Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-13T13:16:45Z No. of bitstreams: 1 DahianaDosSantosAraujo_DISSERT.pdf: 1931141 bytes, checksum: e0551c6e95f98a171aee185cf37894e3 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-24T12:55:10Z (GMT) No. of bitstreams: 1 DahianaDosSantosAraujo_DISSERT.pdf: 1931141 bytes, checksum: e0551c6e95f98a171aee185cf37894e3 (MD5) / Made available in DSpace on 2017-01-24T12:55:10Z (GMT). No. of bitstreams: 1 DahianaDosSantosAraujo_DISSERT.pdf: 1931141 bytes, checksum: e0551c6e95f98a171aee185cf37894e3 (MD5) Previous issue date: 2016-02-24 / A proposta deste trabalho ? avaliar o cen?rio jornal?stico, e a maneira como o jornalismo se comporta em seu papel de lugar de mem?ria, diante da atual conjuntura das reda??es, dispostas a partir da cultura da converg?ncia e aos reflexos nas pr?ticas sociais. Atua-se com reflex?es a partir de teorias e autores - como Flores e Ren? (2012), Halbwachs (1990), Jenkins (2008), Fechine et al. (2012), Moloney (2011), Nora (1984), Ricoeur (2007). Para debater o assunto, optou-se pela an?lise de conte?do a partir de um estudo de caso de produtos veiculados pelo Jornal O Globo na cobertura da Jornada Mundial da Juventude (JMJ Rio 2013). Est?o no levantamento, textos, gr?ficos e imagens veiculadas entre os dias 20 e 30 de julho de 2013 pela edi??o impressa do jornal, assim como seu site, a vers?o exclusiva para tablet, O Globo a Mais, e o E-book Os Encantos de Francisco, assim como postagens na rede social Facebook do peri?dico. A partir de uma coleta e dados e de t?cnicas de pesquisa qualitativa, como a entrevista, avaliamos conte?do produzido pelo O Globo para diversas plataformas apontando a rela??o das estrat?gias utilizadas pela empresa com as estrat?gias de transmidia??o trabalhadas por Fechine et al. (2012) e com os princ?pios do jornalismo transm?dia elaborados por Moloney (2011). Os di?logos entre o que se aponta na cobertura do O Globo e no corpo te?rico desta disserta??o s?o expostos a fim de proporcionar uma vis?o do jornalismo, diante do contexto da converg?ncia, como uma pr?tica social ef?mera, mas que, embora esteja inserida nos avan?os tecnol?gicos, mant?m aspectos tradicionais da produ??o de informa??o, como os crit?rios de noticiabilidade. / The purpose of this work was to research the journalistic scene, and how journalism behaves in its role as a ?place of memory?, given the current situation of newspaper, by insert of the culture of convergence and reflections on social practices. It works with reflections from theories and authors - such as Flores and Ren? (2012), Halbwachs (1990), Jenkins (2008), Nora (1984), Ricoeur (2007). To debater, we use to product content analysis conveyed by the O Globo Joural in coverage of ?Jornada Mundial da Juventude (JMJ Rio 2013)?. The survey have text, graphics and images transmitted between 23 and 29 July 2013 the printed edition of the printed journal, as well as its website, the exclusive version for tablet, ?O Globo a Mais?, and the e-book's ?Os Encantos de Francisco?, as well as posts on the social network Facebook journal. With a data collection and qualitative research techniques such as interview, evaluate content produced by O Globo Journal for several platforms pointing the relation of the strategies used by the company with the transmidia??o strategies worked by Fechine et al. (2012) and the principles of journalism transmedia prepared by Moloney (2011). The dialogues between that point on the roof of O Globo Journal and theoretical body of this work are exposed to provide a journalism vision before the convergence context, as an ephemeral social practice, but that, although it is inserted in the technological advancements maintains traditional aspects of the production of information, such as the criteria of newsworthiness.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-06-02T22:42:00Z No. of bitstreams: 1 ManoelMeirellesAmorimBatista_DISSERT.pdf: 3722710 bytes, checksum: 3a02d19cab31f998b37eb32a35dc5355 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-06-08T23:41:15Z (GMT) No. of bitstreams: 1 ManoelMeirellesAmorimBatista_DISSERT.pdf: 3722710 bytes, checksum: 3a02d19cab31f998b37eb32a35dc5355 (MD5) / Made available in DSpace on 2017-06-08T23:41:15Z (GMT). No. of bitstreams: 1 ManoelMeirellesAmorimBatista_DISSERT.pdf: 3722710 bytes, checksum: 3a02d19cab31f998b37eb32a35dc5355 (MD5) Previous issue date: 2017-02-20 / A presente pesquisa se prop?e a analisar a paisagem nordestina constru?da no filme ?O C?u de Suely?, dirigido por Karin A?nouz em 2006. Considerando que a paisagem ? uma constru??o do olhar humano em dire??o a uma dada regi?o espacial, e que esse olhar organiza e seleciona os dados da realidade a partir das refer?ncias pr?vias subjetivadas e do imagin?rio de cada observador, exploramos a representa??o da paisagem nesse filme por meio da an?lise f?lmica preconizada por Jacques Aumont (2004), acrescida de uma abordagem plurimetodol?gica que agrega concep??es da paisagem atinentes a diversos campos das humanidades como arte, geografia, hist?ria e literatura. Primeiramente, a constru??o da paisagem nordestina foi examinada em sua correla??o com outros filmes do cinema contempor?neo e de per?odos anteriores do cinema nacional. Em seguida foram investigados diferentes aspectos da paisagem no filme escolhido para ser objeto emp?rico desta pesquisa, como sua produ??o, roteiro, equipe t?cnica, or?amento e loca??es, bem como averiguamos como se formou o olhar do diretor em rela??o a essas espacialidades, por meio do levantamento de dados profissionais e biogr?ficos, que ajudaram a entender suas refer?ncias pr?vias subjetivas. Com esse aporte te?rico, a an?lise em espec?fico do filme foi direcionada por tr?s chaves de leitura selecionadas, sendo elas o c?u, o sert?o e a mulher. Tais chaves potencializaram as reflex?es sobre a paisagem referenciadas por pontos de adensamento simb?lico e marcadores espaciais, sendo examinadas as fun??es e peculiaridades que a paisagem assume nessa narrativa, tendo funcionalidades al?m da mera descri??o espacial, apontando fortes evid?ncias de que ela pode impulsionar a narrativa, refletir estados subjetivos dos personagens, ou at? funcionar como antagonista em certos momentos. Em ?O C?u de Suely? a paisagem constitui exemplo das novas tend?ncias no cinema nordestino, as quais trazem para o foco as transforma??es, a diversidade e atualiza??es que ocorrem nessas espacialidades, e permitem assim, a incorpora??o de elementos urbanos, globalizados, transculturais a essas constru??es espaciais. / The following research intends to propose an analysis of Northeastern landscape built in the movie ?Suely in the Sky?, directed by Karin Ainouz in 2006. Considering that a landscape is built by the human eye directing of a certain spatial region and that that look organizes and selects subjective previews and the imaginary of each viewer, it was explored a landscape representation in the movie via a film analysis penned by Jacques Aumont (in 2004), expanded by a plethora of methodological lines which adds landscapes concepts linked to several fields of humanities such as Arts, Geography, History and Literature. Firstly, the construction of the northeastern landscape was examed in its correlation to other movies from Contemporary Cinema and previous periods of National Cinema. Secondly, different aspects of the referred movie were investigated, since it was chose as the research empirical object, such as its production, screenplay, crew, budget and locations; it was also examined how the director?s style originated from those spatialities, elaborating a research through his career and biography ? that enabled a full understanding of his preliminary references. With this theoretical input, the movie?s specific analysis was driven by three selected themes: the sky, the sert?o and the woman. These themes boosted the discussions about landscape, deepened by its symbolism and spatial markers, thus, examined its functions and peculiarities which are elaborated towards landscape in this piece of work. An analysis supported beyond mere spatial description, leading to strong evidence for the narrative?s appeal, communicating the character?s personal states or even functioning as an antagonist in certain moments. In ?Suely in the Sky?, the landscape itself constitutes an example for the new tendencies of Northeastern Cinema, linked to its transformation, diversity e actualization characteristics that occurs in such spacialities, also enabling the embodiment of urban, global and transculturals elements to those spatial constructs.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-07-04T13:54:58Z No. of bitstreams: 1 AcaciaPierreDosSantosMedeiros_DISSERT.pdf: 3655066 bytes, checksum: e60336f468fa7b5fbfa22beb1d9db4e3 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-07-12T14:37:11Z (GMT) No. of bitstreams: 1 AcaciaPierreDosSantosMedeiros_DISSERT.pdf: 3655066 bytes, checksum: e60336f468fa7b5fbfa22beb1d9db4e3 (MD5) / Made available in DSpace on 2017-07-12T14:37:11Z (GMT). No. of bitstreams: 1 AcaciaPierreDosSantosMedeiros_DISSERT.pdf: 3655066 bytes, checksum: e60336f468fa7b5fbfa22beb1d9db4e3 (MD5) Previous issue date: 2017-03-25 / A expans?o tecnol?gica e comunicacional propiciou o surgimento de novas pr?ticas de visualiza??o e apropria??o de informa??es, de modo a afetar a visibilidade e as pr?ticas das comunidades de f?s, que se constituem a partir de uma participa??o ativa dos membros que as integram. Este trabalho procura inserir-se no contexto da cultura participativa a fim de melhor compreender o fen?meno de cultura de f?s e contribuir para os estudos que a ele est?o relacionados. Para isto, utiliza-se o filme Batman vs Superman ? A Origem da Justi?a com o objetivo de demonstrar como os f?s se organizam e quais as suas pr?ticas em uma comunidade virtual. O m?todo empregado ? o da netnografia apoiada ? observa??o das pr?ticas online e ? elabora??o de question?rios destinados aos membros da comunidade. A base te?rica ? composta por autores como Henry Jenkins (1992;2006;2009;2015), Matt Hills (2002), Clay Shirky (2011), Paul Booth (2010), Mark Duffett (2013), dentre outros que procuram compreender a participa??o como o fator fundamental da cultura de f?s. / The technological and communicational expansion provided the emergence of new practices of preview and appropriation of information, affecting the visibility and the practices of the fans communities, which stabilish from an active participation of members that integrate them. This paper seeks to insert in the culture participatory context in order of better understand the fans culture phenomenon and contribute to the studies that are related to it. Therefore, I use Batman vs Superman ? Down of Justice film to demonstrate how the fans organize themselves and which are their practices in a virtual community. The used method is the netnography with the observation of online practices and the elaboration of quizzes for the community members. The theoretical basis is composed of authors like Henry Jenkins (1992; 2006; 2009; 2015), Matt Hills (2002), Clay Shirky (2011), Paul Booth (2010), Mark Duffett (2013), and others that try to understand the participation as the key factor of the fans culture.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-07-04T14:02:47Z No. of bitstreams: 1 CamilaSilvaBezerra_DISSERT.pdf: 643025 bytes, checksum: c60f297123fa12e997fb723991eefaa1 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-07-12T16:07:27Z (GMT) No. of bitstreams: 1 CamilaSilvaBezerra_DISSERT.pdf: 643025 bytes, checksum: c60f297123fa12e997fb723991eefaa1 (MD5) / Made available in DSpace on 2017-07-12T16:07:27Z (GMT). No. of bitstreams: 1 CamilaSilvaBezerra_DISSERT.pdf: 643025 bytes, checksum: c60f297123fa12e997fb723991eefaa1 (MD5) Previous issue date: 2017-03-09 / Discuss?es acerca da chamada classe m?dia teve ampla aten??o no Brasil nos ?ltimos anos reconhecendo sua import?ncia econ?mica e populacional, observa-se como os novos padr?es de consumo adotados por essa classe, o trabalho e a renda per capita, influenciam a menor n?mero de filhos por mulher por diversos fatores. O presente trabalho analisa a rela??o do n?mero de filhos nos domic?lios segundo suas classes sociais e seus respectivos padr?es de consumo. Para a fonte metodol?gica da discuss?o acerca das rela??es das classes sociais, a pesquisa tomou como base o esquema de operacionaliza??o de Goldthorpe (1987), para observar o efeito relacional do n?mero de filhos sobre seus gastos, foram utilizados os bancos de dados da Pesquisa de Or?amentos Familiares (POF) do Instituto Brasileiro de Geografia e Estat?stica ? IBGE, referente ? vers?o de 2008-2009. Tr?s elementos foram considerados centrais e fundamentais do banco de dados para a observa??o (Rendimentos, Domic?lios e Despesas), e foram extra?das as informa??es acerca das classes sociais, do n?mero de filhos por domic?lio, e as despesas com ve?culos por domic?lio como elemento de consumo. O decl?nio do n?mero de filhos se explica basicamente pelas grandes transforma??es na estrutura socioecon?mica da popula??o. Fatores como urbaniza??o, dinamiza??o da economia, maior acesso ao cr?dito e formas de consumo, e programas de transfer?ncia de renda para popula??o mais pobre s?o n?tidos para interfer?ncia comportamental sobre a cria??o de filhos por domic?lio. A influ?ncia do consumo e do aumento das qualifica??es profissionais e dos rendimentos, fez com que houvesse um crescimento na composi??o das classes sociais m?dias da forma que o comportamento reprodutivo das fam?lias sofresse com tais influ?ncias. / Discussions about the so-called middle class have had wide attention in Brazil in recent years, recognizing their economic and population importance, it is observed how the new patterns of consumption adopted by this class, labor and per capita income, influence the lower number of children by Woman by several factors. The present study analyzes the relation of the number of children in the households according to their social classes and their respective patterns of consumption. For the methodological source of the discussion about the relations of social classes, the research was based on Goldthorpe's (1987) scheme of operation, in order to observe the relational effect of the number of children on their expenditures. Family Budgets (POF) of the Brazilian Institute of Geography and Statistics - IBGE, referring to the 2008-2009 version. Three elements were considered central and fundamental to the database for the observation (Income, Households and Expenses), and information about social classes, number of children per household was extracted, and expenses with vehicles per household as an element of consumption. The decline in the number of children is basically explained by the great changes in the socioeconomic structure of the population. Factors such as urbanization, economic dynamism, greater access to credit and forms of consumption, and income transfer programs for the poorest population are clear for behavioral interference on child rearing by household. The influence of the consumption and the increase of the professional qualifications and of the incomes, made that there was a growth in the composition of the average social classes of the form that the reproductive behavior of the families suffered with such influences.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-08-01T14:27:30Z No. of bitstreams: 1 RenataAlvesDeAlbuquerqueOthon_DISSERT.pdf: 4272876 bytes, checksum: 1b6279edd3c561a258ad09f194830035 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-08-08T14:21:55Z (GMT) No. of bitstreams: 1 RenataAlvesDeAlbuquerqueOthon_DISSERT.pdf: 4272876 bytes, checksum: 1b6279edd3c561a258ad09f194830035 (MD5) / Made available in DSpace on 2017-08-08T14:21:55Z (GMT). No. of bitstreams: 1 RenataAlvesDeAlbuquerqueOthon_DISSERT.pdf: 4272876 bytes, checksum: 1b6279edd3c561a258ad09f194830035 (MD5) Previous issue date: 2017-03-16 / Este estudo tem como objetivo discutir o papel do self reality show online - conceito desenvolvido na pesquisa que trata da autoexposi??o de microcelebridades na internet - na apropria??o de pr?ticas de consumo alimentar saud?vel entre usu?rios do Instagram. Nesse ponto, analisa-se o papel e o trabalho de influenciadores digitais, um novo modelo de neg?cio que vem ditando tend?ncias e articulando mentes, a partir da observa??o da expans?o do constructo de saudabilidade, da gastronomiza??o e do estudo das tend?ncias alimentares contempor?neas. Para tanto, adota-se conceitos centrais que fazem a ponte entre sociedade, m?dia e sa?de: midiatiza??o, ? luz dos estudos de Hjarvard (2012), Muniz Sodr? (2012), Fausto Neto (2006, 2008) e Ver?n (2014); sociabilidade em rede, embasada nas pesquisas de Castells (2003, 2010) e Recuero (2009); visibilidade e exibicionismo, sob a ?tica de Debord (1964), Rocha e Castro (2009), Rocha (2006), Goffman (2002) e Sibilia (2007, 2008); consumo contempor?neo e tend?ncias da alimenta??o, baseados em Lipovetsky (2007), Barbosa (2009), Esp?rito Santo Neto (2009) e Jacob (2013). Metodologicamente, por meio da da Teoria Fundamentada, coment?rios gerados em publica??es relacionadas ? alimenta??o saud?vel, pertencentes aos perfis @carolbuffara e @mimisfranzoni, s?o analisados de acordo com o processo de codifica??o da TF e sistematizados em categorias e memos, intitulados codifica??o aberta, axial e seletiva. Entrevistas via question?rio Google Docs com seguidores dos perfis analisados tamb?m s?o consideradas como suporte para a interpreta??o dos dados. O estudo te?rico e a an?lise apontam para a transforma??o da opini?o de microcelebridades em crit?rio de legitimidade, fen?meno ancorado pela representatividade e visibilidade presentes nas redes sociais na internet, que as transformam em uma refer?ncia e esp?cie de manual de estilo de vida sintonizado com a saudabilidade e a gastronomiza??o, tend?ncias ainda pautadas pela m?dia e pelas ind?strias aliment?cia e da beleza. Interpreta-se os resultados como reflexos de uma sociedade que tem como forte tend?ncia de comportamento o culto ao corpo e de uma cultura hedonista imaginativa que institucionaliza a busca de sensa??es, experi?ncias e emo??es por interm?dio do consumo, sob a ?tica do consumo de imagens. / This study aims to discuss the role of the online self reality show - a concept developed in the research that deals with the self exposition of microcelebrities on the internet - in the appropriation of healthy food consumption practices among Instagram users. At this point, the part played by digital influencers - a new business model that has been dictating trends and articulating minds - and their work is analyzed, based on the observation of the expansion of the healthyness construct, the gastronomization and the study of contemporary food trends. To do so, core concepts that bridge the gap between society, the media and health are adopted: mediatization, in the light of the studies of Hjarvard (2012), Muniz Sodr? (2012), Fausto Neto (2006, 2008) and Ver?n (2014); networked sociability, based on Castells (2003, 2010) and Recuero (2009); visibility and exhibitionism, from the perspective of Debord (1964), Rocha and Castro (2009), Rocha (2006), Goffman (2002) and Sibilia (2007, 2008); contemporary consumption and food trends, based on Lipovetsky (2007), Barbosa (2009), Esp?rito Santo Neto (2009) and Jacob (2013). Through the methodology of the Grounded Theory, comments generated in publications related to healthy eating, belonging to the profiles @carolbuffara and @mimisfranzoni, are analyzed according to the decoding process of TF and systematized in categories and memos, called open, axial and selective codification. Interviews applied via Google Docs with followers of the analyzed profiles are also considered as support for the interpretation of the data. The theoretical study and the analysis and interpretation of the data point to the transformation of the microcelebrities? opinions into a standard of legitimacy, a phenomenon anchored by the representativeness and visibility present in the social networks in the internet, that transform these digital influencers into a reference of lifestyle tuned with the healthiness and gastronomization, trends still based on the media and the food and beauty industries. The results are interpreted as reflections of a society that has as a strong behavioral tendency the cult of the body and of an imaginative hedonistic culture that institutionalizes the search of sensations, experiences and emotions through the consumption, from the point of view of the consumption of images.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-10-04T23:04:59Z No. of bitstreams: 1 EmanoelLeonardoDosSantos_DISSERT.pdf: 2559806 bytes, checksum: 1edb06eb9069c93bdfccdcae025512a1 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-10-16T19:30:30Z (GMT) No. of bitstreams: 1 EmanoelLeonardoDosSantos_DISSERT.pdf: 2559806 bytes, checksum: 1edb06eb9069c93bdfccdcae025512a1 (MD5) / Made available in DSpace on 2017-10-16T19:30:30Z (GMT). No. of bitstreams: 1 EmanoelLeonardoDosSantos_DISSERT.pdf: 2559806 bytes, checksum: 1edb06eb9069c93bdfccdcae025512a1 (MD5) Previous issue date: 2017-06-06 / Esta disserta??o tem como objetivo analisar o trabalho efetuado pela r?dio Reis Magos ? 96 FM na internet. Por meio de observa??o emp?rica preliminar, constata a presen?a cont?nua da r?dio na plataforma digital, no entanto, encontrada algumas lacunas na forma como a emissora atua e utiliza a web para o desenvolvimento do seu trabalho. A pesquisa toma por base as a??es de converg?ncia realizadas pela empresa no site e nas redes sociais (Facebook, Instagram e Twitter) no per?odo que compreende o m?s de novembro de 2016. Durante a observa??o, a hip?tese era de que n?o havia investimentos na ?rea digital da emissora. Essa quest?o se d? pela n?o presen?a de publicidades nesses canais de comunica??o. Para a elabora??o desta pesquisa, serviram como base para a tem?tica abordada autores como Lopes (2016), Meditsch (2001), Ferrareto (2007) e Kischinhevsky (2016), que foram de extrema import?ncia para o desenvolvimento deste estudo de caso (YIN, 2005). Alguns procedimentos metodol?gicos tamb?m foram importantes, como a an?lise das p?ginas da r?dio, tanto no site quanto nas redes sociais, a perman?ncia in loco (LAGO, 2007), o que resultou em entrevistas e na observa??o do trabalho da emissora (WINKIN, 1998), sendo este fora da rede digital. Verifica, ainda, que entre as emissoras de r?dio de Natal, a 96 FM ? a que mais atua e desenvolve trabalhos na internet. Apesar disso, a pesquisa verifica que falta muito para a empresa estar com uma totalidade de produ??es na web, talvez pela aus?ncia de investimentos ou ainda pela acomoda??o dos profissionais que atuam nela. Por fim, esta disserta??o aponta a necessidade de se investir mais nas produ??es das emissoras de Natal na internet, n?o s? pelo desenvolvimento e pelo crescimento das r?dios mas tamb?m para ouvintes terem a op??o de acompanhar as suas programa??es favoritas a partir de qualquer dispositivo de transmiss?o, sejam eles fixos sejam m?veis. / The present dissertation aims to analyze the work accomplished by Reis Magos radio service ? 96 FM, offered on the internet. Through preliminary empiric observation it was noticed the continuous presence of the radio on the digital platform, however, some failures were found on how the broadcast station acts and uses the web for the development of its work. This research is based on the actions of convergence realized by the company on its website and on Social Medias (Facebook, Instagram and Twitter) in the period of November 2016. During the observation it was pointed out a hypothesis for the lack of investments in the digital area of the radio station, what happens by the non-presence of advertising in the referred communication channels. For the elaboration of this research some bibliographies were used and served as base for the current thematic, authors such as Lopes (2016), Meditsch (2001), Ferraretto (2007) and Kischinhevsky (2016) were all of extreme importance for the development of this case study (YIN, 2005). Some methodological procedures were also important, like the analysis of both the website and the public profile of the radio on Social Medias, and the permanence in loco (LAGO, 2007), what resulted in interviews and in observation of the work developed by the station (WINKIN, 1998), this last one being outside the digital network. Through this observation, it was noticed that, among the radio stations located in Natal, 96 FM is the one that both acts and develops more works on the internet. Nevertheless, the research identifies that it is a long way until the company have a totality of productions on the internet, maybe for the lack of investments or even for the accommodation of the professionals working in it. Lastly, this dissertation points out the necessity of more investment in the internet productions of the radio stations from Natal, not only for the development and expansion of the radio stations, but also for the listeners to have the option of following their favorite programs from any receptor device, be them fixed or mobile.

Made available in DSpace on 2015-04-14T13:55:13Z (GMT). No. of bitstreams: 1 438727.pdf: 394071 bytes, checksum: 7dc2ea9a9a883b75da2124dbe74af3a7 (MD5) Previous issue date: 2012-03-27 / This research aims to present the political thinking of Dante Alighieri. It is quite common of us to think that the Florentine poet has only addressed the subjects related to poetry. However, it is necessary to point out that, even prior to becoming a poet, Dante Alighieri is a political philosopher of the Middle Ages. Living within an environment of troubled relations of power, especially between the Church and the Empire, Dante attempts to rationally present theses to solve the problem about who should govern in order to avoid the clash between powers in the Western Christianity. Through this perspective, the sommo poeta formulates a model of government focused on the distinction between powers: spiritual power and temporal power. Furthermore, it focuses on the individuals and in their political engagement the complete fulfillment of mankind, thus devising the concept of optimus homo. Undoubtedly a better man will be the one who participates in the political community, the one who gets involved in the so-called ethical and political issues and who respects the State and the Law / Esta pesquisa tem por objetivo apresentar o pensamento pol?tico de Dante Alighieri. ? muito comum pensarmos que o poeta florentino apenas tratou de quest?es relativas ? poesia. Entretanto, ? necess?rio esclarecermos que, antes mesmo de ser poeta, Dante Alighieri ? um fil?sofo da pol?tica na Idade M?dia. Vivendo num ambiente de conturbadas rela??es de poder, sobretudo entre Igreja e Imp?rio, Dante procura de forma racional apresentar teses para solucionar o problema acerca de quem deveria governar a fim de evitar o embate entre poderes na Cristandade Ocidental. Nesta perspectiva o sommo poeta elabora um modelo de governo centrado na distin??o entre poderes: poder espiritual e poder temporal. Ainda, centra no homem em sua participa??o pol?tica a plena realiza??o do g?nero humano, conferindo assim o conceito de optimus homo. Sem d?vida alguma ser? melhor o homem que participar da comunidade pol?tica, aquele que se envolver com as chamadas quest?es ?tico/pol?ticas e que respeitar o Estado e o Direito

Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2016-10-24T21:28:55Z No. of bitstreams: 1 Disserta??o, DOC.pdf: 5943433 bytes, checksum: 353ade7c41c9060be4ef463f0cfd3f12 (MD5) / Made available in DSpace on 2016-10-24T21:28:55Z (GMT). No. of bitstreams: 1 Disserta??o, DOC.pdf: 5943433 bytes, checksum: 353ade7c41c9060be4ef463f0cfd3f12 (MD5) Previous issue date: 2016-03-23 / Funda??o de Amparo ? Pesquisa do Estado da Bahia - FAPEB / Revista Ra?a Brasil is a magazine destined to the black audience and it aims to rescue the self steam of the black race, in order to rescue it, the magazine publishes in its contents, media highlights intending to show the idea that it is possible for the black people to move upward in society too. The magazine was launched in trade environment in 1996, among other magazines that did not succeed, Revista Ra?a Brasil is the one which is most sedimented. This master?s thesis aims to analyze discursive aspects about the black woman, in the magazine mentioned, mainly focusing on reflection about the female aspect. Based on the Discourse Analysis which seeks in speaking flaw and in the silencing possible senses and it is based on the analysis of historical and ideological constructions which constitute the utterance. It will be analyzed the discourses that move in the magazine trying to show that even a magazine which aims to value the black beauty, it utters discourses that reinforce the non-acceptance of black people as potential beings who have their own beauty. It is possible to find in the magazine discourses which ignore the black beauty as legitimate and black women represented based on European beauty standards. It is possible to query, through Revista Ra?a Brasil how black women discursive construction happens, being, thus relevant for the comprehension about what means being a woman as well as which positions she occupies. This research is theoretically based on French Discourse Analysis, specifically studies of Orlandi and P?cheux (1997). Thus, some categories such as ?already-said? marks about black women which constitute the interdiscourse, and ideological and discursive formations in which black women are represented in the magazine. / A Revista Ra?a Brasil, destinada ao p?blico negro, visa resgatar a auto-estima da ra?a negra. Para tanto, a Revista traz em seu conte?do, destaques midi?ticos com o intuito de levar a esse p?blico a ideia de que o negro tamb?m pode ascender, socialmente. Lan?ada em 1996, a Revista Ra?a Brasil, no ?mbito comercial, ? a circula??o mais sedimentada em detrimento de outras, que n?o obtiveram sucesso. Esta disserta??o pretende analisar aspectos discursivos sobre a mulher negra, na revista em quest?o, tendo como foco as reflex?es sobre o feminino. Partindo da An?lise do Discurso que busca na falha que fala e no silenciamento, os poss?veis sentidos e baseia-se na an?lise das constru??es hist?ricas e ideol?gicas que constituem o enunciado - ser?o analisados os discursos que circulam nessa revista tentando mostrar que mesmo uma revista de valoriza??o da ra?a negra, acaba proferindo discursos que refor?am a n?o aceita??o do negro enquanto ser de potencial, com suas belezas pr?prias. ? poss?vel encontrar, nessa revista, discursos que desconsideram a beleza negra como leg?tima, e em que as negras s?o representadas a partir de padr?es de beleza europeus. Atrav?s da Revista Ra?a Brasil ? poss?vel inquirir como ocorre a constru??o discursiva da mulher negra, sendo, portanto, importante para a compreens?o do que ? ser mulher e de quais posi??es ela ocupa. O escopo te?rico dessa pesquisa est? centrado na An?lise de Discurso de Linha Francesa, tendo como base os estudos de Orlandi e P?cheux, 1997. Desse modo, algumas categorias tais como as marcas dos j? ditos sobre a mulher negra que constituem o interdiscurso, bem como as forma??es discursivas e ideol?gicas nas quais as mulheres negras s?o representadas na Revista.

Submitted by Verena Pereira (verenagoncalves@uefs.br) on 2018-07-23T21:48:38Z No. of bitstreams: 1 Disserta??o final aprovada.pdf: 3494850 bytes, checksum: 682b6dff66a01985f415ccf555f8406a (MD5) / Made available in DSpace on 2018-07-23T21:48:38Z (GMT). No. of bitstreams: 1 Disserta??o final aprovada.pdf: 3494850 bytes, checksum: 682b6dff66a01985f415ccf555f8406a (MD5) Previous issue date: 2018-03-27 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / Based on the theoretical perspective of the Discourse Analysis of pecheutian strand and supported in the historical studies on the military dictatorship, the present work has the objective to analyze the discourses that make reference to the necessity of a military intervention in Brazil, produced by the magazine O Cruzeiro. It is necessary to reflect on the ways in which the magazine discursivized in its publications this theme and the ideological positions that led to the production of such discourses. The collected discursive sequences were analyzed based on the theoretical assumptions of Discourse Analysis, such as the conditions of production, ideological formation and discursive formation, interdiscourse and imaginary formations, linking the principles of these categories of AD with reflections on the functioning of the discourse of the media. The corpus of analysis of this work consists of statements that were extracted from eight weekly editions of O Cruzeiro, dating from the period of March to April in 1964. The results indicate that the discourses present in the stories and reports that deal with the subjects related to the country?s political scene in that year advocated a military takeover, both to prevent the establishment of a dictatorial regime based on the communist ideas, and to remove the country from the political and economic chaos that, according to the sequences analyzed, were caused by the political actions of President Jo?o Goulart / Com base na perspectiva te?rica da An?lise de Discurso de vertente pecheutiana e apoiado nos estudos hist?ricos sobre a ditadura militar, o presente trabalho tem como objetivo analisar os discursos que fazem refer?ncia ? necessidade de uma interven??o militar no Brasil, produzidos pela revista O Cruzeiro. Cumpre refletir sobre os modos como a revista discursivizava em suas publica??es essa tem?tica e os posicionamentos ideol?gicos que ocasionaram a produ??o de tais discursos. As sequ?ncias discursivas coletadas foram analisadas com base nos pressupostos te?ricos da An?lise de Discurso, como os de condi??es de produ??o, forma??o ideol?gica e forma??o discursiva, interdiscurso e forma??es imagin?rias, atrelando os princ?pios dessas categorias da AD ?s reflex?es sobre o funcionamento do discurso da m?dia. O corpus de an?lise deste trabalho constitui-se de enunciados que foram extra?dos de oito edi??es semanais de O Cruzeiro, datados do per?odo de mar?o a abril de 1964. Os resultados apontam que os discursos presentes nas mat?rias e reportagens que abordavam os assuntos relacionados ? cena pol?tica do pa?s naquele ano defendem uma tomada de poder pelos militares, tanto para impedir a implanta??o de um regime ditatorial baseado nos ideais comunistas, quanto para retirar o pa?s do caos pol?tico e econ?mico que, de acordo com as sequ?ncias analisadas, foram ocasionados pelas a??es pol?ticas do presidente Jo?o Goulart

Submitted by SBI Biblioteca Digital (sbi.bibliotecadigital@puc-campinas.edu.br) on 2018-05-09T17:15:01Z No. of bitstreams: 1 CHRISTINA DE TOLEDO ZACCARELLI.pdf: 3667932 bytes, checksum: a500e6a940a2eeaba18e30ce6ad93e74 (MD5) / Made available in DSpace on 2018-05-09T17:15:01Z (GMT). No. of bitstreams: 1 CHRISTINA DE TOLEDO ZACCARELLI.pdf: 3667932 bytes, checksum: a500e6a940a2eeaba18e30ce6ad93e74 (MD5) Previous issue date: 2018-02-21 / This work enrolled in the interdisciplinary master LIMIAR ? Languages, media and arts ? aims to understand the meaning of the November 2015 student occupations in S?o Paulo, through three pillars: the discursive analysis of the episode, from theoretical references such as Foucault and Derrida, the study of media based on Chomsky, and the analysis of materials produced by students, brought up by Canevacci, so that through the cartography method of Deleuze and Guattari, we can understand the issue of occupations from different views and perspectives. We expect to bring reflections on the memory of the student movement and the way discursive memory of occupations has been built ? crossed, legitimized and re-signified by the discourse of the media. We also hope to bring reflections if it is possible to think of occupations as an event, from Foucault?s and Derrida?s viewpoint, in order to understand the effects of meaning that these events produced on the construction of the memory of the student movements in History, their differences and similarities. / Este trabalho, inscrito no mestrado interdisciplinar LIMIAR ? Linguagens, m?dia e arte ? pretende compreender o significado das ocupa??es estudantis de novembro de 2015 em S?o Paulo atrav?s de tr?s pilares: a an?lise discursiva sobre o epis?dio, a partir de refer?ncias te?ricas como Foucault e Derrida, o estudo do enfoque da m?dia, a partir de Chomsky, e a an?lise de material produzido pelos estudantes, a partir de Canevacci, para que, atrav?s do m?todo rizom?tico que tem na cartografia de Deleuze e Guattari seu principal instrumento, possa-se compreender a quest?o das ocupa??es por diferentes olhares e perspectivas. Espera-se trazer reflex?es sobre a mem?ria dos movimentos estudantis, bem como a maneira pela qual foi constru?da a mem?ria discursiva das ocupa??es ? atravessada, legitimada e ressignificada pelo discurso das m?dias. Busca-se, ainda, refletir se ? poss?vel pensar nas ocupa??es como acontecimento, a partir de Foucault e Derrida, a fim de entender os efeitos de sentido que estas manifesta??es produziram para a constru??o da mem?ria sobre os movimentos estudantis na hist?ria, em suas diferen?as e similaridades.