This paper discusses the education women in the catholic institutions São Cristóvão Orphanage and Imaculada Conceição School. The São Cristóvão Orphanage was founded in 1911 and aimed to accommodate abandoned girls, in 1922 due to the necessity to start a school, the institution received the Irmãs Missionárias da Imaculada Conceição da Mãe de Deus that come with the intention to manage both institutions. Its main objective was to investigate the educational practices developed in these institutions during the period 1922 to 1969, represented by two moments of great significance: the arrival of religious missionaries and change in the name of the institution that moved from São Cristóvão Orphanage to Lar da Imaculada Conceição . The paper investigate the school culture in the teaching women catholic over 47 years, based on documents produced by the institution itself, in the Instituto Histórico Geográfico de Sergipe de Sergipe (IHGS), in Arquivo Público de Sergipe (APES), Arquivo das Províncias Religiosas de Santa Cruz das Irmãs Missionárias da Imaculada Conceição da Mãe de Deus and Santo Antônio do Brasil dos Frades menores Franciscanos and in the memories of ex-boarders, ex-teachers and religious. / O presente trabalho discute a educação feminina nas instituições católicas Orfanato de São Cristóvão e Escola da Imaculada Conceição. O Orfanato de São Cristóvão foi fundado em 1911 e tinha como objetivo o acolhimento de meninas desvalidas, em 1922 devido à necessidade de criação de uma escola, a instituição recebeu as Irmãs da Imaculada Conceição da Mãe de Deus que chegavam com o objetivo de dirigir ambas as instituições. Tem como objetivo principal investigar as práticas educativas desenvolvidas nestas instituições, no período de 1922 a 1969, por representar dois momentos de relevante importância: a chegada das religiosas missionárias e a mudança da nomenclatura da instituição que passou de Orfanato de São Cristóvão para Lar da Imaculada Conceição. O trabalho investiga a cultura escolar católica feminina no decorrer de 47 anos, com base nos documentos produzidos pela própria instituição, no Instituto Histórico Geográfico de Sergipe (IHGS), Setor de Documentação Sergipana da Biblioteca da Universidade Federal de Sergipe (BICEN), no Arquivo Público de Sergipe (APES), Arquivos das Províncias Religiosas de Santa Cruz das Irmãs Missionárias da Imaculada Conceição da Mãe de Deus e Santo Antônio do Brasil dos Frades Menores Franciscanos e nas memórias de ex-interna, ex-professoras e religiosas.

The purpose of this study was to describe the home literacy environments and literacy experiences of a select group of Asian American children, and to recommend an intervention program based on the findings. The target population was the families which sent their children to a Saturday Asian language and culture school while sending them to public schools during the week, because of their expressed interest in literacy and the probability of their being the group to most likely benefit from intervention. The Home Literacy Environment and Literacy Experiences survey was initially sent out and results tallied and quantified. Upon placing the returned surveys into groups of "high," "middle," and "low" home literacy environment and literacy experiences, a sample of five "high" and five "low" families was selected for further study. Home visits, interviews, field notes, collection of artifacts and other methods of data collection provided a clearer picture of the state of the home literacy environment and literacy experiences of the families studied. Families rated as having "high" home literacy environment and experiences were found to have a larger number of literacy-related materials and higher frequency of literacy-related activities. Bilingualism and education were perceived as being important. The families also exhibited a strong interest in music and music lessons. Parents expressed a desire for two two-hour training sessions which would be held at the Saturday school location while their child attended classes there. It would be ideally held in the native language of the parents by a speaker from the native country. The parents preferred workshops with actual practice and examples which could be seen, accompanied by reading materials. Topics in which parents expressed interest include, in descending order: (a) 'selection of books for and with their child, (b) how to encourage their child to read, (c) how to discuss stories with their child, and (d) how to read aloud to their child.

I projektet undersöktes hur kulturskolans olika aktiviter och verksamheter kan jämställas. Att genom en byggnad utan rumsligt inbyggda hierarkier få all utövning att skrida över varandras och sina egna gränser och inspirera varandra. Rummen är skapade för möjlighet till spontana föreställningar, improvisation, övning utanför lektionstid och sammankomst men också koncentrerad klassisk övning i mindre rum med lärare. / The project examined how the art and culture school association Kulturskolan’s various activities and operations can be equated. Through a building without spatially embedded hierarchies get all the exercise to undercut each other’s and their own borders and also inspire each other. The rooms are created for opportunities to spontaneous performances, improvisation exercises outside of class and gathering but also concentrated classic exercise in smaller rooms with a teacher.

En kulturskola är inte ett skyltfönster för barnens talang utan en kreativ verkstad för att utvecklas. Detta har jag tagit fasta på och har en idé om en kulturskola där större delen av skolan är vikt till barnens trygghet. De vuxna har sin plats och resten av byggnaden är barnens. Här ska blyga kunna öva i trygghet och de som vill spela ut hela sin repertoar har möjlighet till det. Skolan ska också kunna vara en plats att hänga på någon timme innan sin lektion. Gestaltningsmässigt har skolan här ett öppet foajéplan som är semioffentlig. Caféet är öppet för allmänheten och kan användas för utställningar, föreläsningar och liknande. Men denna yta är också den som är de vuxnas. Kommer du med ditt barn så är det här du får vänta medan barnet springer in och gör sitt. Resten av foajéplanet är en flexibel yta som egentligen kan programmeras lite hur som helst. Uppåt i huset finns en yta för barn, som ett väntrum, där de kan hänga innan sin lektion. Uppåt finns också lektionssalar. Blandad verksamhet för att blanda barnen.  Den nedre delen av huset är nästan som ett helt annat hus. Här finns verksamhetslokaler samt flertalet av de servicefunktioner som måste finnas. Ytan att vistas på är här begränsad då det inte är tänkt att man ska uppehålla sig här mellan lektionerna. Som en bärande idé har jag fört med mig forskning som visar på hur man kan bygga bort mobbning. Huset har inga långa dolda korridorer och överallt kan lärare överse, utan att bevaka, alla utrymmen där barnen befinner sig. Med hörsel och syn kopplas hela huset samman genom principen att visuell och audiell kommunikation är trygghetens kärna. / A Culture school should not be a kids talent show room. It should be a creative shop for their own development. This is the starting point of my project. I have an idea of a culture school where the bigger part is for the children and only the children. A place to be safe. The shy kids should be able to practice in a safe environment and the more outspoken kids will have the opportunity to perform. This, normally a place you just spend a lesson at, should be a place to hang around after school. The entrance floor is a semi public floor with an café open for the public and with an area to have flexible purposes, maybe a show room one day and an open lecture the next. This area is the only area for the grown ups. When you pass through into the building you are in the world for the kids. The flexible entrance floor is accompanied with a ”half floor” entirely voided for the kids to hang at. Another floor up and two floors down you’ll find the rooms for different activities. The entire house is devoted to minimize bullying. No long corridors, a constant ability for teachers to watch the kids without being monitors and throughout the house you can hear, and almost see, everything.

Syftet med denna studie är att synliggöra en grupp pianolärare och en grupp musiklärarstudenters förståelse av individualisering. Forskningsfrågan behandlar synsätt och arbetssätt i en grupp yrkesverksamma lärare och en grupp lärarstudenter. Studien utgår från det sociokulturella perspektivet, då studien undersöker hur lärare planerar och organiserar lärande vid mötet med olika individer. Data samlas in genom två fokusgruppintervjuer med dessa två separata grupper som sedan analyseras. I resultatet presenteras deltagarnas synsätt och deras användning av undervisningslitteratur i individualiseringsarbetet. Resultatet visar att individualiseringsarbetet är något som kan motivera elevers lärande och arbetet kräver lärarkompetenser. Dock visar det sig att det finns vissa oklarheter gällande definitionen av individualiseringsarbetet. Det framgår också i resultatet att respektive grupper har olika kriterium för valet av undervisningslitteratur i arbetet med individualisering, och stödjande undervisningslitteratur kan ibland även utmana individualiseringsarbetet. I diskussionen behandlas och problematiseras resultatet ytterligare, i relation till tidigare presenterad forskning och litteratur. / The purpose of this study is to investigate the understanding of individualized teaching in a group of piano teachers at “Kulturskolan” and a group of piano teacher students. The research questions deal with the views and working methods of a group of professional teachers and a group of student teachers. The study is based in the socio-cultural perspective, as it examines how teachers plan and organize learning at the meeting with different individuals. Data is collected through two separate focus group interviews with these two groups which are then analyzed with thematic analysis. The results present the attitudes of the participants and their use of teaching literature in the individualization work. The result shows that the individualization work is something that can motivate students' learning and the work requires teacher skills. However, it turns out that there are some ambiguities regarding the definition of individualized teaching. It is also evident from the result that the respective groups have different criteria for the choice of teaching literature in the work of individualization and supporting teaching literature can sometimes also challenge the individualization work. In the discussion, the results are further discussed and problematized in relation to previously presented research and literature.

Rituals in the school environment, specifically in small schools with composite classes, are the subject of the diploma thesis. The theoretical part describes the environment of the small schools with composite classes in the Czech Republic and the specifics of teaching work in them. They are also discussed the rituals in general terms and the relationship to the hidden curriculum in this part. Specific rituals in contemporary small schools are described in following sections. The research part is conceived as a qualitative analysis of structured interviews with teachers and directors of small schools. The diploma thesis ends with a synthesis of empirical and theoretical part and with interpretation the results. The overlap of topics related to the problem that is mentioned in the conclusion.

Made available in DSpace on 2016-12-08T16:35:03Z (GMT). No. of bitstreams: 1 Ivanir Ribeiro.pdf: 2720499 bytes, checksum: 537f42d76b01856090eb6eeedd10826c (MD5) Previous issue date: 2012-05-11 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The research that underpins this paper was developed with the aim to investigate on the use of the school uniform of the Federal Technical School of Santa Catarina - ETFSC between 1962-1983, in order to understand the purposes that justifying its adoption. The year 1962 is taken as a starting point, according to a set of structural changes that occurred in the institution, both in physical and didactic procedure. These changes have configured a new phase of professional education in the Santa Catharina s State, which moved toward the consolidation of a technical- scientific culture in the school, quite different from its institutional image of the beginning of the century, thought to caring for poor children. Just in this moment the school establishes a school uniform as well as adopted criteria considered very hard to ensure your everyday use. 1983 is the year in which case occurs the replacement of the uniform known as "mostardão", whose symbolic appeal marks the institution and its students. The period defined in this study also coincides with the period of military dictatorship in Brazil, time of great social movements and strong repression by the dictatorial government. In this context, one could not fail to establish some relations between the tensions experienced in the country and the institution of the school uniform in the ETFSC. The study of history cuts across the areas of education and sociology because we understand that is in the basis of the adoption and the transformation in the aesthetics of uniform, the educational concepts are included which show a close relationship to social changes. In order to construct the base of this analysis, we used several sources: educational legislation, minutes, reports of direction, bylaws, offices, institutional resolutions and photographs. The results of the study pointed out several issues. Firstly, the school uniform was introduced in ETFSC at a time when the institution was projected as a major trainer of skilled professionals to meet needs of expanding industries in the country. So, ETFSC sought greater visibility in society of Florianopolis city and Santa Catharina state. Along with this, trying to discipline the students in order to assimilate a new institutional aesthetic. As for the different models according to the course attended, indicated its close relationship with the curriculum and prevailing concepts in professional education, which revealed the demarcation of social stratification and social positions. In summary, the study showed that school uniforms can express different meanings. We seek only to point out some possibilities of understanding this object constituting the school culture - the uniform - other readings can be made. It is hoped that this research raises questions that allow a deeper understanding of the meanings attributed to school uniforms / A pesquisa que está na base deste texto foi desenvolvida com o objetivo de investigar acerca do uso do uniforme escolar da Escola Técnica Federal de Santa Catarina ETFSC, entre 1962-1983, procurando compreender finalidades que justificaram sua adoção. O ano de 1962 é tomado como marco inicial, em função de um conjunto de mudanças estruturais que ocorreram na instituição, tanto físicas quanto didático-pedagógicas. Tais mudanças configuraram uma nova fase da educação profissional no Estado, a qual se encaminhava para a consolidação de uma cultura escolar técnico-científica, bem diferente de sua imagem institucional do início do século, voltada ao atendimento de crianças pobres. É nesse momento que essa escola institui o uniforme escolar, além de adotar critérios considerados bastante rígidos para garantir seu uso cotidiano. 1983 é o ano no qual acontece a substituição do uniforme conhecido por mostardão , cujo apelo simbólico marca a instituição e seus discentes. O período delimitado nessa pesquisa coincide também com o período da ditadura militar no Brasil, momento esse de grandes mobilizações sociais e de forte repressão por parte do governo ditatorial. Neste cenário, não se poderia deixar de estabelecer algumas relações entre as tensões vivenciadas no país e a instituição do uniforme escolar da ETFSC. O estudo transversaliza as áreas da história da educação e da sociologia por compreendermos que na base da adoção e transformação na estética do uniforme estão inscritas concepções educacionais as quais apresentam estreita relação com as transformações sociais. Para construção da base de análise utilizou-se fontes diversas: legislação educacional, atas, relatórios da direção, regimentos internos, ofícios, resoluções institucionais e fotografias. Os resultados do trabalho apontaram várias questões. Em primeiro lugar, que o uniforme escolar foi instituído na ETFSC em um momento em que a instituição se projetava como importante formadora de profissionais qualificados para suprir necessidades das indústrias em expansão no país. Assim, ela buscava maior visibilidade na sociedade catarinense e florianopolitana. Juntamente com isso, procurava disciplinar os alunos de modo a assimilarem uma nova estética institucional. Quanto às diferenças de modelos de acordo com o curso frequentado, indicaram sua estreita relação com o currículo e as concepções vigentes na educação profissional, as quais revelavam a estratificação social e a demarcação de posições sociais. Em síntese, o estudo mostrou que os uniformes escolares podem expressar diversos sentidos. Procuramos apontar apenas algumas possibilidades de compreensão desse objeto constitutivo da cultura escolar o uniforme , outras leituras podem ser feitas. Espera-se que essa pesquisa suscite questionamentos que permitam aprofundar a compreensão dos sentidos atribuídos aos uniformes escolares

Arkitekturprojektet som förslag syftar till att synliggöra Kulturskolans verksamhet i det aktuella området: Älvsjö i Stockholm. Skolan som plats utgör en plattform för möten och kulturutövande. Byggnadens utformning tangerar äldre såväl som senare arkitektur och skapar en relation som speglar Älvsjös mångtydiga identiteter. Skolbyggnaden skapar en fantasifull sfär för lärande och lek som hävdar barnkulturens okränkbara rätt till utrymme i staden. / The architectural project aims to make the activity of the Communal Culture School visible in the Älvsjö area in Stockholm. The school as a place is a platform for meetings and cultural expression. The design of the building touches both old as well as later architecture and creates a relationship between them that reflects the ambiguous identity of Älvsjö. The school building creates an imaginative sphere for learning and for play, which claims child culture's inviolable right to space in the city.