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41	An open systems critique of the macro theories of development Matshabaphala, Johannes David Manamela 30 November 2001 (has links) This study is geared at an open systmes critique of the macro theories of development. It is highlighted in this study that we are living through the realities of the open systems, and yet much of development thought is based on closed systems philosophies, principle and ideologies. The first chapter gives an orientation into the origins of both the closed systems and open systems paradigms respectively. Included in this orientation chapter, is the literature review of the various research contributions of the major trends in development thought. The second chapter expands on the evolution of the closed systems paradigm and its influences on development thought. This chapter further explains the attendant philosophies, principles and ideologies that underlie the closed systems paradigm. The third chapter captures the open systems paradigm and its influences on contemporary development discourse. Further to the discussion on the closed systems paradigm, the chapter elaborates on the philosophies, principles and processes that underlie this paradigm. The fourth chapter is on a discussion of trends in development thinking, traced from the traditional, through the medieval to the modern, right up to the contemporary. This entails tracing the theory to its ontological background right up to its implications for social reality in contemporary development thought and experience. The fifth chapter is on the open systems critique of the trends in development thinking, while the sixth chapter revisits the open systems paradigm and its implications for development thought. In the seventh chapter is the recapitulation of the findings in the study and recommendations for both development thought and practice. / Development Studies / D.Litt. et Phil. (Development Administration) Development theory Closed systems Open systems Paradigm Critique Traditionalism Medievalism Modernity Sustainability Participatory development 303.44 Sustainable development Economic development Community development Participation
42	An open systems critique of the macro theories of development Matshabaphala, Johannes David Manamela 11 1900 (has links) This study is geared at an open systems critique of the macro theories of development. It is highlighted in this study that we are living through the realities of the open systems, and yet much of development thought is based on closed systems philosophies, principle and ideologies. The first chapter gives an orientation into the origins of both the closed systems and open systems paradigms respectively. Included in this orientation chapter, is the literature review of the various research contributions of the major trends in development thought. The second chapter expands on the evolution of the closed systems paradigm and its influences on development thought. This chapter further explains the attendant philosophies, principles and ideologies that underlie the closed systems paradigm. The third chapter captures the open systems paradigm and its influences on contemporary development discourse. Further to the discussion on the closed systems paradigm, the chapter elaborates on the philosophies, principles and processes that underlie this paradigm. The fourth chapter is on a discussion of trends in development thinking, traced from the traditional, through the medieval to the modern, right up to the contemporary. This entails tracing the theory to its ontological background right up to its implications for social reality in contemporary development thought and experience. The fifth chapter is on the open systems critique of the trends in development thinking, while the sixth chapter revisits the open systems paradigm and its implications for development thought. In the seventh chapter is the recapitulation of the findings in the study and recommendations for both development thought and practice. / Public Administration and Management / D. Litt. et Phil. (Development Administration) Development theory Closed systems Open systems Paradigm Critique Traditionalism Medievalism Modernity 303.44 Sustainable development Economic development Community development Participation
43	A Releitura de O LeÃo, a Feiticeira e o Guarda-Roupa no Cinema / Re-reading The Lion, the Witch and the Wardrobe in the Cinema Nicolai Henrique Dianim Brion 28 June 2013 (has links) nÃo hÃ / O LeÃo, a Feiticeira e o Guarda-Roupa (1950), de C. S. Lewis, Ã uma tÃpica narrativa de fantasia. Assim, apresenta caracterÃsticas de forma e conteÃdo que tÃm sido tradicionalmente empregadas pelo gÃnero, entre elas o apelo a uma atmosfera medieval. A histÃria foi adaptada para o cinema de Hollywood em 2005 por Andrew Adamson, com tÃtulo homÃnimo. O objetivo principal desta dissertaÃÃo Ã discutir as estratÃgias utilizadas pelo diretor para produzir um blockbuster de aÃÃo no formato da clÃssica narrativa hollywoodiana, explorando os elementos fantÃsticos e medievais da obra. Parte-se da ideia de que a adaptaÃÃo, embora oriunda de um texto que ocupa um espaÃo perifÃrico no sistema literÃrio britÃnico, consegue se destacar no sistema cinematogrÃfico de Hollywood. A pesquisa tem carÃter descritivo, com abordagem qualitativa, que consiste na leitura da obra literÃria e do filme para analisar como a fantasia e o medievalismo sÃo configurados nessas narrativas. A anÃlise levou-nos a concluir que a adaptaÃÃo foi capaz de ressignificar os elementos da obra literÃria responsÃveis por sua marginalizaÃÃo. Como base teÃrica, apoia-se nos princÃpios dos estudos descritivos de traduÃÃo, sobretudo no conceito de reescritura, de Lefevere (2007), e nos pressupostos da teoria dos polissistemas, de Even-Zohar (1990). Os referenciais teÃricos ainda incluem Todorov (2010, 2006) e Propp (2006), para caracterizar a obra como uma narrativa de fantasia; Cecire (2009) e Hobsbawm (1997), para abordar a questÃo do medievalismo; Compagnon (1999) e Wellek e Warren (2003), para discutir o cÃnone literÃrio; e Bordwell (1985), para delimitar as propriedades do padrÃo narrativo clÃssico de Hollywood. / The Lion, the Witch and the Wardrobe (1950), by C. S. Lewis, is a typical fantasy narrative. Thus, its form and contents are shaped by characteristics which have traditionally marked the genre, such as the appeal to a medieval atmosphere. The story was adapted to the Hollywood cinema by Andrew Adamson in 2005 keeping the same title. The main goal of this dissertation is to discuss the strategies employed by the director to produce an action blockbuster in the format of the classical Hollywood narrative through the exploration of the fantastic and medieval elements of the novel. It starts from the idea that the film adaptation, although it comes from a text which occupies a peripheral position in the British literary system, manages to stand out in the Hollywood cinematographic system. This research is descriptive and has a qualitative approach, which consists of the reading of both the novel and the film to analyse how fantasy and medievalism are configured in these narratives. The analysis led us to conclude that the adaptation was able to resignify the elements of the novel which are responsible for its marginalization. The theoretical bases for this work are the principles of the descriptive translation studies, especially the concept of rewriting, by Lefevere (2007), and the premises of the polysystem theory, by Even-Zohar (1990). Theoretical references still include Todorov (2010, 2006) and Propp (2006), to characterize the novel as a fantasy narrative; Cecire (2009) and Hobsbawm (1997), to approach the matter of medievalism; Compagnon (1999) and Wellek and Warren (2003), to discuss the literary canon; and Bordwell (1985), to delimitate the properties of the classical Hollywood narration pattern. O LeÃo, a Feiticeira e o Guarda-Roupa Fantasia Medievalismo Narrativa fÃlmica hollywoodiana The Lion, the Witch and the Wardrobe Fantasy Medievalism Hollywood film narrative LITERATURA COMPARADA
44	Interpretations of Medievalism in the 19th Century: Keats, Tennyson and the Pre-Raphaelites Wilsey, Shannon K. 01 January 2010 (has links) This thesis describes how different 19th century poets and artists depicted elements of the medieval in their artwork as a means to contradict the rapid progress and metropolitan build-up of the Industrial Revolution. The poets discussed are John Keats and Alfred, Lord Tennyson; the painters include William Holman Hunt and John William Waterhouse. Examples of the poems and corresponding Pre-Raphaelite depictions include The Eve of Saint Agnes, La Belle Dame Sans Merci and The Lady of Shalott. Medievalism Nineteenth century Poetry Painting John Keats Baron Alfred Tennyson Pre-Raphaelites William Holman Hunt Sir Francis Bernard Dicksee Arthur Hughes Art Practice Literature in English, British Isles Medieval History
45	Revenants from the Church to literature Livermore, Christian January 2016 (has links) Factual accounts of revenants – the risen dead – seized the medieval imagination in the early eleventh century, and were recorded by serious historians and ecclesiastics as true. They then began to appear in secular imaginative literature and art, growing progressively more elaborate and frightening throughout the Middle Ages whilst retaining many of the religious overtones expressed overtly in the ecclesiastic tales. By the early modern and modern period, the tales were removed from any overt religious context and were told as purely imaginative literature. The academic half of this thesis explores the influence on the tales of the Christian doctrine of resurrection and the cult of the body of Christ and of the saints, then traces the migration of those tales into imaginative literature from the Middle Ages to the present. It identifies key motifs from the medieval chronicles and imaginative literature that continue to appear in modern stories, and explores the extent to which Christian eschatology altered perceptions of the dead and why, in an increasingly secular context, fascination with such tales continued into modern literature, what part fear of death played throughout this period, and how that fear was expressed, first in an ecclesiastical context, then in imaginative literature through horror stories. The creative half of my thesis is a literary fiction novel updating a medieval revenant tale, the Legend of the Three Living and the Three Dead, to twenty-first century New England. 820.9
46	Des pieds de la croix à l’art total : Etude des représentations de l’Eglise et de l’art sacré à travers l’ekphrasis huysmansienne / From the foot of the Cross to Gesamtkunstwerk : A study of Church’s and sacred art’s depictions through Huysmans’s ekphrasis Batto, Yann January 2023 (has links) The term "ekphrasis" is indisputably problematic. In fact, depending on which definition one might use ekphrastic processes can either be broad, that is extended to any type of description as it was taught in rhetoric treaties during antiquity, or according to its modern definition circumcised to literary representations of works of art. Since ekphraseis are a key feature of Huysmans's work, this study strives to explore their scope through describing the sacred art in the so-called "catholic novels" Huysmans wrote after his religious conversion and the Church's representation that stems from them. This study focuses on two forms of religious art: the plainchant and the architecture. Based on a broad theoretical frame ranging from ekphrasis and hypotyposis figures of speech to intermediality, the study shows that the medieval Church is considered as quintessentially a pluri-medial entity or as Wolf puts it, a "syncretistic medium". Thus, it seems possible to establish a connection between this image of an ideal Church and the notion of Gesamtkunstwerk. Last but not least, this depiction which arises from Huysmans's work sheds light on a broader societal phenomenon that occurred in the transitional period which was the late 19th century, namely a strong interest in medievalism. Huysmans ekphrasis hypotyposis sacred art catholic novels plainchant architecture intermediality Gesamtkunstwerk medievalism Huysmans ekphrasis hypotyposes art sacré romans catholiques plain-chant architecture intermédialité Gesamtkunstwerk médiévalisme Humanities and the Arts Humaniora och konst Specific Literatures Litteraturstudier History of Religions Religionshistoria
47	A Saxon state : Anglo-Saxonism and the English nation, 1703-1805 Frazier, Dustin M. January 2013 (has links) For the past century, medievalism studies generally and Anglo-Saxonism studies in particular have largely dismissed the eighteenth century as a dark period in English interest in the Anglo-Saxons. Recent scholarship has tended to elide Anglo-Saxon studies with Old English studies and consequently has overlooked contributions from fields such as archaeology, art history and political philosophy. This thesis provides the first re-examination of scholarly, antiquarian and popular Anglo-Saxonism in eighteenth-century England and argues that, far from disappearing, interest in Anglo-Saxon culture and history permeated British culture and made significant contributions to contemporary formulations and expressions of Englishness and English national, legal and cultural identities. Each chapter examines a different category of Anglo-Saxonist production or activity, as those categories would be distributed across current scholarship, in order to explore the ways in which the Anglo-Saxons were understood and deployed in the construction of contemporary cultural- historiographical narratives. The first three chapters contain, respectively, a review of the achievements of the ‘Oxford school' of Saxonists of the late seventeenth and early eighteenth centuries; antiquarian Anglo-Saxon studies by members of the Society of Antiquaries of London and their correspondents; and historiographical presentations of the Anglo-Saxons in local, county and national histories. Chapters four and five examine the appearance of the Anglo-Saxons in visual and dramatic art, and the role of Anglo-Saxonist legal and juridical language in eighteenth-century politics, with reference to discoveries resulting from the academic and antiquarian research outlined in chapters one to three. It is my contention that Anglo-Saxonism came to serve as a unifying ideology of origins for English citizens concerned with national history, and political and social institutions. As a popular as well as scholarly ideology, Anglo-Saxonism also came to define English national character and values, an English identity recognised and celebrated as such both at home and abroad. 942.07
48	A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature Gabriel, Schenk January 2014 (has links) This thesis analyses the figure of Arthur, in a period spanning the mid-nineteenth to mid-twentieth centuries, when that figure became increasingly protean and multifaceted, and the audience for the Arthurian legend grew in both size and variety. It argues that many authors wrote through Arthur, as well as about Arthur, using the figure to understand and test their own ideas about ideals (e.g. of manliness, kingship, or heroism) as well as problems (such as war, despotism, or ungodliness). This thesis analyses Arthur by considering him as a 'type', using a definition of the term that highlights a paradox: a type, in a scientific sense, is both perfect (an exemplary model) and normal (common enough to be representative). When applied to Arthur, it means that he is both a perfect, or near perfect, example, but is also to some extent a 'normal' human being. Different authors analysed in this thesis emphasise different aspects of the figure, according to whether they focus on Arthur's perfection or his normality. Other meanings of the word 'type' are also applied when relevant: the idea is not to force all versions of Arthur into a single or definitive category, but to retain the complexity of how Arthur is characterised and written about in texts. The ultimate aim of this thesis is to put the figure of Arthur into critical focus, and explain why he has been returned to so often in history. 820.9
49	Extraire la littérature médiévale : du fonds de l’Arsenal à la Bibliothèque universelle des romans / Extracting Medieval Literature : from the Arsenal’s Collection to the Bibliothèque universelle des romans Maillet, Fanny 16 June 2016 (has links) La Bibliothèque universelle des romans (1775-1789, 224 vol.) est une collection littéraire périodique à vocation vulgarisatrice, apparue sous l’initiative du marquis de Paulmy dont la bibliothèque personnelle (actuelle Arsenal) fournit le matériau de départ, et que celui-ci dirigea des commencements à l’année 1779. L’étude du traitement réservé à la littérature médiévale dans cette importante collection soulève plus généralement la question de sa réception à la fin du XVIIIe siècle et de la place qu’occupent la BUR et ses rédacteurs dans l’histoire des études littéraires. Notre travail a consisté d’abord à identifier les collaborateurs du périodique, leur rôle respectif et leurs sources. Le passage d’un réservoir précis de textes à une bibliothèque romanesque imprimée passe dans la BUR par la pratique de l’extrait, technique dont nous nous sommes attachés à montrer qu’elle aboutissait, de recherches en essais, à la formation d’un véritable genre critique. De ce corpus d’extraits émerge en effet, sous la plume des rédacteurs de la BUR, l’élaboration d’une histoire littéraire dont il s’agit de présenter ici les résultats. / The Bibliothèque universelle des romans (1775-1789, 224 vol.) is a literary periodical collection with a non-scientific claim, initiated by the marquis de Paulmy whose personal library (now the Arsenal Library) provided the first material. Paulmy managed it from the beginning until 1779. The way this important collection deals with medieval literature raises the general question of its reception at the end of the 18th century, and the role occupied by the BUR and its authors in the history of literary studies. Our work primarily consists in identifying the contributors, their relative part in the laboratory of the Arsenal, and their source materials. The transition from a specific corpus of texts to a printed library of novels requires, in the BUR, the practice of extracting, an approach, as we try to show, that results –from research to testing– in the creation of a real critical genre. From this corpus of extracts emerges indeed, under the pen of the BUR’s authors, the formulation of a literary history that we intend to present in this work. Bibliothèque universelle des romans Périodique Histoire des bibliothèques Études dix-huitièmistes Extrait Médiévisme Bibliothèque universelle des romans Periodical History of libraries Eighteenth-century studies Extract Medievalism
50	Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801) Post, Andy 30 April 2014 (has links) In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthur. My third chapter deconstructs the Fairy of the Lake’s water and characterisation, and concludes her sole purpose to be to justify a Revolution beyond moral reproach. My fourth chapter traces how beer satirises Communion wine, among both pagans and Christians, in order to undermine any religion that could reinforce either divinity or the Divine Right of Kings. / A close reading of an all-but-forgotten Arthurian play as an allegory against the Divine Right of Kings. John Thelwall (1764-1834) Romanticism Romantic literature Romantic poetry Romantic nationalism Romantic medievalism Romantic antequarianism Saxon antequarianism Norse/Viking antequarianism Celtic antequarianism Whig history Jacobinism political allegory closet drama Early Modern Christianity Church of England Anglicanism Loyalism Germanic paganism Anglo-Saxon England Britain Wales French Revolution Glorious Revolution English Civil War King James I &VI John Milton Algernon Sidney Samuel Taylor Coleridge William Wordsworth Robert Southey Edmund Burke Simon Cottle Torquato Tasso Edda Northern Antiquities King Arthur Arthurian Sir Walter Scott Classical republicanism republicanism radicalism anti-monarchism fire water beer cwrw wassail Eucharist Communion Gothic Divine Right of Kings Political atheism Judith Thompson Michael Scrivener

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