No description available.

A practical, aesthetic and philosophical examination of lookouts as found in Australian National Parks. Investigates the impact of landscape (as refering to both the actual phenomena and cultural product) on environmental values and human relationship with place. Explores the unique relationship between visitors and environments conserved for their 'wilderness' value. Discusses the management of lookouts and the mediation and potential manipulation of visual perception in the design of these facilities. Suggests lookouts subjegate immediate physical 'site' to celebrate a distant 'scene' granted greater environmental value on the basis of aesthetic principles of beauty, the sublime and the photogenic.

No description available.

This thesis is concerned with placing public art within the broader modernist spatialisation of social relations. The research takes place around two related enquiries. The first emerges from questions raised by the art critic Rosalyn Deutsche with regard to the proposition that public art functions as both a profession and technology that attempts to pattern space so that docile and useful bodies are created by and deployed within it. Following such questions, this thesis seeks to scrutinise the ways in which discourses on public art might operate in enabling, maintaining or disrupting everyday practices and socio-spatial relations. Secondly, as a foray into methodologies of public art research, the thesis considers Foucauldian governmentality approaches in terms of what these might have to offer an investigation of public art. The thesis undertakes the analysis of a wide range of texts connected with three South Australian urban developments for which public art was separately proposed, designed, selected and installed. Attention is given principally to the Rundle Street Mall, a pedestrianised shopping street in the city-centre of Adelaide, examined at several moments throughout the period of its development (1972-1977) and later refurbishment (1996-2001). Also discussed are the Adelaide Festival Centre Plaza (1973-1977) and the Gateway to Adelaide (1996-2000), the latter project involving the reconstruction of a major traffic intersection on the outskirts of metropolitan Adelaide. Through these examples the thesis documents key debates in the history of Australian discourses concerning public art. In addition, this study brings attention to the relations between artwork and a proliferation of individuals, agencies, and other interests, highlighting the competitions over space, authority and expertise, and the often unexamined role that public art plays in maintaining or unsettling socio-spatial relations. Knowledge about public art, it is argued, is produced, transformed and deployed across a range of discursive sites (contemporary art, urban design, planning, transport and others) and becomes tied to specific problems of governing. / Thesis (PhD)--University of South Australia, 2008

This thesis is concerned with placing public art within the broader modernist spatialisation of social relations. The research takes place around two related enquiries. The first emerges from questions raised by the art critic Rosalyn Deutsche with regard to the proposition that public art functions as both a profession and technology that attempts to pattern space so that docile and useful bodies are created by and deployed within it. Following such questions, this thesis seeks to scrutinise the ways in which discourses on public art might operate in enabling, maintaining or disrupting everyday practices and socio-spatial relations. Secondly, as a foray into methodologies of public art research, the thesis considers Foucauldian governmentality approaches in terms of what these might have to offer an investigation of public art. The thesis undertakes the analysis of a wide range of texts connected with three South Australian urban developments for which public art was separately proposed, designed, selected and installed. Attention is given principally to the Rundle Street Mall, a pedestrianised shopping street in the city-centre of Adelaide, examined at several moments throughout the period of its development (1972-1977) and later refurbishment (1996-2001). Also discussed are the Adelaide Festival Centre Plaza (1973-1977) and the Gateway to Adelaide (1996-2000), the latter project involving the reconstruction of a major traffic intersection on the outskirts of metropolitan Adelaide. Through these examples the thesis documents key debates in the history of Australian discourses concerning public art. In addition, this study brings attention to the relations between artwork and a proliferation of individuals, agencies, and other interests, highlighting the competitions over space, authority and expertise, and the often unexamined role that public art plays in maintaining or unsettling socio-spatial relations. Knowledge about public art, it is argued, is produced, transformed and deployed across a range of discursive sites (contemporary art, urban design, planning, transport and others) and becomes tied to specific problems of governing. / Thesis (PhD)--University of South Australia, 2008

Die Dissertation befasst sich am Beispiel Berlins mit den Wechselwirkungen zwischen der Alterung der Gesellschaft und wachsender Diversität. In sechs Fachartikeln werden methodologische Zugänge zum Zusammenspiel von Alter und Diversität entwickelt und neue empirische Befunde aus qualitativer und quantitativer Empirie vorgestellt. Auf Basis der empirischen Erhebungen wird gezeigt, inwiefern gängige gesellschaftliche Altersbilder den komplexen Lebenslagen im Alter nicht gerecht werden, und entsprechend auch der institutionelle Umgang mit Diversität im Alter vielfach nicht adäquat ist. Daran anknüpfend schlägt die Arbeit eine räumliche Perspektive als methodologischen Zugang für die Analyse des Zusammenspiels von Alter und Diversität vor. Aus dieser räumlichen Perspektive werden drei empirische Beispiele analysiert: Die Nutzung öffentlicher Parks durch ältere Menschen, Umzugspläne und Umzugsmotivationen im Alter, sowie die Bedeutung der räumlichen Nähe für das Entstehen von sozialen Netzwerken in der Nachbarschaft im Alter. Die Arbeit leistet damit sowohl auf empirischer als auch auf analytischer und methodologischer Ebene einen wissenschaftlichen Beitrag: Sie vermittelt zunächst vertiefte Einblicke in die Lebenslagen älterer Menschen mit unterschiedlichen Hintergründen. Auf dieser Basis hinterfragt die Arbeit die implizite Normierung der mittleren Lebensjahre als objektiven Beobachterhorizont und unterstreicht die Notwendigkeit, Diversität mehrdimensional zu denken. Die Arbeit plädiert insofern dafür, die Konzepte Intersektionalität und Superdiversität zu verknüpfen, um auch innerhalb sozialer Gruppen genauer differenzieren zu können. Dabei erlaubt eine räumliche Perspektive einen offenen Blick auf Diversität und ermöglicht es, die bislang getrennten Forschungsfelder der Diversitäts- und Altersforschung zu verbinden. Die Arbeit schließt mit Handlungsempfehlungen für Politik und Planung. / The dissertation deals with the interplay between the aging of society and growing social diversity, drawing on Berlin as a case study. In six papers, the dissertation develops methodological approaches to scrutinize the interplay of age(ing) and diversity and presents new empirical findings from qualitative and quantitative empirical research. Based on the empirical findings, the dissertation shows that prevalent societal images of old age do not do justice to the complex life situations of older people and, accordingly, the institutional handling of older people’s diversity is inadequate. In addition, the thesis develops a spatial perspective as methodological approach to analyze the interplay between age(ing) and diversity. Employing this spatial perspective, the thesis examines three empirical cases: The use of public parks by older people, relocation plans of older people, and the importance of spatial proximity for older people’s social networks in the neighborhood. The dissertation thus makes a scientific contribution on an empirical as well as on an analytical and methodological level: First, it provides in-depth insights into the life situations of older people with different backgrounds. On this basis, the thesis questions the implicit norming of middle age as an objective perspective and underlines the necessity of thinking diversity in a multidimensional way. In this respect, the paper argues for linking the concepts of intersectionality and superdiversity in order to differentiate more precisely within social groups. A spatial perspective allows an open view on diversity and makes it possible to connect the previously separate fields of research on diversity and gerontology. The work concludes with recommendations for policy and planning

Outdoor recreation and heritage resources have the potential to provide a wide range of benefits to individuals, groups of individuals and the economy. An increased knowledge of these benefits can give recreation managers and planners a better understanding of how their actions and decisions regarding a resource may impact upon the visitors and communities that they serve. Placed within a climate of increasing public sector accountability, this information might also prove useful in justifying the allocation of scarce resources to recreation and heritage preservation. Justifying the value that recreation adds to society is an issue recognised by Benefits Based Management (BBM), a recreation management and planning framework that seeks to identify and target the positive outcomes realised by individuals, groups, local businesses and communities that result from participation in recreation and leisure. To date, recreation planners and managers have not been presented with a BBM research effort that seeks to describe and understand the visitor and community benefits associated with a rail to trail conversion. This study aimed to identify and describe benefits gained by visitors and neighbouring communities, with specific reference to the Otago Central Rail Trail (OCRT), Central Otago, New Zealand. Information was gathered from seventy-seven semi-structured interviews with visiting users of the OCRT, residents of neighbouring communities and trail managers. The results of the study indicated that community stakeholders reported benefits such as local economic development linked to visitor expenditure, heightened sense of community identity and solidarity and social contact with people from outside the local area. An additional finding was that the perceived benefits of the OCRT have reportedly had a positive influence on local people's attitudes towards the rail trail. Visitor interviews revealed that personal and social well-being benefits such as physical activity, aesthetic appreciation, sense of achievement, psychological refreshment, family togetherness and social interaction with friends and local people were outcomes of an OCRT visit. Reported visitor benefits were further linked to physical fitness and health, enhanced mood and positive mental state, leading a balanced lifestyle and stronger relationships within families and between friends. Visitors also perceived that an OCRT visit had forged a greater knowledge and awareness of railway heritage through gaining insight into railway and Central Otago history and appreciation of the engineering skills and craftsmanship associated with 19th century railway construction. Following the benefit chain of causality (Driver, 1994; Driver & Bruns, 1999; McIntosh, 1999), interview responses were linked to potential community and visitor benefits that could be realised off-site such as enhanced quality of life, community satisfaction and a greater connection with and appreciation of New Zealand's historic and cultural heritage.

This research operates at both the meeting of wilderness and landscape, and also landscape architecture and design-directed research. It applies a phenomenological understanding of landscape to the New Zealand conservation estate as a means to reconsider wilderness’ prevalent framing as an untouched ‘other’. It does this through enlisting the designerly imperative found within landscape architecture as the means by which to direct this research, and through landscopic investigations located in the artefacts of cooking, haptic qualities of walking, cartographies of wilderness and a phenomenological diagramming of landscape experience. The results of this layered programme of research are four-fold. First, it finds that a landscopic interpretation of wilderness, and its tangible manifestation in New Zealand’s conservation estate, has the potential to suggest a greater depth of dialogue in which both ecological and cultural diversity might productively flourish. Second, it finds that landscape architecture has significant potential to broaden both its relevance and types of productive outputs beyond its current intent to shape specific sites. It identifies that artefacts and representations – such as cookers, track markers and maps – can be creatively manipulated to design alternative formulations of landscape. Third, through self-critique the potency of a programme of design-directed inquiry is demonstrated. In this dissertation new knowledge is revealed that extends the formal, diagrammatic and conceptual dimensions of wilderness, New Zealand’s conservation estate, and a phenomenological expression of landscape. This research illustrates the potential for design-directed research methods to be more widely adopted in ways that extend landscape architecture’s value to multi-disciplinary research. Finally, it finds a pressing future direction for landscape architecture research is to further identify and develop techniques that diagram landscopic practice and performance with the same richness and detail that spatially derived descriptions currently offer. It is the considerable distance between the spoken and written poetics of phenomenology and the visual and diagrammatic articulation of these qualities that is identified as a problematic and also productive site for ongoing creative research.

<p><i>Children of Globalization: Diasporic Coming-of-age Novels in Germany, England, and the United States </i>is an exploration of contemporary Diasporic Coming-of-age Novels written in the context of globalized and de facto multicultural societies. Framed in the long tradition of <i>Bildungsroman </i>studies, this study illuminates the structural transformations that the coming-of-age genre has undergone in contemporary diasporic communities. <i>Children of Globalization</i> analyzes the complex identity formation of first- and subsequent-generation migrant protagonists in globalized rural and urban environments and dissects the implications that these diasporic formative processes have for the tercentennial genre. While the most traditional iteration of the <i>Bildungsroman </i>genre follows male middle-class heroes who forge their identities in a process of complex introspection to become citizens and workers, contemporary Diasporic Coming-of-age Novels represent formative processes that fit into, resist, or even disregard, narratives of nationhood. Recent changes in the global genre are the direct consequence of the intricacies of the formative processes of culturally-hybrid protagonists who must negotiate their access into adulthood and citizenship, and puzzle over sexuality and gender identity, in host societies that at times regard them with contempt and distrust. The study spans three centuries as it traces both perennial and volatile elements of the genre through its contemporary state. In doing so, it identifies thematic and structural seeds which, planted through the centuries in varied locations, have bloomed into nuanced explorations of the self in an interconnected world where regional and national definitions of identity are increasingly contested and in flux.</p><p>In order to contextualize the genre and provide evidence of its enduring malleability, the study begins in Germany, tracing what I term Proto-<i>Bildungsromane, </i>long medieval narrative poems that follow the formative processes of knights and heroes in grandiose style. Wolfram von Eschenbach’s thirteenth-century poem <i>Parzival </i>and the coeval Gottfried von Straßburg’s <i>Die Geschichte der Liebe von Tristan und Isolde </i>ponder the development of the self but too heavily rely on destiny to be considered <i>Bildungsromane. </i>Still in Germany, I illustrate the fundamental characteristics of the genre in Wolfgang von Goethe’s <i>Wilhelm Meisters Lehrjahre. </i>In order to showcase the flexibility of the genre, I analyze its early transformations in England in prominent works by Jane Austen, Charles Dickens, and E. M. Forster. The last four chapters focus on the exciting development of Diasporic Coming-of-age Novels in England, the United States, and Germany. Despite the stark differences between these societies and the particular cultural wealth of diasporic groups that have migrated there, the Diasporic Coming-of-age Novel has enabled sophisticated explorations of identity and belonging in all three countries. As the chapter summaries show, contemporary writers have used the Diasporic Coming-of-age Novel to untangle complicated formative processes, understand the expectations of their social environments, and achieve different levels of belonging and maturity.</p><p>With <i>Children of Globalization, </i>I seek to deepen our understanding of the exciting influence that contemporary diasporic movements have on the coming-of-age genre in particular and literary studies in general. Additionally, it is my hope that the exploration of Diasporic Coming-of-age Novels contributes to a capacious understanding of the important role of literature in the study of migration.</p>

Enquanto alguns paises tem o ecoturismo como a sua principal fonte de renda, o Brasil nao explora a atividade de forma planejada, o que resulta, muitas vezes, na degradacao do meio ambiente e na descaracterizacao da diversidade cultural local. Assim sendo, este estudo pretende contribuir para a compreensao do processo de adaptacao de uma comunidade tradicional ao fenomeno do ecoturismo e dar um alerta para a necessidade de considerar a identidade cultural das populacoes locais como bem patrimonial e como elemento de risco no planejamento da atividade. Com esse intuito, foi realizado um Estudo de Caso, durante os anos de 2000 e 2001, com uma familia residente na praia de Martim de Sa, caracterizada como caicara. Essa comunidade foi escolhida, pois reside em um local onde o ecoturismo esta apenas comecando, fato que permitiu refletir a respeito das consequencias da atividade. Martim de Sa, apesar de estar inserida nos limites de duas Unidades de Conservacao da Natureza, esta sobre forte ameaca de degradacao ambiental devido a especulacao imobiliaria incentivada pelo crescimento do fluxo turistico sem planejamento e facilitado pela falta de fiscalizacao dos orgaos ambientais responsaveis por essas areas. Para o desenvolvimento do Estudo de Caso foram utilizadas nesta pesquisa a Observacao Participante e as entrevistas estruturadas com a finalidade de caracterizar a comunidade local e os turistas e, a Historia de Vida, para a reconstituicao da historia do nucleo receptor.