Ce travail de thèse consiste en l’élaboration d’une méthodologie d’étude de monuments historiques, appliquée au château de Chambord. Il s’agit de mettre en place le carnet de santé de l’édifice, et de le compléter par une expérimentation en laboratoire, afin de réaliser un diagnostic d’altération.Les archives historiques concernant le château ont été rassemblées et analysées pour concevoir des cartographies de dates de pose et de nature des pierres. L’examen in situ des façades a ensuite conduit à réaliser des cartographies d’altération. La synthèse des informations concernant le passé et le présent du monument a permis d’établir une liste des principaux facteurs environnementaux associés aux altérations, de même que la chronologie de leur développement, pour ainsi aboutir à une première estimation des cinétiques de progression.C’est la desquamation en plaques, détérioration courante du tuffeau, à la fois la plus dommageable et la plus complexe, qui a été ciblée pour le diagnostic d’altération. Les analyses physico-chimiques réalisées sur des prélèvements in situ ont conduit à l’identification systématique du gypse dans les fissures des desquamations. Des simulations expérimentales ont été mises en place pour appréhender le rôle du gypse, son mode de transport et son origine. La pollution atmosphérique mettant en oeuvre du SO2 gazeux reproduit bien la distribution du gypse telle que mesurée dans les desquamations en plaques observées au château de Chambord. Un mécanisme incluant ce phénomène a été proposé, pour expliquer le développement de cette altération, et qui pourrait être à la base des prévisions de l’évolution des altérations, afin d’envisager le futur du monument. / This thesis is dedicated to the establishment of a methodology to study the built cultural heritage, applied to the castle of Chambord. It consists in realizing the health record of the monument, and completing it by an experimental sequence in laboratory, in order to provide a diagnosis of the state of degradation.Historical archives about the castle were gathered and analysed to obtain mappings of dating and nature of stone. By mean of in situ observations, a mapping of degradation has been added. A synthesis of the information concerning the past and the present of the monument allowed establishing a list of the main factors associated to degradations and to a chronology of development of these degradations, so as to estimate their kinetics.Spalling, which is the most damaging and complex usual degradation, has been chosen as case of study for the diagnosis of degradation. The physic-chemical characterisations made on in situ coring lead to systematically found gypsum in spalling’s cracks. Various artificial ageing tests have been performed to enlighten the role of gypsum, its transport mode, and its origin. Atmospheric pollution including gaseous SO2 reproduces well the distribution of gypsum observed in spalling at Chambord. A global mechanism taking into account this phenomenon has been proposed to clarify the development of this degradation.

Esta pesquisa trata da preservação do patrimônio arquitetônico dos períodos colonial e do café, dentro do contexto da prática de restauração arquitetônica empreendida pelo arquiteto Luís Saia durante sua atuação no Serviço do Patrimônio Histórico e Artístico Nacional (SPHAN). No exercício das atividades como chefe da regional paulista, Saia foi um dos personagens fundamentais para a prática da preservação no Brasil através da introdução de procedimentos de restauro, especialmente entre os anos de 1937 e 1975. Esta foi uma atividade precursora no país, uma vez que não havia referências anteriores no campo da restauração arquitetônica. No bojo das discussões sobre os parâmetros para a realização efetiva das práticas de preservação, a realização de uma releitura crítica das intervenções realizadas nos permite verificar a existência de referências a textos teóricos da restauração, como a Carta de Atenas (1931) e a Carta de Veneza (1964), apontando indícios de que sua atuação prática tenha encontrado respaldo nas cartas patrimoniais. Nessa perspectiva, este trabalho avalia a presença de possíveis diálogos entre as teorias de restauro europeias, que serviram de base para a elaboração das cartas patrimoniais, e as intervenções de restauração empreendidas pelo arquiteto. Para tanto, buscou-se analisar seis obras emblemáticas, a fim de verificar uma provável fundamentação teórica que as conceituasse, formulada ou não preliminarmente àquelas obras, e em que medida foram orientadas por preceitos teóricos europeus de restauro, sobretudo italianos. / This research deals with the preservation of the architectural heritage of both colonial and coffee period, within the context of architectural restoration\'s practice undertaken by the architect Luís Saia during his activities in National Historic and Artistic Heritage Service (SPHAN). In his operations as the head of São Paulo regional, Saia was one of the key characters in the practice of conservation in Brazil through the structuring of a restoration methodology, especially between the years 1937 and 1975. This was a precursor activity in the country, since there were no previous references in the field of architectural restoration. Luís Saia did not formulate a theory of restoration. However, in the midst of discussions on the parameters for the effective realization of conservation practices, conducting a critical rereading of interventions in SPHAN allows us to check for references to theoretical texts of restoration, as the Athens Charter (1931) and the Venice Charter (1964), showing evidence that their practice performance has found support in the patrimonial charters. From this perspective, this study evaluates the presence of possible dialogue between European restoration theories, which formed the basis for the development of patrimonial charters, and the restoration intervention undertaken by the architect. Therefore, we sought to analyze six emblematic works, in order to verify a possible theoretical basis that appraises them, formulated or not preliminarily to those works, and to what extent were guided by European theoretical precepts of restoration, especially Italians.

O trabalho analisa a trajetória de construção dos conceitos de patrimônio vinculados às politicas de preservação cultural. Estuda as políticas desenvolvidas pelo IPHAN, pela UNESCO e pelos municípios de São Paulo e Santo André. A partir delas, identifica, no Brasil, três modelos de gestão, um referenciado na concepção de monumento, outro na de patrimônio cultural e o terceiro na de paisagem cultural. Defende, ora, o alinhamento desta última abordagem, como conceito, às formulações da teoria da complexidade, visando inspirar a construção de um sistema sustentável de gestão, ancorado no compartilhamento interinstitucional, na integração disciplinar e na participação cidadã. / This thesis analyzes the construction of heritage concepts related to cultural preservation policies. It examines the policies pursued by IPHAN, UNESCO and the municipalities of SP and SA. Then, it identifies, in Brazil, three management models: one referenced on the notion of monument, another in the design of cultural heritage and the last one in the cultural landscape. It assumes the alignment of the latter approach, as a concept, with the complexity theory formulation, aiming to support a sustainable management system construction, based on interinstitutional sharing, disciplinary integration and citizen participation.

Czech born art historian Max Dvořák is known as one of the leading persons of modern heritage protection in Central-East Europe. He formulated, similarly as his own teacher Alois Riegl, position in manner of science work typical for Vienna School of Art History. Main purpose and contribution of this work lies in a comparison of some parallels of phenomens including reception of his ideas in other states of Central-East Europe: former Czechoslovakia, Poland, and Hungary or Slovenia from the early organized conservation efforts in former Austrian Empire in 19th century to presence. On a theoretical level, in former Czechoslovakia, the Dvořák's modern conservation principles were accepted as universal. Unfortunately, in practice, this dominant discourse was changed by conformity in a conflict with political reality. The 1950's mean a stage of expansion of the state heritage protection, but a bitter price was paid by superordination of the political criteria to the professional ones. The moral ethos suffered also a lot of injuries. This resulted in preferring bureaucratic formalism over factual approaches, voluntarism, in compromise ability and in unwillingness to risk ones position for getting involved in fundamental questions of the preservations of monuments without any deeper interests in...

Adaptations of Prague Castle in the Time of the First Czechoslovak Republic The main subject of this thesis is to analyse one of the latest stages of the development of Prague Castle. The extent of the changes the historic core of the Czechoslovak state went through in the time of the first Republic is comparable only to the Theresian reconstruction in the second half of the 18th century, which unified the appearance of the castle and had a definite impact on the panorama of Hradčany. The period between 1918 and 1938, called the first Czechoslovak Republic, is connected with the development of a new democratic state. To offer a complete picture, the building activities in the area of Prague Castle shortly before 1918 are summarized as well; in some cases it was inevitable for the understanding of the modern reconstruction to insert short overviews of the whole building history. The analysis and the attempt to evaluate the mentioned important stage in the development of Prague Castle are based on a detailed study of the building activities that originally followed different goals. These activities concerned various parts of the castle and can be divided into three groups according to architects and builders: Kamil Hilbert, Josip Plečnik and Karel Fiala. The characters of the structures and of the...

Orientador: Maria Tereza Duarte Paes Luchiari / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Geociencias / Made available in DSpace on 2018-08-11T01:37:02Z (GMT). No. of bitstreams: 1 Mesquita_Erika_M.pdf: 2190119 bytes, checksum: ebfac51682fbcb6b3626cee022e0a624 (MD5) Previous issue date: 2007 / Resumo: Presenciamos a subordinação da cultura aos ditames do capital, a paisagem, como mais um produto à venda vem transformando os sentidos dos territórios e do patrimônio cultural. É um processo que vem alterando materialmente e simbolicamente o território e seus usos, por meio da refuncionalização turística que vem sofrendo o patrimônio cultural de Cunha. A apropriação de velhas paisagens e a reterritorialização de novas são responsáveis por uma nova reconfiguração espacial. Compreender a dimensão sócio-espacial dessas transformações em Cunha, com referencias culturais tão latentes, é o que nos propomos nessa análise / Abstract: We observe the subordination of the culture to the dictates of the capital, the scenery or landscapes like one more product for sale is transforming the senses of the territories and of the cultural inheritance. It is a process what it is altering materially and symbolically the territory and his uses, through the tourist refuncionalização that is suffering the cultural inheritance of Wedge. The appropriation of old sceneries and the reterritorialização of territory are responsible for a new space reconfiguration. It is what we intend this analysis understand the relation of dimension socio-space of these transformations and the dimension in Cunha, and with references cultural so latent in the region / Mestrado / Análise Ambiental e Dinâmica Territorial / Mestre em Geografia

Esta pesquisa trata da preservação do patrimônio arquitetônico dos períodos colonial e do café, dentro do contexto da prática de restauração arquitetônica empreendida pelo arquiteto Luís Saia durante sua atuação no Serviço do Patrimônio Histórico e Artístico Nacional (SPHAN). No exercício das atividades como chefe da regional paulista, Saia foi um dos personagens fundamentais para a prática da preservação no Brasil através da introdução de procedimentos de restauro, especialmente entre os anos de 1937 e 1975. Esta foi uma atividade precursora no país, uma vez que não havia referências anteriores no campo da restauração arquitetônica. No bojo das discussões sobre os parâmetros para a realização efetiva das práticas de preservação, a realização de uma releitura crítica das intervenções realizadas nos permite verificar a existência de referências a textos teóricos da restauração, como a Carta de Atenas (1931) e a Carta de Veneza (1964), apontando indícios de que sua atuação prática tenha encontrado respaldo nas cartas patrimoniais. Nessa perspectiva, este trabalho avalia a presença de possíveis diálogos entre as teorias de restauro europeias, que serviram de base para a elaboração das cartas patrimoniais, e as intervenções de restauração empreendidas pelo arquiteto. Para tanto, buscou-se analisar seis obras emblemáticas, a fim de verificar uma provável fundamentação teórica que as conceituasse, formulada ou não preliminarmente àquelas obras, e em que medida foram orientadas por preceitos teóricos europeus de restauro, sobretudo italianos. / This research deals with the preservation of the architectural heritage of both colonial and coffee period, within the context of architectural restoration\'s practice undertaken by the architect Luís Saia during his activities in National Historic and Artistic Heritage Service (SPHAN). In his operations as the head of São Paulo regional, Saia was one of the key characters in the practice of conservation in Brazil through the structuring of a restoration methodology, especially between the years 1937 and 1975. This was a precursor activity in the country, since there were no previous references in the field of architectural restoration. Luís Saia did not formulate a theory of restoration. However, in the midst of discussions on the parameters for the effective realization of conservation practices, conducting a critical rereading of interventions in SPHAN allows us to check for references to theoretical texts of restoration, as the Athens Charter (1931) and the Venice Charter (1964), showing evidence that their practice performance has found support in the patrimonial charters. From this perspective, this study evaluates the presence of possible dialogue between European restoration theories, which formed the basis for the development of patrimonial charters, and the restoration intervention undertaken by the architect. Therefore, we sought to analyze six emblematic works, in order to verify a possible theoretical basis that appraises them, formulated or not preliminarily to those works, and to what extent were guided by European theoretical precepts of restoration, especially Italians.

Submitted by Maria Dulce (mdulce@ndc.uff.br) on 2014-08-27T19:40:40Z No. of bitstreams: 1 Dissertacao CI_Catarina Silveira-2013.pdf: 649306 bytes, checksum: f399b36d022fed4b01388e8318d4ec4d (MD5) / Approved for entry into archive by Maria Dulce (mdulce@ndc.uff.br) on 2014-08-27T19:41:29Z (GMT) No. of bitstreams: 1 Dissertacao CI_Catarina Silveira-2013.pdf: 649306 bytes, checksum: f399b36d022fed4b01388e8318d4ec4d (MD5) / Made available in DSpace on 2014-08-27T19:41:29Z (GMT). No. of bitstreams: 1 Dissertacao CI_Catarina Silveira-2013.pdf: 649306 bytes, checksum: f399b36d022fed4b01388e8318d4ec4d (MD5) Previous issue date: 2013 / Universidade Federal Fluminense / Este estudo tem por objetivo identificar se os procedimentos adotados pelos Centros de Memória das Instituições de Ensino Superior estão em consonância com as Políticas de Preservação do Patrimônio Documental no Brasil. A metodologia utilizada pautou-se na pesquisa bibliográfica e na análise documental para fundamentação dos conceitos relacionados ao tema. O campo empírico teve como alvo o Núcleo de Memória da Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio) e o Projeto Memória do Sistema de Bibliotecas e Informação (SiBI) da Universidade Federal do Rio de Janeiro (UFRJ). Os resultados demonstraram que a preservação e acesso aos documentos contribui para fortalecer a identidade, a história e a memória das Instituições, pois facilitam a recuperação de informações que dificilmente seriam encontradas em outros documentos. Concluiu-se que na ausência de uma política governamental para garantir a preservação documental, as Universidades devem incorporar esses centros em sua estrutura e criar, a nível institucional, políticas de seleção, preservação e acesso à sua produção documental de caráter histórico/memorialístico. / This study aims to identify if the procedures adopted by Memory Centers of Highter Education Institutions are in keeping with the Policies for the Preservation of Documentary Heritage in Brazil. The methodology used was based on the bibliographical research and document analysis for foundation of concepts relation to the topic. The empirical field had targeted the Core Memory of the Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio) and Memory Project of the Sistema de Bibliotecas e Informação (SiBI) of the Universidade Federal do Rio de Janeiro (UFRJ). The results demonstrate that the preservation and access to documents contributes to strengthen the identity, history and memory of Institutions, because they facilitate the recovery of information that would hardly be found in other documents. Conclude that in the absence of a government policy to ensure the preservation of documents, the Universities should incorporate these centers in their structure and create the institutional level, selection policies, preservation and access your document production of historical/memorialistic.

Orientador: Olga Rodrigues de Moraes von Simson / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-14T12:42:35Z (GMT). No. of bitstreams: 1 Fronza-Martins_AglaySanches_M.pdf: 2765079 bytes, checksum: 6561bee23de176d815241238e3aa06b8 (MD5) Previous issue date: 2009 / Resumo: As possibilidades oferecidas pelas novas tecnologias de manipulação de imagens via computador viabilizam a criação de um banco de imagens digital, permitindo o acesso às obras do acervo do CMU sem a manipulação física das mesmas, o que agiliza a veiculação da informação para a produção de conhecimento, garante a preservação, bem como facilita a divulgação do acervo foco dessa pesquisa para um público muito mais amplo. Criou-se, para os objetivos desta pesquisa um Museu Virtual englobando quatro coleções (Coleção Theodoro de Souza Campos Junior; Coleção Fúlvia Gonçalves; Coleção Selma Simão e Coleção Silvia Matos) que integram o acervo artístico/histórico do Centro de Memória da Unicamp (CMU). O acervo, composto pelas coleções acima apresentadas, foi virtualizado, organizado e disponibilizado para a sua utilização sob o enfoque educativo não- formal em espaços museológicos contemporâneos. / Abstract: The possibilities offered by new technologies for manipulation of images via computer to enable creation of a bank of digital images, allowing access to works of the achievements of CMU without physical manipulation of them, which speeds up the delivery of information to produce knowledge guarantees the preservation and facilitates the divulgation of the focus acquits of this research to a much wider audience. It was created for the objectives of this research a museum Virtual comprising four collections (Collection Theodoro de Souza Campos Junior; Collection Fúlvia Gonçalves; Collection Selma Simon and Silvia Matos Collection) that integrate the artistical/ historical body of the Center for Memory the Unicamp (CMU). The collection, composed of the collections above, was virtualized, organized and made available for using under the non-formal educational approach in musicology contemporary spaces. / Mestrado / Ciencias Sociais na Educação / Mestre em Educação

This study aims to determine the role of Amazigh/Berber women in maintaining and preserving the cultural heritage of their people through carpet weaving, as well as how this tradition contributes to gender norms and tourism in rural Morocco. The research method consisted of conducting semi-structured interviews and a literature review of intangible cultural heritage preservation, traditional gender norms in rural areas, and nomadic tourism theories. Analysis of the interviews concluded that Amazigh women keep their traditional culture alive through carpet weaving, and they are simultaneously valued and marginalized within their society. The necessity and pressure placed upon them leads to issues related to gender equality and girls’ rights/accessibility to a quality education in the modern context. Though in a constant state of change and shifting with time, the nomadic lifestyle and traditional Berber carpet weaving are still participated in today and nevertheless hold deep significance for those who partake in these activities. Traditional mentalities regarding gender norms remain intact, although they are challenged more frequently. Women’s weavings are critical in preserving Amazigh culture and symbolize a heritage identity in an overt manner, making women central to the Berber story and Berber heritage.