Made available in DSpace on 2016-04-27T19:31:04Z (GMT). No. of bitstreams: 1 Raimundo Nonato Gomes dos Santos.pdf: 2928331 bytes, checksum: 1c6ad5dfbc11957b875e423970f3192b (MD5) Previous issue date: 2015-03-27 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This paper reveals the dynamic of the construction of political identities in the city of Boa Vista, Roraima between the 1970s and 1980s. Having the displacement of traditional identities as an observation reference thought from the political culture perspective, for the political identity , more associated with minorities movements that had the indigenous movement, which begins during this period, as a strong local representative. Its focus is in the position occupied by ordinary people in this process. It has a wide range of documentations as research source: works by memorialists; reports from visitors and executives; official, commercial and alternative newspapers; monuments; individual interviews and; documents from several sources. This paperobserves that the period showed to be adverse to the identity inventions such as: boa-vistense , roraimense , activities which, in some aspects, competed against the national identity strengthened with the implantation of the Federal Territory of Roraima, as well as it was also under the influence of movements originating from abroad which presented itself strongly in the city, such as the Liberation Theology and the environmentalist movement / Este trabalho revela a dinâmica da construção de identidades políticas na cidade de Boa Vista -Roraima entre as décadas de 1970 e 1980, tomando como referência de observação o deslocamento das identidades tradicionais pensadas na perspectiva de cultura política para a política de identidade , esta mais associada aos movimentos de minorias, tendo como forte representante local o movimento indígena, iniciado nesse período. Seu centro de atenção está na posição ocupada nesse processo pelas pessoas comuns . Adota como fonte de pesquisa uma documentação variada: obras de memorialistas, relatos de visitantes e executivos, jornais oficial, comerciais e alternativos , monumentos, entrevistas individuais e documentos de diversas origens. Observa que o período se mostrava adverso à invenção de identidades, como de boa-vistense , de roraimense , atividades que em alguns aspectos rivalizavam com a identidade nacional, fortalecida com a implantação do Território Federal de Roraima, assim como sofria também influência de movimentos de origem externa que se apresentavam com força na cidade, como a Teologia da Libertação e o ambientalista

The aim of the study was to examine how Swedish tabloid journalism presented the contestants in the Swedish version of the reality show Idol 2009. We wanted to see which approaches tabloid news papers use when constructing the public identities of them. We have used text analysis to examine 37 articles and nine front pages with focus on the words, propositions, comparisons and parables that describe four of the contestants. In addition we have looked at myths and connotations shown in the pictures by using a semiotic analysis. The results show that the Swedish tabloids tend to describe the contestants in relation to their performances and personalities. They also compare them to stereotypes, music genres, celebrities and the other contestants. The pictures tend to enhance the propositions made by the articles.

Made available in DSpace on 2016-04-27T19:30:35Z (GMT). No. of bitstreams: 1 NATANIEL DAL MORO.pdf: 14021769 bytes, checksum: 2463b5b93578dd12356da3a40517ad41 (MD5) Previous issue date: 2012-05-25 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This thesis analyzes how a part of the ruling elite of the city of Campo Grande conceived the presence of commoners, humble workers, beggars, prostitutes, milkmen, hikers, and a wide range of other poor people that was visible in the city centre, especially in public spaces. This work also investigates other issues, namely: 1) how certain douments produced by memorialist authors contributed to build a glorious past about pioneers and their achievements; 2°) elite s and common people s practices in the city are shown; 3) conflicts between elite and common people in the city area are identified and 4) it is demonstrated that the printed mass state media Correio do Estado served as a political party, advocating the existence of a civilized, modern and orderly city compared with the ways of living of other individuals, especially those by the common people. Most of the sources was collected in the following places: Historic Archive of Campo Grande, the Municipal Chamber of Councillors of Campo Grande, Instituto Histórico e Geográfico de Mato Grosso do Sul, Fundação Barbosa Rodrigues, Fundação Instituto Brasileiro de Geografia e Estatística and, above all, the Archives of Correio do Estado newspaper. They are documents and images produced by these institutions and by various associations, institutes, departments and civil people. Stories of several approaches, maps, informative advertising, photographic images, chronicles, official publications, such as laws, codes, ordinances and resolutions, in addition to letters published by public and private organs and authorities, among others, which also make part of the list of sources. The writings of Karl Marx, Walter Benjamin, Antonio Gramsci, Eric Hobsbawm, E. P. Thompson, Raymond Williams and Pierre Bourdieu have been fundamental to problematize these sources. The Correio do Estado (CE) showed masterfully in its pages the urban life and city in transformation. Exposed a confrontational dialogue between public authorities and the society at large. The CE also showed with richness of details the tendentiousness of the media, with emphasis on the partisan nature in favor of one or another goal. At this time, the CE has proved to be a real political party, since it has met the desires of some groups, arguably more of the local elite of that of ordinary people, and denied the interest of many other individuals. However, when the CE described and analyzed the city, it did not show the city itself in all its forms and essences, but much more, its conception of the world about the city and the values it espoused. Therefore, the material published in the journal don't show exactly the history of Campo Grande city, neither the history of the individuals that were in it, but, above all, the history of the performance of this media as a political agent who represented certain groups and social values and acted in several ways regarding the city and the population of Campo Grande, much more with the goal of defending the interests of the groups that the journal represented than any other purposes / Essa tese analisa como uma parte das elites dirigentes da cidade de Campo Grande concebeu a presença de populares, trabalhadores humildes, leiteiros, mendigos, prostitutas, andarilhos, e de toda uma gama de outros pobres que se fazia visível no centro da cidade, em particular nos seus espaços públicos. O presente trabalho investiga também outras questões, a saber: 1º) como determinados textos produzidos por autores memorialistas contribuíram para edificar um passado glorioso sobre os pioneiros e os seus feitos; 2°) mostra-se as práticas da elite e do povo comum na urbe; 3º) localiza-se os conflitos entre elite e povo comum no espaço citadino e 4º) demonstra-se que o veículo de comunicação impresso Correio do Estado atuou como um partido político, defendendo a existência de uma cidade civilizada, moderna e ordeira frente aos modos de viver de outros sujeitos, sobretudo os praticados pelo povo comum. A maior parte das fontes foi coletada nos seguintes locais: Arquivo Histórico de Campo Grande, Câmara Municipal de Vereadores de Campo Grande, Instituto Histórico e Geográfico de Mato Grosso do Sul, Fundação Barbosa Rodrigues, Fundação Instituto Brasileiro de Geografia e Estatística e, sobretudo, Arquivo do Jornal Correio do Estado. São textos e imagens produzidos por estas instituições e por diversas associações, institutos, secretarias e pessoas civis. Matérias jornalísticas de diversos enfoques, mapas, informes publicitários, imagens fotográficas, crônicas, publicações oficiais, como leis, códigos, decretos, portarias e resoluções, além de cartas publicadas por entidades e autoridades públicas e privadas, dentre outras, que também integram o rol de fontes. Os escritos de Karl Marx, Walter Benjamin, Antonio Gramsci, Eric Hobsbawm, Edward Palmer Thompson, Raymond Williams e Pierre Bourdieu foram fundamentais para problematizar estas fontes. O Correio do Estado (CE) mostrou em suas páginas magistralmente o cotidiano urbano e a cidade em transformação. Externou um diálogo conflituoso entre os poderes públicos constituídos e a sociedade de modo geral. O CE também mostrou com riqueza de detalhes a tendenciosidade dos meios de comunicação, com destaque para a partidarização em prol de um ou outro objetivo. Neste momento, o CE mostrou-se um verdadeiro partido político, já que atendeu os anseios de alguns grupos, indiscutivelmente mais da elite local do que das pessoas comuns, e negou o interesse de outros tantos sujeitos. No entanto, quando o CE descreveu e analisou a cidade ele não mostrou propriamente a cidade em todas as suas formas e essências, mas muito mais a sua concepção de mundo sobre a cidade e os valores que defendia. Logo, as matérias publicadas no periódico não mostram propriamente a história da cidade de Campo Grande, e nem dos sujeitos que nela estavam, mas, sobretudo, a história da atuação deste meio de comunicação como agente político que representou determinados grupos e valores sociais e agiu de diversos modos sobre a cidade e a população de Campo Grande, muito mais com o objetivo de defender os interesses dos grupos que representou do que quaisquer outros propósitos

Não é raro encontrar na televisão brasileira, e mesmo na rádio, emissões que trazem depoimentos de pessoas comuns comentados por especialistas, sobretudo, psicólogos. Desentendimentos conjugais, problemas com filhos, desavenças com vizinhos, conflitos no trabalho, são alguns dos temas exibidos. Trata-se de versões cujo formato orienta também produções estadunidenses, europeias e latino-americanas, cuja temática, apropriada pela indústria cultural nacional, difunde um discurso terapêutico. Embora as ideias de manipulação dos participantes e de sensacionalismo na busca por audiência sejam justificativas para a veiculação desse tipo de emissão, existem outros sentidos que podem ser atribuídos quando se aproximam as razões que mobilizam pessoas a dar visibilidade a histórias e questões consideradas de foro íntimo. Foram esses outros sentidos aqui investigados. Uma abordagem, portanto, a partir dos participantes de No Divã do Gikovate (Rádio CBN), Casos de Família (SBT) e Márcia (Bandeirantes) norteou a pesquisa apresentada. A interação social no palco, nos bastidores e na plateia foram vias de acesso a dois grupos sociais envolvidos na produção e no consumo desses bens culturais. O estudo dessas interações apontou lógicas diferentes de produção: uma demanda espontânea, entre aqueles que integram as emissões animadas pelo Dr. Gikovate, e um sistema de produção da exibição, ou seja, uma cadeia produtiva por trás das emissões televisivas que abarca tanto profissionais formalmente contratados pelas emissoras quanto pessoas engajadas informalmente. Tais interações indicam ainda grupos que possuem universos mentais distintos, com repertórios expressivos e recursos afetivos específicos. Seus integrantes apropriam-se do discurso terapêutico difundido transformando-o em senso prático para sua vida afetiva. / Its not rare to find in Brazilian television and radio, transmissions that bring ordinary peoples testimonials commented by experts, mainly psychologists. Marital fights, problems with children, quarrels with neighbors are some of the themes presented. Those are Brazilian versions of programs which circulate around the United States reaching Latin American and European countries, which the thematic, taken by their own national culture industry, diffuses a therapeutic discourse. Although the participants ideas manipulation and the sensationalism in the quest for audience are explanations for placing this kind of transmission, there are other senses that may be attributed when one gets closer to the reasons that mobilize those people to bring out stories and affairs once considered intimate. These other senses were the ones studied here. Thus, an approach close to that of the participants of No Divã do Gikovate (Gikovates Divan, Radio CBN), Casos de Família (Family Affairs, SBT) and Márcia (Marcia, Bandeirantes) guided this research. The social interactions on stage and backstage were ways to reach these two social groups involved in the production and consumerism of these cultural products. The study of these interactions led to different logics of production: a spontaneous demand between those who compose the transmissions cheered by Dr. Gikovate, and a production system of exhibition, which means a productive chain behind the television transmissions that reach professionals formally hired by the networks and people informally involved. Those interactions have also indicated groups with different mental universes, with specific expressive repertoire and affective appeal. Their integrants employ the therapeutic discourse, transforming it into logic of practice to be used in their affective life.

Não é raro encontrar na televisão brasileira, e mesmo na rádio, emissões que trazem depoimentos de pessoas comuns comentados por especialistas, sobretudo, psicólogos. Desentendimentos conjugais, problemas com filhos, desavenças com vizinhos, conflitos no trabalho, são alguns dos temas exibidos. Trata-se de versões cujo formato orienta também produções estadunidenses, europeias e latino-americanas, cuja temática, apropriada pela indústria cultural nacional, difunde um discurso terapêutico. Embora as ideias de manipulação dos participantes e de sensacionalismo na busca por audiência sejam justificativas para a veiculação desse tipo de emissão, existem outros sentidos que podem ser atribuídos quando se aproximam as razões que mobilizam pessoas a dar visibilidade a histórias e questões consideradas de foro íntimo. Foram esses outros sentidos aqui investigados. Uma abordagem, portanto, a partir dos participantes de No Divã do Gikovate (Rádio CBN), Casos de Família (SBT) e Márcia (Bandeirantes) norteou a pesquisa apresentada. A interação social no palco, nos bastidores e na plateia foram vias de acesso a dois grupos sociais envolvidos na produção e no consumo desses bens culturais. O estudo dessas interações apontou lógicas diferentes de produção: uma demanda espontânea, entre aqueles que integram as emissões animadas pelo Dr. Gikovate, e um sistema de produção da exibição, ou seja, uma cadeia produtiva por trás das emissões televisivas que abarca tanto profissionais formalmente contratados pelas emissoras quanto pessoas engajadas informalmente. Tais interações indicam ainda grupos que possuem universos mentais distintos, com repertórios expressivos e recursos afetivos específicos. Seus integrantes apropriam-se do discurso terapêutico difundido transformando-o em senso prático para sua vida afetiva. / Its not rare to find in Brazilian television and radio, transmissions that bring ordinary peoples testimonials commented by experts, mainly psychologists. Marital fights, problems with children, quarrels with neighbors are some of the themes presented. Those are Brazilian versions of programs which circulate around the United States reaching Latin American and European countries, which the thematic, taken by their own national culture industry, diffuses a therapeutic discourse. Although the participants ideas manipulation and the sensationalism in the quest for audience are explanations for placing this kind of transmission, there are other senses that may be attributed when one gets closer to the reasons that mobilize those people to bring out stories and affairs once considered intimate. These other senses were the ones studied here. Thus, an approach close to that of the participants of No Divã do Gikovate (Gikovates Divan, Radio CBN), Casos de Família (Family Affairs, SBT) and Márcia (Marcia, Bandeirantes) guided this research. The social interactions on stage and backstage were ways to reach these two social groups involved in the production and consumerism of these cultural products. The study of these interactions led to different logics of production: a spontaneous demand between those who compose the transmissions cheered by Dr. Gikovate, and a production system of exhibition, which means a productive chain behind the television transmissions that reach professionals formally hired by the networks and people informally involved. Those interactions have also indicated groups with different mental universes, with specific expressive repertoire and affective appeal. Their integrants employ the therapeutic discourse, transforming it into logic of practice to be used in their affective life.

The aim of this Master thesis was to examine news journalism covering expressions of mourning related to violent or unexpected deaths. What rituals for mourning are brought out in media and do media present guidance to how mourners should behave?   The questions examined were: What characterised news events that leaded to texts on expressions of mourning? How was grief framed? Which narrative patterns were there in the texts? How was the deceased represented? How were the mourners represented?   165 texts, from Swedish daily newspapers, covering 93 different news events were analysed. The methods were mainly discourse analysis with focus on identities and relations, but also semiotic analysis with focus on staging and symbols and narrative analysis with focus on patterns for storytelling.   The result showed that a news story about ordinary people expressing their feelings of grief has elements of melodrama. The news story is based on the myth of the victim, and formed as a typical story where equilibrium is disturbed when the inconceivable happens and the mourners can by their actions restore equilibrium. The paradigms behind are the opposites life – death and good – evil.    The deceased is represented as a victim in a mythic sense. The most important qualities of a victim are youth, innocence and goodness. The victim is framed as a person we could sympathise and identify with. The mourners in the texts praise the victim and sanctify the place where the victim died with candles, roses and notes. The mourners are essential to the story; they create identification and an identity that include us as readers in a community and a discourse of mourning and mourners. The ordinary people who appear as mourners in the texts are relatives and close friends of the victim, but also mourning tourists, media chosen friends and anonymous women who are represented, in a stereotypical way, as the professional female mourner who weep over the deceased. In some texts celebrities appear as mourners of ordinary people, and they personalize how the distinction between public and private is erased in popular journalism. They also might give a kind of legitimacy to the way media frame the story about ordinary people mourning the innocent victim.   Some texts had a partly diverging story. If the victim, in some aspect, could not be framed as innocent the paradigm good – evil became problematic. When victims or mourners had foreign origin the contrast us – them was added.  In some texts the ethical code for Swedish journalists was disregarded, mainly by publishing information on ethnicity or by interviewing children and people in shock

<p>The aim of this Master thesis was to examine news journalism covering expressions of mourning related to violent or unexpected deaths. What rituals for mourning are brought out in media and do media present guidance to how mourners should behave?</p><p> </p><p>The questions examined were: What characterised news events that leaded to texts on expressions of mourning? How was grief framed? Which narrative patterns were there in the texts? How was the deceased represented? How were the mourners represented?</p><p> </p><p>165 texts, from Swedish daily newspapers, covering 93 different news events were analysed. The methods were mainly discourse analysis with focus on identities and relations, but also semiotic analysis with focus on staging and symbols and narrative analysis with focus on patterns for storytelling.</p><p> </p><p>The result showed that a news story about ordinary people expressing their feelings of grief has elements of melodrama. The news story is based on the myth of the victim, and formed as a typical story where equilibrium is disturbed when the inconceivable happens and the mourners can by their actions restore equilibrium. The paradigms behind are the opposites</p><p>life – death and good – evil. </p><p> </p><p>The deceased is represented as a victim in a mythic sense. The most important qualities of a victim are youth, innocence and goodness. The victim is framed as a person we could sympathise and identify with. The mourners in the texts praise the victim and sanctify the place where the victim died with candles, roses and notes. The mourners are essential to the story; they create identification and an identity that include us as readers in a community and a discourse of mourning and mourners. The ordinary people who appear as mourners in the texts are relatives and close friends of the victim, but also mourning tourists, media chosen friends and anonymous women who are represented, in a stereotypical way, as the professional female mourner who weep over the deceased. In some texts celebrities appear as mourners of ordinary people, and they personalize how the distinction between public and private is erased in popular journalism. They also might give a kind of legitimacy to the way media frame the story about ordinary people mourning the innocent victim.</p><p> </p><p>Some texts had a partly diverging story. If the victim, in some aspect, could not be framed as innocent the paradigm good – evil became problematic. When victims or mourners had foreign origin the contrast us – them was added.  In some texts the ethical code for Swedish journalists was disregarded, mainly by publishing information on ethnicity or by interviewing children and people in shock</p>

- Jakub Machek Prague Illustrated Courier. The Prague Penny-press as a Window into the World of Common Men. This work is dedicated to early sensational pictorial press (Pražský Illustrovaný Kurýr and its less successful predecessors) and its urban readers, as an example of the rising Fin de siècle popular culture in the Czech lands and its significance for revealing fundamental social and political changes that took place at the turn of the 20th century. During this era, even the members of lower social classes broadened their economical and cultural potency and thus capacity to absorb the development of new common culture generated by the rapid industrialization and urbanization. Production and reception of emerging popular press is analysed as a marker of the new modern urban experience and its social influences. Global pattern of successful mass daily press was, however, modified for Prague audience, its specific local beliefs, values and desires, distinctively different from those of western urban centre dwellers.

The thesis describes the evolution and variances in the motive of crime and punishment throughout prosaic and dramatic works of František Langer. After an introductory reflection on crime and punishment the thesis deals with an analysis of Doskojevskij's novel "Crime and Punishment" which had a large impact on Langer's conception of these terms. It also outlines an image of crime and punishment in Czech literature at the turn of the 19th and 20th century, which might have influenced Langer. The first part also tries to clarify how these motives were evolved in author's incipient work. It follows up prose collections "Gold Venus" and "Dreamers and Murderers". The second part is focused on the refined and often very complicated form of crime and punishment in Langer's dramas "Saint Wenceslas", "Periphery", "Camel through Eye of a Needle", "Reversal of Ferdyš Pištora", "Angels among us" and "Seventy-two" and tries to grasp and characterize it.