À la croisée des études sur les processus créateurs en musique et sur l’interprétation (performance studies), la recherche interroge le rôle de l’interprète dans la création contemporaine. L’œuvre musicale est considérée selon quatre états (œuvre projetée, écrite, jouée et entendue) et selon les interactions intervenant dans le processus de création, particulièrement entre compositeur et interprète en situation de collaboration directe. L’étude de cas au centre de ce travail est la création d’une œuvre nouvelle avec le compositeur Gérard Pesson, Blanc mérité (d’après Roman Opalka) pour saxophone et ensemble, dont la genèse est documentée dans une perspective « auto-ethnographique ». Le processus, étalé sur sept années, génère une importante quantité de données dont le traitement et l’analyse impliquent le développement d’outils méthodologiques adaptés. Permettant de retracer l’origine et la place des interactions dans la genèse des objets constitutifs de l’œuvre, la recherche apporte des éclairages sur la dimension infralinguistique du travail et participe à la réflexion sur les enjeux de la création artistique dans sa dimension collaborative. / Drawing on studies focused on creative processes in music as well as performance, the research questions the performer’s role in contemporary creation. The creative process is considered here as evolutions of the musical work between four interconnected stages: work as project, work as score, work as sound production and work as sound perception, among which the nature of the interactions between actors evolves constantly.The main case study is the creation of a new work with composer Gérard Pesson. Blanc mérité (referring to Roman Opalka), for saxophone and ensemble, is observed and analysed by the dedicatee all along a seven years process. Adopting an “autoethnographic” point of view and a “naturalistic” approach, the research draws upon data collected since the project’s premises, by recording exhaustively the interactions between composer and performer. Quantitative and qualitative analysis methods are applied to the amount of verbal data, and crossed with musical analysis of the scores and recordings. Allowing to retrace origins of musical objects as well as interactions in their genesis, the research enlightens an “infralinguistic” dimension of the artistic work and therefore takes part in the reflection about creative collaboration.

This thesis revolves around social dance movements in the form of raving and clubbing in Berlin, and how this performative scene is affected by social distancing measures due to the current situation of Covid-19. As an important moment in history, online body performances and virtual spaces aim to complement and substitute social experiences in physical environments. The field of study relating digital technology to club cultures is timely, as virtual raving is changing social bodies’ interactions. Life has gone online for the sake of upholding socialization, as people find themselves in isolation – in a hybrid experience of the digital and material. To assess these changes in social life, this thesis uses an auto ethnographical case study on virtual raving and interviews with rave participants, and deploys Affordance Theory. The affordances accounted for are those of ‘settings’, ‘socialization’, ‘entertainment’, and ‘mobility’. The analysis demonstrates the possibilities and problems of transferring the meditative and social bodily experiences associated with raving, to virtual environments. The resulting discussion addresses issues of global accessibility, virtual raves, and what these mean for a techno raving sub culture, and the people who participate in it.

No description available.

This thesis research explores the patterns of player-character relationships and player-character attachment in Animal Crossing: New Horizons (2020) and Genshin Impact (2020). The purpose of the paper is to fill in the existing gap in the literature concerning the psychological and social mechanisms of attachment that players form with non-customizable game characters. The research explores the nature of player-character attachment in its relation to game mechanics and broader social context, as well as its transformative potential.   The research relies on interdisciplinary mixed-methods methodology, drawing from the fields of psychology and anthropology. The first part of the research employs auto-ethnographic data on the authors' personal relationships with game characters. The second part involves a series of qualitative in-depth interviews with players of Animal Crossing and Genshin Impact. Thematic analysis with the elements of case-study methodology is applied to the interview data. The results of the interview analysis are compared between the two player groups, as well as to the findings of the auto-ethnographic inquiry. The main results of the comparative analysis suggest that players’ perceptions of characters in the studied games can be categorized as character-as-object and character-as-other. Further on, a distinction can be made between two types of attachment that players form with characters-as-others. The first one is player-for-character, focused primarily on a player’s relatedness and empathy towards a character. The second one is character-for-player, where a game character is perceived as a supporting and caring figure that transcends the boundaries of the game. The relationship types are not mutually exclusive, and both of them have been found to have transformative potential.

In this thesis ethnographical interviews with women in Buenos Aires are analyzed with discourse theory in order to examine how discourses of safe/unsafe and urban poor construct places and bodies. A central element of discourse is argued to be the partially fixed inscription of danger in territories and bodies of the urban poor. Neoliberalism´s impact on urban space has meant a transformation of public space and  impacts on constructing reality. This transformation of meaning is connected to the neoliberal transformation of the labor market, once invested with rights and security, now deregulated and precarious. Urban poor are visible in every interviewed woman´s everyday life, but the way of constructing them as subjects varies with level of closeness and identification. The Argentine historic construction of Europeaness, modernity and civilization as opposed to Latin Americaness, backwardness and barbarism can be found in many of the women´s constructions of urban poor. So is the othering of them in relationship to motherhood and citizenship. The constructions of the urban poor are also analyzed with the Foucaultian concept of biopower.

Järnvägsstationer är att betrakta som offentliga platser och regleras av transportpolitiska målsättningar om jämställdhet och tillgänglighet för alla (Prop. 2008/09:93). Trots det saknas forskning om hur genus påverkar resenärer vid deras vardagliga vistelser på järnvägsstationer. Det övergripande syftet med denna avhandling är därför att ur ett genusperspektiv undersöka hur manliga och kvinnliga resenärer i sin vardag använder och upplever järnvägsstationer som fysiska platser och sociala rum. Det empiriska materialet baseras på resedagböcker, intervjuer med resenärer, deltagande observationer och intervjuer med planerare och förvaltare av järnvägsstationer. Kimstad pendeltågsstation, Norrköpings järnvägsstation och Stockholms Centralstation ingår i studien. I avhandlingen kombineras olika teorier som gör det möjligt att betrakta genus som rytm. Genom detta teoretiska ramverk undersöks hur genusmaktordningen återverkar i tid, rum och mobilitet. Resultaten av studien visar att resenärer är påverkade av genusmaktordningen, som återfinns såväl i kollektiva föreställningar som i materialiserade objekt som möter resenärer när de vistas på järnvägsstationerna. Sammanfattningsvis visar studien att såväl manliga som kvinnliga resenärer påverkas av denna maktordning. Även om denna ordning påverkar alla tycks kvinnor vara de som påverkas mest negativt, eftersom de genom en manlig normerad blick betraktas som antingen ärbara eller sexuellt tillgängliga objekt, därutöver att de är tvungna att förhålla sig till risken att utsättas för sexualiserat våld från män. Av dessa anledningar tenderar kvinnors livsrum att inskränkas, oavsett ålder och plats. / Railway stations are perceived as public spaces and are regulated by national transport goals of equality and accessibility for all (Prop. 2008/09:93). However, hardly any research has looked at how gender affects commuters in their daily life at railway stations. The overriding aim of this study is to examine how male and female commuters use and experience railway stations as gendered physical places and social spaces, during their daily travels. The empirical material is based on travel diaries, interviews with male and female commuters, participant observations inspired by auto-ethnography and interviews with planners and managers of the railway stations. Stations included in the study are Kimstad commuter rail station, Norrköping railway station and Stockholm Central station (all in Sweden). In this thesis this combination of theories makes it possible to define gender as rhythm. Through this theoretical frame the thesis analyses gendered power relations of bodies in time, space and mobility. Results from the study show that individuals are affected by gendered power relations that dwell in collective believes and in shape of materialized objects that encounter the commuter when visiting the railway station. In conclusion the study shows that both female and male commuters are affected by gender power relations while visiting railway stations. Even though they affect all, women seem to be most negatively affected by these power relations, since women by gender as rhythms are considered as either objects of decency or as sexually available to heterosexual men. Further, female bodies negotiate the risk of encountering sexual violence therefore gender as rythm tend to decrease the extent of women’s everyday living spaces, regardless of age and place.

From the claims of punk rocker GG Allin aiming to shed his own blood for Rock ‘n’ Roll to the religiously tinted narratives of Bruce Springsteen we come to find artists using religious references to color their artistic medium. A question arises: Could these utterances and narratives show a deeper meaning behind Rock ‘n’ Roll such that it can give individuals a way to obtain religious experience? This thesis aims at arguing for the ability of Rock ‘n’ Roll as having a way to incite feelings of religious experience and communitas. Through the usage of auto-ethnography coupled with subsidiary sources from academic to pop culture writers this thesis will investigate if such a creative form helps to enable individuals to experience transcendence and feelings of community while immersed in Rock ‘n’ Roll.

Estudos organizacionais / Submitted by Cristiane Shirayama (cristiane.shirayama@fgv.br) on 2011-05-19T15:58:12Z No. of bitstreams: 1 61080100003.pdf: 11975291 bytes, checksum: 781e4294b7a25af48b54654504d9123f (MD5) / Approved for entry into archive by Suzinei Teles Garcia Garcia(suzinei.garcia@fgv.br) on 2011-05-19T17:11:15Z (GMT) No. of bitstreams: 1 61080100003.pdf: 11975291 bytes, checksum: 781e4294b7a25af48b54654504d9123f (MD5) / Approved for entry into archive by Gisele Isaura Hannickel(gisele.hannickel@fgv.br) on 2011-05-19T17:13:06Z (GMT) No. of bitstreams: 1 61080100003.pdf: 11975291 bytes, checksum: 781e4294b7a25af48b54654504d9123f (MD5) / Made available in DSpace on 2011-05-19T17:14:53Z (GMT). No. of bitstreams: 1 61080100003.pdf: 11975291 bytes, checksum: 781e4294b7a25af48b54654504d9123f (MD5) Previous issue date: 2010-06-16 / In a world increasingly interconnected and global, this research brings the analysis of the interaction of multicultural groups in three different organizations in Europe. In two organizations, the research had auto-ethnographic nature, while in the third organization, thirteen in-depth interviews with trainees and professionals were conducted in a multicultural work environment, while considering the theory of symbolic interactionism as the basis of analysis at the micro level of social relations. The studies took place within the context of expatriation and international experiences in which young people from different parts of the world move to another country in order to experience and learn about other cultures, develop their careers, personally, academically and professionally. Encounters of people from different cultures within the CEMS group and the organizations involved are reported and analyzed in this study in order to understand the dynamics and changes that occur when different cultures meet. / Em um mundo cada vez mais interligado e global, este trabalho traz a leitura de grupos multiculturais de três organizações europeias, através do método auto- etnográfico e de 13 entrevistas realizadas em profundidade com estagiários e profissionais de um ambiente de trabalho multicultural, com o interacionismo simbólico como lente de análise dos grupos no nível micro de relações sociais. Os estudos aconteceram dentro do contexto de expatriação e experiências internacionais, em que jovens de diferentes partes do mundo se mudam a outro país a fim de conhecer outras culturas, desenvolver suas carreiras e ter experiências profissionais e acadêmicas. Encontros entre as diferentes culturas dentro do grupo CEMS e das organizações envolvidas são relatados e analisados neste trabalho a fim de entender a dinâmica e as mudanças de comportamento que ocorrem quando diferentes culturas se encontram.

This thesis investigates the narrated experiences of a number of individuals that migrated to Argentina from Russia and Ukraine in the wake of the fall of the Soviet Union. The over-arching aim of this thesis is to study the ways in which these migrants navigated the social reality in Argentina, with regards to available physical, material, and socioeconomic positions as well as with regards to their narrated self-understandings and identifications. The empirical data consists of ethnographic in-depth interviews and participatory observation from Buenos Aires between the years 2011 and 2014. Through the theoretical frameworks of political discourse theory, critical race studies, auto-ethnography, and theories on coloniality, the author examines questions of migration, mobility, race, class, and gender in the processes of re-establishing a life in a new context. The interviewees were not only directly affected by the collapse of the USSR in the sense that it drastically changed their terrain of possible futures as well as retroactive understandings of their pasts, but they also began their lives in Argentina during the turmoil of the economic crisis that culminated in 2001. Central to this thesis is how these dislocatory events impacted the interviewees’ possibilities and limitations for living the life they had expected, and thus how discursive structures affect subject positions and identifications, and thereby create specific conditions for different relocatory trajectories. By focusing on how these individuals narrate their reasons for migration and their integration into Argentine labor and housing markets, the author demonstrates the role Argentine and East European history, as well as the neoliberal restructuring of the postsocialist region and Argentina in the 1990’s, had for self-understandings, subject positions, identities, and mobility. Various intersections of power, and particularly the making of race and whiteness, are important for the way that the interviewees negotiated subject positions and identifications. The author addresses how affect and hope played a part in these processes and how downward mobility was articulated and made meaningful. She also examines how participants’ ideas about a “good life” were related to understandings of the past, questions of race, social inequality, and a logic of coloniality. / Den här avhandlingen undersöker hur ett antal individer som migrerade från Ryssland och Ukraina till Argentina efter Sovjetunionens fall berättar om sin erfarenhet. Det övergripande syftet är att studera hur dessa migranter navigerade i den sociala verkligheten i Argentina, särskilt vad det gäller kroppsliga, materiella och socioekonomiska positioner, såväl som hur detta påverkat deras berättade självförståelse och identifikationer. Det empiriska materialet består av etnografiska djupintervjuer och deltagande observationer gjorda i Buenos Aires mellan åren 2011 och 2014. Författaren använder sig av ett teoretiskt ramverk bestående av politisk diskursteori, kritiska ras- och vithetsstudier, autoetnografi och teorier om kolonialitet för att undersöka frågor om migration, mobilitet, rasialisering, klass och kön i en kontext av återetablering av ett liv i ett nytt samhälle. De som intervjuas i denna avhandling påverkades inte bara av Sovjetunionens kollaps, på så sätt att det påverkade deras förståelse av möjlig framtid samt deras retroaktiva förståelser av det förflutna, utan de påbörjade även sina nya liv i Argentina under den ekonomiska krisen som kulminerade år 2001. Centralt i avhandlingen är hur dessa dislokatoriska händelser inverkade på de intervjuades möjligheter och begränsningar för att kunna leva det liv som de hade förväntat sig, och därmed hur diskursiva strukturer påverkar subjektspositioner och identifikationer och därmed skapar specifika villkor för olika vägar för återetablering. Genom fokus på hur dessa individer berättar om sina anledningar för migrationen och om deras väg in i den argentinska arbets- och bostadsmarknaden visar författaren vilken roll argentinsk och östeuropeisk historia, såväl som 1990-talets nyliberala omstrukturering av den postsovjetiska regionen och Argentina, hade för deras självförståelse, subjektspositioner, identitet och mobilitet. Viktigt för hur de intervjuade förhandlade om olika subjektspositioner och identifikationer är intersektionella maktordningar och särskilt skapandet av ras och vithet. Författaren analyserar hur affekt och hopp spelade en roll i dessa processer och hur social deklassering artikulerades och gjordes meningsfull. Här undersöks även hur de intervjuades idéer om möjligheten att leva ett ”gott liv” var sammanflätade med förståelser av det förflutna, rasialisering, social ojämlikhet och en logik som präglades av kolonialitet. / Тема этой диссертации – это личный опыт ряда индивидуумов, переехавших в Аргентину вскоре после распада Советского Союза, на основе их собственных повествований. Основная цель работы заключается в исследовании того, как мигранты-участники вписывались в общественную реальность Аргентины на фоне её превалирующих физических,  материальных и социо-экономических позиций, а также по отношению к тому, как согласно их рассказам, эти люди сами себя воспринимали и идентифицировали. Эмпирическая компонента диссертации включает в себя комплекс углубленных этнографических интервью и включенного наблюдения, проводимых в Буэнос Айрес в 2011 -2014 гг. Автор изучает вопросы миграции, класса, социальной мобильности, расы и гендера в процессе переустановки жизни в новых условиях, руководствуясь теоретическими посылами теорий политического дискурса, критических расовых исследований (critical race studies), автоэтнографии и теорий колониальности. В дополнение к тому факту, что на интервьюируемых оказал непосредственное влияние распад Советского Союза, который кардинальным образом изменил как возможные сценарии их будущего, так и ретроактивные интерпретации их прошлого, эти люди начали свою новую жизнь в Аргентине сразу после сумятицы экономического кризиса, достигшего кульминации в 2001 г. Центральным аспектом диссертации является изучение воздействия, которое имели эти дислоцирующие обстоятельства на спектр естественных возможностей и преград на пути реализации жизненного проекта участников исследования, как они себе его представляли, а также какое влияние оказывают соответствующие дискурсивные структуры на позиции и идентификации субъектов, обуславливая определенные условия реализации различных траекторий их жизни в эмиграции. Фокусируя внимание на том, как эти индивидуумы повествуют о том, что побудило их к эмиграции в Аргентину и интеграции в местные рынки труда и жилья, автор подчеркивает ту роль, которую сыграли в этом особенности как аргентинской, так и восточноевропейской истории, наряду с более поздними структурными изменениями 90х гг., происходившими как на постсоветском, так и аргентинском пространствах в эпоху неолиберализма. Это касается в равной степени аспектов самовосприятия, позиций субъектов, а также вопросов их идентификации и мобильности. Важной составляющей того, каким образом интервьюируемые устанавливали рамки своей субъективной идентификации и позиции, являлись различные грани концепции власти; в частности того, как возникают понятия расы и ‘белизны’ (whiteness). Автор обращается к вопросу, какую роль в этих процессах сыграли аффект и надежда, и как субъекты исследования артикулировали и находили смысл в своей нисходящей мобильности. Параллельно автор анализирует то, как представления участников о "хорошей жизни" ставились ими в зависимость от их собственной интерпретации прошлого, наряду с вопросами расы, общественного неравенства и колониальной логики. / Esta tesis investiga las experiencias narradas por una serie de individuos que emigraron a Argentina desde Rusia y Ucrania a raíz de la caída de la Unión Soviética. Su objetivo general es estudiar el modo en que estos inmigrantes transitaron la realidad social argentina en lo que se refiere a las posiciones físicas, materiales y socioeconómicas disponibles, así como también a su auto-comprensión y a las identidades construidas desde sus narraciones. La autora examina cuestiones de migración, movilidad, raza, clase y género en los procesos de restablecimiento de la vida de estos sujetos a través del marco de la teoría política del discurso, los estudios críticos de la raza, la auto-etnografía y teorías sobre la colonialidad. Los datos empíricos consisten en entrevistas etnográficas en profundidad y observación participante realizadas en Buenos Aires entre los años 2011 y 2014. Los entrevistados no sólo se vieron directamente afectados por el colapso de la URSS en el sentido de que éste cambió drásticamente su terreno de futuros posibles y la comprensión retroactiva de su pasado, sino que también comenzaron sus vidas en Argentina durante las turbulencias de la crisis económica que estalló en el año 2001. En esta tesis, es central la indagación sobre cómo estos eventos dislocatorios impactaron en las posibilidades y limitaciones de los entrevistados para vivir la vida que esperaban y cómo las estructuras discursivas afectan las posiciones y las identificaciones de los sujetos, creando condiciones específicas para diferentes trayectorias de reubicación. Al enfocarse en cómo estos individuos narran sus razones para la migración y su integración en los mercados laborales y de la vivienda en Argentina, la autora demuestra el papel que tienen en las auto-comprensiones, posiciones de sujeto, identidades y movilidad, tanto la historia argentina y de Europa del Este, así como también la reestructuración neoliberal de la región postsocialista y de la Argentina en los años 90. Diversas intersecciones de poder, y particularmente la raza y la blancura son importantes para la manera en que los entrevistados negociaron posiciones subjetivas e identificaciones. La autora aborda cómo el afecto y la esperanza desempeñaron un papel en estos procesos y cómo la movilidad descendente se articuló y se hizo significativa. También examina cómo las ideas de los participantes acerca de una "buena vida" se relacionan con la comprensión del pasado, las cuestiones de raza, desigualdad social y una lógica colonial.

From the claims of punk rocker GG Allin aiming to shed his own blood for Rock ‘n’ Roll to the religiously tinted narratives of Bruce Springsteen we come to find artists using religious references to color their artistic medium. A question arises: Could these utterances and narratives show a deeper meaning behind Rock ‘n’ Roll such that it can give individuals a way to obtain religious experience? This thesis aims at arguing for the ability of Rock ‘n’ Roll as having a way to incite feelings of religious experience and communitas. Through the usage of auto-ethnography coupled with subsidiary sources from academic to pop culture writers this thesis will investigate if such a creative form helps to enable individuals to experience transcendence and feelings of community while immersed in Rock ‘n’ Roll.