With a hermeneutical method using narratology this thesis is interpreting the auteure Lars von Trier´s discussed movie Antichrist. On one hand within the limits of the hermeneutic Paul Riceours analysis of structure is used to reconstruct the narrative of the film out of the different part of discourses that I have construed in my first reading to find out a deeper comprehension of the relation between the characters and their relations to the different discourses. On the other hand the discourses which extracts out of His and Hers actions and statements are related to the clues that I´ve found out from interviews with von Trier regarding Antichrist where he, among other things, touches upon philosophical work of Friedrich Nietzsche and his own disregard about protestantism and religion. All in all this first phase of interpretation is termed the different horizons which I finally interprete and coalesce with my subjects comprehension on a metadiegetic and meta-metadiegetic level. By this a ”fusion of horizons” in the sense of Hans-Georg Gadamer can take place, which directly leads into the big scene of Relevations. But ”Chaos reigns” in von Triers Antichrist as well as Nietzsches philosophy.

尼采作品《查拉圖斯特拉如是說》中的一句：「你要到女人那兒去嗎？別忘記你的鞭子！」使得多數的人認為尼采是一個標準的「厭女主義者」。另外有些人則探究，到底尼采對女性真正的看法是什麼？他崇敬她們嗎？鄙視她們嗎？亦或是兩者皆是？尼采的哲學思想築於個人親身經驗並有著連貫性，唯有對其生平經歷和著作思想有全面徹底的了解，才能客觀的加以評論。 　　檢視19世紀的歐洲，當時的男性確實比女性來的主動，而女性也視愛情為生命中很重要的經驗。如果考慮當時的時代背景因素，尼采在當時對女性所做出的這些批評是可以理解的。他運用一種自我批評和自我嘲諷的手法，將當時社會女人的處境真實的陳述並提出他的見解，希望女人面對自己不利的情況，能夠善用自我的優勢，尋找、創造與提高自我的存在價值，以達到超人的境界。 　　本文從現代女性主義者的觀點出發，針對尼采一生的經歷及其作品中與女性議題相關的重要著作內容加以整理和分析，從而反思尼采論述中對女性觀的真實面目，以及現代女性主義者對他女性觀的評價。 / „Du gehst zu Frauen? Vergiess die Peitsche nicht!“ – wegen dieses Satzes in Friedrich Nietzsches „Also sprach Zarathustra“ veranlasste viele anzunehmen, er sei ein Misogynist. Einige aber versuchen zu ergründen, was genau die Einstellung Nietzsches zu den Frauen ist. Verehrte er sie? Verachtete er sie? Oder beides zugleich? Die Philosophie Nietzsches beruht hochgradig auf eigenen Erfahrungen und hat hierin seine Kohärenz. Das umfassende und vollständige Verständnis jener Lebenserfahrungen und philosophischen Schriften ist mithin Grundvoraussetzung fuer eine objective Diskussion über Nietzsches Philosophie. Betrachtet man das Europa des XIX. Jahrhunderts, so stellt man fest, dass Männer gesellschaftlich aktiver waren als Frauen; diese wiederum betracteten Liebe als wichtige Erfahrung im Leben. Zieht man die damalige gesellschaftliche Situation in Betracht, so wird die von Nietzsche an den Frauen geäusserte Kritik verständlich. Auf selbstkritische und selbstspöttische Art und Weise stellte er die Position der Frauen jener Zeit trefflich dar und bezog Stellung, in der Hoffnung, die Frauen würden ihrer misslichen Lage entgegentreten und lernen ihre Vorteile zu nutzen um ihren Selbstwert zu finden und den Existenzwert ihrer selbst letzlich so zu erhoehen, dass sie ins Reich des Übermenschen transzendieren koennen. Ich versuche im folgenden aus der Perspektive des modernen Feminismus eine Zusammenstellung und Analyse der in seinem Leben gesammelten Erfahrungen und der Teile seines Opus, der sich inhaltlich auf die Frage der Frau bezieht. In Anschluss sollen die tatsächlichen Merkmale des Frauenbildes Nietzschen einem Diskurs unterzogen und der Bewertung seiner Frauensicht durch den modernen Feminismus gegenübergestellt werden.

Through the lens of the horror film and the fairy tale, this thesis explores the notion of the grotesque as a boundary phenomenon—a negotiation of what is self and what is other. As such, it locates the function that the monstrous and the grotesque have in the formation of a personal and social identity. In asking why we take pleasure in the perverse, I explore how permutations of guilt, victimhood, and desire can be actively rewritten, in order to construct a stable sense of self.

Made available in DSpace on 2016-04-25T19:20:29Z (GMT). No. of bitstreams: 1 Ricardo Tiezzi.pdf: 3493296 bytes, checksum: e96f9d3bcff7cd16cbafd3d1134a5682 (MD5) Previous issue date: 2013-10-31 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This work is an analysis of the film Antichrist, by Lars von Trier, from the archetypal criticism proposed by Northrop Frye. The hypothesis is that the film uses narrative patterns whose matrix is biblical to organize his narrative. The first chapter deals with the film and the work of the director. In the second chap-ter, the first step is to define what archetype means in literature, with authors who have worked with the concept. Then our main theory is presented in the work of the Canadian critic Northrop Frye. The third chapter, finally, is an analysis of the film from three different approaches: gender, in which we discuss the tragedy in Anti-christ; mode, in which the narrative of the film is perceived in the tension between the realistic and mythic narratives; and images, in which patterns of imagery stand out from the film in relation to vertical poetic, to the woman and the erotic relation-ship and to the nature and the garden / Este trabalho é uma análise do filme Anticristo, de Lars von Trier, a partir da crítica arquetípica proposta por Northrop Frye. A hipótese é a de que o filme recorre a pa-drões narrativos cuja matriz é bíblica para organizar sua narrativa. O primeiro capítulo aborda o filme e a obra do diretor. No segundo capítulo, a primei-ra etapa consiste em definir o que arquétipo significa em literatura, apresentando os autores que trabalharam com o conceito. Em seguida, é apresentada nossa teoria principal na obra do crítico canadense Northrop Frye. O terceiro capítulo, por fim, é uma leitura do filme a partir de três eixos: gênero, no qual se discute a tragédia no Anticristo; modo, no qual a narrativa do filme é percebida em sua tensão entre as nar-rativas realista e mítica; e imagens, no qual se destacam padrões imagéticos do filme em relação à poética vertical, à mulher e a relação erótica e à natureza e o jardim

Thesis (Ph. D.)--Ohio State University, 2006. / Full text release at OhioLINK's ETD Center delayed at author's request

Made available in DSpace on 2016-08-03T12:21:17Z (GMT). No. of bitstreams: 1 Luana Martins Golin.pdf: 924884 bytes, checksum: d7a38f2abd677d7777009c4f7696c701 (MD5) Previous issue date: 2011-03-30 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Dostoevsky presents a criticism to materialism, power, and authority as constraint in The Grand Inquisitor . It is not possible to neglect that in this work he warns us of any kind of regime that suppresses freedom and hides suffering on behalf of human justice and happiness in order to turn human being into manipulable objects. Dostoevsky was influenced by Eastern Orthodox Mysticism and according to him freedom is the mark of God in human being. Freedom denying, as well as proposed in inquisitor antichrist kingdom, implicates a divine detachment which leads to nihilism. Thereby, the way proposed by Dostoevsky is of facing and accepting this tragic freedom, which is only fully experienced in Christ and at love practicing. / Em O Grande Inquisidor , Dostoiévski apresenta uma crítica ao materialismo, ao poder e à autoridade como constrangimento. Nesta obra, não se pode ignorar o alerta deixado por ele a qualquer tipo de regime que em nome da justiça e da felicidade humana suprime a liberdade e oculta o sofrimento de modo a transformar os seres humanos em objetos manipuláveis. Para Dostoiévski, influenciado pela mística ortodoxa oriental, a liberdade é a marca de Deus no ser humano. A negação da liberdade, como é proposta no reino do anticristo inquisidor, implica num distanciamento com o divino que levará ao niilismo. Neste sentido, o caminho proposto por Dostoiévski é o enfrentamento e a aceitação desta liberdade trágica, que só é vivida plenamente em Cristo e na prática do amor.

La investigación presente busca examinar el recelo –dígase de aquel temor o suspicacia frente a algo o alguien por suponer que conlleva u oculta algún peligro- y su relación con la construcción de la figura de la bruja dentro de la narrativa de los largometrajes “Antichrist” (2009) de Lars Von Trier y “The Witch” (2015) de Robert Eggers. Luego, dada la relación de la bruja y el recelo con la naturaleza circundante, siendo en su específico el espacio del bosque -significativo dentro de ambos largometrajes-, es que se incluirá su discusión dentro de nuestra investigación. Ello se hará a través de una metodología de corte cualitativo, utilizando matrices de análisis creadas a fines de la investigación de ambos largometrajes. Las matrices serán un primer paso para identificar los elementos de investigación y unidades temáticas de las distintas secuencias, a partir de las cuales se redactará el análisis en sí. El fin de la presente tesis es ahondar en la discusión sobre la obra de Von Trier y ser una de las primeras investigaciones acerca de la incipiente obra de Eggers, ofreciendo un marco de investigación inusual sobre lo escrito en torno a “Antichrist” (2009), esto es, aquel interesado por analizar a sus personajes y narrativa en lo relativo la figura de la bruja. Es en esta misma línea que esperamos también aportar a la investigación sobre el cine de terror, y las representaciones de lo femenino y la mujer dentro del mismo, motivo que creemos se verá muy enriquecido siendo el foco de atención el de la bruja, personaje y arquetipo sobre el que habrá mucho que discutir dado lo interesante que es observársele en relación al discurso que la construyó, la religión, el marco interesado por discutir cuestiones de género y a la mujer en el terror.

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The thesis "Mirroring of Motives of F. Nietzsche's Critique of Christianity in D. Bonhoeffer's Prison Theology" contemplates Bonhoeffer's thoughts on non-religious interpretation, that Bonhoeffer expands upon in his letters from prison, in the light of critique of Christianity that was expressed by Friedrich Nietzsche. Chapter I looks into the history of interpretation of Bonhoeffer's research and provides a brief overview of past and contemporary efforts to explain Bonhoeffer's approach to philosophy. Chapter II introduces basic principles and key topics of the critique of Christianity first in Nietzsche's work The Antichrist, followed by Bonhoeffer's Letters and Papers from Prison. Chapter III compares the most obvious motives in the thinking of Nietzsche and Bonhoeffer within the aforementioned scope. Selected themes in works of these two German thinkers overlap particularly in their philosophy of life, understanding of a man come of age, and their critiques of Christianity that is deflecting from this world towards the transcendent sphere of the world beyond (in German, it is expressed as a difference in the meaning of "Diesseits" and "Jenseits"). Bonhoeffer's thoughts on the preaching of Gospel to the man come of age who is free of false, religious misbeliefs, and who feels strong, capable,...

The thesis "Eschatological Discourse in Mark's Gospel and Possibilities of Its Interpretation" deals with traditions used by Mark, possible dating of pre-markan textual layer and the discourse itself, with historical context of its origination and also with the interpretation of individual verses. Also various authors' commentaries are presented and evaluated. In the last chapter, all the findings are summarized and appraised, on which basis a possible interpretation of the Eschatological discourse is proposed considering its historical context. Powered by TCPDF (www.tcpdf.org)