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The Global ETD Search service is a free service for researchers
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Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 10 of 13 (0.111 seconds)Spelling suggestions: "subject:"receptionshistorisk"" "subject:"religionshistoria""
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Harry Potters Passionsberättelse. : En strukturell jämförelse mellan passionsberättelserna i Markus, Lukas och Harry Potter.Andersson, Ellen January 2017 (has links)
No description available.
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Att skapa ett program : Richard Berghs Nordisk sommarkväll (1899-1900) genom historienÖrtengren, Åsa January 2006 (has links)
<p>Nordic Summer Evening is a theoretical painting, today an important icon of Nordic art from the turn of the century. The purpose of this essay is to analyse the painting, and to investigate and identify its declaration of program, and in a wider context, the emergence of a program of the nationalistic art at the turn of the last century. The essay also investigates how the painting has become more popular throughout the century, and why Americans tend to see the painting as an exposé over a quarrel, filled with sexual tension, while Swedes tend to make a point out of the harmony and stillness of the painting.</p>
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Paulus – förföljare, omvändelse och apostel : En exegetisk receptionshistorisk studie av ”kristendomens andre grundare” såsom han gestaltas i Mendelssohns oratorium Paulus / Paul – persecutor, conversion, and apostle : An exegetical history-of-receptions study of “the second founder of Christianity” as he is portrayed in Mendelssohn´s oratorio St PaulVenetvaara, Susanna January 2018 (has links)
No description available.
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Att skapa ett program : Richard Berghs Nordisk sommarkväll (1899-1900) genom historienÖrtengren, Åsa January 2006 (has links)
Nordic Summer Evening is a theoretical painting, today an important icon of Nordic art from the turn of the century. The purpose of this essay is to analyse the painting, and to investigate and identify its declaration of program, and in a wider context, the emergence of a program of the nationalistic art at the turn of the last century. The essay also investigates how the painting has become more popular throughout the century, and why Americans tend to see the painting as an exposé over a quarrel, filled with sexual tension, while Swedes tend to make a point out of the harmony and stillness of the painting.
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”Hur många år är det som roparen redan ropat också i denna ödemark” : Lars Levi Laestadius bibelreception i ett urval predikningar / ”Hur många år är det som roparen redan ropat också i denna ödemark” : Lars Levi Laestadius’ Reception of the Bible in some SermonsModig, Linda January 2023 (has links)
No description available.
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Maria Magdalena – sköka eller apostlarnas apostel? : En analys av samtida porträtteringar / Maria Magdalena – sköka eller apostlarnas apostel? : En analys av samtida porträtteringarMorén, Maria January 2022 (has links)
No description available.
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En kvardröjande strålglans : En studie om mystik och kabbalah i judisk liturgi i Stockholm från 1800-tal och i dag / A Lingering Radiance - a study of mysticism and kabbalah in Jewish liturgy in Stockholm from the 19th century and todayFrödeberg Karlin, Simon January 2021 (has links)
This study strives to chart the occurrence of mystic and kabbalistic influences inthe textual liturgic material of Jewish prayer books - siddurim - in Stockholm,during the 19th century as well as of today. Two prayer books, both focusing onthe prayer service for sabbath and festivals, were studied and compared to amaterial corresponding to a more traditionally inclined ashkenaz liturgy. Alongsidethis comparative method, the study made use of the hermeneutics of Hans-GeorgeGadamer in order to gain a more thorough understanding of the backgroundleading up to the selection of materials within the Swedish siddurim. This involveda broad historical research of Jewish mysticism, Jewish liturgy and Jewish life inSweden. Furthermore, the reception history theory of Gadamer and Hans-RobertJauss was employed to analyze the reception of mystic and kabbalistic influencesupon the Swedish prayer books, taking in account the ways in which religioustexts are viewed within a certain tradition, depending on theological agendas,historical context, and the intercommunion between these, especially taking thereformist wave of Judaism in the 19th century under consideration. The results andanalysis came to show that, although there had been an extensive purge of explicitkabbalistic materials in the 19th century, texts with very clear connotations tomerkavah mysticism still remained. The siddur in use today has also reintroducedkabbalistic material to the liturgy. Through the lens of reception history theory,mystic and/or kabbalistic influences are shown to be a part of Jewish liturgy inStockholm, sometimes understood as an integral part of a wider liturgic tradition,sometimes as a devotional - but not explicitly esoteric - addition to the prayerservice.
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I Gripdjurets grepp : om skandinavisk djurornamentik, bildtolknings metodik och djurhuvudformiga spännen / The grip of the beast : Scandinavian animal art, image interpretation methodology and animal-head broochesMelander, Victor Niels Love January 2013 (has links)
Animal art is one of the more mystical aspects of Scandinavian Iron Age culture. It has foremost been regarded in the light of art and style history. Interpretation has also – mainly from the 1990s and onwards – been made through iconographic analysis. But the problem here is that iconography requires textual analogy, something that the Scandinavian Iron Age lacks. The purpose of this paper is to lift some of the ”mystical fog” that engulfs the scandinavian animal art, by developing a method for interpretation of pre-historic images that evades the flaws in the iconographic method. This by doing an interpretation of the gripping beast motif on Gotlandic Viking Age animal-head brooches. The study is divided into three parts. Part one focuses on reception within research history and how the use of language and methodological approaches shapes the perception of animal art within it's own time, it also discusses animal art in the light of style, motif and communication. Part two aims to outline a method for pre-historic image interpretation, a structuralistic iconology with addition of contextualization and anthropological theories of agency. The chapter also discusses the cosmological order through means of ”structuralistic iconology”. Finally part three contextualizes the gripping beast to the object – the animal head-brooch – through notions of use, combination and age. Concluding that the gripping beast should be understood as a hybrid creature closely linked to ancestry, odal and the fatalistic worldview of Iron Age Scandinavia.
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Kaosets symfonier : En religionshistorisk analys av innehållet i Black Metalbandet Watains textkorpusJonsäll, Hans January 2016 (has links)
With this essay my aim is to uncover the content in the discography of the Swedish Black Metal act Watain in respect to lyrically expressed religious themes revolving around the tendencies within occulture and the Black Metal scene. To investigate the matter I have combined quantitative and qualitative analysis methods from the fields of corpus linguistics as well as content analysis, which provided me with an array of key words and their respective concordances (Key Word In Context, KWIC) in the texts. Through the analysis three overlapping main themes became apparent: satanism, gnosticism and finally apocalypticism. I described each of the themes in detail based on my linguistic findings in the corpus so as to yield a deeper understanding of the religious symbols communicated in the material and their interrelationship. The result was that neither one of these could be explained in isolation as they are all part of a larger system of philosophy, namely the esoteric movement chaos-gnosticism tied to the Swedish order Temple of the Black Light, but also products of occulture. The discussion proved that, although satanism may seem to be the thematical centerpoint in Watain’s lyrics, it is not, as this is a far too simple conclusion in relation to the complexity of the results. Instead, the content requires to be understood in terms of the dark Left-Hand Path spirituality as well as the occultural melting pot of paranormal and occult ideas. / <p>För att få tillgång till mitt korpus och mina korpusresultat hänvisar jag till min privata e-post adress hans.jonsall@gmail.com alternativt att man kontaktar mig via sociala medier.</p>
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Reordering of Meaningful Worlds : Memory of the Organization of Ukrainian Nationalists and the Ukrainian Insurgent Army in Post-Soviet UkraineYurchuk, Yuliya January 2014 (has links)
After the collapse of the Soviet Union, Ukrainian society faced a new reality. The new reality involved consolidation and transformation of collective identities. The reinvigoration of national identity led to a change in the emphasis on how the past was dealt with – many things which were regarded as negative by the Soviet regime became presented as positive in independent Ukraine. The war-time nationalist movement, represented by the Organization of Ukrainian Nationalists (OUN) and the Ukrainian Insurgent Army (UPA), became one of the re-configured themes of history. While most of the studies of memory of the OUN and UPA concentrated on the use of this history by nationalist parties, this study goes beyond the analysis and scrutinizes the meaning of this history in nation- and state-building in relation to memory work realized on the small-scale regional and local levels. Moreover, this book focuses not only on the “producers” of memory, but also on the “consumers” of memory, the area which is largely understudied in the field of memory studies. Drawing on studies about post-colonial subjectivities and theories of remediation developed in memory studies, this book explores the changes in memory culture of contemporary Ukraine and examines the role of memory in producing new meanings under the rapidly changing conditions after the collapse of the Soviet Union up to 2014. The book contributes to the studies of memory culture in post-Communist countries as well as to the studies of society in contemporary Ukraine.
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