"The choreography of fear" is a discourse-analysis study which focus at how young men speaks about fear, threat and violence in the public everyday life. The study adopts socialcontructionism as theoretical approach and also uses theories about gender, hegemony masculinity, fear as a social constructed phenomenon and moral-panic. The study is based on qualitative interview whit young men in age 18-30 and the method is mainly discourse-psychology. The section of Analysis discuss subjects as what and whom the young men consider to be a threat and which areas in the public space they consider to be dangerous and how they choose to handle the menace. The Analysis also focuses on how the informants speak about fear, how they define fear and what they consider arouse fear.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This study, a sociological perspective, has aimed to investigate the possible existence of a relation between the social phenomena fear of crime and moral panic. The study was realized through a research in Superinteressante magazine. Its purpose is to understand how this magazine emphasizes in its reports/articles the issues/themes which contain the concepts of fear of crime , risk and moral panic as central issues. The first concept, fear of crime , is based in Borges (2011) and Glassner ([1999] 2003), being portrayed as a social construction. The second concept, risk, is based in Giddens ([1990] 1991), where it is conceived as more individual, and in Beck ([1986] 2010) where it is global. The third and last concept, moral panic , is guided by the ideal classification of Goode & Ben-Yehuda ([1994b] 2009). The research has the hypothesis that the fear of crime here treated as a social phenomenon and derived from a social construction influences negatively in the conception of risk of potential criminal victimization. Therefore, there is a direct relationship between fear of crime and moral panic, with risk being present in this discussion, either directly or indirectly. / No presente trabalho, de cunho sociológico, proponho-me a investigar, a possível existência da relação entre os fenômenos sociais Medo do Crime e pânico moral. O trabalho foi realizado através de pesquisa na revista Superinteressante. O intuito é compreender como a revista Superinteressante dá ênfase, em suas reportagens/artigos, a assuntos/temáticas que tenham os conceitos de Medo do crime , risco e de pânico moral, como temas centrais. O primeiro conceito, Medo do Crime , baseado em Borges (2011) e Glassner ([1999] 2003), tratam o Medo do Crime como uma construção social. O segundo conceito, risco, será baseado em Giddens ([1990] 1991), um risco percebido como mais individual, e Beck ([1986] 2010) tratando o risco como global. O terceiro conceito, pânico moral, será norteado, pela tipificação ideal de Goode & Ben-Yehuda ([1994b] 2009). A pesquisa tem como hipótese que o Medo do Crime , aqui compreendido com um fenômeno social, derivado de uma construção social, influencia negativamente na concepção acerca do risco de potencial vitimização criminal, havendo, portanto, relação direta entre Medo do Crime e pânico moral, estando o risco presente na discussão, direta ou indiretamente.

Presented diploma thesis is occupied with issues of so-called "social parasitism" in the socialist Czechoslovakia in early normalization era. It follows existence of a law term "social parasitism", or more precisely independent paragraph which criminalized "fishy ways of livelihood" and "avoiding righteous job" within the Czechoslovakia penal code. I would like to observe this marginal social phenomenon in a broad perspective. So-called "social parasitism" is understood as a normative, disciplinary and symbolical category which defined basic value hierarchy of socialistic society and had to help make a new consensus for conditions consolidations in 1968. The focal point of the thesis is considering on the environment of Prague in 1969-75 with an aim to analyse the function and role of "social parasitism" in political administration of district authorities, media discourse of local press and in a practice of security authority. The "social parasitism" oppression is explained as an attempt of communist dictatorship and its institutions for creating a moral panic as a restoration tool of undermined legitimacy power in the eyes of Czechoslovakian society after 1968. Key words: social parasitism, criminality, social disciplination, moral panic, Normalization time in Czechoslovakia

In the last decade, we have witnessed a new stage in the mainstreaming and normalization pro­cess of populist radical right policies and ideas in the Western world. This has resulted in in­creasing politicization of issues related to immigration. In Sweden, this politicization took off when the radical right-wing populist (RRP) party the Sweden Democrats (SD) was voted into the parliament in 2010. Even though the party was isolated by the mainstream parties, its presence in the parliament still contributed to the politi­cization for a long time. Additionally, increased “gang”-related shootings have pushed the po­liticization even further since the shootings in the public and political discourse have often been connected to immigration. Apart from this, certain mainstream right-wing parties, especially the Moderates (M) and the Christian Democrats (KD), have questioned the isolation of SD lately, which led to the presentation of a collaboration between the three parties in the fall of 2021. With this collaboration as a background, the aim of this study is to show the particular roles M and KD play in the process of mainstreaming and normalization of the RRP discourse, espe­cially related to immigration and its alleged connection to criminality. The study draws on crit­ical discourse analysis of political and public discourse in the context of RRP to analyze how M, KD, and SD construct themes and arguments around immigration, immigrants, and crimi­nality on their official Facebook pages. The study argues that there is an ongoing process of normalization of RRP policy and ideas in Swedish public and political discourse. Largely, SD is the strategical enacting actor in this pro­cess. How­ever, both M and KD take part in the process by contributing to gradually changing the existing discourse on immigration towards new forms and new norms. This is conducted by employing strategies, concepts, and rhetoric well-known from RRP discourse.

The purpose of this essay is to investigate the confrontation of the Facebook group that was developed in response to the interview with the rap artist Greekazo in Malou Efter Tio. The study investigates the research questions: How is the discursive practice of Facebook utilized to challenge a mainstream television production? How are the stereotypes of contemporary marginalized rap artists reproduced in the Swedish news media? Our key interest lies in the moment of conflict between a section of the public and a mainstream media organization where we discuss how the media representation of a Swedish contemporary rap subculture is confronted by a minority of people online. To support the research questions, the study relies on two additional working questions: How do resistance and group formations develop in terms of dynamics within the Facebook comment section of Malou Efter Tio? Why are the stereotypes of contemporary marginalized rap artists reproduced this way in the Swedish news media? The focus is to analyze how the discursive formation of Facebook presents alternative viewpoints to challenge the mainstream media.  The theoretical framework of the essay is constituted by the theory of social discourse in which we have embarked on the critical discourse theory (CDA) by Norman Fairclough (1993). This approach uses theories and methods to theoretically problematize and investigate the relationship between the text, the discursive practice, and the sociocultural dimension (Fairclough, 1993; Winther Jørgensen & Phillips, 2000). The notion of media representation has been approached from two perspectives: The Agenda Setting theory and the Framing Theory, here we have particularly emphasized the idea of moral panic in which we have investigated how Malou Efter Tio was speaking about moral panic fears concerning the contemporary rap subculture in Sweden.  Previous research includes Djerf-Pierre and Shehata (2017) in which they applied the Agenda Setting theory in a Swedish news media environment, Nilsson (2009) who investigated the media representation in Swedish television, Lindholm (2014) who researched the notion of self-presentation in Swedish rap music, and Johnen, M., Jungblut, M. & Ziegele, M. (2018) who investigated what incites participation in online discussions.  In the analysis, we distinguished three prominent themes: social injustice, responsibility, and solidarity. These themes were established from the selection process in which 19 Facebook comments were collected and analyzed through the critical discourse analysis. The study showed how the Facebook discourse was utilized as a space for resistance of which the dispute betokened an abruption in ideology. This abruption was consequently challenged by the Facebook users in which they collectively built authority throughout the affordances of the Facebook discourse. The study will end with a discussion concerning the role of Facebook in a wider context in which the democratic space of the platform is contextualized from a societal and political point of view.

Controversy over immigration and integration intensified in German news media following Chancellor Merkel’s response to the refugee crisis of 2015. Using multidimensional scaling of word associations in reporting across four national news publications in conjunction with key event, moral panic and framing theories, we argue that reporting of events at Cologne station on New Year’s Eve 2015–2016 reframed debate away from terror-related concerns and towards anxieties about the sexual predation of dark-skinned males, thus racializing immigration coverage and resonating with a long history of Orientalist stereotyping. We further identify an increased clustering of ‘race’, gender, religion, crowd-threat and national belonging terms in reporting on sexual harassment incidents following Cologne, suggesting an increased criminalization of immigration discourse. The article provides new empirically based insights into the dynamics of news media reporting on migrants in Germany and contributes to scholarly debates on media framing of migrants, sexuality and crime.

<p>This thesis examines the ways in which various practices, such as novel-writing, publishing, book-reviewing, reading for pleasure, adaptation and studying English literature, have produced <i>Jane Eyre</i>’s complex cultural profile. The organizing principle of the study is Paul du Gay, Stuart Hall et al’s ‘circuit of culture’, which identifies five key processes or ‘moments’ as being productive of the meanings that a cultural artefact or text comes to possess. Explaining the meanings which have been attached to <i>Jane Eyre</i> partly involves trying to understand why it has been perceived and described dichotomously. For example, it has been thought of as trivial and serious, radical and conservative, feminine and unfeminine. The investigation begins with the writing process, exploring how and why Charlotte Brontë embedded the text with specific hybrid features. The study then traces how these textual features have acquired meaning in different discourses, focusing primarily on the novel’s reception in Britain in the mid-nineteenth century and in the 1990s. The thesis points to the role played by distinct target-audiences in configurations of <i>Jane Eyre</i>; Charlotte Brontë, publishers, biographers, literary critics, film-makers and teachers have all had specific audiences in mind when they have described, evaluated, regulated and/or creatively reworked the novel, its author’s life and/or the culture in which the author lived. During the course of the twentieth century, <i>Jane Eyre</i> became increasingly thought of as a legitimate object of study at all levels of the education system. The thesis examines how the text has been studied, and contributes to ongoing debates about National Curriculum English by offering ways of allowing more creativity into the classroom.</p>

The subject of this study is the policing of the drug problem during the period between the nationalization of the police force in 1965 and the introduction of imprisonment as a penalty for drug consumption in 1993. The influence of four key factors are discussed: legislation, organization, the conception of and the attention paid to the drug problem. Qualitative and quantitative data from police archives, the prosecutor general, parliamentary publications, a public TV newsroom and various statistics from other sources are combined. The analysis shows four important stages in the process towards a substantially increased drug control: By the end of the 1960s, all data indicate increased attention to the drug problem. The penal law on narcotics was passed in 1968. It laid the foundation for subsequent policing activities. The police was also given increased possibilities to use telephone-tapping to combat serious crimes. By the end of the 1970s, the creation of a special narcotics police organization at the medium level of police hierarchy institutionalized, emphasized and assigned manpower to combat serious crimes. Since the beginning of the 1980s new target groups have been added. The "street dealer" is a new direct target. With the strengthening of the preventive role of the police new indirect target groups emerged: the police also emphasized their work against recruitment of new drug users. The main objective of the new penal law on narcotics of 1968 was to help drug addicts recover and merge back in society again. Addiction was seen as a disease. Drug dealing by the addicts was reprehensible but not a priority matter to the police. Over time, this attitude changed and in 1989 the police saw distinct actions against street dealers as the most important element in the repressive policy.

This thesis examines the ways in which various practices, such as novel-writing, publishing, book-reviewing, reading for pleasure, adaptation and studying English literature, have produced Jane Eyre’s complex cultural profile. The organizing principle of the study is Paul du Gay, Stuart Hall et al’s ‘circuit of culture’, which identifies five key processes or ‘moments’ as being productive of the meanings that a cultural artefact or text comes to possess. Explaining the meanings which have been attached to Jane Eyre partly involves trying to understand why it has been perceived and described dichotomously. For example, it has been thought of as trivial and serious, radical and conservative, feminine and unfeminine. The investigation begins with the writing process, exploring how and why Charlotte Brontë embedded the text with specific hybrid features. The study then traces how these textual features have acquired meaning in different discourses, focusing primarily on the novel’s reception in Britain in the mid-nineteenth century and in the 1990s. The thesis points to the role played by distinct target-audiences in configurations of Jane Eyre; Charlotte Brontë, publishers, biographers, literary critics, film-makers and teachers have all had specific audiences in mind when they have described, evaluated, regulated and/or creatively reworked the novel, its author’s life and/or the culture in which the author lived. During the course of the twentieth century, Jane Eyre became increasingly thought of as a legitimate object of study at all levels of the education system. The thesis examines how the text has been studied, and contributes to ongoing debates about National Curriculum English by offering ways of allowing more creativity into the classroom.

Britų kriminologai Stanley’is Cohenas ir Jockas Youngas sukūrė teorinį modelį, kuris paaiškina, kaip žiniasklaida, manipuliuodama informacija apie narkotinių medžiagų vartojimo keliamą pavojų, sustiprina deviaciją. Magistro darbe, remiantis S. Coheno moralinės panikos ir J. Youngo deviacijos amplifikacijos teorijomis, nagrinėjamas narkotikų baimės poveikis psichiką veikiančių medžiagų kriminalizavimo procesui dabartinėje Lietuvoje. Ginama magistro darbo tezė – narkotikų baimė yra vienas iš psichiką veikiančių medžiagų kriminalizavimo veiksnių dabartinėje Lietuvoje. Atsižvelgiant į problemos specifiką, darbe naudojama metodų trianguliacija – derinami kiekybiniai ir kokybiniai sociologinių tyrimų metodai. VU pirmosios pakopos ir vientisųjų studijų studentų požiūrio anketinė apklausa atskleidė, kaip manipuliavimas informacija viešajame diskurse veikia studentų požiūrį į narkotinių medžiagų vartojimo problemą. Studentų reakcija į narkotinių medžiagų vartojimo problemą – tai pirmasis deviacijos amplifikacijos proceso etapas. Studentai teigia, kad ši problema Lietuvoje yra labai paplitusi ir siūlo ją spręsti represinėmis priemonėmis. Antrasis deviacijos amplifikacijos proceso etapas yra žiniasklaidos reakcija į deviaciją. Atlikus naujienų portalo delfi.lt skaitytojų komentarų kokybinę turinio analizę, nustatyti du moralinės panikos dėl narkotikų požymiai: šių medžiagų vartotojai vaizduojami kaip nevidonai, o narkotinių medžiagų vartojimo problema – kaip nesustabdomai plintanti liga... [toliau žr. visą tekstą] / Sociological and criminological theories illuminated to the role of the mass media in deviance amplification process in the middle of 20th century. British criminologist Stanley Cohen was among the first to draw attention how the mass media is manipulating public fear of illicit drugs users. Another British criminologist Jock Young has developed a theoretical model which theoretically explains the connection between the public reaction to deviance and deviance amplification. He called this explanation the deviance amplification spiral model. J. Young argued that the mass media creates public fear of illicit drugs which exerts pressure upon legislator, police and courts to take action against illicit drugs use. This study is based on S. Cohen's moral panic and J. Young's deviance amplification theories. It is grounded in the analysis of data collected in four sociological investigations: (1) Vilnius University students attitudes survey; (2) qualitative content analysis of the readers' comments in the news portal delfi.lt; (3) qualitative and quantitative content analysis of the Lithuanian Parliament's plenary meeting stenographs and (4) expert interviews. The main thesis: the drugs fear is one of the factors of psychoactive substances criminalization in present-day Lithuania. Vilnius University students attitudes survey results show that the most of the respondents are convinced that illicit drugs problem is very widespread in present-day Lithuania, and the most effective way... [to full text]