L’objectif poursuivi dans ce mémoire de maîtrise est de proposer une réflexion sur la problématique trop souvent ignorée de la « nature » de la philosophie. Défendant une position historiciste et non essentialiste, la philosophie ne pouvant être comprise, définie et expliquée qu’à partir de ses formes historiques, j’ai décidé d’étudier la présence de la philosophie dans la vie et dans l’oeuvre d’Albert Camus, surtout reconnu pour être un homme de lettres. La pensée de Camus se positionnant contre la philosophie abstraite et théorique de ses contemporains, il sera question de l’examiner à la lumière des travaux de Pierre Hadot sur la philosophie antique. La comparaison avec les Anciens sera précieuse sur plus d’un plan. Elle prouvera que Camus réactualise l’idéal de la philosophie comme mode de vie, dont les thèses directrices seront explicitées dans les prolégomènes. J’espère ainsi faire voir la possibilité d’une conception « moderne » de la philosophie ancrée dans la pratique. Le présent travail se divisera en trois parties : la première visera à clarifier le sens des concepts et des différentes parties du Mythe de Sisyphe; la deuxième tâchera de rapprocher sa philosophie de l’absurde des thèses directrices de la philosophie comme mode de vie, offrant une interprétation novatrice de son Sisyphe; la troisième exposera succinctement sa philosophie de la révolte à partir d’une analyse de L’Homme révolté, de façon à démontrer que sa morale s’inscrit aussi dans le sillage de cet idéal philosophique. / The purpose of this master’s thesis is to propose a reflection on the all-too-often ignored issue of philosophy’s “nature”. Defending a historicist and non-essentialist position since philosophy cannot be understood, defined and explained without studying its historical forms, I decided to examine the presence of philosophy in the life and in the work of Albert Camus, who is essentially known as a man of letters. The thinking of Camus, which is positioned against the abstract and theoretical philosophy of his contemporaries, will be studied in light of the works of Pierre Hadot on ancient philosophy. The comparison with the classical Greeks will be precious in many ways. It will prove that Camus extends the ancient ideal of philosophy as a way of life, which guiding theses will be presented in the prolegomena. I therefore wish to bring forward the possibility of a “modern” conception of philosophy that is anchored in practicality. This research will be divided into three parts : the first will aim to clarify the meaning of the concepts and various parts of the Myth of Sisyphus; the second will seek to liken his philosophy of the absurd to the guiding theses of philosophy as a way of life, offering an innovative interpretation of his Sisyphus; the third will briefly present its philosophy of revolt from an analysis of The Rebel in order to demonstrate that its moral can also be likened to philosophy as a way of life.

Författare beskrivs ofta som ensamma skapare till sina verk. I många fall finns det dock betydligt fler som medverkar i produktionen av ett litterärt verk, däribland förlaget. I fallet med svenska författarna Harry Martinson och Moa Martinson är det sen tidigare vederlagt att de båda hade ett utbyte med sina förläggare på Albert Bonniers förlag och att de på olika vis fick råd och ändringsförslag gällande sina texter av sina förläggare Karl Otto Bonnier, Tor Bonnier och Kaj Bonnier. Uppsatsen undersöker på vilka vis förläggarna fungerar som medskapare genom att undersöka kommunikationen i brev mellan författarna och förläggarna gällande författarnas olika manuskript under perioden 1928–1939. Uppsatsen utgår från flera frågeställningar och undersöker mönster i förläggarnas kommunikation och deras synpunkter på författarnas manuskript, hur dialogen ser ut mellan de olika parterna samt vilken funktion förläggarna kan sägas ha i produktionen av de litterära verken, allt som allt i syftet att bidra till förståelse för hur relationen mellan de två yrkesgrupperna kan påverka produktionen av ett litterärt verk fram till dess att en originalutgåva publiceras. Av analysen framkommer det att det finns ett flertal mönster i förläggarnas kritik som berör allt från språket, innehållet och formen, manuskripten i relation till den tänkta mottagaren, förlagets angelägenheter samt vänskapliga relationer mellan författare och förläggare. Trots att förläggarna refuserar båda författarna vid ett flertal tillfällen ser relationen mellan dem olika ut och på så vis skiftar även kritiken från förläggarna och författarnas respons. Bland annat Harry Martinson och Tor Bonnier utvecklar en särskild vänskaplig relation, medan Moa Martinson förmodligen anser sig åsidosatt och att hennes författarskap inte tillskrivs lika stor vikt av förlaget. Harry Martinsons får även något mindre omfattande förslag om ändringar från förlaget och med tiden dessutom mer frihet, medan Moa Martinson in i det sista ombes göra omfattande ändringar och även av andra skäl, så som att hon måste göra ändringar för att hennes innehåll inte anses passande. Båda författarna visar tacksamhet för de kommentarer de får av förläggarna på sina manuskript men är till en början inte alltid villiga att göra ändringar, även om de i slutändan väljer att göra som förläggarna önskar för att på så vis kunna publicera sina verk. Uppsatsen konstaterar att förläggarna framför allt kan ses som medskapare i den litterära produktionen på så vis att de med sina kommentarer är med och formar författarnas åsikter om hur god litteratur ska skrivas och på så vis påverkar deras skapande i det långa loppet. / Authors are often described as lone creators of their work. However, in many cases there are several others included in the production of a literary work, amongst them the publishing house. It is previously known that Swedish authors Harry Martinson and Moa Martinson both had an exchange with their publishers Karl Otto Bonnier, Tor Bonnier and Kaj Bonnier at Albert Bonniers förlag (a leading Swedish publishing house). This thesis examines in what ways the publishers’ acts as “co-creators” of the authors literary works by analysing the communication in letters between the publishers and the authors regarding numerous manuscripts written during 1928–1939. The thesis frames several questions and analyses patterns in the publishers’ letters and their comments of the authors’ writing, the dialogue between the five respective parties and what function the publishers can be said to have in the literary production. The overall purpose of the thesis is to further understand the relationship between the two professions and how that affects the production of a literary work, up until the original publication of the work. The analysis concludes that there are some distinguishable patterns in the publishers’ critique of the authors’ manuscripts regarding language, content and disposition, the recipient, the publish houses’ interests as well as the friendship between the authors and publishers. While the relationship between the authors and publishers changes, so does the publishers comments and the authors response to those comments. Harry Martinson and Tor Bonnier develops a friendship which affects their working relationship, while Moa Martinson presumably feels left out and treated less amicably by Albert Bonnier’s. There is a difference between how the authors are treated by the publishers in that Harry Martinson gets less critique and does not need to make as extensive changes in his writings whilst Moa Martinson on the other hand has to do the opposite. The publishers, especially Karl Otto Bonnier, also demands that Moa Martinson make changes regarding unsuitable topics in her writing. Both authors show gratitude for the publishers’ commentary, though they are at first often unwilling to make the suggested changes. In the end Harry Martinson and Moa Martinson tend to yield to the publishers wishes, possibly in order to get their works published. The thesis concludes that the publishers could be considered “co-creators” of the authors’ literary works mainly by contributing to and shaping the authors’ views on what literature is and how it should be written, thus affecting their writings in the long run.

Neste trabalho será provado que as álgebras comutativas de potências associativas de dimensão n e nilíndice n-3, assim como, álgebras de dimensão 9 sobre C, são solúveis, estendendo os resultados conhecidos ao famoso Problema de Albert. Logo depois de estudar o problema de Albert, será dada uma descrição das tabelas de multiplicação para as álgebras comutativas de potências associativas de dimensão n maior do que 12 e nilíndice n-1 sobre um corpo de característica diferente de 2,3 e 5. / We will prove that commutative power-associative nilalgebras both of dimension n and nilindex n-3, or of dimension 9 over C, are solvable. This solve an specific case of famous Albert\'s problem. After that, we will make a description about multiplications of commutative power-associative nilalgebras of dimension n (greater or igual that 12) and nilindex n-1 over a field of characteristic diferent from 2,3 and 5.

Esta tese propõe a análise das cartas trocadas entre Camilo José Cela e os escritores Rafael Alberti, Max Aub, Américo Castro e Emilio Prados, durante as décadas de 50 a 70, reunidas no livro Correspondencia con el exilio (2009). Nessas correspondências, que se configuram como território textual de sociabilidade, examinamos a articulação entre os carteadores para fazer circular as obras dos escritores exilados na Espanha franquista, seja na revista Papeles de Son Armadans seja na editora Alfaguara. O estudo demonstra, ainda, a relevância da interlocução para o projeto de Cela de evidenciar sua atuação como mediador cultural entre o exílio e a península. / This thesis aims to analyze the exchanged letters between Camilo José Cela and the writers Rafael Alberti, Max Aub, Américo Castro and Emilio Prados, during the decades of 50 to 70\'s, gathered in the book Correspondencia con el exilio (2009). In these correspondences, which configure themselves as a textual territorial of sociability, we examine the articulation between the correspondents in order to circulate the writers collected works exiled in franquist Spain, in both Papeles de Son Armadans magazine and Alfaguara publisher house. The study yet demonstrates the relevance of the interlocution for the Cela\'s project of evidence his performance as a cultural mediator between the exile and peninsula.

Made available in DSpace on 2016-04-27T17:27:28Z (GMT). No. of bitstreams: 1 Diisertacao Fernando Sapaterro.pdf: 965778 bytes, checksum: a8bc9cbfe5cf83ceba7318ddb5ab5370 (MD5) Previous issue date: 2005-06-10 / The present study aims at discussing the concept of happiness and man-nature relationship in Albert Camus youth essays named Noces and Le mythe de Sisyphe. We understand that, in order to approach these concepts, our author had dialogued with Epicure, i.e., had used Epicure s writings as the foundation of his essays. We will then try to explain Epicure s philosophy concerning his building a concept of happiness based on physics. After going through Epicure, we will approach the concepts of happiness and man-nature relationship in both essays, in order to clarify Camus dialogue with Epicure. We will try to explain the above stated objectives through the paths of lyricism and absurd. According to the first path, man meets happiness and experiences unity through sensitive experience; according to the second, man finds out the relationships with the world, the other men, his own existence, and through these can identify with nature. The phase of lyricism grants man the perception of the links which ties him to nature; the phase of absurd provides him with the awareness about the distance that supports the links / Este trabalho visa discutir o conceito felicidade e a relação homem-natureza nos ensaios de juventude de Albert Camus: Noces e Le mythe de Sisyphe. Supomos que nosso autor tenha dialogado com Epicuro para tocar nesses conceitos, por isso procuraremos explicitar a filosofia de Epicuro no que concerne à formulação do conceito felicidade, com bases na física. Depois de passar por Epicuro, abordaremos os conceitos Felicidade e Relação homem-natureza nos dois ensaios para esclarecer o diálogo de Camus com Epicuro. De dois modos tentaremos explicitar nosso objetivo em Camus: pelo lirismo e pelo absurdo. No primeiro o homem encontra-se com a felicidade e faz a experiência da unidade na experiência sensível, no segundo o homem descobre as relações com o mundo, com os outros homens e com sua existência e pode por meio delas identificar-se com a natureza. A fase lírica concede ao homem a percepção dos laços que o une à natureza, a fase do absurdo a consciência de que há um distanciamento que sustenta os laços

L’industrie chimique française est une industrie qui apparait alanguie au début du siècle et distancée par l’Allemagne. Elle connait cependant une croissance, plus lente, et un certain nombre de transformations notamment au point de vue de la recherche. Elle croît à l’ombre d’un système d’ententes généralisée et du dur labeur des ouvriers. Quand la guerre éclate en 1914, elle est mal préparée et doit effectuer une transformation rapide. Sa montée en puissance se fait grâce à un effort d’outillage et un développement du travail intensif où les travailleurs coloniaux paie un cher prix. Les approvisionnements anglais et américains sont essentiels pour sa production. La guerre terminée l’industrie chimique française doit se reconvertir. Elle pense, avec l’aide des pouvoirs publics, le faire grâce au Traité de Versailles. Cependant la crise de 1920-1921 montre les fragilités de cette industrie. Le retour à la croissance entre 1922 et 1929 s’accompagne à partir de 1925 d’une concurrence accrue de la part de l’Allemagne qui a rationnalisé ses structures. La croissance se fait principalement sur le marché national. En fin de période, la recherche scientifique commence à s’organiser au sein des entreprises. Toutefois la transformation capitalistique c’est imparfaitement faite. Le secteur reste dispersé et continue d’employer une forte main d’œuvre immigrée, seule capable d’accepter les tâches les plus dures. / The French Chemical industry appears in the beginning of the century as a backward industry compared with the german one. Indeed there is a slow growth and a a certain number of progress, in research for instance. The Chemical Industry is structured by a general system of cartels and harsh labour. At the outbreak of the War, the French Chemical industry is ill prepared and has to shift rapidly. It’s improvment is made through the basic development of traditionnal factories and an intensification of work due to colonial workforce for the most. At the end of the war, the chemical industry as to convert to civil markets. The 1920-1921 crisis shows the fragility of this industry. When the economic growth is back in 1922-29 the German chemical is more competitive thane ever having rationalized its structures. Thus the inner market is developped. At the end of the period, scientific research is rising. Nevertheless the capitalistic transformation is far for being made. The branch is still divided in archaïc (foreign workforce) and modern trends.

Orientador: Prof. Dr. Valter Alnis Bezerra / Dissertação (mestrado) - Universidade Federal do ABC, Programa de Pós-Graduação em Ensino, História, Filosofia das Ciências e Matemática, 2014.

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In the context of the growing political instability and deepening economic crisis in Uruguay during the 1960s and early 1970s, the thesis examines two propositions. The first is that politically informed intellectuals, though disaffected or marginalised, will integrate themselves into the political mainstream if circumstances demand and a suitable vehicle allows them to participate usefully in the political process. The second is that, in the Uruguayan case, an expanded notion of dialogue is essential in analysing how this was accomplished, partly because the idea of dialogue was a necessary part of how they worked together and communicated with their public, and partly because dialogue was seen as a crucial element in reforming the nation and as the basis of the relationship between the political party that was to be the agent of such reform and its potential constituency. The thesis begins by examining how the so-called 1945 and 1960s generations overcame intergenerational squabbles and worked together, with the help of an expanding publishing industry, to create a public for their meditations on Uruguay's problems. Then, after briefly outlining the importance of dialogue to the essay as a genre and its role in developing national identity in Latin America, the study examines essays on the state of Uruguay by four major writers in the 1960s: Roberto Ares Pons, Alberto Methol Ferr??, Carlos Maggi and Washington Lockhart. The thesis then traces the intelligentsia's role in the several attempts to heal the rifts within the Uruguayan left and in the formation of the centre left coalition, the Frente Amplio, in 1971, to show how the notion of dialogue was incorporated into its structure, mode of operation and political program. The final section, a case study of Mario Benedetti's political activities and propagandist essays of 1971-1973, examines the contradictions of working as a committed intellectual when the very conditions necessary for intellectual life are breaking down. The thesis concludes that the resurrection of the nation as a site for dialogue with and among all members of society, a project in which the intelligentsia had enthusiastically participated, foundered because drastic political polarisation permitted only one militarist and monologic solution.

<p>Mitt syfte är att ta reda på om mässhaken har ändrat sitt utseende på något vis. Jag har försökt följa mässhakens utveckling från den allra tidigaste kristendomen till i dag. Vilken form av förändring har skett hos mässhaken? Har reformationen påverkat mässhaken på ett eller annat sätt? Finns det någon politisk eller social påverkan som kan ses i mässhaken? Har den möjligen påverkats av modet? Varifrån kommer mässhaken och hur har den fått sin nuvarande form?</p>