A literatura de design e de arquitetura sugere a necessidade de realização de estudos mais aprofundados e capilares junto a usuários de baixa renda a respeito da realidade material interior de suas residências, de como se daria a efetiva utilização de bens e objetos pessoais, além de suas aspirações e preferências quanto aos produtos de uso doméstico. Vários autores, neste sentido, ressaltam que a produção brasileira de mobiliário residencial industrializado, também denominado móvel seriado, sobretudo no segmento do consumo popular, não atenderia, integralmente, a seu público principal, concentrado nestas duas faixas socioeconômicas da população. Este alegado descompasso existiria, parcialmente, em razão de designers e fabricantes de móveis populares seriados supostamente desconhecerem as necessidades efetivas dos usuários e as maneiras de interação com seus bens domésticos. Nesta pesquisa, foram investigadas várias situações de uso do referido mobiliário popular industrializado em moradias de usuários selecionados residentes na Grande São Paulo, abordando aspectos tais como: percepções, significados, preferências, avaliações, apropriações, formas de utilização e adequação aos ambientes. Em termos metodológicos, este estudo qualitativo, de caráter essencialmente fenomenológico, mas também observacional, foi constituído pela sistematização e análise associativa de dados obtidos por meio de entrevistas em profundidade semiestruturadas conduzidas com quarenta usuários e doze vendedores. O trabalho de campo foi complementado por observações diretas, produzidas pela pesquisadora, de móveis, objetos e demais arranjos físicos e visuais encontrados nas moradias visitadas e em lojas de móveis populares, com auxílio de registros fotográficos e gravações em áudio. Na análise do conjunto de dados coletados, foram identificados elementos semióticos, estéticos, funcionais, socioculturais e psicológicos, entre outros. Os resultados obtidos permitem iluminar questões efetivas de uso do mobiliário popular, além de hábitos, costumes, preferências estéticas e condições internas das moradias dos usuários participantes. Observou-se, por exemplo, neste sentido, reduzida adequação de parcela significativa do mobiliário às habitações visitadas, bem como presença de improvisações e adaptações a que os usuários comumente recorrem, mesmo em móveis com pouco tempo de aquisição, para que voltem a desempenhar adequadamente suas funções, além de certa resignação de parte dos usuários quanto a deficiências de projeto e de produção verificadas nos móveis, por vezes justificadas, por eles, pelos baixos preços que pagaram. Tais percepções e outros achados disponibilizam, assim, um corpo de insumos para designers e indústria moveleira em geral, sobre necessidades específicas de famílias de baixa renda que encontram, neste mobiliário popular industrializado, sua principal ou única, mesmo que, em casos, precária, opção de compra para atendimento de necessidades básicas de armazenamento de objetos pessoais e de apoio a tarefas domésticas. Espera-se, com esta pesquisa, contribuir para que o projeto e a produção desta classe de produtos ofereça maior adequação ao efetivo modo de vida e necessidades de seus usuários no interior de suas moradias. / The design and architecture literature suggests the need for more in-depth studies with low-income users regarding the material in their homes and how belongings and personal objects would actually be used, as well as what their aspirations and preferences are with regard to domestic products. Several authors in this context emphasize that Brazilian industrial residential furniture production, also called furniture in series, especially in the budget furniture segment, does not entirely meet the needs of its main public, concentrated in these two socio-economic groups. This alleged misalignment would exist partially because of designers and manufacturers of low-cost furniture supposedly being unaware of users\' real needs and ways of interacting with their domestic objects. In this research, several ways of using industrial low-cost furniture in selected users\' homes in Greater São Paulo were investigated, looking at aspects such as: perceptions, meanings, preferences, evaluations, appropriations, forms of use and adequacy of the environments. In methodological terms, this essentially phenomenological, but also observational qualitative study was done by the systematization and associative analysis of data obtained through in-depth, semi-structured interviews with forty users and twelve salespeople. The field work was complemented by the researcher\'s direct observation of furniture, objects and other physical and visual arrangements in the homes visited and in budget furniture stores, and also with the aid of photographs and audio recordings. In the analysis of the collected data set, semiotic, aesthetic, functional, sociocultural and psychological elements were identified, among others. The results obtained provide information about the use of low-cost furniture, and also about habits, customs, aesthetic preferences and internal conditions of the participating users\' homes. It was observed, for example, that much of the furniture in the homes visited was of limited adequacy, and there were often user improvisations and adaptations, even in furniture purchased recently, so that it would more adequately fulfill its function. In addition, the users had a certain feeling of resignation about the furniture\'s design and manufacturing deficiencies, sometimes justified, for them, by the low price they had paid. These perceptions and other findings make available, then, input for designers and the furniture industry, in general, on specific needs of low-income families that have, in this industrialized low-cost furniture, their main or only, though sometimes precarious, purchase option to meet their basic needs for storage of their belongings and support for domestic tasks. It is hoped that this research will contribute to the design and production of this class of products becoming more suited to the lifestyles and needs of users in their homes.

Hållbarhet handlar om att främja välfärd nu, och i all tid framöver, genom att ta hänsyn till egologiska, sociala och ekonomiska aspekter. Det handlar om att tillgodose dagens behov utan att förstöra möjligheterna för kommande generationer att tillgodose sina. Vårt examensarbete undersöker förutsättningarna för hållbar möbelproduktion. och vi gör detta genom ett flödesschema som skall användas vid uppstart av hållbart producerande företag. Idén bygger på att råvarorna utvinns och förädlas inom en femmilsradie. Vi hoppas kunna åstadkomma en djupare relation mellan användaren och objektet än vad endast köpande och ägande ger. Vi har valt att tydliggöra konstruktion och uppbyggnad, samtidigt som formen uppmanar förnuftet till kritiskt ifrågasättande av stabilitet och hållbarhet både konkret och i ett vidareperspektiv. Vi vill att objektet skall kunna utvecklas, individualiseras och anpassas efter användaren så att de tillsammans kan leva vidare in i ett samhälle vi ännu inte känner till. / Sustainability is about promoting prosperity now, and in the future, by taking into account ecological, social and economic factors. It is about meeting the demands of today without compromising the ability of future generations to meet theirs. Our thesis explores the conditions for sustainable furniture production through a flowchart, intended for use at the startup of sustainable manufacturing companies. The concept is based on the idea of raw materials being extracted and processed within a fifty kilometre radius. We hope to bring about a deeper relationship between user and object than that which comes with mere purchasing and ownership. We have chosen to make construction and structure apparent, while the design invites the mind to critical questioning of stability and sustainability, both in a literal and a wider sense. We want the object to be developed, personalised and tailored to the user, so that together they can live on in a society that we do not yet know

O processo de desenvolvimento de produtos é um importante fator para aumentar a competitividade das empresas e tem se tornado cada vez mais crítico devido ao aumento da variedade e à redução do ciclo de vida dos produtos. Um processo de desenvolvimento de produto que agregue valor ao cliente por intermédio da redução do desperdicio torna-se estratégico para a competividade das empresas. Nesse contexto, esta pesquisa tem como objetivo analisar o processo de desenvolvimento de produto em seis empresas moveleiras no polo de Bento Gonçalves. Para tanto, foi desenvolvida uma pesquisa exploratória a partir de estudo de casos multiplos cujos dados foram coletados mediante entrevistas. De acordo com o referencial abordado e a análise realizada, foi utilizado como base o Sistema Toyota de Desenvolvimento de Produto, descrito por Morgan e Liker (2008), o qual discute a eliminação dos desperdícios e o valor agregado para o cliente. O propósito deste trabalho é a apresentação de um estudo para analisar o desenvolvimento de produto nas empresas moveleiras sob a ótica do Sistema Toyota de Desenvolvimento de Produto, uma vez que essas organizações atuam em mercados exigentes quanto à rapidez, variedade e preços competitivos. Dessa forma, o estudo contribui à área da Administração na medida em que sua aplicação pode trazer beneficios quanto ao entendimento do que realmente significa valor para o cliente, identificando o Sistema Toyota de Desenvolvimento de Produto como uma possibilidade factível para analisar o desenvolvimento de produto nas empresas moveleiras. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-04-25T18:52:37Z No. of bitstreams: 1 Dissertacao Adriano de Paris.pdf: 191693 bytes, checksum: 973eae607034c3ec2010be733b2f232e (MD5) / Made available in DSpace on 2014-04-25T18:52:37Z (GMT). No. of bitstreams: 1 Dissertacao Adriano de Paris.pdf: 191693 bytes, checksum: 973eae607034c3ec2010be733b2f232e (MD5) / The process of product development is an important factor to boost a company's competitive edge and has become increasingly critical due to the growing range and reduced lifecycle of products. A process of product development that adds value to the customer by eliminating waste becomes strategic for the competitiveness of companies. In this context, this research aims at analyzing the process of product development in six furniture companies in the Bento Gonçalves hub. Therefore, we developed an exploratory research through multiple case studies in which data was collected through interviews. According to the references and the analysis performed, we based our study on the Toyota Product Development System described by Morgan and Liker (2008), which discusses waste elimination and customer added value. The contribution of this work is the presentation of a study to analyze product development in furniture companies under the approach of the Toyota Product Development System, since these companies operate in demanding markets that require speed, range and competitive prices. Thus, the study contributes to the extent that its application can bring benefits to companies so as to help them understand what customers consider a value, identifying the Toyota Product Development System as a feasible possibility to analyze product development in the furniture companies.

A literatura de design e de arquitetura sugere a necessidade de realização de estudos mais aprofundados e capilares junto a usuários de baixa renda a respeito da realidade material interior de suas residências, de como se daria a efetiva utilização de bens e objetos pessoais, além de suas aspirações e preferências quanto aos produtos de uso doméstico. Vários autores, neste sentido, ressaltam que a produção brasileira de mobiliário residencial industrializado, também denominado móvel seriado, sobretudo no segmento do consumo popular, não atenderia, integralmente, a seu público principal, concentrado nestas duas faixas socioeconômicas da população. Este alegado descompasso existiria, parcialmente, em razão de designers e fabricantes de móveis populares seriados supostamente desconhecerem as necessidades efetivas dos usuários e as maneiras de interação com seus bens domésticos. Nesta pesquisa, foram investigadas várias situações de uso do referido mobiliário popular industrializado em moradias de usuários selecionados residentes na Grande São Paulo, abordando aspectos tais como: percepções, significados, preferências, avaliações, apropriações, formas de utilização e adequação aos ambientes. Em termos metodológicos, este estudo qualitativo, de caráter essencialmente fenomenológico, mas também observacional, foi constituído pela sistematização e análise associativa de dados obtidos por meio de entrevistas em profundidade semiestruturadas conduzidas com quarenta usuários e doze vendedores. O trabalho de campo foi complementado por observações diretas, produzidas pela pesquisadora, de móveis, objetos e demais arranjos físicos e visuais encontrados nas moradias visitadas e em lojas de móveis populares, com auxílio de registros fotográficos e gravações em áudio. Na análise do conjunto de dados coletados, foram identificados elementos semióticos, estéticos, funcionais, socioculturais e psicológicos, entre outros. Os resultados obtidos permitem iluminar questões efetivas de uso do mobiliário popular, além de hábitos, costumes, preferências estéticas e condições internas das moradias dos usuários participantes. Observou-se, por exemplo, neste sentido, reduzida adequação de parcela significativa do mobiliário às habitações visitadas, bem como presença de improvisações e adaptações a que os usuários comumente recorrem, mesmo em móveis com pouco tempo de aquisição, para que voltem a desempenhar adequadamente suas funções, além de certa resignação de parte dos usuários quanto a deficiências de projeto e de produção verificadas nos móveis, por vezes justificadas, por eles, pelos baixos preços que pagaram. Tais percepções e outros achados disponibilizam, assim, um corpo de insumos para designers e indústria moveleira em geral, sobre necessidades específicas de famílias de baixa renda que encontram, neste mobiliário popular industrializado, sua principal ou única, mesmo que, em casos, precária, opção de compra para atendimento de necessidades básicas de armazenamento de objetos pessoais e de apoio a tarefas domésticas. Espera-se, com esta pesquisa, contribuir para que o projeto e a produção desta classe de produtos ofereça maior adequação ao efetivo modo de vida e necessidades de seus usuários no interior de suas moradias. / The design and architecture literature suggests the need for more in-depth studies with low-income users regarding the material in their homes and how belongings and personal objects would actually be used, as well as what their aspirations and preferences are with regard to domestic products. Several authors in this context emphasize that Brazilian industrial residential furniture production, also called furniture in series, especially in the budget furniture segment, does not entirely meet the needs of its main public, concentrated in these two socio-economic groups. This alleged misalignment would exist partially because of designers and manufacturers of low-cost furniture supposedly being unaware of users\' real needs and ways of interacting with their domestic objects. In this research, several ways of using industrial low-cost furniture in selected users\' homes in Greater São Paulo were investigated, looking at aspects such as: perceptions, meanings, preferences, evaluations, appropriations, forms of use and adequacy of the environments. In methodological terms, this essentially phenomenological, but also observational qualitative study was done by the systematization and associative analysis of data obtained through in-depth, semi-structured interviews with forty users and twelve salespeople. The field work was complemented by the researcher\'s direct observation of furniture, objects and other physical and visual arrangements in the homes visited and in budget furniture stores, and also with the aid of photographs and audio recordings. In the analysis of the collected data set, semiotic, aesthetic, functional, sociocultural and psychological elements were identified, among others. The results obtained provide information about the use of low-cost furniture, and also about habits, customs, aesthetic preferences and internal conditions of the participating users\' homes. It was observed, for example, that much of the furniture in the homes visited was of limited adequacy, and there were often user improvisations and adaptations, even in furniture purchased recently, so that it would more adequately fulfill its function. In addition, the users had a certain feeling of resignation about the furniture\'s design and manufacturing deficiencies, sometimes justified, for them, by the low price they had paid. These perceptions and other findings make available, then, input for designers and the furniture industry, in general, on specific needs of low-income families that have, in this industrialized low-cost furniture, their main or only, though sometimes precarious, purchase option to meet their basic needs for storage of their belongings and support for domestic tasks. It is hoped that this research will contribute to the design and production of this class of products becoming more suited to the lifestyles and needs of users in their homes.

O processo de desenvolvimento de produtos é um importante fator para aumentar a competitividade das empresas e tem se tornado cada vez mais crítico devido ao aumento da variedade e à redução do ciclo de vida dos produtos. Um processo de desenvolvimento de produto que agregue valor ao cliente por intermédio da redução do desperdicio torna-se estratégico para a competividade das empresas. Nesse contexto, esta pesquisa tem como objetivo analisar o processo de desenvolvimento de produto em seis empresas moveleiras no polo de Bento Gonçalves. Para tanto, foi desenvolvida uma pesquisa exploratória a partir de estudo de casos multiplos cujos dados foram coletados mediante entrevistas. De acordo com o referencial abordado e a análise realizada, foi utilizado como base o Sistema Toyota de Desenvolvimento de Produto, descrito por Morgan e Liker (2008), o qual discute a eliminação dos desperdícios e o valor agregado para o cliente. O propósito deste trabalho é a apresentação de um estudo para analisar o desenvolvimento de produto nas empresas moveleiras sob a ótica do Sistema Toyota de Desenvolvimento de Produto, uma vez que essas organizações atuam em mercados exigentes quanto à rapidez, variedade e preços competitivos. Dessa forma, o estudo contribui à área da Administração na medida em que sua aplicação pode trazer beneficios quanto ao entendimento do que realmente significa valor para o cliente, identificando o Sistema Toyota de Desenvolvimento de Produto como uma possibilidade factível para analisar o desenvolvimento de produto nas empresas moveleiras. / The process of product development is an important factor to boost a company's competitive edge and has become increasingly critical due to the growing range and reduced lifecycle of products. A process of product development that adds value to the customer by eliminating waste becomes strategic for the competitiveness of companies. In this context, this research aims at analyzing the process of product development in six furniture companies in the Bento Gonçalves hub. Therefore, we developed an exploratory research through multiple case studies in which data was collected through interviews. According to the references and the analysis performed, we based our study on the Toyota Product Development System described by Morgan and Liker (2008), which discusses waste elimination and customer added value. The contribution of this work is the presentation of a study to analyze product development in furniture companies under the approach of the Toyota Product Development System, since these companies operate in demanding markets that require speed, range and competitive prices. Thus, the study contributes to the extent that its application can bring benefits to companies so as to help them understand what customers consider a value, identifying the Toyota Product Development System as a feasible possibility to analyze product development in the furniture companies.

El proyecto que se presenta a continuación trata acerca de la venta de muebles multifuncionales a través de una plataforma web, el cual evidencia la sostenibilidad y escalabilidad del modelo de negocio. La investigación se realiza en Lima Metropolitana y está dirigida a familias del NSE B y C, que viven en departamentos de hasta 80 m2 y se encuentran en una constante búsqueda de maximizar sus espacios. Debido a la creciente demanda de departamentos cada vez más pequeños, el mercado mobiliario acepta la existencia de una tendencia de muebles pequeños, pero con múltiples funciones, ofreciendo adaptabilidad y variedad de acuerdo con los gustos y preferencias de los consumidores. Por ello, se identifican los stakeholders de Dream Home, los cuales son tercerizados durante todo el proceso para satisfacer la demanda del mercado y, por supuesto, lograr superar las expectativas con un valor agregado, el cual se basa en la personalización. La validación de todos los cuadrantes de Business Model Canvas se desarrolla a través de varios experimentos que reconocen y confirman los conceptos descritos en la herramienta. Asimismo, se elabora el desarrollo del plan de negocio, el cual consiste en la elaboración del plan estratégico, el plan de operaciones, el plan de marketing, el plan de responsabilidad social empresarial, el plan de recursos humanos y el plan financiero. Finalmente, se puede asegurar la viabilidad del negocio y presentar el proyecto a los respectivos inversores dispuestos a considerar a Dream Home como una empresa rentable. / The project presented below deals with the sale of multifunctional furniture through a web platform, which shows the sustainability and scalability of the business model. The research is carried out in Metropolitan Lima and is aimed at families from NSE B and C, who live in apartments of up to 80 m2 and are in a constant search to maximize their spaces. Due to the growing demand for smaller and smaller apartments, the furniture market accepts the existence of a trend for small furniture, but with multiple functions, offering adaptability and variety according to the tastes and preferences of consumers. For this reason, Dream Home stakeholders are identified, which are outsourced throughout the process to meet market demand and, of course, exceed expectations with added value, which is based on personalization. The validation of all the Business Model Canvas quadrants is developed through several experiments that recognize and confirm the concepts described in the tool. Likewise, the development of the business plan is prepared, which consists of the preparation of the strategic plan, the operations plan, the marketing plan, the corporate social responsibility plan, the human resources plan and the financial plan. Finally, the viability of the business can be ensured and the project presented to the respective investors willing to consider Dream Home as a profitable company. / Trabajo de investigación

In pieces I wanted to create a design solution inspired by traditional wooden furnitures. Furnitures, like the kitchen sofa with built in storage and a place to sleep or the lockable free-standing linen cabinet that held hand crafted treasures safe and clean inside. Furnitures that are large in size and can be hard to fit into smaller homes today but that holds a huge sentimental value to the owner and are often handed down through generations as heirlooms.   So what if I could weave in a piece of my own family history into a design solution that can fit in smaller living spaces while still be an attractive choice for larger ones?  Pieces resulted in two wooden cabinets that tell part of my family history through the repetitative, organic shapes that I have implemented into them. They are a tribute to my grandmother Aino and her three year younger sister Hanna and my way of symbolically reclaiming their right to the land, forests and lakes around their childhood home that the two sisters didn´t get to share with their siblings in the inheritance after my great grandparents.  The methods I have used in my research are surveys, workshops, in-depth interviews and my own observations. Major design decisions have been based on the input from my research process with the goal to display two full scale cabinets at Konstfack's spring exhibition in May 2023.

This dissertation presents export decision-making information meant to complement the array of information available to wood furniture manufacturers, relevant government agencies, and marketers. It utilizes data obtained from a literature search as well as from a national survey of 947 wood household-furniture manufacturers in the U.S. and 310 manufacturers in Malaysia. Personal interviews were also carried out to support as well as to add depth to the quantitative data. This report includes a detailed look at the global export market opportunities for wood household furniture. For U.S. manufacturers, potential markets are its NAFTA partners - Saudi Arabia, the European Union, and the Pacific Rim countries. However, U.S. companies need to focus more on exporting and not be totally dependent on the domestic markets. As for Malaysian manufacturers, the U.S. will remain as the largest market for their products. However, this may change with the competition that Malaysia faces with other Asian nations such as China, Indonesia, and Thailand. Furthermore, Malaysia, a tropical wood producing country, may lose its market share if U.S. consumers start to demand environmentally friendly wood furniture products. / Ph. D.

This thesis aims at developing a (dis/re)assembly oriented methodology towards product end-of-life. Particular focus in this thesis is on the circularity of furniture via design for (dis/re)assembly. The main motivation behind this study was the need for a method to evaluate the (dis/re)assembly options of furniture designs to be able to facilitate repair, reuse, remanufacturing, refurbishing, or recycling. The study draws upon relevant theories and prior research on Circular product Design, Design for EoL, Design for Environment, and Design for (Dis)assembly of vehicles, electrical and elocronic equipments, whitegoods, as well as office furniture, though relatively limited. The proposed methodology determines major aspects of design for (dis/re)assembly to be taken in to consideration in the early stages of product development. It further provides a set of parameters that are relevant to cabinet type and upholstery furniture group. The study involves a variety of qualitative research methods that are embedded in an interactive research conduct with the engagement of different stakeholders that are charged with the task of product development at Ikea of Sweden (IoS), the collaborator of this study.  The proposed methodology is implemented on three selected furniture designs in a pilot study. The results of the study, above all, suggest that (dis/re)assemblability of a product is a strategic choice that needs to be made at early phases of product development, namely the design phase. Two particular features of the furniture groups, upon which this study focuses, emerges as factors having negative impact on the disassemblability of products: first, wooden frame sofas with respect to their complex structure and connectivity of componants and, second, permanent joints with respect to their destructive impact on the product. The study concludes that it is feasible to develop and implement a potentially comprehensible method to evaluate the ease of disassembly of furniture products and to design for disassembly. The proposed methodology in this study is a contribution to support product design for disassembly towards product circularity.

Magistro darbas individualumo ir kūrybiškumo poreikis Lietuvos baldų dizaino pramonėje” tiria daiktinės aplinkos įtaką kasdieniam žmogaus gyvenimui, jo kūrybiškumui, bei vartotojiškų savybių formavimui.Vartotojiškumo tema plačiai ištyrinėta sociologiniais ir filosofiniais aspektais, tačiau kūrybiškumo temos tyrimai pradėti prieš keletą dešimtmečių, bet nei pasaulyje, nei Lietuvoje neprieita bendros nuomonės kuri apibūdintų kūrybiškumo raiškos ypatumus mokyklinio amžiaus vaiko pasaulyje. Kita vertus, vienareikšmiškai sutinkama, kad jaunuolio kūrybiškai saviraiškai bene didžiausią reikšmę turi ne vien tik auklėjimo sistema, bet ir gyvenamoji aplinka. Mus supanti aplinka vienas svarbiausių kūrybinio proceso aspektų. Lietuvai tapus Europos sąjungos nare pastebimas akivaizdus ekonominių, bei socialinių santykių pasikeitimas, spartus technologinis tobulėjimas skatina didesnį žinių srautą kuris iššaukia didesnį vartojimą. Postmoderniojivisuomenė, pamažu virsdama vartotojų visuomene, vis daugiau dėmesio skiria ilgalaikių jaunuolio gebėjimų augimui, todėl ypač didėja susidomėjimas ankstyvąja vaiko raida, jo individualumo lavinimu. Gyvenimo būdo kaita suponuoja paruošti jaunuolį kiek kitokiai ateičiai, kurioje, tikėtina, bus lemiamas kūrėjo, o ne vartotojo vaidmuo. Dabartinė padėtis Lietuvos vaikiškų baldų pramonėje paskatino atkreipti dėmesį į šios problemos aktualumą. Siekiant lavinti vaikų mąstymą ir skatinti jų individualumo vystymąsi reikia jiems sukurti atitinkamą aplinką kuri... [toliau žr. visą tekstą] / Master thesis of individuality and creativity need Lithuanian furniture design industry is investigating the environmental impact of material daily human life, his creativity, and qualities are widely researched topic formavimui.Vartotojiškumo sociological and philosophical aspects, but the themes of creativity research to start a few decades ago, but neither the world nor Lithuania failed to come to a common opinion that described creativity in expression of the school-age child in the world. On the other hand, it is explicitly agreed that a young man's creative self-expression is mostly influenced not only by the (education/upbringing) system, but also by the living environment. The surrounding environment is one of the most important aspects of the creative process. The young man’s room furniture comparative analysis is displayed further. Surveys are done in which consumer’s demand for a product is discovered. After summarizing all of the results, it is possible to offer efficient and modern design solutions for school-age children. Practical work: individuality promoting young man’s room furniture. Easily transformed objects for easy personalization, creativity and the promotion of life-cycle extension are (offered) based on the theoretical work(’s) results. / Магистерская диссертация индивидуальности и творчества нужно Литовский дизайн мебели промышленность расследует воздействие на окружающую среду материальной повседневной жизни человека, его творчества, и качеств широко исследовал тему formavimui.Vartotojiškumo социологические и философские аспекты, но темы творчества исследований, чтобы начать несколько десятилетий назад, но ни мир, ни Литва не смогли прийти к единому мнению, что описанной творчество в выражение ребенка школьного возраста в мире.