Diploma thesis „Management of personality development“ is focused on analysis of issues in case of managers of the company Advantage Consulting s.r.o. Theoretical analysis is focused on time management, stress management, personality development and then issue of personality types follows. The analysis of individual managers in all mentioned fields is given and recommendations for increasing level of management of personality development are for-mulated.

The goal of this thesis is to remind the importance of the two selected categories of the educational content of the subject of dance and movement education in primary school: improvisation and creativity, their conception and implementation in education. The thesis is divided into theoretical and practical part. The theoretical part firstly deals with dance based on movement - the most natural activity of everyone. Then, the subject of dance and movement education is introduced together with its characteristics. The following chapters describe the importance of improvisation and creativity in dance and movement education. The practical part consists of a qualitative research of which the main aim was to find out how improvisation and creativity are being fulfilled in practice. The research was realized using the method of participating observation. That part also presents its results.

This Master thesis analyzes the conception of self-knowledge in work of Jiddu Krishnamurti. Jiddu Krishnamurti (1895-1986) was a spiritual teacher and writer, born in India and lived in USA. The goal of the thesis is to show Krishnamurti's conception of self-knowledge from its own. In thesis there are quotations from Krishnamurti's works and also from works of others related authors from ranks of philosophy, science or literature. The first part of thesis shows Krishnamurti's life and his work in general. The second part analyzes a topic of self-knowledge in work of Krishnamurti. First of all, the thesis tries to introduce the way in which Krishnamurti understands a self-knowledge and its potential. In the second place, it tries to incorporate Krishnamurti's work into context of whole human searchng with intention to find a dialog between science and spirituality and between East and West.

This study focuses on how a Personal Portfolio can facilitate the narration of an adolescent’s life story and the outcome on self understanding. An instrumental case study that was exploritative and descriptive in nature was used to gain insight into the potential value of using a Personal Portfolio to reflect an adolescent’s quest for identity development. Data were collected by means of Personal Portfolio activities, open-ended interviews, tape-recordings of participant interviews, reflective reports written by the research participant as well as observations and field notes recorded in a diary by the researcher. The thematic analysis of the data was done within a constructivist-interpretivist framework. Five core categories: Identity Crisis/Confusion, Identity Exploration,Identifying Developmental Assets, Unresolved Past Issues, and the Experience of Compiling a Personal Portfolio emerged. These core categories were further linked to sub-categories and related themes. This study found that compiling a Personal Portfolio supported the research participant’s quest for identity. In particular, it facilitated a process of self exploration regarding career choice and sexual identity and resulted in increased self-knowledge, an awareness of personal assets and an overall improved sense of self-worth and self-confidence. This study also provided the research participant with a platform to work from and the means to solve some personal problems. The study further more concluded that a Personal Portfolio is a cost effective method that is suitable for use in a diverse South African context which could be utilised by counsellors and educators with their task to assist adolescents with their identity development. / Dissertation (MEd)--University of Pretoria, 2010. / Educational Psychology / unrestricted

At the outset of the Phaedrus, Plato tells us that Socrates’ knows himself (228a). This statement is then followed up by Socrates’ claim that he is not able to obey the Delphic imperative and know himself (229e-230b). This apparent contradiction has given rise to an interesting debate concerning what kind of knowledge we are dealing with here. While the debate is complex a few main positions can be identified. One group of scholars, hereafter referred to as the practitioners, argue that the self-knowledge Socrates here talks about is a life-guiding term. The practitioners argue that when striving toward what is true about oneself and acknowledging one’s limits, one turns away from chaos towards a well structured life. Another group of scholars, referred to as the mystics, argue that self-knowledge is something Socrates’ possesses when contemplating over his own epistemic limits as well as his soul and its connection to the Forms. Finally, the unitarian view explains the content of self-knowledge, namely that it includes dispositional and cognitive knowledge of oneself. Even if these views are helpful to explain the different parts of self-knowledge, they fail to explain Socrates’ apparently contradictory answers regarding self-knowledge. What is lacking, and what this thesis will try to provide, is an account of how Socrates both can say that he knows and does not know himself. The thesis will help explain how Socrates can be said to have self-knowledge. However, Socrates does not yet have absolute self-knowledge and acknowledges, with his denial of self-knowledge, that a deepened self-knowledge can be gained gradually. On the view that this thesis will test and defend, Socratic self-knowledge is a continuum, that is to say, a coherent yet dynamic knowledge. This can help to explain how Socrates can claim to both know and not yet know himself.

This thesis explores a concept by Sonvox AB called VoiceUp. The concept is that of a mobile application that communicates with a wearable voice measuring device and visualizes voice information in a way that helps singers. Sonvox current main product is VoxLog—a system for long-term voice monitoring, mostly used for research purposes. Sonvox believes that their voice analysis technology could be relevant to a larger audience. The main goal for the thesis is to explore if a wearable voice measuring device could be relevant to singers, and in what ways. To do this, a needs analysis was conducted where song teachers and singers were interviewed. In order to draw statistical conclusions about the occurrence of needs, a survey was conducted where people with an interest for singing were the targeted respondents. Based on the result from the needs analysis, the VoiceUp concept was refined, resulting in an idea of a product that measures and visualizes how much the user sings and speaks with the aim to increase singers motivation to practice singing more regularly. Based on theory related to self-tracking, a design proving the concept was created, resulting in a mockup and a simple prototype. The mockup and the prototype can together be seen as one example of how self-tracking technology could be relevant to singers.

Text in Afrikaans / Spieel, kamer van spieels, mise-en-abyme, representasie, ensovoorts, is almal begrippe wat met die nosie van selfrefleksiwiteit in verband gebring word. Hoewel selfrefleksiwiteit nie 'n nuwe verskynsel is nie, is die vraag waarom dit juis vandag so akuut in die literer-teoretiese diskoers neerslag vind. Dit geld veral teoretiese bydraes oor die Postmodernisme en/of Postmodemistiese tekste. Hieruit kan 'n mens aflei dat daar 'n direkte verband tussen selfrefleksiwiteit en die Postmodernisme bestaan. Hierdie studie is dan primer gemteresseerd in die wyses waarop die Postmodernistiese dramafteater die nosie van selfrefleksiwiteit in die enkoderingsproses in diens neem. Daarbenewens word ondersoek ingestel na die invloed wat die konsep van vervreemding in die twintigste-eeuse dramajteater op die verskillende beskouings van selfrefleksiwiteit gehad het. Die uiteindelike oogmerk is om aan te toon dat selfrefleksiwiteit in die Postmodernistiese dramafteater gevestigde aannames oor kuns as spieelbeeld van die werklikheid omverwerp. / Mirror, hall of mirrors, mise-en-abyme, representation, et cetera are all concepts associated with the notion of self-reflexivity. While self-reflexivity is not a new phenomenon, the question is why, in our time, it should be so acutely present in the discourse of literary theory - especially in theoretic contributions on Postmodernism and/or Postmodernist texts. One is lead to conclude that self-reflexivity and Postmodernism are directly linked. This study, then, focuses primarily on how Postmodernist drama/theatre employs the notion of self-reflexivity in the encoding process. It also explores the impact of the concept of alienation in twentieth century drama/theatre on the various views of self-reflexivity. The fmal objective is to show that self-reflexivity in Postmodernist drama/theatre challenges ftxed suppositions about art as a reflection of reality. / Afrikaans, Theory of Literature / M.A. (Theory of Literature)

Ce mémoire entend présenter les formes de connaissance de soi développées par Thomas d’Aquin: la reditio incompleta, la réfraction sur les phantasmes, la conscience préréflexive, la réflexion par réfluence, l’analyse abstraite, le jugement critique et la reditio completa. L’âme humaine ne pouvant se connaître directement, elle a accès à son essence par le biais de tous ses actes ou actes de conscience. Notre analyse se concentre sur la connaissance habituelle, habitus de toutes les connaissances, qui est la racine de l’image trinitaire en l’homme et garantit la vérité des intellections humaines. Pour ce faire, nous avons procédé à la traduction des questions 87 à 89 de la Somme théologique, dans lesquelles Thomas présente la connaissance humaine des substances séparées et le statut de l’âme séparée, montrant en quoi l’esprit de l’homme partage un certain commun avec les autres esprits de son univers. / The purpose of this thesis is to present the different theories of self-knowledge developed by Thomas Aquinas: namely reditio incompleta, refraction of the soul on its own phantasms, preconscious reflection, reflection by reflux, abstract analysis, critical judgment and reditio completa. Although the human soul cannot have knowledge of itself directly, it can however approach its essence with its own acts or acts of consciousness. The analysis is based on the cognitio habitualis, habitus of all knowledge, that is the root of the trinitarian image in humankind and that guarantees the truth of human intellection. This involved translating questions 87 to 89 of the Summa Theologiae, in which Aquinas considers humanity’s understanding of immaterial substances and the separate soul’s knowledge. This demonstrates how the human soul shares common ground with other substances of the universe.

The aim of this theoretical and empirical thesis is to analyse the term of self-education and related issue, which are further developed in theory and philosophy of education, psychology and sociology. In the first part the thesis concentrates on theoretical concepts of self-education and their development in selected historical periods. The thesis accentuates a contemporary understanding of self-education and its aspects influencing the concept and practice of self- education in current society. Through several case studies in the empirical part, the thesis attempts to demonstrate personal, educational and experiential diversity backgrounding the contemporary concept of self-education. In conclusion, some options as well as difficulties of an individual self-education in contemporary society will be reflected. Key words: self-education, self-knowledge, historical perspective, psychological perspective, contemporary society, family, free time, procrastination, self-development books, case studies

[pt] Esta dissertação tem como objetivo proceder a uma análise da obra ficcional de Almada Negreiros, artista português polivalente, em uma perspectiva solar, otimista, na sua forma de reinventar o mundo, de reinventarse na trajetória de ingenuidade consciente que empreende. Apresenta a obra de Almada como um projeto existencial, no qual se descortinam as diversas possibilidades do sujeito em busca de sua unidade pessoal - encontro do eu consigo. O trabalho, também por força de uma sistematização, toma de empréstimo as metamorfoses do espírito - fase camelo, fase leão e fase criança - de Nietzsche, em Assim falava Zaratustra, correlacionando-as aos aspectos vivenciais do intelectual Almada - moderno por excelência. Discute questões cruciais relativas ao modernismo português: tradição e inovação, representadas por nomes de peso do movimento. Como pano de fundo, o espaço alternativo de Orpheu a conciliar contrários. Destaca o valor fundamental do romance de aprendizagem Nome de Guerra, obra que constrói o personagem Antunes e a ficcionalidade do sujeito Almada Negreiros, no enfoque do autoconhecimento. / [en] This thesis analyses the fiction of the Portuguese multiartist Almada Negreiros, marked by a solar perspective, optimistic in his way of reinventing the world and himself in the path of conscious naïveté he sets out on. His work is presented as an existential project in which the various possibilities of the subject in search of personal unity are unveiled: the self meets itself. For the sake of systematization, this study borrows the concept of metamorphoses of the spirit - the camel, the lion and the child phases - from Nietzsche`s Thus spoke Zarathustra, relating them to aspects of the existence of Almada Negreiros as intellectual and modern par excellence. It discusses crucial issues of Portuguese Modernism: tradition and innovation, represented by important participants in the movement. The background is the dissenting space of Orpheu, conciliating opposites. Emphasis is given to the fundamental role of Almada Negreiro`s Nome de guerra, a Bildungsroman that develops the character Antunes and the fictional aspect of the man Almada Negreiros, focusing on self-knowledge.