Global ETD Search

681	Fanning While Female: Gatekeeping, Boundary Policing, and the Harassment of Women in the Star Wars Fandom Gilkeson, Shanna R. 11 August 2023 (has links) No description available. Communication Ethics Film Studies Gender Gender Studies Language Mass Communications Mass Media Minority and Ethnic Groups Multimedia Communications Sociology Web Studies Womens Studies Critical Discourse Analysis fandom online fan communities Judith Butler performativity Laura Mulvey male gaze Pierre Bourdieu cultural capital James Paul Gee sentence-level analysis film Star Wars women gender misogyny patriarchy sexism racism ageism identity intersectionality
682	Vodou and the U.S. Counterculture Remse, Christian 09 August 2013 (has links) No description available. African American Studies American History American Literature American Studies Black History Caribbean Studies Cultural Anthropology Ethnic Studies Film Studies Gender Studies Literature Mass Media Motion Pictures Multimedia Communications Political Science Religion Spirituality Vodou United States Counterculture film music literature media popular culture history politics race gender sexuality resistance
683	Femininity and Sexual Violence in the Nigerian Films, <i>Child, not Bride</i>, <i>October 1</i> and <i>Sex for Grades</i> Oladosu, Olayinka Abdulahi 15 September 2021 (has links) No description available. African Literature African Studies Womens Studies Gender Studies Film Studies Ethnic Studies Sub Saharan Africa Studies Femininity Sexual Violence Nigerian women Nigerian Film October 1 Kunle Afolayan Sex for Grades BBC Child, not Bride Child Marriage in Nigeria Sexual violence against women in Nigeria Julia Serano Whipping Girl Sexual harassment in Nigeria
684	The Future of American Memory: Media Preservation, Photography, and Digital Archives Murphy, Brian Michael 25 September 2014 (has links) No description available. African American Studies American Studies Ethnic Studies Film Studies History Science History Technology
685	Sex Workers with Hearts of Gold: An Ancient Trope of Sex and Class in Popular Culture Bowles, Taylor 19 May 2023 (has links) No description available. Film Studies Gender Gender Studies Womens Studies Mass Media sex work sex workers prostitution heart of gold feminism popular culture Pretty Woman Moulin Rouge Firefly Joss Whedon representation Stagecoach Once Upon a Time in the West representation television film westerns romance popular culture studies postmodernism postfeminism hooker with a heart of gold
686	Plaisir narratif et cinéma féministe : comment la recherche-création permet-elle de bouleverser les cadres d’écriture scénaristique Ahasniou, Zakia 08 1900 (has links) Mémoire en recherche-création. / Ce mémoire de recherche-création pose la question de la possibilité d’écrire un scénario de film de fiction narratif féministe. Une position vastement débattue dans la littérature féministe sur le cinéma suggère que le cinéma classique dit mainstream ne peut être investi d’une posture féministe puisque le langage cinématographique qui lui est inhérent participe à l’idéologie patriarcale dominante et réifie les personnages féminins comme objet passif du désir du masculin, figure active dans la narration. Mais qu’en est-il du scénario? La réflexion qui anime ce mémoire interroge le développement du scénario dans le discours et la figure négligée par l’histoire du cinéma (Francke 1994, 3) de la scénariste, puis les fondements de la narration et leur participation à l’idéologie dominante. Finalement, cette réflexion est accompagnée d’un scénario de film de fiction de long-métrage narratif dans lequel une tentative d’inscrire une subjectivité féminine se tisse grâce à une notion de désidentification qui s’avère intrinsèque à certains outils de l’objet de préproduction. La recherche informe la création alors que la création dépasse son cadre formel pour s’immiscer et tenter de régner dans la recherche. / This research-creation thesis asks the question of the possibility of writing a feminist narrative fiction film script. A widely debated position in feminist film literature suggests that mainstream cinema cannot be invested with a feminist posture since its inherent cinematic language participates in the dominant patriarchal ideology and reifies female characters as passive objects of desire of the male, active figure in the narrative. But what about the screenplay? The reflection that drives this thesis questions the development of the screenplay in discourse and cinema’s history neglected figure (Francke 1994, 3) of the woman screenwriter, followed by the foundations of narrativity and their participation in the dominant ideology. Finally, this reflection is accompanied by a narrative feature film script in which an attempt to inscribe a female subjectivity is woven through a notion of disidentification that proves intrinsic to certain tools of the pre-production object. The research informs the creation while the creation exceeds its formal framework to interfere and try to reign over the research. Scénario Cinéma narratif Féminisme Hollywood Systèmes de production Plaisir visuel Regard Réification Subjectivité Désir Agentivité Identité Posture Désidentification Recherche-création Processus d’écriture Screenwriting Narrative cinema Feminism Hollywood Production systems Visual pleasure Male gaze Reification Subjectivity Desire Agency Identity Posture Disidentification Research-creation Writing process
687	Big Screen Empire: What Foreign Films Reveal About the Perceptions of U.S. Military Bases in Affected Host Nations Walker, John Richard 16 December 2022 (has links) No description available. Military History American History Film Studies History International Relations Modern History United States United States history 20th century United States military United States foreign relations military bases military basing Japanese history German history South Korean history non-U.S. films U.S. military in film Americans in film
688	Say Hello to My Little Friend: De Palma's Scarface, Cinema Spectatorship, and the Hip Hop Gangsta as Urban Superhero Prince, Rob 01 December 2009 (has links) No description available. African Americans American Studies Black History Fine Arts Mass Media Motion Pictures Social Psychology Social Structure Sociology Film studies Hip-hop Hip-hop films Scarface Brian De Palma Al Pacino Universal Studios Gangster films Films set in Miami Cocaine in films Black masculinity audience reception Gangstas African-American audience reception violence in films
689	Genre Welcome?: Formula, Genre and Branding in USA Network's Programming and Promotional Content Barker, Cory Andrew 29 March 2012 (has links) No description available. Aesthetics African Studies American Studies Art Criticism Cinematography Communication Film Studies Marketing Mass Communications Mass Media Multimedia Communications Popular Culture Television USA Network Contemporary Television Branding Media Industries Advertising Genre Television Studies Promotions Television Promotions Burn Notice Psych
690	Literary Laboratories: A Cautious Celebration of the Child-Cyborg from Romanticism to Modernism Lupold, Eva Marie 16 July 2012 (has links) No description available. American History American Literature Animals Art History British and Irish Literature Early Childhood Education Ethics European History Evolution and Development Families and Family Life Film Studies Gender Studies History Individual and Family Studies In children cyborgs donna haraway romanticism william blake songs of innocence and experience victorians henry james the turn of the screw carlo collodi the adventures of pinocchio aldous huxley brave new world orson scott card ender's game

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