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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

Search results

Showing 31 to 40 of 43 (0.089 seconds)
31

K vymezení žánru fantastiky na příkladu románové trilogie Inkoustový svět od Cornelie Funkeové / Determination of the literary fiction genre based on the example of the novel trilogy Inkworld by Cornelia Funke.

Kadlec, Daniel January 2013 (has links)
Autor: Daniel Kadlec Vedoucí práce: PhDr. Tamara Bučková, Ph.D. Univerzita Karlova v Praze Název práce: K vymezení žánru fantastiky na příkladu románové trilogie Inkoustový svět od Cornelie Funkeové Počet stran: 77 Název: K vymezení žánru fantastiky na příkladu románové trilogie Inkoustový svět od Cornelie Funkeové Abstrakt: Práce se zabývá fantastickou literaturou a na příkladu románové trilogie "Inkoustový svět" od CORNELIE FUNKEOVÉ poukazuje na některá specifika dvoudimenzionálních příběhů. V teoretické části je nejprve na základě rešerše definován pojem fantastická literatura / fantastika a posléze blíže popsány čtyři k ní náležející žánry - fantasy, science fiction, pohádka a fantastická povídka resp. fantastický román. Vlastní analýza trilogie "Inkoustový svět" je zaměřena na pojetí dvoudimenzionality a roli osudu v tomto díle. Předpoklad, že v "Inkoustovém světě" vytváří autorka dvě rovnocenné autonomní roviny světa reality a světa fantasie, se podařilo prokázat, stejně jako premisu výrazné role osudu, jenž lze změnit jen za pomoci vlastností jako jsou láska, přátelství a ochota k sebeobětování. Klíčová slova: fantastická literatura / fantastika; fantasy; dimenze reality vs. dimenze fantasie; Inkoustový svět; Cornelia Funkeová Author: Daniel Kadlec Supervisor: PhDr. Tamara Bučková, Ph.D. Charles...
32

MIMESE E REALIDADE EM O ANO DA MORTE DE RICARDO REIS / MIMESIS AND REALITY IN O ANO DA MORTE DE RICARDO REIS

Prevedello, Tatiana 17 November 2006 (has links)
The object of study is the book O ano da morte de Ricardo Reis, written by José Saramago, in which he articulates the imprecise limits between historical discourse and literary criation, looking for a sense in the reality representation, that strenghtens in an inter-discoursing and inter-textual based upon the truth of history and the truth of fiction . Mimesis, consequently, constructs itself as a representational activity that does not reflect the real world, but (un)realizes it from fictional theme. When involving man s artistic manifestation, it designates the creative exercise, corresponding to a way to represent the world. It was intended to investigate and interpret mimesis in the book, studying the relationship between the fictional world and the Portugal social-historical reality, specifically Lisbon in 1936. It was possible noticing that the character Ricardo Reis in (dis)sacralized from his poetic aura that surrounded the Fernando Pessoa heteronimous, when directly confronted with hostility of a world terrified by authoritarian regimes that ruled before the Second World War. In the text plan, the process of pre-configuration, configuration and reconfiguration of space and time, indicates that the past reality is present in the narrative, involving the character Ricardo Reis experiencing the labyrinths suggested from the Lisbon city, taken from the book The god of the labyrinth, and from news reported in the press. On this perspective, the book O ano da morte de Ricardo Reis has an interlocutor attitude towards historical reality , not restricted to a simple representation of past events in Portugal. / O objeto deste estudo é o livro O ano da morte de Ricardo Reis, de autoria do escritor português José Saramago, cuja obra articula os imprecisos limites que há entre o discurso histórico e a criação literária, procurando um sentido para a representação da realidade, que se fortalece em um diálogo interdiscursivo e intertextual pautado sobre a verdade da história e a verdade da ficção . A mimese, consecutivamente, constrói-se como uma atividade representativa que não reflete o universo, mas o irrealiza a partir da tematização ficcional. Ao envolver as manifestações artísticas do homem, designa o exercício criador, correspondendo a uma maneira de representação do mundo. Procurou-se investigar e interpretar o funcionamento da mimese na obra em questão, observando as relações entre o universo fictício e a realidade histórica e social portuguesa, mais especificamente de Lisboa, no ano de 1936. Foi possível perceber que o personagem Ricardo Reis é dessacralizado da aura poética que pairava sobre o heterônimo pessoano, ao confrontar-se diretamente com as intempéries de um mundo hostilizado pelos regimes autoritários que antecederam a Segunda Guerra Mundial. No plano diegético, os processos de pré-configuração, configuração e refiguração espaçotemporal, indicam que a realidade do passado se presentifica na narrativa, envolvendo o personagem Ricardo Reis pelos labirintos sugeridos a partir da figura de Lisboa, do livro The god of the labyrinth e das notícias veiculadas pela imprensa. Nessa perspectiva, a ficção de O ano da morte de Ricardo Reis vislumbra-se numa atitude de interlocução com a realidade histórica , não se limitando a uma mera representação de fatos do passado português.
Mimese
Realidade
Ficção literária
Romance português
José Saramago
Mimesis
Reality
Literary fiction
Portuguese novel
José Saramago
33

Mýtus literárního / The myth of the literary

Matysová, Daniela January 2016 (has links)
This diploma thesis is concerned with possible connection between literary theory of Wolfgang Iser and analytic philosophy of language. First of all I introduce analytic linguistic turn in general but the main part of thesis is dedicated to two opposite conceptions of language and interpretaton within the latter period of analytical movement. I want to explore Michael Dummett's and Donald Davidson's dispute over the role of conventions and questions about their indispensability in linguistic communication.Whereas their own opinions converge in view of the fact that influence of society on human thought is radically irreducible, there is great difference between their beliefs in the necessity of conception of rules inherent in social linguistic practice. My aim is to vindicate Davidson's theory of interpretation against Dummett's objections and then continue to discussing Iser's own theory of reading. Particularly I try to demonstrate that Iser's concept of literariness is based on Dummett's philosophical assumptions. In closing the main interest will be to reconsider if Iser's explanation of difference between literature and ordinary speech or document stands up to Davidson's challenge of Iser's entire treatment of linguistic practice. And, namely, if Davidson' philosophy of language can provide an...
34

The Device As Described Does Not Yet Exist

Carey F Compton (6640889) 15 May 2019 (has links)
A short story collection containing nine stories and a 20,000-word novella. The stories are speculative fiction and they experiment with form.
Creative Writing (incl. Playwriting)
English Language
Speculative fiction
short story collection
science fiction
literary fiction
creative writing
transhumanism
mind-uploading
experimental form
35

Self-publishing elektronické literatury / Self-publishing Of Electronic Literature

Porsche, Lukáš January 2019 (has links)
This dissertation thesis deals with electronic self-publishing of literary fiction, i.e. its publishing by the authors themselves, without involving publishers. Support from big technology companies led to unprecedented growth of this type of publishing in the 2010s and electronic self-publishing has in some countries become one of the standard ways of publishing. In spite of its expansion, electronic self-publishing is affected by many problems. The most prominent one is comparatively lower quality of many independently published e- books, mainly caused by limited knowledge of the publishing process from the side of the authors, many of which are not proper acquainted with publishing practices. The activities that should an independent author perform during the publishing process are the same as those performed by a publisher. Due to complicated character of some of these activities, many independent authors outsource them to other parties, or do not perform them at all. In the Czech Republic, electronic self-publishing is relatively undeveloped. It is true that there has probably been hundreds or thousands e-books published independently and that the number of downloads of these books is in hundreds of thousands copies. On the other hand, majority of this literature is offered for free or for...
36

The Lucky Clover

Heeb, Nick 17 April 2018 (has links)
No description available.
Literature
Fine Arts
American Literature
Modern Literature
Crime fiction
Literary fiction
South Dakota, Western
Noir
Race relations
Rural fiction
Western fiction
Drug dealers
Criminals
Revenge
Bisexual fiction
Prostitution
37

A Doctor's Daughter

Maggio, Christopher Joseph 07 July 2016 (has links)
No description available.
Literature
iran
iranian-american
familial conflict
fiction
novella
father-daughter relationships
literary fiction
immigrant experience
trauma
self-harm
parkinsons
lewy body dementia
abandonment
38

Kliché, original(itet) och prestige : En analys av bokomslag med konstmotiv till samtida kvalitetslitteratur / Cliché, original(ity) and prestige : An analysis of book covers with art motifs on contemporary literary fiction

Anehill, Matilda January 2024 (has links)
The aim of this essay is to examine book covers consisting of art reproductions as a contemporary book cover tendency for literary fiction. Since the ”art cover” does not recur to the same extent on popular fiction the study focuses on its functions in the packaging of literary fiction.  The theoretical framework is based on concepts such as ”paratext”, ”duomedial dialogues” and ”cultural capital”. Earlier studies on literary fiction, book covers and classical artforms are moreover central aspects to the conclusions made in this essay. The method used is a mix of a quantitative mapping of the book cover tendency and a qualitative analysis of the selected material. The material, consisting of nine contemporary literary fiction novels, are analyzed through their intermedial connections to the artworks displayed on their book covers. While the quantitative mapping showed that most art covers reproduce non-contemporary artworks, the qualitative analysis demonstrated that the motifs are depicted differently in the selected novels. Whereas the artwork in some novels seem meaningful to the plot, other novels only mention the artwork briefly or not at all.  Consequently, the art cover is discussed as a marketing tool developed by publishing companies in order to address the right audience. In its displaying of historical or classical art, the book cover tendency resembles classical aesthetics and cultural ideals that are mainly learned through institutions that legitimizes cultural capital. Thus, the novel’s intermedial connection to the art cover is not equally comprehensible to all readers but firmly to a cultural privileged one. Furthermore, this essay demonstrates that the art cover conveys prestige and cultural value in a similar way to literary fiction. As a result, literary fiction continues to distance itself from popular fiction on the contemporary book market.
literary fiction
book cover
contemporary
art
paratext
kvalitetslitteratur
bokomslag
samtida
konst
paratext
Humanities and the Arts
Humaniora och konst
Languages and Literature
Språk och litteratur
Specific Literatures
Litteraturstudier
General Literature Studies
Litteraturvetenskap
39

Естетика новинарске путописне репортаже у међуратној српској књижевности / Estetika novinarske putopisne reportaže u međuratnoj srpskoj književnosti / The aesthetics of journalistic travelogue reportage among the two world wars in Serbian literature

Duvnjak Radić Žaklina 28 September 2018 (has links)
<p>Докторска дисертација Естетика новинарске путописне репортаже у међуратној српској књижевности интерпретативним и компаративним методама утврђује постојање естетских интенција у овом жанру, на примеру текстова које су писали водећи писци српске авангарде Милош Црњански, Растко Петровић, Станислав Винавер, као и Раде Драинац и неки други традиционални писци попут Драгише Васића, Станислава Кракова и Григорија Божовића. Наспрам документарно-фактографског (репортажног) нивоа значења путописних репортажа, открива се дубљи, фикционални и поетско-конотативни слој, који их повезује са књижевним системом. Анализом идејних, поетичких, структурално-формалистичких и језичко-стилских карактеристика репрезентативних текстова овог жанра утврђују се поступци естетизације који их уводе у књижевни систем &ndash; изражена субјективност, литерарност и интертекстуалност. Рад указује на значај овог поджанра путописа у авангардном процесу раслојавања жанрова, као и његов допринос ширењу књижевног поља у новом комуникационом и рецепционом пољу у експанзији &ndash; дневним новинама. Анализира се интертекстуални, интермедијални и интеркултурални дијалог ове врсте текстова. Резултати рада могу се применити у историографским, социолошким и компаративним истраживањима међуратне епохе у српској књижевности, као и у журналистичком истраживању жанра репортаже.</p> / <p>Doktorska disertacija Estetika novinarske putopisne reportaže u međuratnoj srpskoj književnosti interpretativnim i komparativnim metodama utvrđuje postojanje estetskih intencija u ovom žanru, na primeru tekstova koje su pisali vodeći pisci srpske avangarde Miloš Crnjanski, Rastko Petrović, Stanislav Vinaver, kao i Rade Drainac i neki drugi tradicionalni pisci poput Dragiše Vasića, Stanislava Krakova i Grigorija Božovića. Naspram dokumentarno-faktografskog (reportažnog) nivoa značenja putopisnih reportaža, otkriva se dublji, fikcionalni i poetsko-konotativni sloj, koji ih povezuje sa književnim sistemom. Analizom idejnih, poetičkih, strukturalno-formalističkih i jezičko-stilskih karakteristika reprezentativnih tekstova ovog žanra utvrđuju se postupci estetizacije koji ih uvode u književni sistem &ndash; izražena subjektivnost, literarnost i intertekstualnost. Rad ukazuje na značaj ovog podžanra putopisa u avangardnom procesu raslojavanja žanrova, kao i njegov doprinos širenju književnog polja u novom komunikacionom i recepcionom polju u ekspanziji &ndash; dnevnim novinama. Analizira se intertekstualni, intermedijalni i interkulturalni dijalog ove vrste tekstova. Rezultati rada mogu se primeniti u istoriografskim, sociološkim i komparativnim istraživanjima međuratne epohe u srpskoj književnosti, kao i u žurnalističkom istraživanju žanra reportaže.</p> / <p><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>SR-LATN-RS</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> 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Normal";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-priority:99;mso-style-parent:"";mso-padding-alt:0in 5.4pt 0in 5.4pt;mso-para-margin-top:0in;mso-para-margin-right:0in;mso-para-margin-bottom:10.0pt;mso-para-margin-left:0in;line-height:115%;mso-pagination:widow-orphan;font-size:11.0pt;font-family:"Calibri","sans-serif";mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;mso-ansi-language:SR-LATN-RS;}</style><![endif]--></p><p class="MsoNormal" style="margin-bottom:10.0pt;text-align:justify;text-indent:35.4pt"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">D</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">octoral dissertation <i style="mso-bidi-font-style:normal">The aesthetics of journalistic travelogue report</i></span><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">age</span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> </span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">among the two world wars</span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> </span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">in </span></i><i style="mso-bidi-font-style:normal"><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">Serbian literature</span></i><i style="mso-bidi-font-style:normal"><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">,</span></i><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> by interpretative and comparative methods determines the existence of aesthetic intentions in th</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">is</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> genre, on the example of texts written by the leading writers of the Serbian avant</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">-</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">garde Milo&scaron; Crnjanski, Rastko Petrović, Stanislav Vinaver, as well as </span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">Rade Drainac</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> and some other traditional writers like</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS"> </span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">Dragi&scaron;a Vasić, Stanislav Krakow and Grigorije Božović. Contrary to the documentary-factual (reporting) level of meaning of travelogue report</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">ages</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">, a deeper, fictional and poetic-con</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">n</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">ot</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">ative</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> layer is revealed, which links them with the literary system. The analysis of conceptual, poetic, structural-formalistic and linguisti</span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">cally</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS">-stylistic characteristics of the representative texts of this genre determines the methods of aesthetization that introduce them into the literary system - expressed subjectivity, literary and intertextuality. The dissertation points to the significance of this sub-genre of the travelogue in the avant-garde process of stratifying the genres, as well as its contribution to the spreading of the literary field in the new communication and reception field in the expansion - the daily newspapers. Intertextual, intermedial and intercultural dialogue of this type of texts is analyzed. The results of the </span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">work</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> can be applied in historical, sociological and comparative research of the </span><span lang="SR-LATN-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-LATN-RS">among the two world wars</span><span lang="SR-CYRL-RS" style="mso-fareast-font-family:Calibri;color:black;mso-ansi-language:SR-CYRL-RS"> epoch in Serbian literature, as well as in the journalistic research of the genre of the reportage.</span></p>
40

The Samsa Files

Beach, Dalanie Nicole 24 June 2022 (has links)
No description available.
Fine Arts
Gregor Samsa
Franz Kafka
literary fiction
historical fiction
Metamorphosis
hybrid forms
experimental
epistolary
anorexia
eating disorders
body dysmorphia
illness
psychological
horror
mystery
existentialism
metafiction
art
multiple narrators
surrealism
biographical fiction
retelling

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