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61	Om jag inte kan göra nog så gör jag istället ingenting / If I can´t do enough I do nothing instead. Westergren, Gisela January 2018 (has links) It`s blameful to do nothing. You should catch the day and its possibilities. Every second, minute and day, you have the potential to be constantly productive. Do not lose a second of time that you can use to create an imprint of your existence. Do not waste your time when you have the opportunity to create something measurably valuable. Soon you are gone and the competition is great. Doing nothing is a task that fewer and fewer are devoted to, to a lesser extent. We are expected to always be accessible and keep up to date with what is happening around us. There is a constant occupation of our sense of mind, thoughtfulness and rest is unprioritized. We try to maximize the part of our time when we are productive and active to absurdity. The goal seems to make as big imprint of our existence as possible. Fast and more is applauded until the day we burn ourselves out. In my work, I investigate passivity as backlash in a faster world, in a world where focus is on production, efficiency and results. A world where everything worth valuing is measurable. What is really a desired result and is it always possible to measure? Who really gets that gain from our fast life? Can passivity and slowness act as an activist act? Can one passively create something measurable? Is burning time perhaps our time´s most provocative act? With my work, I want to question my constant bad conscience about being insufficient and my feeling of not doing enough. If I can´t do enough, I do nothing instead. / Det är skuldbelagt att göra ingenting. Du bör fånga dagen och dess möjligheter. Varje sekund, minut och dag har du potential att vara konstant produktiv. Förlora inte en sekund av tid som du kan använda till att skapa ett avtryck av din existens. Slösa inte med din tid när du har möjlighet att skapa något mätbart värdefullt. Snart är du borta och konkurrensen är stor. Att göra ingenting är en syssla som allt färre ägnar sig åt. Vi förväntas alltid vara tillgängliga och hålla oss uppdaterade om vad som händer runt oss. Det sker ständigt en ockupation av våra sinnesintryck. Eftertänksamhet och vila prioriteras bort. Vi försöker att maximera den del av vår tid då vi är produktiva och aktiva till absurditet. Målet verkar vara att hinna sätta ett så stort avtryck av vår existens som möjligt. Snabbare och mer applåderas till den dagen då vi bränner ut oss. I mitt arbete undersöker jag passivitet som motreaktion till en snabbare värld, i en värld där fokus ligger på produktion, effektivitet och resultat. I en värld där endast det som är mätbart ges ett värde. Vad är egentligen ett önskat resultat och är det alltid möjligt att mäta? Vem är det egentligen som får vinsten av vårt snabba liv? Kan passivitet och långsamhet fungera som en aktivistisk handling? Kan man passivt skapa något mätbart? Är ”att bränna tid” kanske vår tids mest provokativa handling? Med mitt arbete vill jag ifrågasätta mitt konstanta dåliga samvete om att vara otillräcklig och min känsla av att jag inte gör tillräckligt. Om jag inte kan göra nog så gör jag istället ingenting. Passivity Slowness Measurability Productivity Efficiency Faster Fragmentation Self-fulfilling Guilt Burnout Depression Rest Doing Nothing Anxiety Existence Imprint Remembered Valuable Refusal Passivitet Långsamhet Mätbarhet Produktivitet Effektivitet Fortare Splittring Självuppfyllande Skuld Utbränd Depression Vila Göra ingenting Ångest Existens Avtryck Ihågkommen Värde Vägran Arts Konst
62	Creation and God as One, Creator, and Trinity in early theology through Augustine and its theological fruitfulness in the 21st century Ellingwood, Jane January 2015 (has links) My primary argument in this thesis is that creation theologies significantly influenced early developments in the doctrine of the Trinity, especially in Augustine of Hippo’s theology. Thus this is a work of historical theology, but I conclude with proposals for how Augustine’s theologies of creation and the Trinity can be read fruitfully with modern theology. I critically analyse developments in trinitarian theologies in light of ideas that were held about creation. These include the doctrine of creation ‘out of nothing’ and ideas about other creative acts (e.g., forming or fashioning things). Irenaeus and other early theologians posited roles for God (the Father), the Word / Son, the Spirit, or Wisdom in creative acts without working out formal views on economic trinitarian acts. During the fourth century trinitarian controversies, creation ‘out of nothing’ and ideas about ‘modes of origin’ influenced thinking on consubstantiality and relations within the Trinity. Basil of Caesarea and others also presented ideas about trinitarian acts of creation and the Trinity in hexaemeral works. I will argue that in Augustine’s views of trinitarian acts of creation, he attributes roles to God (the Father), the Word / Son, and the Spirit. In his mature theology, he attributes the giving of formless existence, differentiated existence, and perfected existence to the three Persons respectively, while depicting shared roles. He also attributes to the Spirit the giving of the capability of ‘dynamic abiding’ to creatures, which gives them agency in continuing their existence. Augustine’s theologies of creation and the Trinity were significantly influenced by his exegesis of Gen. 1, John 1. 1-3, Wisdom, and other scriptures, and his ideas resonate with the hexaemeral works of Basil and Philo of Alexandria. I argue that scholars should examine these sources and Augustine’s own hexaemeral commentaries to gain a deeper understanding of his trinitarian theology. 202
63	Základní nálady ve fundamentální ontologii Martina Heideggera / Basic attunements in the fundamental ontology of Martin Heidegger Rut, Filip January 2020 (has links) Tato diplomová práce předkládá podrobnou interpretaci koncepce základních nálad v Heideggerově fundamentální ontologii. Postup napříč klíčovými texty (Bytí a čas, Co je Metafyzika? a Základní pojmy metafyziky) sleduje vývoj této koncepce a zachycuje ji v její často přehlížené členitosti. Důraz je proto kladen na odlišné role různých základních nálad a na exkluzivní postavení úzkosti jako "nejzákladnější" základní nálady. Centrální tezí práce je, že úzkost představuje klíč k Heideggerově celkovému pojetí naladěnosti i k výkladu ostatních základních nálad, zejména hluboké nudy. Předvedení úzkosti jako exkluzivní základní nálady zároveň nabízí cestu k samotnému jádru Heideggerova myšlení - k problému bytí. Klíčová slova Martin Heidegger, rozpoložení, základní nálady, Grundstimmungen, latentní úzkost, explicitní úzkost, hluboká nuda, rozumění bytí, bytí jako možnost, nic, každodennost, autenticita, neautenticita Abstract This master thesis offers a detailed interpretation of the concept of fundamental attunements in Heidegger' s fundamental ontology. Progression through the key texts (Being and Time, What is Metaphysics? and The Fundamental Concepts of Metaphysics) retraces the evolution of this concept and captures its often overlooked complex structure. This account emphasizes the different roles of...
64	Mnohost bytí: Ontologie Alaina Badioua / The Multiplicity of Being: The Ontology of Alain Badiou Pivoda, Tomáš January 2012 (has links) Tomáš Pivoda, The Multiplicity of Being: The Ontology of Alain Badiou PhD thesis Abstract The thesis introduces for the first time in the Czech philosophical context the ontology of the French philosopher Alain Badiou, as he set it out in his fundamental work Being and Event (L'être et l'événement, 1988). It first presents the starting point of Badiou's philosophy as well as the reasons of his identification of ontology with the set theory, and it points out Badiou's importance for contemporary philosophy, especially for the so called speculative realism around Quentin Meillassoux. The main axis of the exposition is then built around Badiou's four fundamental "Ideas": the multiplicity, the event, the truths and the subject, in connection with which it is shown how Badiou constructs his conceptual apparatus out of individual axioms of the set theory, whereby he follows the basic formal definition of multiplicity based on the operator . In connection with∈ the first Idea of multiplicity, the thesis exposes - with references to Martin Heidegger and Plato - Badiou's conceptual transposition of the couple one/multiple on the couple existence/being and defines the fundamental concepts of his ontology - the situation, the presentation, the representation and the void, with the help of which Badiou interprets...
65	”I heard that’s the thing here…” : En doxisk topikanalys av samtalet mellan sydkoreanska Lee Young Ji och danska Christopher på YouTube-showen My Alcohol Diary. Söderlund, Tova January 2024 (has links) Sydkoreansk populärkultur konsumeras i dag i hela världen. Globaliseringen har lett till att internationella fans av sydkoreansk populärkultur blir fler och att internationella stjärnor får fler möjligheter att visa upp sig i Sydkorea. Eftersom interaktionerna mellan Sydkorea och omvärlden ökar bör vi undersöka hur sådana interkulturella möten fungerar. Med andra ord, vi måste studera hur människor interagerar via olika doxiska förutsättningar. En växande ”variety”-genre inom nya sydkoreanska ”ontact”-eran är underhållningsprogram på YouTube där koreanska underhållningspersonligheter eller artister intervjuar andra stjärnor samt ofta konsumerar alkohol. Inom ”ontact”-genren blev YouTube-showen My Alcohol Diary, ledd av Lee Young Ji, snabbt populär. Denna uppsats studerar ett avsnitt ur My Alcohol Diary där den danska sångaren Christopher är gäst. Uppsatsen undersöker med hjälp av en topikanalys hur Lees och Christophers doxiska förutsättningar ser ut och uttrycks. Uttolkningen av videon kompletteras av fyra kommenterande texter om avsnittet, vilka bidrar med ytterligare ett internationellt åskådarperspektiv. Detta görs med hjälp av Ruth Amossys förståelse av doxa och LuMing Maos idé "rhetorical way-making". Uppsatsen kommer fram till att Lee och Christopher inom tre funna topiska kategorier - språk, ålder och hierarki, och relationer - konverserar via olika personor som syftar att skapa sig en etoshöjande personlighet. Samtalet ger upphov till doxiska gränser dem emellan, vilket syns tydligast i topikkategorin relationer. I konversationen, och i de kommenterande texternas, skapas en asymmetrisk maktrelation mellan de två genom de roller de tilldelsas och tar. Problematiken av olikhet leder till att Lee och Christopher sätts i ett binärt system för att skilja dem från varandra även när de försöker förstå varandra. / South Korean popular culture has grown increasingly popular in the last few years. A rather unexplored genre within the newly defined south Korean genre “ontact” is the growing number of ”variety”-esque shows on YouTube. With the help of a doxic topoi analysis, this thesis explores the implications of the intercultural meeting between Lee Young Ji and Danish singer Christopher Lund Nissen on the show My Alcohol Diary. Four articles about the episode is also object of the study. This thesis uses Ruth Amossy's understanding of doxa and LuMing Mao's concept "rhetorical way-making". In the topic categories of language, age and hierarchy, and relationships, this thesis concludes that Christopher and Lee are made to represent their cultures even though their representation is hinged on the situation and their different backgrounds. The differences are played through personas which adds a layer of self-representation to the conversation. The relationship between the two is asymmetric in their cultural doxas. My Alcohol Diary Nothing Much Prepared South Korea South korean popular culture rhetorical way-making 이영지 한류 차린건 쥐뿔도 없지만 retorik doxa topiker etos persona representation självrepresentation YouTube sociala medier plattformar hallyu sydkoreansk populärkultur Sydkorea Danmark Lee Young Ji Christopher My Alcohol Diary maktdynamiker Other Humanities not elsewhere specified Övrig annan humaniora
66	Beckett, Barthelme, and Vonnegut : finding hope in meaninglessness Britten, Alex M. 16 April 2012 (has links) This thesis is a study of the shifting philosophical trends in the works of Samuel Beckett, Donald Barthelme, and Kurt Vonnegut as representations of a greater shift from modernism to postmodernism. I have chosen to explore Beckett's plays Waiting for Godot and Krapp's Last Tape, Barthelme's short stories "Nothing: A Preliminary Account," "The New Music," and "Kierkegaard Unfair to Schlegal," and Vonnegut's book Timequake to see how each author seeks to find a new hope in the face of a collapsed causal system. This work is an examination of the form and content of each author's work as it pertains to their own philosophical standing and in relation to the other two authors' works. I argue that each author finds a different hope for humanity depending on their place among the philosophical trends during their time. / Graduation date: 2012 Barthelme Beckett Vonnegut Death of God Existentialist Modernism Postmodernism meaninglessness existentialism sublime humanism nothingness Kant Timequake Waiting for Godot Sixty Stories Krapp's Last Tape The New Music Kierkegaard Unfair to Schlegal Nothing: a Preliminary Account Palm Sunday structuralism Nietzsche humanist delight causal causality post-structuralism philosophical trends real symbolic semiotic Alex Britten Vonnegut, Kurt -- Philosophy Barthelme, Donald -- Philosophy Beckett, Samuel, 1906-1989 -- Philosophy Hope in literature
67	Shakespeare in China Sun, Yanna 22 August 2008 (has links) (PDF) Since Shakespeare was introduced to China at the beginning of the 20th Century, the Chinese have translated the English playwright's plays and performed them on the Chinese stage either in the form of spoken drama or the traditional Chinese opera. No matter which approach is chosen to perform the dramatist, it is an intercultural form in introducing him to the Chinese. Shakespeare in China: reception translation Shakespeare in China: Aufnahme ddc:820 rvk:HI 3375
68	Shakespeare in China Sun, Yanna 22 August 2008 (has links) Since Shakespeare was introduced to China at the beginning of the 20th Century, the Chinese have translated the English playwright's plays and performed them on the Chinese stage either in the form of spoken drama or the traditional Chinese opera. No matter which approach is chosen to perform the dramatist, it is an intercultural form in introducing him to the Chinese. info:eu-repo/classification/ddc/820 ddc:820

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