In creating the common European space on higher education, the significance of cultural studies and personal activeness are emphasized, as well as the specialists’ creative activity format, mobility abilities and experience are highlighted. It raises the task to stimulate a student’s vocational maturity in the study process. A student’s personality matures under the influence of the subject study of both general education, including artistic education, and vocational training. It is topical to determine the relationship of artistic education and vocational training and thus create a unified process of stimulating an individual’s maturity. Therefore, the relationship of artistic education and vocational training is topical in organizing subject studies at as institution of higher education. The dissertation discloses the prerequisites of artistic education and vocational training and verifies its possibilities and significance in modeling subject studies. It singles out the system of criteria, indicators and guidelines of the study assessment – these are pedagogical factors stipulated from the individual’s viewpoint and their unified entirety (model), which is significant for both the teacher and the student. It has been determined that artistic education stipulated from the vocational viewpoint and vocational training stipulated from the artistic viewpoint is a valid pedagogical factor of the studies organization and students’ vocational maturity; and the unity of artistic... [to full text]

In creating the common European space on higher education, the significance of cultural studies and personal activeness are emphasized, as well as the specialists’ creative activity format, mobility abilities and experience are highlighted. It raises the task to stimulate a student’s vocational maturity in the study process. A student’s personality matures under the influence of the subject study of both general education, including artistic education, and vocational training. It is topical to determine the relationship of artistic education and vocational training and thus create a unified process of stimulating an individual’s maturity. Therefore, the relationship of artistic education and vocational training is topical in organizing subject studies at as institution of higher education. The dissertation discloses the prerequisites of artistic education and vocational training and verifies its possibilities and significance in modeling subject studies. It singles out the system of criteria, indicators and guidelines of the study assessment – these are pedagogical factors stipulated from the individual’s viewpoint and their unified entirety (model), which is significant for both the teacher and the student. It has been determined that artistic education stipulated from the vocational viewpoint and vocational training stipulated from the artistic viewpoint is a valid pedagogical factor of the studies organization and students’ vocational maturity; and the unity of artistic... [to full text]

Paauglystėje asmens brandos raida tarytum pagauna pagreitį, pagauna ir ilgam užtvirtina pagrindinius brandos aspektus, kurie savo pastovumo prasme daugeliui žmonių jau lieka nepakitę visą jų tolesnį gyvenimą. Įvairi vizualinė raiška padeda asmeniui mokytis dailės kalbos. Anot J. Kievišo (2007, 6 p.) „veikdamas asmens dvasinių vertybių sistemą, intelektines, emocines, fizines galias menas skatina individualios kultūros bei sociokultūrinės integracijos raidą ir taip įsilieja į bendrą asmenybės brandos procesą.“ Vizualinės raiškos įvairovė – kelias, kuriuo menas pasiekia ugdytinio suvokimą, veikia jį ir ugdo pilnavertę asmenybę. 5–8 klasių mokinių amžiaus tarpsnis ypatingas. Vaikai tampa paaugliais, kinta jų mąstymas, suvokimas, norai, požiūris. Dažnai vaikai praranda motyvaciją mokytis, „nebemoka“ piešti, protestuoja prieš juos supančią aplinką. Šiame amžiaus tarpsnyje pastebimas kūrybiškumo lūžis. Tam, kad ugdytinių kūrybiškumas toliau laipsniškai augtų, jau reikalingi papildomi svertai. Manoma, kad vizualinės raiškos įvairovė gali būti raktas, sprendžiant kūrybiškumo ugdymo problemas. Nagrinėjamas darbo objektas – vizualinės raiškos įvairovės svarba dailės pamokose, jos vaidmuo 5–8 klasių mokinių meniniam ugdymui. Darbo tikslas – atskleisti vizualinės raiškos įvairovės svarbą 5–8 klasių mokinių meniniam ugdymui. Iškelta hipotezė – dailės technikų ir vizualinės raiškos būdų įvairovė teigiamai veikia, skatina kūrybiškumą, atskleidžia individualius gebėjimus, daro pastebimą... [toliau žr. visą tekstą] / In adolescence, the development of personal maturity gains acceleration and consolidates the basic maturity aspects, which in the sense of their stability do not change for many people throughout their lives. Different visual expression helps a person to learn the language of art. According to J. Kievišas (2007, p. 6) “by acting on a person’s system of spiritual values, intellectual, emotional and physical capacities, the art stimulates the development of individual culture and socio-cultural integration and in such way adds to the general personal maturity process.” The variety of visual expression is a way through which the art can reach a person’s perception, act upon it and educate a versatile personality. The age of 5th –8th graders is a very special stage of personal development. Children become adolescents with changes in their thinking, reasoning, wishes and attitudes. Often children lose motivation to learn, “do not know how” to draw, express protest against surrounding environment. This stage of development is a turning point in a person’s creativity. In order to develop children’s further creativity, additional stimuli are necessary. The variety of visual expression is supposed to be a key in solving various creativity education problems. The subject of this work is the importance of the variety of visual expression during art lessons, and the role of such variety for the creative education of 5th –8th graders. The purpose of this work is to reveal the importance... [to full text]

Skaitmeninės technologijos suteikia mokiniams daug naujų galimybių, nes jie gali gauti daug ir įvairios informacijos pačiomis įvairiausiomis formomis – įskaitant tekstinę informaciją, fotografiją, grafiką, garsinę bei vaizdinę medžiagą. Pasinaudojus įvairia skaitmenine technika gautą informaciją lengva keisti, suteikiant jai savitumo, pritaikant individualiems mokymosi poreikiams. Skaitmeninės technologijos nuolatinė kaita ir spartus vystymasis lemia šiame darbe nagrinėjamą skaitmeninių technologijų vizualios raiškos mokinių galimybių plėtroje meniniame ugdyme naujumą. Tyrimo tikslas - skaitmeninių technologijų įtaka mokinių vizualios raiškos plėtrai. Tyrimo objektas - skaitmeninės technologijų naudojimas dailės pamokoje plečiant mokinių vizualią raišką. Tyrimo uždaviniai: (1) apibūdinti skaitmeninių technologijų galimybes kaip vizualios raiškos priemonę; (2) apžvelgti skaitmeninių technologijų panaudojimą kūryboje ir dailės ugdymo procese; (3) įvertinti esamą mokinių požiūrį į skaitmenines technologijas kaip priemonę realizuoti kūrybines galias. Tyrimo metodai: (1) Teorinis: pedagoginės, meninės, techninės literatūros studijavimas, švietimo sistemos dokumentų, interneto duomenų sisteminė analizė; (2) empirinis: anketinė apklausa, mokinių vizualinės raiškos darbų analizė; (3) matematinis: procentinė duomenų analizė. Darbe buvo apibūdintos tokios skaitmeninių technologijų galimybės kaip vizualios raiškos priemonės: galimybės panaudojant skaitmeninį fotoaparatą, skanerį... [toliau žr. visą tekstą] / Digital technologies allow pupils a lot of new possibilities as the pupils may receive a lot of information in the different forms, including textual information, photography, graphics, expressions and pattern information. When using the digital technology it is easy to adopt the information, to grant originality to the information as well as to adopt it to the individual learning needs. Constant change and rapid development in the digital technologies is the determining factor of novelty of the digital technologies in the artistic education in the development of school learners’ visual expression, which is being discussed in these diploma theses. The purpose of the research is analysis of the influence of the digital technologies to school learnen’ visual expression. The research subject-matter is a use of the digital technologies at the art lessons, with the purpose to expand learnen’ visual expression at the lesson. Research methods are as follows: (1) Theoretical, educational, artistic, analysis of the technical literature, systemic analysis of the documents of the educational system and internet data; (2) empirical: questionnaire interview, analysis of the pupils’ work of the visual expression; (3) mathematical: percentage analysis of the data. Implementation of the digital technologies, as the visual expression mean at the artistic lesson, facilitates individual learning, ensure basis to develop visual expression of the pupils, constitute possibilities to realize... [to full text]

Hánlová, L.: The Human animal: Aggressive behavior of pupils in Art education /diploma thesis/, Prague 2011 - Charles University, departmentof art education, 135 s. (Appendix: student questionnaire, analysis of data collected by means of the student questionnaire, photographs of artwork made by 6th grade students) This research study is concerned with the problem of aggression among children in school. It is intended as a qualitative study; opinions of the schoolchildren regarding aggression serve as the main material for the research. This is considered on three levels: in nature (among animals), in society (among people) and also among the pupils themselves. The metaphor of the human animal is used to describe the aggressive behaviour of a person, as well as a starting attitude towards aggression. This is here understood as a naturally good quality of people. The study is presented as an active study of 6th grade pupils. I also hereby present the idea of the socially preventative didactic project in artistic education with the theme of aggression; thus also presenting its history and results. I conceive the research within a framework of a grounded theory, and therefore in the conclusion of the research I construct the theory of aggression in artistic education. I will also herein present my own...

Denna uppsats studerar användandet av språk kring konst och konstnärlighet i fråga om musik. Den problematiserar svårigheten att dela språk kring dessa be- grepp inom olika musikpedagogiska inriktningar; utbildning till lärare i musik, utbildning till musiker och utbildning till musikterapeut.Hur konstrueras mening i tal kring konst i musik, kring pedagogisk konsekvens av konstbegreppet i konstnärlig utbildning samt det statliga uppdraget att utbilda i musik. I de samtal som ligger till grund för studien, deltar verksamma pedagoger inom högre musikutbildning vid tre olika lärosäten. Diskussionen och förhand- lingarna mellan dessa pedagoger har analyserats med hjälp av diskursanalys med fokus på diskurspsykologi. De retoriska teman och positioner som de medver- kande agenterna har till hands inom diskursen är i föreliggande studie sedda som tecken på diskurs. Två diskurser framträder tydligt och diskuteras slutligen utifrån historiska diskurser och effekter för utbildningar med konstarten musik. / This is the thesis about the usage of language around art and artistic actions in the area of music. It want to problematize the difficulty of sharing language around these concepts within different parts of academic learning in music; education for teachers in music, education for musicians and education for music therapists. How do teachers in musical disciplines at three Swedish academies of music talk and construct meaning around art in music, around the pedagogic implementa- tions of the subject art in artistic education and the governmental issue with this artistic education that they are supposed to work inside. The discussions between these teachers are analyzed through a discourse analyses or rather discourse psy- chology. The rhetoric themes and the positions that the different agents are sup- posed to take inside the discourse are here seen as the signs of the discourse. Two discourses are clearly found and in the last part discussed in matter of historical discourse and implications for music education.

XX amžiuje skirtingų tautų kultūros neišvengiamai sąveikauja tarpusavyje, daro įtaką viena kitai ir tuo pačiu viena kitą. Pagyvėjus kultūriniams mainams Europoje pradėta gana aktyviai domėtis Lotynų Amerikos kultūra ir, žinoma, viena iš domėjimąsi sukėlusių kultūros sričių yra muzika, kadangi ji yra labai plačiai paplitusi kultūros sritis, t.y. muzikinis ugdymas vyksta ne tik ugdymo institucijose, bet ir už jų ribų. Daugiausiai apie Lotynų Amerikos muziką išgirstame ir sužinome iš tokių informacjos šaltinių kaip televizija, radijas, internetas, kurių pagalba tapo labiau prieinami kitų šalių muzikos atlikėjų video ir audio įrašai. Jaunimo vertybinėms nuostatoms ir pasaulėjautai daro įtaką Vakarų Europos kultūra, vedinas madų jis klausosi Lotynų Amerikos muzikos, kuri greta kitos pramoginės muzikos, šiuo metu jau yra tapusi Lietuvos kultūros dalimi. Nežiūrint to, kad Lotynų Amerikos šalių muzikinę kultūrą sudaro labai įvairi, skirtingų laikmečių, stilių bei žanrų muziką, populiariausi ir plačiausiai paplitę yra popmuzikos žanrai. Šia muzika daugiausiai domisi jaunimas, kuriems dažniai masinė popkultūra yra neatsiejama laisvalaikio praleidimo dalis. Klubai, šokių studijos organizuoja įvairius koncertus, renginius, seminarus, kur susiburia įvairių profesijų žmonės besidomintys ne tik šokiu, bet ir apskritai Lotynų Amerikos šalių kultūra. Bendraminčiai dalyvauja muzikinėje veikloje, kurioje išreiškia save, dalinasi žiniomis ir įgyta patirtimi. Tyrimo objektas – Lotynų Amerikos... [toliau žr. visą tekstą] / Nations of different cultures in the 20th century are inevitably interacting and influencing each other, and act upon each other. At more lively cultural exchange in Europe, quite active interest in Latin American culture started to grow and, certainly, one of the fields causing the interest in culture is music because music is a very popular field of culture, i.e. the musical upbringing takes place not only in educational institutions but also outside them. Most of all we hear about the Latin American music and we find out the facts from such information sources as television, radio, internet, all of them helping to bring the video and audio records of the performers from other countries closer to us. The values and viewpoints of the youth are being influenced by the West European culture; guided by fashion trends. The youth is listening the Latin American music that, in line with other entertainment music, has already become an integral part of Lithuanian culture. Despite the fact that musical culture of Latin American countries is varied and rich by the diversity of styles, periods, and genres, the most popular and most widespread ones are the pop-genres. This music is a centerpiece of interests of young people for whom often the mass pop culture is an inseparable way of leisure. Clubs, dance studies organize different concerts, events, seminars where people of different professions interested not only in dancing but in the culture of Latin American countries in general... [to full text]

De konstnärliga högre utbildningarna med bild- och forminriktning har till övervägande del en studentsammansättning med kulturellt kapital1 hemifrån. För att hårdra betyder det att elever med litet ekonomisk, socialt eller kulturellt kapital inte söker estetiskt gymnasieprogram eller blir studenter på förberedande konstnärlig utbildning.Här ges en bild av hur villkoren ser ut på fältet och hur rekrytering till högre konstnärlig utbildning går till. Utbildningsanordnarna som intervjuas i undersökningen konstaterar den rådande sociala snedrekryteringen i Stockholm.En utbyggd användning av portfolio inom gymnasieskolan skulle kunna fungera som modell för att bryta den sociala snedrekryteringen. Portfoliomodellen ger elever och studenter utrymme att träna sig i självvärdering genom samlande och reflektion av egna alster. Att kunna värdera sig själv ger perspektiv och utvecklingsmöjligheter i förståelsen av sig själv som en del av ett större sammanhang, en helhet, en kultur. Genom de kriterier som innefattas av konstruktionen av portfolion, ges utmaning i att se nya möjligheter i sina framtida yrkes- och utbildningsval. / The education at an advanced level of Fine Arts is dominated by students with a cultural capital from their heritage2 In strong words this will mean that students with small economic, social or cultural capital won´t apply for aesthetic high schools or even become students in art schools.This degree thesis gives a picture of how the conditions look like in reality and how the recruitment to higher artistic education is conducted. The education organisers that were interviewed in the survey established that there is a prevailing social imbalance in Stockholm.A larger use of the portfolio in high-schools could stand as a model in order to break the prevailing social imbalance. The portfolio model gives each person the space, through collecting and reflection of their own material, to find and train in self evaluation. To be able to evaluate your own person it will give perspectives on his or hers development opportunities in the understanding of itself as a part of a bigger contexts, a whole, a culture. Through the criteria that are included of the structure of the portfolio, is given a challenge in seeing new possibilities in his or her future trade's - and educational choices.

This Diploma Thesis researches the position of drama education at a first level at elementary schools in Prague and Central Bohemia. The Diploma Thesis is divided into two parts. The theoretical part describes the overall drama education, its principles, methods, objectives, content, and its representation in the Framework educational program. The practical part inquires answers to research questions by questionnaire survey, observation and interviews. It deals with the degree of integration of drama education into the teaching process, confirming of methods application and techniques of drama education in the tuition and indicate positive and limiting factors in the application of drama education in the tuition. Keywords drama education, elementary school, Framework educational program, School educational program, methods of drama education

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