O objetivo dessa dissertação é estudar como ocorreu a formação e a cristalização da memória da cidade de Santo André, a partir de 1938, quando ocorreu a mudança da sede do município de São Bernardo para o distrito de Santo André. A partir desse momento, a elite intelectual da cidade, liderada pelo historiador Octaviano Gaiarsa, desenvolveu uma explicação para a origem da cidade, relacionando o município atual com a vila quinhentista de Santo André da Borda do Campo, que havia sido a primeira do planalto. Através dessa relação, a atual cidade de Santo André teve e tem a sua existência justificada, superando qualquer resistência à mudança de nome e de sede. Do mesmo processo fez parte a elaboração dos símbolos da cidade hino, brasão e bandeira; a escolha do herói fundador, João Ramalho; a adoção da data de 8 de abril como aniversário da cidade, a criação dos lugares de memória - a Praça do Quarto Centenário, a construção de estátuas dos heróis quinhentistas e a adoção de seus nomes em ruas e bairros. Analisando a historiografia andreense e comparando-a com a paulista, produzida principalmente no Instituto Histórico e Geográfico de São Paulo, podemos indicar que a criação da memória da cidade de Santo André demonstra o uso político do passado. / In this thesis we study how the memory of a place can be built depending on the interests of the intellectual elite which lives there. We choose as an example the Santo Andre city (São Paulo), whose memory started to be created in 1938, when the headquarters of the São Bernardo do Campo city moved to there. From that time onwards, the intellectual elite of Santo André, led by historian Octaviano Gaiarsa, associated the origin of the city with the 16th Century vila of Santo André da Borda do Campo, the first one in the region. The existence of the city is nowand then justified by this relationship. Its symbols started to appear as part of the same process: anthem, emblem and flag, followed by the choice of its aniversary date, April 8th and the hero which started the city, João Ramalho; memory public places were then built, like the Quarto Centenário Square, and statues were made to glorify its 16th Century heroes; the name of the same heroes were chosen to be the names the streets and districts, and so on... We finish the thesis using this analysis and the São Paulo city one, which can be found mainly in Instituto Histórico e Geográfico de São Paulo, to emphasize that the memory of a place is an example of the political use of the past.

Em seis décadas de atividade, entre 1927 e 1987, Arnaldo Dante Momigliano (1908- 1987) publicou mais de setecentos artigos e resenhas, que formam o corpus de sua obra. Em função da opção de Momigliano por estudos de extensão limitada, apresentados na forma de artigos e conferências, sua obra possui um caráter disperso, o que torna difícil uma visualização clara de sua totalidade. Ainda que compilada nos volumes dos Contributi publicados ao longo da vida do historiador (e após sua morte), tal compilação se apresenta problemática. A presente pesquisa visa propor um mapeamento da obra de Momigliano e uma discussão e contextualização da mesma, centrada nos principais focos de sua produção, com ênfase nas questões da história da historiografia e da paz e liberdade no mundo antigo. / In six decades of activity, between 1927 and 1987, Arnaldo Dante Momigliano (1908- 1987) published more than seven hundred articles and reviews, which form the body of his work. Due to his option for studies of limited extension, presented in the form of articles and conferences, his work possesses a dispersed character, what makes a clear visualization of its totality difficult. Although compiled in the nine volumes of the Contributi published along the historian\'s life (and after his death), such compilation is problematic. The present research proposes to trace a map of Momiglianos work and a discussion and contextualization of this work, centered in the main focuses of his production, with emphasis in the subjects of the history of the historiography and the peace and liberty in the ancient world.

A historiografia da ciência presenciou uma mudança significativa na abordagem histórica, principalmente no que tange a ciência dos séculos XV e XVI. A construção do período renascentista como interlúdio à Revolução Científica e a presença desta temática em diversos campos historiográficos foi integrante da criação e divulgação da História da Ciência como vertente de estudo. Baseada na colaboração de outras áreas fundamentais para se entender a relação entre história e ciência como a física, a filosofia, a medicina e a sociologia, a História da Ciência contou com discussões sobre o papel dos indivíduos na construção científica e o legado histórico deixado para gerações posteriores ainda em construção. A historiografia colocou em questão a participação da Antiguidade, Idade Média, Renascimento, arte, filosofia, religião, astronomia, matemática, ciências naturais e hermetismo para formação da ciência moderna. Os historiadores e os historiadores da ciência produziram pesquisas que se fundamentaram em tentar resolver os embates históricos e conceituais surgidos no final do século XIX, muito modificados em meados do século XX, estenderam-se até dias atuais, com o intuito de colaborar com o campo de estudo que nascia de uma necessidade historiográfica. Por isso, nesse estudo contextualizaremos o ambiente em que surgiu a concepção do homem moderno e a ciência moderna, abordaremos um acervo que possibilitou a construção e o progresso do campo de estudo da História da Ciência tendo em vista as diversas abordagens, e, estabeleceremos a importância da historiografia e da discussão historiográfica feita por António Beltrán para a divulgação e continuidade científica. / The historiography of science has witnessed a significant change in historical aproach, especially regarding the science of centuries XV and XVI. The building of Renaissance period as interlude to the Scientific Revolution and the presence this theme in various historiography field was a constituent of creation and spread of the History of Science like field of study. Based on the collaboration another fundamental areas to understand the relationship between history and science as physics, philosophy, medicine and sociology, the History of Science had discussions about the role of individuals in the scientific construction and historical legacy left to later generations still under construction. Historiography put in question the participation of Antiquity, Middle Age, Renaissance, art, philosophy, religion, astronomy, mathematics, natural sciences and arcane to the formation of modern science. Historians and historians of science have produced studies that were based on trying to solve the historical and conceptual conflicts arose in late of 19th century, much modified in the mid-twentieth century, it continued until today, in order to contribute with the field study that was born of historiographical need. Therefore, in this survey we contextualize the environment in which emerged the conception of the modern man and modern science, we will approach a collection that enable the construction and progress History of Science of the field of study in view of different approaches, and will establish the importance of historiography and historical discussion made by António Beltrán for the dissemination and scientific continuity.

This dissertation examines the uses of meta-theater in The Peach Blossom Fan, an early Qing historical drama by Kong Shangren (1648-1718), arguing that the meta-theatrical elements of the play serve as an innovative form of historiography. Kong Shangren, a member of the Confucian Kong lineage, is unusual for a Chinese playwright: he was steeped more deeply in the world of Confucian ritual music than the work of writing lyrics for dramatic arias, yet The Peach Blossom Fan is recognized as one of the last great chuanqi dramas of the Ming-Qing period. Kong wrote at a time of great social and cultural transformation, completing The Peach Blossom Fan not long after the violent conflicts of the mid-17th century Ming-Qing dynastic transition were finally coming to an end. At the same time, the literary genre of chuanqi drama was also in the midst of its own transitions, as writers of the early Qing increasingly turned to other literary genres beyond this popular late Ming form. I argue that The Peach Blossom Fan marks a key transition in the development of the chuanqi drama, owing both to the play’s formal innovations that exceed the traditional chuanqi form, such as its rejection of the conventional “grand reunion” finale and re-envisioning of the role-type system, and also to its synthesis of historiographical judgements with the world of theatrical performance. Focusing on the play’s uses of meta-theater, I show how The Peach Blossom Fan models the work of historiography by guiding its readers to cultivate the “cold, clear eyes” of a historical witness. Kong Shangren’s methods as a playwright-historian are at their best in The Peach Blossom Fan’s engagement with Ruan Dacheng (1587-1646): a blacklisted late Ming politician who was also a well-received playwright in his own time. Ruan’s life and work have been largely neglected in previous scholarship, despite his significance as a 17th century dramatist. The Peach Blossom Fan uniquely places Ruan Dacheng on stage as a dramatic character at the same time as it turns Ruan’s own chuanqi drama, The Swallow Letter, into an unsuccessful play-within-a-play. In so doing, The Peach Blossom Fan invites reflection on the writer alongside his work, synecdochically turning The Swallow Letter into the music of the collapsing Ming Dynasty and pronouncing Ruan’s fate as the villainous playwright who wrote it. Kong thereby creates a new dramatic motif of the “playwright on stage” — a method of meta-theatrical literary criticism that is picked up by later playwrights, such as the mid-Qing writer Jiang Shiquan. In The Peach Blossom Fan, Kong Shangren also creates a new vision for the worldly stage within and around his play; one in which the problems of social and theatrical performance are tied up in the formal world of the printed chuanqi drama. I analyze the textual dimensions of the play’s meta-theatrical innovations by focusing on Kong’s engagement with the late Ming Linchuan drama school, from The Peach Blossom Fan’s performative re-casting of the familiar female self-portrait motif, to the play’s meta-theatrical reflections on Kong’s own position as its early Qing playwright. The Peach Blossom Fan is framed through a series of paratexts, including an account of how the play itself came into being. The self-reflexivity of The Peach Blossom Fan as a literary text thereby extends its meta-theatrical frames to Kong Shangren’s world as its playwright, using notions of theatrical performance to examine the work of reading, writing, and ritual. Taken together, I contend, these layers of The Peach Blossom Fan theatricalize the literary genre of the chuanqi, drawing attention to the representational limits of historical narratives and capturing the ways in which writing is yet another form of performance.

[pt] O presente trabalho pretende analisar as concepções de história com que operavam os sócios fundadores do Instituto Histórico e Geográfico Brasileiro de até o fim dos anos 1840. Este recorte temporal refere-se ao período em que os mesmos citados sócios estiveram à frente dos trabalhos do Instituto, sendo que em fins dos anos 1840 muitos dos mesmos sócios já haviam falecido ou estavam perdendo lugar para uma nova geração que pensava o fazer historiográfico de modo diverso. Pretende-se demonstrar que os fundadores do IHGB não tinham um conceito único de história, operando com métodos e elementos tanto do conceito antigo quanto do conceito moderno de história. Para compreender por quê os membros da Casa pretenderam fundar o IHGB e como pretendiam pesquisar e escrever a história, procedeu-se uma pesquisa e análise das biografias dos sócios, e posteriormente uma análise dos temas mais frequentes de história que circulavam nos debates durantes as sessões periódicas e na publicação principal do Instituto, a Revista do Instituto Histórico e Geográfico do Brasil, que estavam bastante vinculados à preocupação de construir a identidade nacional. / [en] This present dissertation intends to analyze the concepts of history used by the founders of Instituto Histórico e Geográfico Brasileiro, until the end of the 1840`s. This time choice refers to the period in which the same named members were most in charge of the Institute`s works, because at the end of the 1840`s many of these men had already died or were losing place for a new generation of members, who thought the doing of history in a diverse way. It intends to demonstrate that the founders of IHGB didn`t have a unique concept of history, operating with methods and notions either of the ancient and the modern concept. In order to comprehend why these men intended to found the Institute and how they intended to investigate and write the history, a research and an analysis of the biographies of the founders have been done, and also after an examination of the most frequent subjects of history that the members used to raise on their periodic meetings and that used to appear on their principal publication, the Revista do Instituto Histórico e Geográfico do Brasil, that were very linked to the concern of creating the national identity.

Ce travail de doctorat en archéologie du Proche-Orient entend questionner les preuves matérielles des phénomènes de globalisation et de la formation de l’empire néo-assyrien (IXe-VIIe s. av. J.-C.). L’empire néo-assyrien a été imaginé très tôt par des savants européens, nationalistes et positivistes du XIXe siècle. Ils lui reconnaissent un espace central qu’ils dénomment « le triangle assyrien » et l’érigent comme foyer culturel. La culture assyrienne serait dès lors diffusée au gré de l’expansionnisme des souverains motivés par une idéologie impérialiste. Les premiers archéologues confirment la singularité ethno culturelle des vestiges remise en cause aujourd’hui grâce à un renouvellement des méthodes et des activités de recherche au nord de l’Irak. Le premier volet de notre étude propose une approche épistémologique et historiographique des notions de « culture matérielle » et de « région centrale». Il s’agit d’éviter les obstacles méthodologiques pour penser l’histoire des contacts et des circulations des techniques des Anciens entre l’Euphrate et les contreforts du Zagros. Le deuxième temps de l’analyse consiste à enquêter sur les modèles de peuplement et les productions matérielles dans l’ouest de la Djéziré, en se concentrant sur le site de Tell Masaïkh pour lequel une typo-chronologie des poteries est proposée. Enfin, par une mise en perspective de ces deux temps d’analyse, les rythmes d’installation et les orientations des échanges et des interactions des populations de ces régions sont précisés. Ces conclusions démontrent une appartenance de l’empire assyrien à un réseau globalisé au Ier millénaire, hérité d’une longue durée des contacts en Mésopotamie du Nord. / This dissertation examines material evidence of the phenomena of globalization and the formation of the Neo-Assyrian Empire (9th - 7th century BCE). The Neo-Assyrian Empire was first concieved of by nineteenth-century European scholars, nationalists, and positivists. They identified it as a central space which they called "the Assyrian triangle" and envisioned as a cultural hub. The Assyrian culture would then radiate outward according to the expansionist policy employed by rulers motivated by an imperialist ideology. Previous archaeological examination confirms the ethno-cultural uniqueness of the vestiges now being revisited thanks to a renewal of research methods and activities in northern Iraq. The first part of this study proposes an epistemological and historiographical approach to the concepts of "material culture" and "central region," in order to avoid any methodological obstacles in thinking about the history of contact and the circulation of ancient technologies in the region between the Euphrates and the foothills of Zagros. The second part of this study investigates the settlement patterns and material production in the western Jazirah, focusing on the site of Tell Masaikh for which a typo-chronology of the pottery is proposed. Finally, by putting into perspective these analyses, settlement rythmes and the direction of exchanges and interactions among the populations of these regions are made clear. The conclusions of this study show that the Assyrian empire belonged to a globalized network in the first millennium, which resulted from the long history of cultural contact in northern Mesopotamia.

Cette thèse analyse la question des usages politiques du passé en France depuis les années 1990 jusqu’à nos jours. Cette problématique est traitée au niveau de trois sphères aux relations mutuelles interactives : la politique, l’histoire et la mémoire. La partie introductive comprend une interprétation des plus importantes conceptions françaises de la mémoire (Halbwachs, Nora, Ricœur). Trois parties étudient ensuite successivement les interactions entre politique et histoire (à partir de ce que l’on nomme les « lois mémorielles » et la réaction qu’elles provoquent de la part des historiens), les relations entre mémoire et politique (à partir de l’analyse des usages de la mémoire dans les discours des présidents de la République) et l’influence mutuelle de l’histoire et de la mémoire (en suivant l’évolution de l’historiographie de la période contemporaine). / The PhD. thesis analyzes the triangle of mutual influences between politics, history and memory. The introduction brings interpretations of the most important French concepts of memory (Halbwachs, Nora, Ricœur). The content is divided into three chapters, analyzing the mutual interactions of politics and history (so-called „memory laws“ and reactions of historians), influences between memory and politics (uses of memory in presidential speeches), and mutual effects between history and memory (development of French historiography of contemporary history).

Cette thèse s’intéresse aux Histoires de l’Église françaises et allemandes du XIXe siècle (1801-1914) destinées aux futurs prêtres ou pasteurs amenés à fréquenter les lieux de formation théologique. Le choix d’un double prisme de comparaison – bi-confessionnel (catholique et protestant) et binational (français et allemand) permet de s’interroger sur la dimension identitaire de l’historiographie ecclésiastique et de déterminer quelle appropriation ou instrumentalisation est faite de l’histoire de l’Église. La différence principale entre auteurs catholiques allemands et français tient à leur formation – les premiers évoluant surtout dans les facultés de théologie étatiques, les deuxièmes étant formés dans les grands séminaires – qui influe sur la conception des manuels. L’évocation d’ennemis de l’Église, davantage rhétorique dans la première moitié du siècle, se concrétise dans la deuxième moitié du siècle sous l’influence des conflits entre l’État et l’Église (lois scolaires en France, Kulturkampf en Allemagne). Dans l’étude thématique et le traitement de sujets sensibles, au-delà de la dimension érudite de certaines controverses, apparaissent des enjeux ecclésiastiques ou politiques de l’histoire de l’Église (notamment dans le contexte du Concile de Vatican I). Il ressort de l’étude de plusieurs épisodes de l’Église ancienne qu’auteurs catholiques et protestants n’achoppent pas sur les mêmes épisodes, car la signification ou le poids de l’Antiquité tardive n’est pas le même selon les confessions. La justification et l’explication de la conduite des évêques de Rome, comme Libère et Honorius par exemple, importent à la plupart des auteurs catholiques, nombreux à fustiger l’instrumentalisation du sujet par les adversaires de l’Église contrairement à leurs homologues protestants. Le contrôle du discours historique produit par le clergé catholique doit être vu comme une interaction de plusieurs dynamiques : contrôle des autorités ecclésiastiques en amont et en aval de la publication (exemplarité de quelques cas de livres censurés par la Congrégation de l’Index), implication des maisons d’éditions qui reproduisent les traces du contrôle ecclésiastique comme des garants d’orthodoxie, réception par la presse. / This study is based on French and German church histories of the 19th century (1801-1914) used by future priests or pastors in context of their theological education. By choosing a double prism for comparison - bi-confessional (Catholic and Protestant) and bi-national (French and German), the study focuses on the identity dimension and instrumentalization of ecclesiastical historiography and church history. The main difference between German and French Catholic authors is due to their educational training. While most German authors study in state faculties of theology, their French counterparts mostly study in seminaries and this difference influences the conception of the textbooks. During the first half of the century authors invoke so-called 'enemies of the church' mostly in a rhetorical way but during the second half of the century these invocations take on a more concrete character in context of state-church conflicts such as the school laws in France or the Kulturkampf in Germany. The content analysis did not only reveal controversies among scholars. In context of the First Vatican Council for example some controversies of history have a political or religious dimension as well.It emerges from the study of the chapters dedicated to the history of the ancient church that Catholic and Protestant authors are not always concerned about the same topics. Depending on the confession, the significance and the force of what we now call Late Antiquity is not the same.While this is not a priority for Protestant authors, most of their Catholic counterparts feel the need to justify and/or explain the actions of bishops of Rome such as Liberius or Honorius for example, or to insist on the instrumentalization of the topic by enemies of the church. The control of historical discourse produced by Catholic clergymen is to be understood as an interaction of several dynamics: control by the church authorities before and after a book is published (with exemplary censorship of certain books by the Congregation of the Index), publishing houses using ecclesiastical control to prove the orthodoxy of their books and reception by the press.

Esta dissertação pretende fornecer duas contribuições para a historiografia dos conhecimentos linguísticos. A primeira é a tradução completa e anotada, inédita em português, da Arte de Donato, um dos mais influentes tratados gramaticais produzido pela Antiguidade Clássica. A segunda é um estudo introdutório que aborda a parte mais importante da teoria gramatical antiga, a doutrina das partes da oração, ancestrais do que hoje conhecemos como classes de palavras. A partir de fontes antigas e de estudos recentes, investiga-se o surgimento e estabelecimento dessa doutrina no mundo greco-romano, através de uma análise dos critérios de recorte e classificação do material linguístico utilizados pela dialética (platônica, aristotélica, estoica) e pela gramática antiga, seguida de um trabalho comparativo que busca indícios de possíveis influências entre essas diferentes abordagens. / This dissertation aims to bring two contributions to the historiography of linguistic thought. The first is a complete and annotated unprecedented translation into Portuguese of Ars Donati, one of the most influential grammatical treatises produced by Greco-Roman culture. The second is an introductory presentation concerning the parts of speech, core of ancient grammatical doctrine and ancestors of our word classes. Ancient sources and recent studies guide the investigation of emergence and establishment of this doctrine in classical antiquity, by the way of a comparative study that seeks evidences of possible influence between dialectics (Plato, Aristotle, Stoics) and grammar as regards the criteria for analysis and classification of linguistic data.

Esta dissertação teve como principal meta analisar a metalinguagem utilizada por gramáticos portugueses do século XIX para descrever a fonética e a fonologia da língua. As obras oitocentistas que compõem nosso corpus são: Couto e Melo (1818), Soares Barbosa (1822), Constâncio (1831), Caldas Aulete (1864), Coelho (1868) e Coelho (1891). Partimos da metodologia de Swiggers (2010), que propõe sete parâmetros classêmicos que organizam as relações possíveis tanto entre metatermos, quanto deles com aspectos contextuais em que as obras estejam inseridas. Nossos estudos nos levaram a sete metatermos fundamentais para a compreensão do estudo de fonética e fonologia em obras descritoras do português naquele período: som, letra, voz, vogal, consoante, nasal e oral. Fez parte, também, de nossa pesquisa, um estudo comparativo entre estas obras do século XIX e três obras do século XVI, momento inicial dos estudo gramaticais em Portugal: Oliveira (1536), Barros (1540) e Leão (1576). Como resultados, acreditamos ter demonstrado que, ainda que haja certa persistência e manutenção de aspectos da tradição gramaticográfica portuguesa, é possível observar mudanças significativas no modo de descrição dos gramáticos oitocentistas, quando comparados com os do século XVI. Pudemos comprovar, ainda, a nossa hipótese de que a permanência e a mudança são mais bem observadas se analisadas a partir de redes terminológicas do que pelo exame isolado dos metatermos. / This dissertation has as its main aim to analyze the metalanguage employed to describe phonetic and phonological properties by Portuguese grammarians. In order to do so, we selected the following 18th century texts: Couto e Melo (1818), Soares Barbosa (1822), Constâncio (1831), Caldas Aulete (1864), Coelho (1868) e Coelho (1891). We built on Swiggers (2010), who proposed seven parameters that rule both possible relations between metaterms as well as contextual aspects. Our case studies have led us to seven metaterms, which we take to be fundamental to the comprehension of phonetics and phonology in the aforementioned texts: sound, letter, voice, vowel, consonant, nasal and oral. In our study, we compared those 18th century grammars to three 16th century texts: Oliveira (1536), Barros (1540) and Leão (1576), these being representative of the initial moments of the Portuguese grammar tradition. From a theoretical point of view, we demonstrated that it is possible to find substantial changes in the way phonetics and phonology are described in the 18th century texts when compared to 16th century texts, even considering the persistence and stability of the Portuguese grammar tradition. In addition, we affirm that permanence and change are better observed if they are analyzed in terminological webs rather than isolated metaterms.