Texte remanié de: Diss.--Universität Hohenheim, 1995. / Bibliogr. p. 377-396. Index.

La lecture du « Discours Nobel » où Saint-John Perse précise que, chez le savant aussi bien que chez le poète, « l’interrogation est la même qu’ils tiennent sur un même abîme, et seuls leurs modes d’investigation diffèrent », nous a incité à approfondir l’analyse des influences des savoirs scientifiques sur la poésie de Saint-John Perse, mais aussi de la philosophie de Henri Bergson, d’autant plus que, plus loin, l’écrivain fait directement allusion à Einstein et à la physique quantique. Fernand Hallyn souligne dans son ouvrage La structure poétique du monde : Copernic, Kepler qu’« [u]ne poétique s’occupera de la formation d’une hypothèse en tant que phénomène global, débordant largement les cadres constitués et s’organisant d’une manière propre : résultat, certes, de déterminations et de conditionnements logiques et autres, mais également configuration unique, synthèse originale qui, en tant que totalité, demande une étude sui generis de la structuration et de l’interaction des éléments qui l’encadrent et l’informent ». Dans Les structures rhétoriques de la science de Kepler à Maxwell, il ajoute que « [l]a poétique n’est pas à exclure totalement de la science : celle-ci possède, au contraire, une poétique propre, pourvue de règles et de valeurs spécifiques ». Autrement dit, il y a interaction entre la vérité poétique et la vérité scientifique, les « modes d’investigation » (Saint-John Perse) des deux étant différents, mais l’objet de la quête restant le même. Nous avons donc analysé comment les influences du bergsonisme, mais aussi les savoirs scientifiques viennent nourrir l’œuvre de Saint-John Perse, celle-ci se réclamant d’une ouverture cosmique / In his “Nobel Speech”, Saint-John Perse specifies that, for the scientist as well as the poet, “the questioning is the same on the same abyss, with only their investigative modes differing”. This statement prompted a more thorough analysis of the influence on Saint-John Perse’s poetry of both scientific knowledge and Henri Bergson’s philosophy, especially as the writer, further in his text, explicitly refers to Einstein and quantum physics. In his La structure poétique du monde : Copernic, Kepler, Fernand Hallyn emphasizes that ”poetics attend to the genesis of a hypothesis as a global phenomenon, which goes far beyond any established framework and develops along its own scheme - the result, undoubtedly, of logical and other determination and conditioning, but also a unique configuration, an original synthesis which, as a whole, requires a sui generis study of its structuring and the interaction of the elements framing and informing it”. In Les structures rhétoriques de la science de Kepler à Maxwell, he adds that “poetics must not totally be excluded from science: rather, the latter is endowed with its own poetics following specific rules and values.” In other words, there is interaction between poetic truth and scientific truth, with the “investigative modes” (Saint-John Perse) of the two differing, yet the object of the quest remaining the same. Hence arose the analysis of how the influences of Bergsonism, along with scientific knowledge, nourish the works of Saint-John Perse, which claim a cosmic perspective

Orientador: Prof. Dr. Vilson Tonin Zanchin / Dissertação (mestrado) - Universidade Federal do ABC, Programa de Pós-Graduação em Física, 2017. / No presente trabalho estudam-se buracos negros regulares e outros objetos compactos eletricamente carregados no contexto das teorias de Einstein-Maxwell. O objetivo principal do trabalho é a construção de soluções de buracos negros regulares e o estudo da estabilidade de cada solução. Com tal propósito, primeiro revisamos alguns conceitos fundamentais da Relatividade Geral e apresentamos as equações principais a serem usadas. Em particular, escrevemos explicitamente as equações de campo de Einstein para o caso de um uido anisotrópico eletricamente carregado, cuja distribuição de matéria-energia tem simetria esférica e uma equação de estado do tipo de Sitter, onde a pressão radial é igual ao negativo da densidade de energia. Em seguida, a equação de campo de Einstein é usada para busca de duas soluções, uma solução interior para a região com matéria, a qual não apresente singularidade, e outra solução exterior para a região fora da matéria que corresponde à métrica de Reissner-Nordström. Para construir uma solução à equação de campo de Einstein que seja válida em todos os pontos do espaço, aplicamos o formalismo de junção de Darmois-Israel com uma thin shell tipo-tempo. Supõe-se que a thin shell pode ter massa (densidade de energia) e pressão, na forma de um uido perfeito que obedece uma equação de estado barotrópica P = !. Uma equação de movimento para a shell é derivada das condições de junção. Encontram-se soluções estacionárias de buracos negros regulares e outros objetos compactos eletricamente carregados para escolhas especicas do parâmetro !, e encontram-se as regiões de estabilidade da solução para os casos em que a massa própria da shell é não negativa. / In the present work we study black holes and other electrically charged compact objects in the context of the Einstein-Maxwell theory. The main objective is the construction of solutions of black holes and the study of their stability. With this purpose, we rst reviewed some fundamental concepts of General Relativity introducing the main equations to be used. In particular, we write explicitly the Einstein's eld equations for the case of an electrically charged anisotropic uid, which presents spherical symmetry and a de Sitter type equation of state, where the radial pressure is equal to the negative of energy density. Then, the Einstein eld equation is used to search for two solutions, an interior solution for the region with matter, which presents no singularity, and an external solution for the region outside the matter, that corresponds to the Reissner-Nordström metric. To construct a complete solution we apply the Darmois-Israel junction conditions with a timelike thin shell at the matching surface. It is assumed that the thin shell may have mass (energy density) and pressure, in the form of a perfect uid obeying the barotropic equation of state P = !. The equations of motion for the shell is derived from the junction conditions. We show that there are stationary electrically charged regular black holes solutions and other compact objects for specic choices of the ! parameter. We also show the stability and instability regions of the solutions considering the regions fo the parameter space for which the the mass of the shell is non-negative.

Submitted by Aline Batista (alinehb.ufpel@gmail.com) on 2015-11-25T13:52:13Z No. of bitstreams: 2 O estranho na transcrição cinematográfica de Luchino Visconti para O estrangeiro, de Albert Camus.pdf: 1549810 bytes, checksum: 8f29f776eb91afab6cd9186c4a9ab7cf (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2015-11-25T16:05:52Z (GMT) No. of bitstreams: 2 O estranho na transcrição cinematográfica de Luchino Visconti para O estrangeiro, de Albert Camus.pdf: 1549810 bytes, checksum: 8f29f776eb91afab6cd9186c4a9ab7cf (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2015-11-25T16:07:56Z (GMT). No. of bitstreams: 2 O estranho na transcrição cinematográfica de Luchino Visconti para O estrangeiro, de Albert Camus.pdf: 1549810 bytes, checksum: 8f29f776eb91afab6cd9186c4a9ab7cf (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2015-10-28 / Sem bolsa / Esse trabalho discute as diferentes representações de estranho nas narrativas L’Étranger, de Albert Camus, e Lo straniero, de Luchino Visconti. Para tanto, nossa reflexão baseia-se nos preceitos elencados por Tiphane Samoyault sobre o conceito de intertextualidade de modo a entender como as obras artísticas se relacionam. Pensamos, ainda, o significado de adaptação a partir das proposições feitas por Linda Hutcheon. Sob essas perspectivas, discutimos questões referentes às teorias do estranho de Julia Kristeva e Bernhard Waldenfels em relação ao recorte proposto das narrativas – o incipit do romance camusiano e a abertura fílmica da película de Visconti. Desse modo, fazemos a análise do comportamento estranho da personagem principal das narrativas literária e fílmica, Meursault, a fim de problematizar a hipótese da pesquisa, que busca entender se a narrativa fílmica é capaz de restituir o estranhamento do romance desde a sua abertura. / This study discusses the differents representation of alien in the narratives L’Étranger by Albert Camus and Lo straniero by Luchino Visconti. Therefore, our reflection is based on the precepts chosen by Tiphane Samoyault about the concept of intertextuality in order to understand how the works relate. We also consider the meaning of adaptation by the proposition of Linda Hutcheon. Under this perspective, we discuss the issues concerning the theory of alien of Julia Kristeva and Bernhard Waldenfels in the narratives thematic focus – the incipit from the novel and the opening scenes of Visconti’s film. Thereby, we analysis the alien behavior of the main character in the literary and filmic narratives, Meursault, in order to discuss the hypothesis of the research that seeks to understand if the filmic narrative is able to repay the strangeness of the novel since the opening.

Toute prise de parole implique un risque, celui de répéter un mot, une idée ou un concept qui existe déjà dans un autre discours. L’écriture n’échappe pas à cette réalité, au contraire. Dans certains cas, elle la renforce. La présente thèse de création porte sur les réseaux de sens qu’il est possible de tisser grâce au lien omniprésent qui existe entre les œuvres. Elle s’intéresse à un type de lien particulier : l’hypertextualité. Telle que définie par Gérard Genette, la relation hypertextuelle est la plus forte et la plus ouverte qui soit. Elle permet de tracer des parallèles tantôt sur le plan de la forme, tantôt sur le plan du style, et peut s’effectuer de manière sérieuse, satirique ou tout simplement ludique. Mais dans mon travail de réécriture, il est uniquement question d’une transformation sérieuse touchant la forme. En prenant « La pierre qui pousse » d’Albert Camus comme point de départ, j’ai mis à l’épreuve différents outils hypertextuels pour composer un nouveau texte : « La pierre décomposée ». L’ingénieur dépressif qui joue le rôle principal dans la nouvelle de Camus devient ainsi un meurtrier sans scrupules. D’une certaine manière, les deux protagonistes cherchent la même chose. Ils cherchent le bonheur. Mais ce bonheur prend deux formes très différentes et le chemin pour l’atteindre n’est évidemment pas le même. Alors que le personnage de Camus trouve ce qu’il cherche un peu par hasard, le mien échoue dans sa quête malgré des efforts répétés. Plus qu’un simple coup du destin, cette conclusion se veut surtout le reflet d’un bonheur volatile.

This thesis constitutes the first full-length study of Polish Communists in Canada, a group that provided a substantial segment of the countries socialist left in the early 20th century. It traces the roots of socialist support in Poland, its transplantation to Canada, the challenges it faced within an ethnic community heavily influenced by Catholicism, the complications caused by its links to the Comintern, and its changing strength and decline. It offers a deeper understanding of the ways in which the Communist party was able to appeal to certain ethnic groups, such as through cultural outreach, as well as its complicated and often arguably counter-productive relationship with the Comintern. It also furnishes important information on the efforts of the RCMP and Polish consulates to maintain control over the communists, as well as how generally improved material conditions among Poles, especially following the Second World War, along with the influence of the Cold War, accounted for a rapid decline in support. The thesis is primarily based on sources generated by the Polish Ministry of Foreign Affairs or, more precisely, by the Polish consulates in Winnipeg, Montreal and Ottawa. One the Canadian side, the thesis took advantage of RCMP records, Canadian security bulletins, immigration records and Polish-language newspapers printed in Canada. By utilizing these sources, this study not only analyses the interaction of the Polish Canadian communist movement with other segments of the Polish community in Canada, but it also moves beyond the introverted approach that has characterized most studies of ethnic organizations in Canada by placing the movement within a “Canadian” context to analyze its relations with the government, broader segments of Canadian society, and the Communist Party of Canada (CPC).

Uno de los primeros impulsos en la presente investigación, pasa por revisar el juicio superficial al que estaba sometida la producción arquitectónica valenciana de principios del siglo XX. Alejada de los centros germinales europeos, sucumbió relegada al bipolarizado debate nacional Madrid - Barcelona, sin alcanzar merecimientos para un agudo análisis arquitectónico. Aluzar semejante oclusión se infiere como objetivo. Investigar fuentes, catalogar y sistematizar el grueso de la producción racionalista valenciana, constata el cambio en el gusto de los jóvenes arquitectos, como acercamiento a la modernidad. Resta concretar una coherencia doctrinal y el compromiso social preconizado por los maestros del Movimiento Moderno. Generalizar exhibe una clara falta de compromiso y, con el objeto de ausentar tal falta de atención, se escinde un autor, Luis Albert Ballesteros con la finalidad de contrastar su voluntad racionalista. Redibujar planimetrías originales, recrear esquemas, perspectivas, detalles y procurar maquetas, resulta el método empleado. Recrear el análisis gráfico como herramienta a la profundidad del conocimiento, devuelve la mirada analítica a una producción individual. La metrópoli, referente aspiración de modernidad, dilucida el ámbito físico de este trabajo. Los albores de la arquitectura de Albert, un concurso Nacional para el Ateneo Mercantil de Valencia, marca el límite cronológico inferior. El superior, no admite argumentos disyuntivos, La Guerra Civil asume la frontera ineludible. Luis Albert destaca entre los promotores de la intención racionalista, en la capital levantina, inmersa en la trasnochada España de los años veinte y treinta. Sus aportaciones dejan evidencias de su espíritu trasgresor hacia las doctrinas academicistas e historicistas, su afán de renovación profesional y su sinceridad proyectual. Su proclamado camino de la verdad, ocupado en crear líneas puras y volúmenes armoniosos, en fomentar la utilidad de lo construido y acometer el espacio moderno, bien vale para procurar el pase a sus aportaciones edilicias en los catálogos de la arquitectura moderna. / Giménez Ribera, M. (2010). LUIS ALBERT: RACIONALISMO EN LA CIUDAD DE VALENCIA. 1927/1936 [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/8478 / Palancia

This master thesis deals with the extraction of relationships between named entities in the text. In the theoretical part of the thesis, the issue of natural language representation for machine processing is discussed. Subsequently, two partial tasks of relationship extraction are defined, namely named entities recognition and classification of relationships between them, including a summary of state-of-the-art solutions. In the practical part of the thesis, system for automatic extraction of relationships between named entities from downloaded pages is designed. The classification of relationships between entities is based on the pre-trained transformers. In this thesis, four pre-trained transformers are compared, namely BERT, XLNet, RoBERTa and ALBERT.

RESUME My diploma thesis is focused on the comparison of opinions of Jean-Paul Sartre and Albert Camus concerning existential and philosophical motifs in their literary work. I tried to compare the occurrence of individual existential categories, based on selected philosophical and literary works of both authors, who rank among the French branch of atheist existentialism. The first chapter deals with basic characteristics of existential philosophy and its changes between the two wars; and the consequential spreading of this philosophy thinking in the post-war Europe, in which it achieved a great success in a few branches. Majority of this chapter is devoted to French existentialism, whose goal was to explore and describe concrete existence, while human being (existence) is identified as freedom there. It was due to Jean- Paul Sartre that French existentialism has become the most significant way of thinking. The two following chapters briefly describe the lives of Sartre and Camus; because the lives of authors who write philosophical and literary works are always interconnected with their work. The second and third chapter contain the analysis of selected works of both authors, while I didn't forget the dramatic work which is a part of philosophical ad literary work and by means of that I presented mainly...

73 Abstract The first part of my dissertation deals with the philosophy of Gabriel Marcel. It begins with the basic information about the philosopher as well as with his thinking placed within the context of the philosophy's history. Next step is Mr. Marcel's ideas about the feeling of the essence of life which is significant to experience in one man's life in order to set off the journey of englightenment. The feeling of the essence of life is unfortunately being silenced in nowadays people. After that I introduce the philosopher's conception of the imprisonment of a human being. This imprisonment is the cornerstone of his explanation of the metaphysics of hope. At the end of the first part I submit the power and the importance of hope in a human's state of mind which can be so stable that even the death of the beloved doesn't mean the end of hope. As mentioned before, the second part begins with the information about Mr. Albert Camus and I also put his philosophy in the context of the history. The most important step is to introduce his feeling of the futility without which the philosophy of Mr. Camus cannot be understood. The next vital part is his understanding and asking of one man's life relevance and also the philosopher's perception of a suicide. The cost of human life is the focal point of...