Global ETD Search

1	Eldsjälar : Kulturella och kreativa näringar / Passionate souls : Cultural and creative industries Westman, Camilla January 2022 (has links) No description available. Kulturentreprenörskap eldsjäl kulturella och kreativa näringar KKN Other Humanities not elsewhere specified Övrig annan humaniora
2	Spelkulturens nya plats i politiken : En beskrivande idéanalys av spelkulturens roll inom svensk regional kulturpolitik / Game culture´s new place in politics : A descriptive idea analysis of the role of game culture in regional cultural politics in Sweden Haster Olsson, Felicia January 2024 (has links) The aim of this study is to examine how game culture is portrayed in Swedish regional politics by using a descriptive idea analysis in official political documents developed by Swedish regions. The result show five different ideological catgories - "game and film", "games associations and community", "children and youths", "the gaming industry and cultural and creatvie industries" and "game culture as a department". Although game culture is described as a department by many regions, games are undermined by being used as a means to boost more established cultural departments. Elitist ideas work against game culture, which can cause parts of game culture, which has more in common with more traditional forms of culture, to be prioritized. The cultural and social values of video games can be overlooked in favor of educational and economic values. regional kulturpolitik spelkultur KKN kulturstudier populärkultur kvalitativ metod Cultural Studies Kulturstudier
3	Upphöjd, Hyllad, ifrågasatt : En studie av idealiserade föreställningar om kulturentreprenören / Elevated, Praised, Questioned : An examination of idealized images about the cultural entrepreneur Lindström, Malin January 2014 (has links) The aim of this paper is to investigate dominant beliefs and approaches to the "cultural entrepreneur" both within a public context, and also among business owners within the cultural field. What happens when ideas and attitudes in the public sector towards culture driven businesses meets the perspective of individual cultural entrepreneurs? This study is based on analysis of political documents about the cultural and creative industries (CCI) from the European union, national level and regional level. Interviews with six business owners in the field of culture and one representative of the Swedish region with the fictive name “Alma” has been conducted. The research is also based on participant observation in public seminars and conferences about the creative industries in Sweden. The paper mainly uses Queer phenomenological theory (Sara Ahmed) to analyze the informants life worlds and how they are oriented in the same. The study is also based on poststructuralist discourse analysis and the logics approach, developed by Jason Glynos and David Howarth when analyzing political documents. This research shows there is a complex and contradictory approach towards the CCI and the cultural entrepreneur based on idealized images about the artist and the businessman, idealized images thats been existing in the discourses over a long time and which created deep structures. The cultural entrepreneurs are being described as the hope and future of the economy and welfare in Europe and its regions and at the same time as something very costly which no one really have faith in. This dual approach is a contributing factor to change being prevented. cultural entrepreneurship culture driven businesses Cultural and creative industries CCI small businesses cultural policy idealized images identities logics kulturentreprenörskap kulturföretag kulturella och kreativa näringar KKN småföretagande kulturpolitik idealiserade föreställningar identiteter logiker
4	Låtskrivare = Entreprenör? : En kvalitativ studie om likheter mellan föreställningar om låtskrivare och entreprenörer / Songwriter = Entrepreneur? : A qualitative study of similarities between preconceptionsof songwriters and entrepreneurs Sundelin, Oscar January 2018 (has links) The purpose of the study is to examine similarities between the role as a songwriter with the role as an entrepreneur, as well as the conceptions about working with songwriting. To examine this three questions was asked: What similarities are there between the role as a songwriter and the role as an entrepreneur? What characteristics are described as important to succeed as a songwriter compared to those of an entrepreneur? What conceptions are there about working with songwriting? As a foundation for the thesis the history of the music industry is depicted in its own chapter with focus on the sales of music from the 15th century until today. The chapter describes how the music industry for a long time used sheet music as the main way to distribute new music. In the end of the 19th century the record industry started to emerge with the development of record players. During the 20th century the industry went through a lot of changes where new technology like the radio and the TV became important channels to reach a bigger audience. In the beginning of the 21st century the record sales plummeted as the music market became more and more dominated by different streaming services. The thesis empirical data is based on eight interviews, including a group interview, conducted in Los Angeles with four Swedish and seven American informants. It is also based on a forum thread from a Swedish music forum on the internet. The results from the interviews are first described in an overview and then divided into three categories; aspiring songwriters, songwriters in the music industry and informants working with songwriters. The results from the interviews shows that a songwriter should be a good person to collaborate with, be good at establishing important contacts in the music industry, and pay attention the administrative work of accounting, contracts and agreements. From the forum thread of the music forum disappointment is expressed about how DJ’s do not single handedly write and produce all the music they are attributed to in the media. The analysis shows that professional songwriters have much in common with entrepreneurs because they both need to take risks, be creative, and start business. The similarities between the conceptions of what is required to succeed as a professional songwriter with what it takes to succeed as an entrepreneur includes having a good idea, having a supportive environment as well as being involved in marketing, sales and administration. Furthermore, the analysis shows that the work of songwriting is often glorified or overlooked, which creates misleading representations of what the work of a songwriter actually consists of. Cultural entrepreneur songwriter music industry music business cultural and creative industries CCIS CCI cultural entrepreneurship entrepreneurship songwriter music industry music industry music musician los angeles creative class Programmet för kulturentreprenörskap Kulturentreprenörskap Kulturentreprenör entreprenör låtskrivning musikbranschen musikindustrin kulturella och kreativa näringar kkn kulturentreprenörskap entreprenörskap låtskrivare musikbransch musikindustri musik musiker los angeles kreativa klassen Other Humanities not elsewhere specified Övrig annan humaniora

1

Page generated in 0.013 seconds