The land where I grew up gives me a sense of purpose and belonging. It embodies the Navajo concept of hózhó, which represents harmony, beauty, and balance. Being in tune with this spiritual connection inspires me to bring people together through art and healing. I use natural materials like sand, sage, cedar, tree twigs, and yellow and blue cornmeal to create my art. To maintain the spirituality of my work, I employ traditional and ritualistic harvesting methods passed down from generation to generation. These techniques are deeply connected to the land and are essential to my identity as an artist who continues to navigate between the traditional and contemporary worlds.

Ausgehend von der Veränderung der Zahlenverhältnisse zwischen den Gläubigen unterschiedlicher Religionen stellt sich die Frage nach Folgen für die Einrichtung von Sakralräumen, z.B. von Kirchen, Synagogen, Moscheen, Tempel, Gurdwaras oder Cemevis. Nach welchen Kriterien wird der öffentliche Raum zwischen Kulturen und Religionen geteilt: Kampf der Kulturen, Dominanzkultur, Markt der Religionen, Diaspora, Gastfreundschaft oder Konvivenz? In fünf Phasen wird die Entwicklung der religiösen Pluralisierung in Berlin und Brandenburg dargestellt: 1671-1788: Wiederaufbau nach dem 30-jährigen Krieg und Aufnahme von Glaubensflüchtlingen; 1788-1918: Auswirkungen der ökonomischen, politischen und militärischen Expansion; 1918-1945: Religiöse Pluralisierung in der Weimarer Republik und im Nationalsozialismus; 1945-1989: Provisorische Häuser der Religionen im geteilten Berlin und Brandenburg. Für die gegenwärtige fünfte Phase seit 1990, die durch die Folgen der Wiedervereinigung, Globalisierung und Flüchtlingszuwanderung geprägt ist, wird untersucht, welche Kriterien und Erfahrungen es mit Umnutzungen von Kirchen durch andere Konfessionen, Kulturen und Religionen gibt. Eine weitere Frage gilt den Bedingungen für Moscheeneubauten im Vergleich zu der Sakralraumöffnung anderer Religionen und wie geteilte Sakralräume als Räume der Stille/Andachts- und Gebetsräume in öffentlichen Gebäuden, Hochschulen und Gärten gestaltet werden. Abschließend werden Perspektiven für die religiöse Pluralisierung im öffentlichen Raum entwickelt: für die Sakralbauarchitektur, die stadt- und regionalgeografischen Planungen, die Rolle von Religion im öffentlichen Raum von Politik, Militär, Bildung und Medien. Sieben Transformationsimpulse ermutigen zur interreligiösen Konvivenz: zum einander helfen, voneinander lernen, miteinander feiern, miteinander beraten und entscheiden, miteinander theologisch reflektieren, sich miteinander gesellschaftlich engagieren und miteinander spirituelle Räume eröffnen. / Based on the change in the numbers of believers of different religions, the question arises as to the consequences for the organisation of sacred spaces, e.g. churches, synagogues, mosques, temples, gurdwaras or cemevis. According to which criteria is public space divided between cultures and religions? Clash of civilisations, culture of dominance, market of religions, diaspora, hospitality or conviviality? The development of religious pluralisation in Berlin and Brandenburg is presented in five phases: 1671-1788: Reconstruction after the Thirty Years' War and reception of religious refugees; 1788-1918: Effects of economic, political and military expansion; 1918-1945: Religious pluralisation in the Weimar Republic and under National Socialism; 1945-1989: Provisional houses of religions in divided Berlin and Brandenburg. For the current fifth phase since 1990, which is characterised by the consequences of reunification, globalisation and refugee immigration, the criteria and experiences with the conversion of churches by other denominations, cultures and religions will be examined. A further question concerns the conditions for new mosque buildings in comparison to the opening of sacred spaces by other religions and how shared sacred spaces are designed as spaces of silence/worship and prayer in public buildings, universities and gardens. Finally, perspectives for religious pluralisation in public space are developed: for sacred architecture, urban and regional geographic planning, the role of religion in the public space of politics, the military, education and the media. Seven transformational impulses encourage interreligious conviviality: to help each other, learn from each other, celebrate together, consult and decide together, reflect together theologically, engage together socially and open up spiritual spaces together.

A theology of Church music for worship has been conspicuous by its absence. The need is clearly demonstrated in this thesis, as is the methodology to develop this theology. The Biblical record of musical usage shows that theological principles can be uncovered to guide theuse of music today. The same process can be applied to the use of music for worship in church history. In order for these principles to have practical application, the challenges facing the Methodist of Southern Africa today are examined. Finally, a theology of Worship Music is developed under three headings. The first, Worship Music as Sacred Sound, explores the inherent music making of God, and of humanity. The second heading, Worship Music as Sacred Act, explores the way music is used as part of the Church's worship activity. The third heading, Worship Music as Sacred Word, explains how music can communicate in worship. / Philosophy, Practical & Sytematic Theology / M. Th. (Systematic Theology)

Alfredo Ildefonso Schuster (1880-1954), abate di San Paolo fuori le Mura e, successivamente, arcivescovo di Milano dal 1929 al 1954, ricoprì, durante il periodo romano, importanti incarichi sia all’interno dell’Ordine benedettino che della curia romana per volontà di Pio X, Benedetto XV e Pio XI. Egli diede un contributo decisivo in svariati ambiti: insegnò presso la Scuola di Musica sacra, fu consultore della Congregazione dei Riti, preside del Pontificio Istituto Orientale e presidente della Pontificia Commissione di arte sacra. Personalità particolarmente sensibile, fu in contatto con il mondo benedettino europeo, sostenne il movimento liturgico e si mostrò aperto verso la Chiesa ortodossa e gli ebrei. Dal punto di vista politico, infine, Schuster affermò con chiarezza la necessità che lo Stato riconoscesse l’importante azione sociale della Chiesa, denunciando le ingerenze e i soprusi commessi sia dal governo liberale che da quello fascista. / Alfredo Ildefonso Schuster (1880-1954) was a Benedictine monk at the Basilica of Saint-Paul-Outside-the-Walls in Rome and Archbishop of Milan from 1929 to 1954. During his stay in Rome he held high offices for both the Benedictine order and the Roman Curia thanks to Popes Pius X, Benedict XV and Pius XI. He provided decisive contributions to various fields: teacher at the Institute of Sacred Music, Consultor to the Sacred Congregation of Rites, President of the Pontifical Oriental Institute and President of the Commission for Sacred Art. Man with a highly sensitive personality, Cardinal Schuster got in touch with the European Benedictine community, promoted the Liturgical Movement and showed his openness to the Orthodox Church and the Jewish people. In the political field Schuster clearly stated the necessity of the State to admit the important social action carried on by the Church, while blaming interferences and abuses of both the Liberal and Fascist Government.

A theology of Church music for worship has been conspicuous by its absence. The need is clearly demonstrated in this thesis, as is the methodology to develop this theology. The Biblical record of musical usage shows that theological principles can be uncovered to guide theuse of music today. The same process can be applied to the use of music for worship in church history. In order for these principles to have practical application, the challenges facing the Methodist of Southern Africa today are examined. Finally, a theology of Worship Music is developed under three headings. The first, Worship Music as Sacred Sound, explores the inherent music making of God, and of humanity. The second heading, Worship Music as Sacred Act, explores the way music is used as part of the Church's worship activity. The third heading, Worship Music as Sacred Word, explains how music can communicate in worship. / Philosophy, Practical and Sytematic Theology / M. Th. (Systematic Theology)

by Jerry M. Cain / Typescript / Includes complete vocal and instrumental scores of 2 liturgical motets and 3 sacred concertos of the early 17th century transcribed into modern notation / For mixed voices and/or instruments / M.M. Florida State University 1994 / Compositions LE45-48, 143 in Levoča Ms. Mus. 13993; ms. of German composers, copied in organ tablature by Johannes Schimbraczky / Includes bibliographical references / Score texts in German and Latin; 2 scores are without text

This research analyses the influence of the power of a name, particularly on Zulu speaking people in South Africa. It further analyses the effect of names in other Nguni speaking communities in this country. On a wider scale it also looks at the power and the influence of names given to people of other countries on the African continent. The research primarily investigates the effects of the power of a name on the life of a black person. A name could actually lure a person to enact its meaning. For instance, the name uBagangile could influence the bearer of the name to be generally naughty or if not so, relatives around her might act naughty in different ways. It is pointed out that the act of name-giving with concomitant power vested in a name originates from God. The bearer was expected to act out the meaning of his/her name. God's power hidden in the name would constrain an individual to behave in a certain way within his/her community. The research points out that a name is not only a label that helps in the identification of an individual or an entity. A name is something that is multi-functional. First it becomes a label, a descriptive tool that may refer to a person's body structure. It is possible that a name may divulge a situation in which the person was born. Most importantly, it has the power to make the bearer become what the name means. Usually names carry one of the above accounts. If the name was chosen by an insightful name giver it may carry more than one of the above qualities. During the years of oppression before the advent of democracy in South Africa in 1994, community members made extensive use of names from the languages of the white oppressors. White names had an impact on the lives of bearers, because of the meanings and contexts associated with them. / African Languages / D.Litt. et Phil. (African Languages)

Il genere del cosiddetto “poema sacro” fu uno dei più frequentati nella letteratura italiana tra il XVI e il XVIII secolo, ma le opere afferenti a questa categoria letteraria sono state a lungo ignorate dai critici. La mia ricerca si propone di studiare una sezione limitata di tale enorme produzione, ossia le opere in volgare pubblicate nel Ducato di Milano, coprendo un arco temporale che va dal 1566 al 1706. Sulla base di una rigorosa analisi dei componimenti, spesso poco studiati o del tutto sconosciuti, questo lavoro intende delineare le peculiari declinazioni dell'epica sacra nella realtà milanese, fortemente influenzata dall'indirizzo culturale proposto da Carlo e Federico Borromeo. Gli autori dei poemi considerati sono Sisto Poncello, Giovanni Maria Paroli, Cesare Della Porta, Ettore Colombo, Annibale Guasco, Giacomo Turamini, Antonio da Brugnato, Bernardino Baldi, Antonio Biaguazzone, Giulio Fe', Lelio Guidiccioni, Ambrogio Ferro, Francesco Antonio Tomasi, Francesco Pallavicini, Stefano Rossi, Giacinto Faggi, Giuseppe De Maltraversi, Pietro Paolo Giletti, Alessandro Ghirardelli, Basilio Bertucci. / The so-called “sacred poem” was one of the most successful genres of the Italian literature between the 16th and the 18th century, but the works belonging to this category have usually been ignored by critics. My research aims at studying a limited part of this enormous literary production, considering the vernacular poems published in the Duchy of Milan between 1566 and 1706. On the basis of a meticulous analysis of the texts, often scarcely studied or completely unknown, I intend to determine the features of the sacred epic in the Milanese environment, which was strongly influenced by the cultural policy promoted by Carlo and Federico Borromeo. The authors of the poems are Sisto Poncello, Giovanni Maria Paroli, Cesare Della Porta, Ettore Colombo, Annibale Guasco, Giacomo Turamini, Antonio da Brugnato, Bernardino Baldi, Antonio Biaguazzone, Giulio Fe', Lelio Guidiccioni, Ambrogio Ferro, Francesco Antonio Tomasi, Francesco Pallavicini, Stefano Rossi, Giacinto Faggi, Giuseppe De Maltraversi, Pietro Paolo Giletti, Alessandro Ghirardelli, Basilio Bertucci.

Thesis (MTh (Systematic Theology and Ecclesiology. Church History and Church Polity))--University of Stellenbosch, 2007. / Different theologies have sprung up around the celebration of the Eucharist. Consequently at the very point where Christians should be most united there is often controversy, bitterness and division. This is true of the writer’s own social location within the Anglican Church. The central question of this thesis is therefore how an engagement with Christianity’s Jewish roots helps us to reframe Eucharistic theology. In this regard a historical theological approach is employed to track how Eucharistic theological emphases have changed over time in relation to Jewish meal traditions, Jesus’ meal parables and table fellowship. The implications to reconnecting with the essence of Jesus’ social location are somewhat radical and potentially discomforting. Yet there are several obstacles to connecting with roots of our faith. The first obstacle examined in this thesis is the problematic interpretative gap of history, between the strangeness of the past and the familiarity of the present. A second obstacle only briefly touched upon is the attitude of anti-intellectualism in some churches today and an ignorance of the histories of Christianity. However, given the thesis question, the primary focus is on the obstacle of Christian anti-Semitism and the de-Judaising of Christianity. To seek greater continuity with Judaism is, in some ways, to Christianize Christianity. ii

The study, “Between honor and shame: Martyrdom in 2 Maccabees 6-7 within the socio-cultural arena”, presents a look at how the community viewed martyrdom in 2 Maccabees 6:18-7:42 from the perspective of honor and shame. The chief objective is to determine whether or not the community supported or challenged the notion of the martyrs’ death being either honorable or shameful. In order to reach a satisfactory conclusion to this objective, this study set as goals the identification of key themes which shed light upon the views of the community in regard to the martyrs, as well as the investigation of the community’s understanding of honor and shame found in 2 Maccabees 6:18-7:42. This study incorporates a contextual analytical method comprising of an analysis of sociocultural vocabulary, an analysis of the socio-cultural vocabulary within the Greek text of 2 Maccabees 6:18-7:42 and a synthesis of the analysis of both the socio-cultural and the Greek context. As criteria for the study of the socio-cultural context the aspects of sacred-profane, pure-impure, the patron-client relationship and the relationship between individual and group(s) are implemented. Core-findings of this study may be divided into two main categories: evidence in defence of an honorable conduct during death, and evidence in defence of the dishonorable manner of death. Evidence in defence of honorable conduct during death, are: • The martyrs remain completely loyal and devoted to God (their Chief-Patron), His laws and • the customs of the forefathers. • They are portrayed as being bodily whole. • They safeguard their set-apartness. • They remain pure – especially in the ritualistic sense. • As individuals belonging to the collected identity of various groups, the martyrs prove themselves loyal and honorable. Evidence in defence for the dishonorable manner in which the martyrs die, are: • Torture was deemed disgraceful by the community and would therefore degrade honor. • Mutilation went into the very fabric of the wholeness of the body by destroying the bodily unity, thereby disqualifying a person to come into the realm of the sacred. • Certain members of the community would regard the martyrs’ rejection of the lesser patrons’ favor as disrespectful and therefore as dishonorable conduct. Despite this evidence, it is still found that the community could remain undecided on how to judge the martyrs and martyrdom. Therefore, it is proposed, and successfully implemented, that an emotional argument might be the key to tipping the scale toward viewing the martyrs and martyrdom as honorable. It must therefore be concluded that the community would have indeed challenged the notion of martyrdom being honorable, for torture and mutilations in themselves, were regarded as being disgraceful. Yet the community would have been persuaded to accept the honor of the martyrs because of their honorable conduct and the emotional appeal made by the author of Maccabees. / Thesis (MA (Greek))--North-West University, Potchefstroom Campus, 2013.