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“Det kan inte vara värt priset att riskera det underbara landskapet Dalarnas goda namn och rykte” : En textanalys av pressens rapportering av raggarnas midsommarfirande i Dalarna under 1970-talet / It could hardly be worth the price to risk the wonderful province of Dalarna's good name and reputation : A text analysis of the press reporting of "raggares" midsummer celebration in Dalarna during the 1970sEngberg, Oskar January 2019 (has links)
No description available.
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Midsommar’s Ecologies: Sacrifice, Commune- ity, and Environmental AwarenessHoltmeier, Matthew 03 April 2020 (has links)
No description available.
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Attractive Oblivions: Identity, Queer Theory, and Heterotopias in Ari Aster’s Midsommar and Margaret Atwood’s The Heart Goes LastReese, Emily 18 May 2020 (has links)
No description available.
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Det synliga barnet : Mumin, barnlitteratur och Alice MillerHugosson, Moki January 2024 (has links)
Uppsatsen undersöker temat barns synlighet och känslor utifrån psykoterapeuten Alice Millers teorier, och utforskar detta i relation till Muminmammans roll, osynliga barn som blir synliga, hur miljön gestaltar det främmande, samspelet mellan mörker och ljus, och hur det skapar förutsättningar för utveckling. Analysen går även i dialog med tidigare forskning av Boel Westin och Janina Orlov, samt diskuterar barnlitteraturens komplexitet.
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"Ta det lugnt, här finns inga värre saker än vi själva" : En psykosyntetisk delpersonlighetsanalys av Tove Janssons muminsvit / "Take it easy, there are no worse things here than ourselves" : A psychosynthetic subpersonality analysis of Tove Jansson's Moomin novelsPetersdotter, Camilla January 2021 (has links)
The essay examines how characters in the Moomin novels change through relationships based on a psychosynthetic subpersonality analysis. This is a new perspective in the field of literature and therefore a solid theoretical basis in psychosynthesis is given and a presentation of my method which includes the concept of subpersonalities. Then three main constellations of characters that focus on Moomin, Sniff, Snufkin, Moominmamma, the Groke, Fillyjonk, Hemulen and Whomper Toft are analyzed. From my discussion it appears that the characters are types who each have their own way of being, thinking and feeling, and in this way Tove Jansson writes a whole where differences may exist. With my perspective, the light is directed towards how the characters integrate sides of each other and thereby develop. The results show that the characters change through the relationships between them, and that a synthesis in each constellation arises.
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