linguistic messages, convey information to their readers to translate them. This aspect of translation is little known and, outside the study of translation for advertising, research investigating the interaction of texts and iconography is scarce. There is even less on translator training. This thesis endeavours to contribute the observations of a professional translator turned translator trainer. It begins by describing the layout of pragmatic books and showing how the translator must take in the text and the iconography to make sense of the message. The double page is a visual unit splitting the information between text and images. As a result, a translation unit is a mix of texts and images. It follows that translators have to approach the translation of books as a multisemiotic activity. Therefore, when translating pragmatic books, translators have to consider them as signifying space in which textual units are no longer the only source of information. The core of the specialisation of pragmatic translators working in the publishing industry is a profound understanding of how books communicate meaning. Publishers expect both authors and translators to be able to write following style specifications for a given book series. Tapuscrits are proofread and sometimes partially rewritten to be put in agreement with the social communicative norms. At the end of the process leading to the publication of a book, the published text is a collective product and no longer the text originally provided by its “author”. To translate in this context, trainees must learn how to work in a team, albeit working from home. Translation training, at this point, aims at turning students into independent professional able to rewrite and adapt texts, taking into account the visual around, to accommodate readers’ expectations as defined by publishers. As they strive to improve their translation techniques, soon to be translators also need to learn to become cultural mediator and to criticize the books they are translating so as to improve them if need be. Invisible to readers, their contribution to the making of a book, appears in the writing of the translation and in comments on the book itself; and it is very visible to publishers they work for.

I takt med att organisationers omgivande miljö beskrivs som alltmer dynamisk, ökar kritiken mot den budgeteringen, då budget anses var ett statiskt ekonomistyrningsverktyg. Trots medhållet som kritiken får visar empiriska studier att få företag faktiskt överger budget som huvudsakligt planerings- och kontrollverktyg (Sandalgaard 2012; Ekholm & Wallin 2000; Dokulil, Zlámalová & Popesko 2017). Till följd av Covid-19-pandemin under år 2020 förlorande många marknader sin förutsägbarhet vilket resulterade i osäkra omgivningar för många organisationer och branscher. Bilförsäljningen visade en hög variation under pandemiåret. Först tappade marknaden 40% av försäljningen och några månader senare fick den uppgång som täckte upp för de föregående förlorade intäkterna. Marknaden upplevde därmed en berg-och-dal-bana som ger insikt i hur budgetens praktiska användning sammanfaller med kritiserade svagheter. Genom att använda fem av de främsta argumenten i kritiken mot budgetering undersöker studien hur budgeten påverkas hos svenska bilåterförsäljare. Detta illustrerar behovet som bilåterförsäljarna har i en bransch vars omgivning påverkats av en oväntad osäkerhet. Sju bilåterförsäljare kontaktades och intervjuades i syfte att tillhandahålla den empiriska datan som i efterhand kompletterades genom de utvalda återförsäljarnas årsredovisningar. Genom detta urvalet utforskar studien en variation i behovet av budgeten. Studien kommer bland annat fram till att budgeten och dess komplement samspelar för att tillgodose de observerade bilåterförsäljarnas individuella behov av planering och kontroll. / The critique of budgeting has been growing louder during recent years as the influencing factors in the organizational environment is increasingly described as dynamic, while budgeting itself is seen as a static appliance in organizational management. However, despite the support this critique receives, empirical evidence shows that few companies actually abandon budgeting as one of their main tools for planning and control in financial management (Sandalgaard 2012; Ekholm & Wallin 2000; Dokulil, Zlámalová & Popesko 2017). Due to the Covid-19 pandemic year 2020, the wide consumer market lost its predictability, thus making it an uncertain environment for a majority of companies to act in. Sales of cars showed a wide variety during the pandemic year. First a decline of 40% in sales in the overall market and then an upswing which made up for previous loss. The car market had therefore experienced an interchangeable environment which contribute to giving insight to how the praxis of the budget coincide with the criticism. Using five of the main points in the critique against budgeting, the research area of this study, car retailers, were chosen to illuminate the need for the budget of retailers in an industry unexpectedly affected by uncertainty in the environment. Seven car retailer companies were contacted and interviewed to provide the empirical data which were later supplemented by the chosen companies’ annual reports. Through this selection this study explores a variety in the need for the budget. The results include that there is an interaction between the budget and the budget complement to satisfy the observed car retailers' individual needs of planning and control. This study is written in Swedish.

This study examines the Oba of Benin Royal Ugie ceremonies, which is an annual religious and cultural event celebrated by the Benin speaking people of Edo State, Nigeria. As a communal and spiritual activity, the Oba and people of Benin kingdom mark the Ugie festivals with Musical and dance performances. Within this context, the study adopts the historical and participant approaches as its method of contending that some events during the Oba of Benin Royal Ugie festival ceremonies are colorful theatrical performances. The organizational structure of the Oba of Benin Palace as it relates to the observance of Ugie festival ceremonies is also discussed in this research. This study also examines the role Ewini music plays in the various Oba of Benin Royal Ugie festival ceremonies, thereby looking at its origin, socio-cultural context, formation procedure, instrumentation, and organizational set-up. This research also recommends different ways in which music practitioner can benefit by applying a theatrical approach to the study of these royal Ugie ceremonies and its music and also the ability of the festival ceremonies to continue to act as an instrument of stability and unity for the people of Benin kingdom, by bringing people from different walks of life together during the performance at Ugie ceremonies. For clarity, all non-english words are defined in the glossary section on page 73. / Art History, Visual Arts & Musicology / M.Mus.

This study examines the Oba of Benin Royal Ugie ceremonies, which is an annual religious and cultural event celebrated by the Benin speaking people of Edo State, Nigeria. As a communal and spiritual activity, the Oba and people of Benin kingdom mark the Ugie festivals with Musical and dance performances. Within this context, the study adopts the historical and participant approaches as its method of contending that some events during the Oba of Benin Royal Ugie festival ceremonies are colorful theatrical performances. The organizational structure of the Oba of Benin Palace as it relates to the observance of Ugie festival ceremonies is also discussed in this research. This study also examines the role Ewini music plays in the various Oba of Benin Royal Ugie festival ceremonies, thereby looking at its origin, socio-cultural context, formation procedure, instrumentation, and organizational set-up. This research also recommends different ways in which music practitioner can benefit by applying a theatrical approach to the study of these royal Ugie ceremonies and its music and also the ability of the festival ceremonies to continue to act as an instrument of stability and unity for the people of Benin kingdom, by bringing people from different walks of life together during the performance at Ugie ceremonies. For clarity, all non-english words are defined in the glossary section on page 73. / Art History, Visual Arts and Musicology / M.Mus.